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comes out the loser, versus the musicians' comparison of the equal tempered triads, in which case minor comes out the winner since the ET major third is 14 cents sharp from the just major third while the ET minor third closely approximates the consonant 19:16 minor third, which many find pleasing.
309:
A unique particularity of the minor chord is that this is the only chord of three notes in which the three notes have one harmonic ā hearable and with a not too high row ā in common (more or less exactly, depending on the tuning system used). This harmonic, common to the three notes, is situated 2
440:
Ellis proposes that the conflict between mathematicians and physicists on one hand and practicing musicians on the other regarding the supposed inferiority of the minor chord and scale to the major may be explained due to physicists' comparison of just minor and major triads, in which case minor
413:) is only two cents narrower than the just perfect fifth (3:2, 701.9 cents), but the 12-TET minor third (300 cents) is noticeably (about 16 cents) narrower than the just minor third (6:5, 315.6 cents). The 12-TET minor third (300 cents) more closely approximates the
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has a major third on the bottom and minor third on top. They both contain fifths, because a minor third (three semitones) plus a major third (four semitones) equals a
310:
octaves above the high note of the chord. This is the sixth harmonic of the root of the chord, the fifth of the middle note, and the fourth of the high note:
337:
And the explication of the unique harmonic in common, between the three notes, is verified by : 10 Ć 6 = 12 Ć 5 = 15 Ć 4
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460:
and much rougher than the 300 cent ET minor third. Other just minor chord tunings include the supertonic triad in just intonation (27:32:40) the
1338:
a minor triad, nor anything very near it although its fifth is just the same as in the minor and the major, and the ratio 6:9 being simply 2:3.
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derived the minor chord from joining two major triads; for example the A minor triad being the confluence of the F and C major triads. AāCāE =
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212:, a major chord is usually played as a triad. Along with the major triad, the minor triad is one of the basic building blocks of
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A minor triad has a minor third (m3) on the bottom, a major third (M3) on top, and a perfect fifth (P5) between the outer notes.
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175:: the interval between the bottom and middle notes is a minor third, and the interval between the middle and top notes is a
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between the root and third, 4 between the third and fifth, and 7 between the root and fifth. It is represented by the
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220:. In Western music, a minor chord, in comparison, "sounds darker than a major chord" but is still considered highly
164:, a C minor chord can be notated as Cm, Cā, Cmin, or simply the lowercase "c". A minor triad is represented by the
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An illustration of the harmonic series as musical notation. The numbers above the harmonic indicate the number of
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516:. More tunings of the minor chord are also available in various equal temperaments other than 12-TET.
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187:(seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called
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535:. Given justly tuned major triads this produces a justly tuned minor triad: 10:12:15 on 8:5.
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130:. For example, the minor triad built on A, called an A minor triad, has pitches AāCāE:
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1152:
Johnston, Ben; Gilmore, Bob (2006) . "A Notation System for
Extended Just Intonation".
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148:
65:
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The tones re, fa, and la, as given on the accordion, are vibrationally 6:7:9. This is
1326:
Music: A Monthly
Magazine Devoted to the Art, Science, Technic and Literature of Music
366:, a minor chord is often (but not exclusively) tuned in the frequency ratio 10:12:15 (
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1230:. Translated by Ellis, Alexander J. New York: Dover Publications. p. 455.
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209:
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1992:
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17:
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On the
Sensations of Tone as a Physiological Basis for the Theory of Music
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On the
Sensations of Tone as a Physiological Basis for the Theory of Music
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In the 16th through 18th centuries, prior to 12-TET, the minor third in
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401:(now the most common tuning system in the West), a minor chord has 3
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123:. When a chord comprises only these three notes, it is called a
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242:
1409:
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Audio playback is not supported in your browser. You can
378:). This is the first occurrence of a minor triad in the
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Some minor chords with additional notes, such as the
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1094:(2nd ed.). Indianapolis: Alpha. p. 114.
382:(if on C: EāGāB). This may be found on iii, vi,
320:, G, the common harmonic is a G 2 octaves above.
1373:Compositional Theory in the Eighteenth Century
504:), and the Pythagorean minor triad (54:64:81)
1425:
1154:"Maximum Clarity" and Other Writings on Music
8:
30:
358:. Red notes are sharp. Blue notes are flat.
