255:. Starr, an artist herself (photographer), knew of Evans' work in 1961 and wanted to meet the artist in person. Starr would go on to represent Evans and publicize her work for the next 25 years. Evans originally sold her first paintings for 50 cents apiece. Starr encouraged Evans to sell her paintings for better prices and assisted Evans throughout her career. Evans felt her work was too personal to share with the public which held her from releasing anything until 1961 when she had her first major art exhibition at The Little Gallery in Wilmington, now known as
160:, North Carolina, to live with her maternal grandmother, Mary Croom Jones in 1893. Evans, like other children her age, had an active imagination at all hours of the day. In her case, the whimsical visions she received would keep her up throughout the night, so that she hardly ever got any rest. This lack of sleep, together with her family's need for her assistance, caused her schooling to end at the age of 13. Minnie attended school until the sixth grade and in 1903, she, Ella, and Mary Croom Jones moved to
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viewing mythical creatures that acquaintances could not. Inevitably, these visions circulated throughout her life as she started to hear and see more into her early adulthood. She heard a voice in her head that said: "Why don't you draw or die?" After this, Evans did not resume drawing until 1940. She started using pencil and wax on paper for her beginning works and she later worked with
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16 years old at the time, married Julius (aged 19) that same year. The couple had three sons, Elisha Dyer, David Barnes Evans, and George
Sheldon Evans. Though Evans had many supporters, her husband was not one of them. He would often tell her to stop making up visions and to focus on things to maintain the household. He believed her to be going crazy from the art she was creating.
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crayons as she said “they are the best.” Five years later she decided to really dedicate herself to recording her dreams through art. Filled with Edens and heavens, the landscape of her dream world is principally free of the threat of hell. She painted her early works on US Coast guard stationery and later worked with more precision, using ink,
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colored cement has pressed flowers and plants that Evans used in her paintings. Children’s art that Evans inspired was transformed into 95 stepping stones, each for a year of her life. The chapel itself contains stained glass with many faces and figures that resemble one's Evans used. "Minnie Evans Day" was proclaimed on May 14, 1994, in
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at Airlie
Gardens in her memory. Made almost entirely from reused glass bottles, the Bottle Chapel was created as a tribute to folk artist Minnie Evans and featured works from many other artists. When looking at a top view of the chapel, it resembles a flower with a leaf on each side. Along the path,
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1935, when she finished two drawings using pen and ink "dominated by concentric and semi-circles against a background of unidentifiable linear motifs". These two pieces were titled "My Very First" and "My Second", respectively. From a young age, Minnie depicts her experiences of receiving visions and
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at the age of 43, creating her first pieces of artwork on a scrap of paper bag. She was known to free-hand her drawings from left to right. Minnie Evans was notorious for drawing with anything on hand, including discarded window shades, book bindings, scrap paper. She also favored the use of
Crayola
291:". Religion played a vital role in Evans life, as well as in many of Evans paintings. Evans confessed she wasn't sure of the meanings behind her paintings, stating: "When I get through with them I have to look at them like everybody else. They are just as strange to me as they are to anybody else."
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In
Wrightsville, Ella Jones met her future husband, Joe Kelly, and they married in 1908. During this time, Jones worked as a "sounder" selling shellfish door to door. In 1908, one of Joe Kelly's daughter's from a previous marriage introduced Minnie Jones to Julius Caesar Evans. Minnie Jones, who was
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Now recognized as one of the most important visionary folk artists of the 20th century, her work is highly collected by many museums and collectors all across the world. Despite her prolific and long career, her works do not come up for sale often. When they do, there is always strong competition.
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designs and shapes with nature images and themes in both. These works are not in color. After handing her these drawings to a mysterious prophet, Evans was told that they foreshadowed the current global conflict, World War II. Madame Tula later instructed Evans to make a new painting featuring the
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at the home of her husband's employer, Pembroke Jones, a wealthy industrialist. The Evans family lived on Jones's hunting estate, "Pembroke Park", known today as the subdivision
Landfall. Pembroke Jones died in 1919 and his wife, Sarah (Sadie) Jones remarried Henry Walters. Evans continued to work
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Evans first started selling her work at the Airlie
Gardens by hanging her pieces on the front gate of the gardens. She would often give her pieces away to visitors. Soon she became known throughout the south and visitors would come to the gardens just to see her work. In 1961, she had her first
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Her drawing became compulsive, and her friends and family became worried that she was losing her mind. Over time, however, they gained respect for her art and believed she had a gift. A friend of hers said: "I really feel like Minnie has powers that not many of us have. I'm sure she has."
