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Mimi Onuoha

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has explored the idea of "missing datasets," which she describes as "blank holes in otherwise data-saturated systems," such as information about citizen surveillance by the police. These gaps in modern data collection can both harm and help vulnerable communities. Ọnụọha points out that
715: 676: 1086: 165:., an artist-led organization that creates educational guides in the form of zines and hosts workshops about emerging technology. She previously taught at 410:"Making audacious bets on the future of technology: Media artist Mimi Onuoha '11 shines a light into the invisible margins of data | Princeton Alumni" 359: 1052: 194: 334: 557: 1101: 1071: 817: 791: 1076: 441: 944: 843: 1096: 254: 249:
Fellow and an artist in residence at Eyebeam Center for Art & Technology, Studio XX, Data & Society Research Institute,
1106: 547: 210: 1045: 246: 919: 1081: 765: 1038: 218: 154: 869: 1091: 230: 153:, leaving out communities where more than a million people live. She is also interested in the effects of 124:Ọnụọha was born in 1989 in Parma, Italy, and grew up in Houston, Texas. Ọnụọha majored in anthropology at 625: 202: 520: 198: 818:"You probably are not fully removing your private photos and data before selling your old technology" 270: 258: 234: 226: 125: 101: 651: 409: 278: 250: 186: 170: 129: 97: 35: 166: 670: 553: 1022: 969: 894: 182: 470: 286: 274: 690: 190: 1065: 495: 162: 360:"Center for Digital Humanities holds 'Who Counts?' symposium on intersectional data" 206: 116:, NY whose work examines the effect of data collection and technology on society. 54: 157:
and how people are classified and abstracted by data. Ọnụọha is the co-author of
146: 844:"Machine learning is being used to uncover the mass graves of Mexico's missing" 1014: 740: 308: 44: 24: 573: 113: 384: 86: 599: 282: 150: 222: 945:"It Matters Most To You: On Digital Literacy and Data Production" 335:"Data collection is not the solution for Europe's racism problem" 716:"Mimi Onuoha - The Future Is Here! | The Photographers Gallery" 169:. Based in Brooklyn, she is currently an adjunct professor at 18: 895:"On art and technology: The power of creating our own worlds" 112:
is a Nigerian American visual artist and academic based in
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This article about an artist from the United States is a
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Uberland: How Algorithms Are Rewriting the Rules of Work
1026: 49: 39: 792:"Side-by-side images expose a glitch in Google's maps" 766:"Reenvisioning the Internet: Embrace Its Multiplicity" 269:Ọnụọha has written articles in publications such as 217:. Her public art engagements have been supported by 93: 77: 465: 463: 281:. She has also written essays published in The 920:"You Are Not Your Data (and a project update)" 552:. Univ of California Press. pp. 111–112. 1046: 8: 16:Nigerian American visual artist and academic 675:: CS1 maint: numeric names: authors list ( 132:’s Interactive Telecommunications Program. 1053: 1039: 85: 74: 626:"Mimi Onuoha, Everything That Didn't Fit" 181:Ọnụọha's recent solo exhibitions include 442:"Advice to my younger self: Mimi Onuoha" 297: 668: 195:Australian Centre for Contemporary Art 289:, and Nichons-Nous Dans L'Internet. 