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165:, in 1966. It lacked automatic exposure, but included a light meter and match-needle that were almost as easy to use and offered the added bonus of manual exposure control. The aperture and shutter speed were set at the same time using a single "exposure" dial. The meter was a selenium unit, which did not require a
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built by Konan in 1947. Minolta bought out Konan in the early 1950s and continued producing cameras under the Konan name for several years. The first camera labeled
Minolta 16 rather than Konan 16 was the Minolta 16 Automat of 1955. The Minolta 16 used a newly designed
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between 1955 and 1974. The negative size was 10x14 mm for the earlier models, later, a larger format, 12x17 mm was adopted, using single-perforated 16 mm film. It was possible for the user to load cassettes, and also develop the film using a special
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and shutter-priority automatic exposure. In terms of other features (lens, aperture range, etc.) it was basically similar to the 16 II, though it was larger, had a rigid plastic body, and offered no manual settings. It was replaced in 1963 by the
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was the second
Minolta 16 model, introduced in 1957. Basically a more streamlined Automat, it was modified to allow for slip-on filters and close-up lenses and had fewer shutter speeds. It was available in six colors in addition to the standard
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format. The QT had a 23mm lens, apertures from f/3.5 to f/22 and two shutter speeds, 1/30 and 1/250. It also offered manual focusing, a departure from previous models.
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As its 16mm cameras had been growing increasingly large through the addition of more features, Minolta introduced a new and much smaller model, the
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of 1970 was similar but used single-perforated film, which allowed the negative size to be increased and picture quality improved.
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88:(1955), which was almost identical to the Konan 16 Automat. It featured a fixed-focus 25mm
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cassette which was not compatible with the Konan models.
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and hence allowed the camera to be made smaller. The
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from 1/50 to 1/200 plus bulb. Film advance was via a
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476:AF Apo Tele Zoom 70-200mm f/2.8 G (D) SSM
67:The Minolta 16 can be traced back to the
574:35mm rangefinder and viewfinder cameras
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84:The first Minolta 16 camera was the
158:cell instead of a selenium meter.
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461:AF Apo Tele 300mm f/2.8 G (D) SSM
471:AF Zoom 24-105mm f/3.5-4.5 (D)
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527:APS film and digital cameras
176:The last Minolta 16 was the
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543:Digital viewfinder cameras
486:AF Zoom 75-300mm f/4.5-5.6
340:21mm (f/4.5 · f/4 · f/2.8)
104:-style push-pull housing.
194:Minolta 16 on subclub.org
124:, which was sold as the
96:from f/3.5 to f/11, and
411:AF Fish-Eye 16mm f/2.8
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481:AF Zoom 70-210mm f/4
451:AF Macro 100mm f/2.8
48:subminiature cameras
43:refers to a line of
466:AF Reflex 500mm f/8
446:AF Macro 50mm f/2.8
345:Varisoft 85mm f/2.8
330:Fish-Eye 16mm f/2.8
28:Minolta 16 QT, 1972
20:Minolta 16 II, 1960
128:starting in 1962.
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36:Minolta 16 P, 1960
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495:16mm film cameras
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643:List of products
511:110 film cameras
456:STF 135mm f/2.8
259:SR-mount cameras
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126:Sonocon 16 MB-ZA
122:transistor radio
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555:DiMAGE 7 series
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534:Vectis S series
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355:A-mount cameras
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322:SR-mount lenses
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297:XD (XD-7/XD-11)
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307:X-500/X-570
282:X-1 (XK/XM)
147:light meter
86:16 Automat
41:Minolta 16
633:CxProcess
565:Dimâge EX
560:DiMAGE A1
502:16 series
94:apertures
658:Category
550:DiMAGE 5
277:SR-T 101
144:selenium
50:made by
621:Related
237:General
230:Minolta
167:battery
63:History
52:Minolta
628:Rokkor
393:RD-175
249:Konica
171:16 MGS
152:16 EE2
114:chrome
80:Models
378:7000i
373:5000i
312:X-700
178:16 QT
163:16 MG
140:16 EE
118:16 II
102:Minox
612:AL-F
596:TC-1
368:9000
363:7000
302:XG-M
287:XE-5
272:SR-7
267:SR-2
138:The
133:16 P
131:The
107:The
90:lens
74:film
45:16mm
586:CLE
383:9xi
182:110
156:CdS
660::
581:35
109:16
92:,
388:4
222:e
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