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in many pieces is a human face surrounded by plant and animal forms. The eyes, which Evans equated with God's omniscience, are central to each figure, often three eyes were depicted and frontal faces with concealed lips. Symmetry was also a common theme in Evans' work In addition,
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A review of a 2017 exhibit notes the contrast between Evans' later works -- "increasingly sophisticated" faces and greater "familiarity with nature"—with her first drawings between 1935 and 1940, which "indicate her innate genius and awareness, in the raw and in transition."
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From 1962 until 1973, Starr recorded interviews with Evans about her work. At first, Evans was wary to trust Starr with her work, but they gained a mutual respect for each other. Starr helped to launch Evans' career by storing and selling her art in
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Two other works, both untitled are more typical works by Evans. One, dated 1996, depicts a woman with a feathered headdress and a green bird. This piece has bold colors, symmetrical, and includes nature themes. The media used is graphite, ink,
180:. Sadie Jones turned the Airlie Estate into gardens in the early 1900s and it later became one of the most famous gardens of the south. After Sadie Jones died, a man named Albert Corbet bought the property in 1948 and assigned Evans to be the
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exhibit at the Church of
Epiphany and Clements Episcopal Church. In August 1969, another exhibition of Evans' work took place at the Art Image Gallery of New York and in 1975, curated a major Evans exhibition at the
236:, she often used the gardens as her inspiration in her work to depict nature scenes. When not taking tickets, Evans was always off painting another vision inspired by her floral surroundings.
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344:. The title of the documentary comes from a quote by Evans herself, in which she says: "God has sent me an angel that stands by me. stands with me and directs me what to do."
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Evans drawings were inspired by her dreams and filled with many colors inspired by her work at Airlie
Gardens. Her designs are complex, with elements recalling the art of
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and take admission from public visitors. She held this position for the rest of her life. She retired from her job as the gatekeeper when she was 82 years old in 1974.
156:. Ella was only 13 years old at the time. Evans' biological father, George Moore, left after she was born. When Evans was two months old, she and her mother moved to
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who worked in the United States from the 1940s to the 1980s. Evans used different types of media in her work such as oils and graphite, but started with using
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276:. With failing health, another exhibition of her work was curated in 1980 at the St. John's Museum. She also had many other exhibitions in New York as well.
125:. She was inspired to start drawing due to visions and dreams that she had all throughout her life, starting when she was a young girl. She is known as a
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Evans died in
Wilmington, North Carolina, on December 16, 1987, at the age of 95, leaving more than 400 artworks to the St. Johns Museum of Art (now the
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Saraf, Irving, and Allie Light, dir. Angel That Stands By Me: Minnie Evans
Painting. Directed by Minnie Evans, Wilmington, NC: FolkStreams, 2008. Film.
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depicts flowers, plants, and butterflies. The nature theme is shown here, but this piece is somewhat atypical due to the asymmetry of the painting.
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John Walker Myers, "Minnie Evans: Off in the Garden to Talk With God." The Southern Quarterly. Volume 35, Number I, Fall 1996. pp. 74–83.
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1207:"Minnie Evans : Learn About The Artists : The Collection: The Anthony Petullo Collection of SELF-TAUGHT & OUTSIDER ART"
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164:, a town close to Wilmington. Minnie attended St. Matthew African Methodist Episcopal Church in Wrightsville Beach, North Carolina.
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970:. A to Z of African Americans, Facts on File Library of American history. New York City, NY: Facts on File, Inc. pp. 74–75.
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Black Folk Artists: Minnie Evans & Bill Traylor - African American Museum, Hempstead, New York, 10 June - 10 September 1989
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formal exhibition of drawings and oils at the Little Artists Gallery (now St. Johns Museum) in Wilmington, North Carolina.