277:. Unsourced material may be challenged and
171:A minor triad can also be described by its
1814:
1451:
1432:
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1091:The Complete Idiot's Guide to Music Theory
1405:Minor chords explained on a virtual piano
1400:Minor triads explained on a virtual piano
1273:
1271:
1147:
1145:
334:So the ratios of minor chord are 10:12:15
297:Learn how and when to remove this message
1324:Mathews, William Smythe Babcock (1805).
544:
345:
1052:
1353:
1342:
239:Acoustic consonance of the minor chord
29:
7:
275:adding citations to reliable sources
235:, may also be called minor chords.
27:Combination of three or more notes
25:
1250:Shirlaw, Matthew (16 June 2015).
1060:Shirlaw, Matthew (16 June 2015).
200:from 1600 to 1820 and in Western
1798:
813:
247:
1183:The Nature of Harmony and Metre
1124:(6th brief ed.). p.
519:Rather than directly from the
224:, stable, or as not requiring
1:
1186:. Swan Sonnenschein. p.
433:(297.5 cents, the nineteenth
409:0,3,7. The 12-TET fifth (700
135:
1309:. Longmans, Green. p.
1303:Helmholtz, Hermann (1885).
1226:Helmholtz, Hermann (1954).
437:) with only 2 cents error.
2086:
1522:Dominant seventh flat five
1180:Hauptmann, Moritz (1888).
397:In 12-TET, or twelve-tone
1796:
1280:Expanding Tonal Awareness
331:Major third = 5:4 = 15:12
328:Minor third = 6:5 = 12:10
90:
71:
57:
50:
43:
36:Component intervals from
1088:Miller, Michael (2005).
2039:Chord names and symbols
1278:Ruland, Heiner (1992).
1168:Dā, F, A (10/9ā4/3ā5/3)
1041:Otonality and Utonality
140:download the audio file
1922:Secondary leading-tone
1201:Wright, David (2009).
1121:Music: An Appreciation
359:
218:common practice period
153:
1371:Lester, Joel (1994).
1252:The Theory of Harmony
1203:Mathematics and Music
1062:The Theory of Harmony
349:
168:{0, 3, 7}.
151:
1927:Secondary supertonic
1240:Ellis (1954), p.298.
1205:. pp. 140ā141.
502:septimal minor third
446:meantone temperament
421:) minor third 16:19
271:improve this section
488:, 12:14:18 (6:7:9)
314:In the example C, E
233:minor seventh chord
32:
1998:Chord-scale system
1917:Secondary dominant
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154:
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1971:
1970:
1889:Chromatic mediant
1794:
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1745:Viennese trichord
1382:978-0-674-15523-7
1352:Missing or empty
1289:978-1-85584-170-3
1261:978-1-4510-1534-8
1212:978-0-8218-4873-9
1163:978-0-252-03098-7
1135:978-0-07-340134-8
1071:978-1-4510-1534-8
1015:
1014:
539:Minor chord table
462:false minor triad
399:equal temperament
356:equal temperament
354:it deviates from
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179:. By contrast, a
158:harmonic analysis
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16:(Redirected from
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1567:Harmonic seventh
1537:Diminished major
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1781:Synthetic chord
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1720:Northern lights
1685:Complexe sonore
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1649:Augmented sixth
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1600:Upper structure
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1557:Altered seventh
1552:Augmented minor
1547:Augmented major
1532:Half-diminished
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1375:. p. 194.
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1254:. p. 375.
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364:just intonation
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342:Just intonation
324:Demonstration:
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2044:List of chords
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1282:. p. 39.
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1064:. p. 81.
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1031:Musical tuning
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394:iii, and vii.