7: 1087:American artists of Nigerian descent 1011: 1009: 870:"What It Takes To Truly Delete Data" 546:Rosenblat, Alex (October 23, 2018). 436: 434: 432: 430: 303: 301: 189:. Her work has been featured at the 128:. She earned a Master’s degree from 1025:. You can help Knowledge (XXG) by 471:"Mimi Onuoha | Bennington College" 14: 868:Onuoha, Mimi (January 30, 2017). 521:"The Library of Missing Datasets" 1013: 650:info1509366 (October 27, 2021). 142:The Library of Missing Datasets, 23: 842:Onuoha, Mimi (April 19, 2017). 720:thephotographersgallery.org.uk 1: 816:Onuoha, Mimi (May 10, 2017). 790:Onuoha, Mimi (June 6, 2017). 277:, the Knight Foundation, and 691:"Mimi Ọnụọha: What is data?" 652:"These Networks In Our Skin" 245:Ọnụọha has been a Fulbright- 149:lacks map data for Brazil's 1102:21st-century American women 1072:Princeton University alumni 974:news.nationalgeographic.org 949:news.nationalgeographic.org 924:news.nationalgeographic.org 1123: 1077:New York University alumni 1008: 600:"A People's Guide to Tech" 496:"Mimi Onuoha | Tow Center" 199:Mao Jihong Arts Foundation 211:The Photographers Gallery 140:Ọnụọha's work, including 84: 1097:American women academics 604:A People's Guide to Tech 574:"A People's Guide to AI" 333:Reventlow, Nani Jansen. 227:the Royal College of Art 159:A People's Guide to Tech 120:Early life and education 970:"What Maps Really Show" 155:artificial intelligence 38:, as no other articles 500:towcenter.columbia.edu 241:Awards and Recognition 231:Rockefeller Foundation 1107:American artist stubs 578:Allied Media Projects 207:Transmediale Festival 191:Whitney Museum of Art 580:. September 18, 2018 414:alumni.princeton.edu 364:Princeton University 259:Royal College of Art 235:Princeton University 126:Princeton University 102:Princeton University 656:Forest City Gallery 624:gallery, bitforms. 448:. February 12, 2019 279:National Geographic 251:Columbia University 247:National Geographic 187:Forest City Gallery 171:New York University 98:New York University 475:www.bennington.edu 385:"With Mimi Onuoha" 313:Data & Society 223:Le Centre Pompidou 219:Akademie der Kunst 167:Bennington College 57:for suggestions. 47:to this page from 1034: 1033: 899:Knight Foundation 559:978-0-520-97063-2 339:www.aljazeera.com 107: 106: 71: 70: 1114: 1082:American artists 1055: 1048: 1041: 1017: 1010: 1002: 1001: 999:Official website 985: 984: 982: 980: 966: 960: 959: 957: 955: 941: 935: 934: 932: 930: 916: 910: 909: 907: 905: 891: 885: 884: 882: 880: 865: 859: 858: 856: 854: 839: 833: 832: 830: 828: 813: 807: 806: 804: 802: 787: 781: 780: 778: 776: 762: 756: 755: 753: 751: 737: 731: 730: 728: 726: 712: 706: 705: 703: 701: 687: 681: 680: 674: 666: 664: 662: 647: 641: 640: 638: 636: 630:bitforms gallery 621: 615: 614: 612: 610: 596: 590: 589: 587: 585: 570: 564: 563: 543: 537: 536: 534: 532: 517: 511: 510: 508: 506: 492: 486: 485: 483: 481: 467: 458: 457: 455: 453: 438: 425: 424: 422: 420: 406: 400: 399: 397: 395: 381: 375: 374: 372: 370: 356: 350: 349: 347: 345: 330: 324: 323: 321: 319: 305: 203:La Gaitê Lyrique 183:bitforms gallery 89: 75: 66: 63: 52: 50:related articles 27: 19: 1122: 1121: 1117: 1116: 1115: 1113: 1112: 1111: 1062: 1061: 1060: 1059: 1006: 997: 996: 993: 988: 978: 976: 968: 967: 963: 953: 951: 943: 942: 938: 928: 926: 918: 917: 913: 903: 