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267:. She also guided her in the art world by making her sign and date her pieces. In 1966, Starr arranged for Evans' first
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war's conclusion. Days later, Evans painted Invasion Picture, capturing total destruction, bombs, and a figure of
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Heavenly Visions: the Art of Minnie Evans, January 18 - April 13, 1986, North Carolina Museum of Art
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1381:. Wilmington, North Carolina: Publishing Laboratory, University of North Carolina Wilmington.
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317:) in Wilmington. After Evans' death, artist Virginia Wright-Frierson designed and built the
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1281:"What Carried Us Over: Gifts from the Gordon W. Bailey Collection • Pérez Art Museum Miami"
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including the theme of eyes, bold colors, and nature designs as well. The media used are
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scenes or scenes from nature. Often, it was a mixture of both. Her influences included
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563:(exhibition catalogue). Greenville, North Carolina: Wellington B. Gray Gallery,
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528:(exhibition catalogue). Raleigh, North Carolina: North Carolina Museum of Art.
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Evans (born Minnie Eva Jones) was born to Ella Jones on December 12, 1892 in
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624:. The Grove Encyclopedia of American Art. Oxford University Press. 2011.
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Minnie Evans Bottle Chapel designed and built by Virginia Wright-Frierson
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Starr, Nathan Comfort (March 1969). "The Unique Folk Artist of Airlie".
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Evans created "one of the most powerful works of art", which was a
936:"Minnie Evans, Nick Cave and Lee Bau in Chelsea - artnet Magazine"
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1306:"What to See in New York Art Galleries This Week: Minnie Evans"
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The Bottle Chapel at Airlie Gardens: A Tribute to Minnie Evans
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1353:(1 ed.). New York City, NY: Houghton Mifflin Harcourt.
1019:. New York, New York: Houghton Mifflin Company. p. 34.
992:"A Finding Aid to the Nina Howell Starr papers, 1933-1996"
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On Paper: The Journal of Prints, Drawings, and Photography
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Kerman, Nathan (1997-07-01). "Aspects of Minnie Evans".
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Kernan, Nathan (July 1997). "Aspects of Minnie Evans".
517:(exhibition catalogue). Whitney Museum of American Art.
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Art exhibition catalogues, in ascending order by date:
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On Paper: The Journal of Prints, Drawing, & Photos
426:, are ink on paper. The entire surface is filled with
674:. Detroit, MI: Gale Research, Inc. pp. 205–206.
1259:. Greenville, NC: Wellington B. Gray Gallery. 1993.
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450:, and wax crayon on paper. The other is a female
410:and shown surrounded by all manner of creatures.
794:Brennan, Anne. "Minnie Evans: Dreams in Color".
393:combined with more Western themes. The central
1433:Angel That Stands By Me: Minnie Evans Paintings
1350:Painting Dreams: Minnie Evans, Visionary Artist
668:Smith, Jessie Carney; Phelps, Shirelle (1992).
110:(December 12, 1892 – December 16, 1987) was an
1503:People from New Hanover County, North Carolina
1130:"About the Artist: Minnie Evans | Folkstreams"
334:The Angel that Stands By Me: Minnie Evans' Art
279:Many art critics have labelled Evans work as "
176:for Sadie Jones and now Henry Walters, on the
1235:. Raleigh, NC: North Carolina Museum of Art.
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1377:Wharton, Fred; Block, Susan Taylor (2008).
1118:https://www.youtube.com/watch?v=nEAkHRQFdNc
892:"The Angel That Stands By Me | Folkstreams"
829:"The Angel That Stands By Me | Folkstreams"
758:"Untitiled by Minnie Evans - intuitive eye"
16:African American female painter (1892–1987)
1372:. Vol. 1, no. 6. pp. 12–16.
1169:"The Multi-colored dreams Of Minnie Evans"
733:. New York, NY: Houghton Mifflin Company.
630:10.1093/gao/9781884446054.article.T2086867
36:
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1508:People from Pender County, North Carolina
1066:"Minnie Evans Sculpture Garden - YouTube"
557:Lovell, Charles M; Hester, Erwin (1993).