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1857:Leading-tone
1634: /
1621:Tone cluster
1502:Leading-tone
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1354:|title=
1345:cite journal
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554:Minor third
532:
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269:Please help
257:
230:
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104:
101:music theory
98:
91:3-11 /
1842:Subdominant
1705:Grandmother
1562:Nondominant
1542:Minor-major
1036:Major chord
476:, 16:19:24
196:In Western
181:major triad
177:major third
162:lead sheets
117:minor third
111:that has a
105:minor chord
52:minor third
31:minor triad
18:Minor triad
1976:Techniques
1963:Substitute
1958:Subsidiary
1894:Neapolitan
1852:Submediant
1832:Supertonic
1605:Dominant 7
1595:Thirteenth
1527:Diminished
1479:Diminished
1047:References
287:March 2017
226:resolution
210:rock music
85:Complement
1993:Chordioid
1909:Secondary
1725:Petrushka
1659:Seven six
1616:Polychord
1484:Suspended
1474:Augmented
403:semitones
258:does not
222:consonant
173:intervals
80:Forte no.
2064:Category
2034:Arpeggio
1948:Contrast
1884:Borrowed
1879:Approach
1861:Subtonic
1847:Dominant
1819:Diatonic
1810:function
1766:Secundal
1668:Specific
1608:♯
1590:Eleventh
1577:Extended
1517:Dominant
1118:(2008).
1076:20:24:30
1020:See also
1009:♯
987:♭
979:♭
970:♭
959:♯
951:♯
943:♯
934:♯
910:♭
901:♭
893:♭
884:♭
874:♯
863:♯
854:♯
841:♭
825:♭
806:♭
797:♭
787:♯
776:♯
767:♯
754:♭
724:♭
716:♭
708:♭
699:♭
689:♯
681:♯
673:♯
664:♯
640:♭
631:♭
623:♭
614:♭
604:♯
593:♯
584:♯
571:♭
435:harmonic
415:19-limit
391:♭
385:♭
317:♭
119:, and a
82: /
73:10:12:15
1899:Passing
1871:Altered
1837:Mediant
1776:Quartal
1771:Tertian
1754:General
1740:Tristan
1735:So What
1695:Elektra
1636:omitted
1494:Seventh
1448:By form
1332:: 608.
531:āAāCāEā
279:removed
264:sources
190:tertian
160:and on
2070:Chords
2049:Factor
2003:Guitar
1943:Common
1786:Tetrad
1730:Psalms
1715:Mystic
1700:Farben
1680:Bridge
1654:Lydian
1441:Chords
1379:
1286:
1258:
1209:
1160:
1132:
1098:
1068:
548:Chord
125:minor
66:Tuning
2027:Other
2018:Slash
2013:Power
1988:Block
1983:Barre
1936:Other
1827:Tonic
1710:Magic
1690:Dream
1675:Alpha
1644:Sixth
1632:Added
1585:Ninth
1512:Minor
1507:Major
1469:Minor
1464:Major
1456:Triad
551:Root
525:Sorge
411:cents
352:cents
214:tonal
127:triad
109:chord
107:is a
2008:Open
1377:ISBN
1358:help
1284:ISBN
1256:ISBN
1207:ISBN
1158:ISBN
1130:ISBN
1096:ISBN
1066:ISBN
962:(F)
904:(B)
819:(A)
634:(E)
510:Play
494:Play
482:Play
470:Play
454:Play
427:Play
388:vi,
372:play
262:any
260:cite
208:and
206:folk
115:, a
113:root
103:, a
93:9-11
59:root
38:root
1808:By
1336:not
1311:468
997:Bm
917:Am
832:Gm
745:Fm
731:Em
647:Dm
562:Cm
362:In
273:by
202:pop
156:In
99:In
2066::
1859:/
1349::
1347:}}
1343:{{
1328:.
1270:^
1188:15
1166:.
1144:^
1128:.
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1074:.
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1000:B
992:F
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937:m
926:E
923:C
920:A
887:m
868:B
857:m
846:D
835:G
800:m
781:A
770:m
759:C
748:F
740:B
737:G
734:E
702:m
667:m
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228:.
204:,
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1419:v
1385:.
1360:)
1356:(
1330:7
1313:.
1292:.
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1006:F
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976:B
967:B
956:E
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940:A
931:A
907:E
898:C
890:A
881:A
871:D
860:G
851:G
838:B
822:D
811:B
803:G
794:G
784:C
773:F
764:F
751:A
721:B
713:G
705:E
696:E
686:A
678:F
670:D
661:D
637:A
628:F
620:D
611:D
601:G
590:C
581:C
568:E
533:G
529:F
500:(
417:(
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294:(
289:)
285:(
281:.
267:.
192:.
142:.
20:)
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