901: 893: 892: 888: 878: 876: 874:FiveThirtyEight 867: 866: 862: 852: 850: 841: 840: 836: 826: 824: 815: 814: 810: 800: 798: 789: 788: 784: 774: 772: 764: 763: 759: 749: 747: 739: 738: 734: 724: 722: 714: 713: 709: 699: 697: 689: 688: 684: 667: 660: 658: 649: 648: 644: 634: 632: 623: 622: 618: 608: 606: 598: 597: 593: 583: 581: 572: 571: 567: 560: 545: 544: 540: 530: 528: 527:. July 31, 2018 519: 518: 514: 504: 502: 494: 493: 489: 479: 477: 469: 468: 461: 451: 449: 446:Ford Foundation 440: 439: 428: 418: 416: 408: 407: 403: 393: 391: 383: 382: 378: 368: 366: 358: 357: 353: 343: 341: 332: 331: 327: 317: 315: 307: 306: 299: 295: 287:FiveThirtyEight 275:FiveThirtyEight 267: 243: 179: 138: 122: 80: 67: 61: 58: 48: 45:introduce links 28: 17: 12: 11: 5: 1120: 1118: 1110: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1064: 1063: 1058: 1057: 1050: 1043: 1035: 1032: 1031: 1018: 1004: 1003: 992: 991:External links 989: 987: 986: 961: 936: 911: 886: 860: 834: 808: 782: 757: 732: 707: 682: 642: 616: 591: 565: 558: 538: 525:Alfalfa Studio 512: 487: 459: 426: 401: 376: 351: 325: 296: 294: 291: 266: 263: 242: 239: 178: 175: 137: 134: 121: 118: 105: 104: 95: 91: 90: 82: 81: 78: 69: 68: 55:Find link tool 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1119: 1108: 1105: 1103: 1100: 1098: 1095: 1093: 1092:Living people 1090: 1088: 1085: 1083: 1080: 1078: 1075: 1073: 1070: 1069: 1067: 1056: 1051: 1049: 1044: 1042: 1037: 1036: 1030: 1028: 1024: 1019: 1016: 1012: 1007: 1000: 995: 994: 990: 979:September 18, 975: 971: 965: 962: 954:September 18, 950: 946: 940: 937: 929:September 18, 925: 921: 915: 912: 904:September 18, 900: 896: 890: 887: 879:September 18, 875: 871: 864: 861: 853:September 18, 849: 845: 838: 835: 827:September 18, 823: 819: 812: 809: 801:September 18, 797: 793: 786: 783: 771: 770:walkerart.org 767: 761: 758: 750:September 18, 746: 742: 736: 733: 725:September 18, 721: 717: 711: 708: 700:September 18, 696: 692: 686: 683: 678: 672: 661:September 18, 657: 653: 646: 643: 635:September 18, 631: 627: 620: 617: 609:September 18, 605: 601: 595: 592: 579: 575: 569: 566: 561: 555: 551: 550: 542: 539: 526: 522: 516: 513: 501: 497: 491: 488: 476: 472: 466: 464: 460: 447: 443: 437: 435: 433: 431: 427: 419:September 18, 415: 411: 405: 402: 394:September 18, 390: 386: 380: 377: 365: 361: 355: 352: 340: 336: 329: 326: 314: 310: 309:"Mimi Onuoha" 304: 302: 298: 292: 290: 288: 284: 280: 276: 272: 264: 262: 260: 256: 252: 248: 240: 238: 236: 232: 228: 224: 220: 216: 212: 208: 204: 200: 196: 192: 188: 184: 176: 174: 172: 168: 164: 163:Mother Cyborg 160: 156: 152: 148: 143: 135: 133: 131: 127: 119: 117: 115: 111: 103: 99: 96: 92: 88: 83: 76: 73: 65: 56: 51: 46: 42: 41: 37: 32:This article 30: 26: 21: 20: 1027:expanding it 1020: 1005: 977:. 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New York University
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favelas
artificial intelligence
Mother Cyborg
Bennington College
New York University
bitforms gallery
Forest City Gallery
Whitney Museum of Art
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La Gaitê Lyrique
Transmediale Festival
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Akademie der Kunst
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the Royal College of Art

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