208:. Her subject matter were usually either
1436:(uploaded 2008, film trailer) on YouTube
472:Abby Aldrich Rockefeller Folk Art Museum
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1041:"African American Artist Minnie Evans"
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1478:20th-century African-American artists
1233:Heavenly Visions: Art of Minnie Evans
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671:Notable Black American Women, Book II
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1304:Smith, Roberta (February 17, 2017).
967:African Americans in the Visual Arts
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1488:20th-century American women artists
1483:20th-century African-American women
1400:. Raw Vision. Raw Vision Magazine.
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852:Smithsonian American Art Museum.
353:Inspiration, style, and technique
458:, ink, and wax crayon on paper.
21:Minnie Evans (Potawatomi leader)
1426:Smithsonian American Art Museum
19:For the Potawatomi leader, see
1493:African-American women artists
916:"The Tree of Life – NCMALearn"
480:Whitney Museum of American Art
462:Her work can be viewed at the
406:and a multicolored collar and
274:Whitney Museum of American Art
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1442:Minnie Evans Sculpture Garden
1167:Brennan, Lissa (2003-04-16).
1091:"The Angel That Stands By Me"
329:Evans was the subject of the
1211:www.petulloartcollection.org
552:, Hempstead, New York. 1989.
488:Ogden Museum of Southern Art
1498:Artists from North Carolina
1447:North Carolina Arts Council
511:Starr, Nina Howell (1975).
424:My Very First and My Second
402:is sometimes depicted with
247:, folk art specialist, and
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964:Otfinoski, Steven (2014).
319:Minnie Evans Bottle Chapel
154:Long Creek, North Carolina
63:Long Creek, North Carolina
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1463:American outsider artists
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1231:Kahan, Mitchell (1986).
565:East Carolina University
522:Kahan, Mitchell (1986).
476:American Folk Art Museum
422:Her first works, titled
1422:Minnie Evan's Biography
1398:Outsider Art Sourcebook
1347:Lyons, Mary E. (1996).
1193:Outsider Art Sourcebook
1045:ArtandDesignInspiration
1015:Lyons, Mary E. (1996).
550:African American Museum
468:Smithsonian Institution
440:"Design: Airlie Garden"
192:Evans began drawing on
1513:Women outsider artists
1445:(2010), by NCArts and
1396:Maizels, John (2009).
1285:PĂ©rez Art Museum Miami
1154:"Gale - Product Login"
484:PĂ©rez Art Museum Miami
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84:, North Carolina, U.S.
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1257:Minnie Evans: Artist
729:Lyons, Mary (1996).
560:Minnie Evans: Artist
464:Museum of Modern Art
438:Another work titled
1134:www.folkstreams.net
896:www.folkstreams.net
833:www.folkstreams.net
382:, board and paper.
243:In 1962, Evans met
1310:The New York Times
796:Folk Art Messenger
492:High Museum of Art
326:, North Carolina.
315:Cameron Art Museum
306:on the cover of a
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162:Wrightsville Sound
1213:. 27 October 2020
686:December 12, 1892
622:Oxford Art Online
257:St. John's Museum
253:Nina Howell Starr
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1468:1892 births
1095:Folkstreams
872:whitney.org
817:(6): 12–16.
376:watercolour
338:Allie Light
336:(1983), by
331:documentary
289:psychedelic
203:mixed media
194:Good Friday
130:folk artist
90:Nationality
1457:Categories
1449:on YouTube
1290:2023-09-28
1217:2020-11-12
1178:2020-11-16
1139:2020-11-12
1100:2020-05-09
1076:2020-11-16
1051:2017-04-11
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945:2020-11-16
921:2020-11-12
901:2020-11-11
877:2020-11-12
838:2020-11-16
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645:2020-05-09
583:References
490:, and the
372:wax crayon
324:Greenville
222:East India
199:oil paints
182:gatekeeper
158:Wilmington
138:surrealist
98:Occupation
82:Wilmington
55:1892-12-12
1337:The State
1173:INDY Week
433:Fu Manchu
391:Caribbean
310:in 1981.
308:scrapbook
285:visionary
218:Caribbean
1339:: 16–17.
452:portrait
428:abstract
389:and the
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210:biblical
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188:Career
123:crayon
115:artist
101:Artist
65:, U.S.
418:Works
404:wings
395:motif
387:China
363:paint
1402:ISBN
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1355:ISBN
1318:2017
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