548:
564:
41:
2120:
526:, each with a repeat sign at the end of the 16th measure (for a repeat of the first half of the piece), and another at the end of the Menuet (for a repeat of the second half). There are a few minor differences between these Minuets as they appear in Tzschirich's manuscript and how they are written down in Anna Magdalena's second notebook.
770:
published the short pieces, edited with piano fingering, of Anna
Magdalena's 1725 notebook in 1997. In 21st-century publications the Minuets BWV Anh. 114 and 115 are usually correctly identified as Petzold's. In the 2010s, digital facsimiles of the Minuets as written down by Anna Magdalena Bach
430:
and others. One of the last pieces he entered, likely around the time when moving to
Bitterfeld (1735–1736), was a Suite by Petzold containing, together with eight other movements, the G major/G minor combined Minuet, otherwise only known as Nos. 4 and 5 of Anna Magdalena Bach's second
295:
likely received the notebook from her husband in the autumn of 1725, as a present for either her birthday (22 September) or their wedding anniversary (3 December). Nos. 3 to 11 in the notebook are keyboard pieces written down by Anna
Magdalena, likely shortly after she was given the volume.
599:
published a description of
Tzschirich's harpsichord music manuscript, however, without substantial analysis of its content: the correspondence of Petzold's double Minuet contained in it with the G major/G minor Minuets of Anna Magdalena Bach's notebook remained unnoticed. In the first
538:
530:
326:(BWV). Petzold's Minuets in G major and G minor, BWV Anh. 114 and 115, are the next two entries in the notebook (Nos. 4 and 5). These pieces may have been brought back from Dresden by Johann Sebastian when he visited this city in September 1725.
2124:
1638:; Roitzsch, Friedrich August, eds. (1880). "20 leichte ClavierstĂĽcke nebst einem Liede (Aus dem Clavierbuche der Anna Magdalena Bach)" [Twenty easy keyboard pieces, and a song (from the keyboard-booklets of Anna Magdalena Bach)].
1949:
111:
77:
329:
Bach likely intended the simple binary dances contained in Anna
Magdalena's notebooks, including the Minuets entered without composer indication, as teaching material, likely rather for his younger children than for his wife.
610:, along with nearly 20 other anonymous keyboard compositions of Anna Magdalena Bach's second notebook (BWV Anh. II 113–132). In 1957, Anna Magdalena's notebooks were published in Vol. V/4 of the
117:
116:
113:
112:
83:
82:
79:
78:
118:
84:
712:, the piece is the basis for a duet, or a friendly musical duel, between cellist Madeline and Edgar, the computer. This song from the movie soundtrack, titled "The Duel," was composed and performed by
625:
Outside the context of scholarly literature, and despite being marked as doubtful in the BWV, the
Minuets were still generally considered as compositions by Bach. The melody from the 1965 pop song "
1422:
1403:
2352:
115:
81:
1846:[A Minuet from Dresden in the second keyboard booklet of Anna Magdalena Bach: Further, indications regarding the transmission of some of Bach's chamber music compositions]. In
2249:
2480:
2399:
2138:
679:(harpsichord suite) contained in Tzschirich's manuscript, and its Minuet pair corresponding to BWV Anh. 114/115. Consequently, from the next edition of the
2503:
592:
published the
Minuets in 1894. After the publication of several anthologies, all the pieces of the second notebook were published in a single volume in 1904.
369:
2458:
2211:
2134:
2130:
114:
80:
2529:
1777:
Thematisch-systematisches
Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis – 2. überarbeitete und erweiterte Ausgabe
2283:
414:
when he started to copy harpsichord pieces collected by Krause in an album in 1726. Tzschirich came to study in
Leipzig in 1729, and became a lawyer in
2142:
657:
2292:
439:
In
Tzschirich's manuscript, the Minuet pair in G major and G minor is preceded by five other movements of Petzold's Suite, respectively a
2357:
2169:
2408:
730:
recorded "2 Minuets ... BWV Anh. 114 & Anh. 115: Also attributed to Christian Pezold (...)" in September 1988 (issued 1989).
389:
2534:
1844:"Ein 'Dresdner Menuett' im zweiten KlavierbĂĽchlein der Anna Magdalena Bach: Nebst Hinweisen zur Ăśberlieferung einiger Kammermusikwerke Bachs"
2454:
1357:
362:
653:
183:. These minuets, which are suitable for beginners on the piano, are among the best known pieces of music literature. The 1965 pop song "
93:
59:
31:
1782:
Thematic-Systematic Catalogue of the Musical Works of Johann Sebastian Bach: Bach-Works-Catalogue – 2nd reworked and enlarged edition
2485:
2102:
2074:
2040:
2004:
1829:
1793:
1739:
1711:
614:. Without having access to other primary sources for the G major and G minor Minuets than Anna Magdalena Bach's notebook,
2390:
2544:
2539:
2274:
1276:
1274:
1261:
1259:
275:
175:
52:
418:
in 1736. Meanwhile, he had continued to add pieces to his harpsichord music manuscript, including compositions by Bach (part of
1510:
382:
2220:
1904:
2336:
2014:
1988:
960:
958:
378:
551:
541:
The Minuet in G minor, BWV Anh. 115, as found in the second notebook of Anna Magdalena Bach (No. 5, p. 45)
533:
The Minuet in G major, BWV Anh. 114, as found in the second notebook of Anna Magdalena Bach (No. 4, p. 44)
2381:
2308:
2265:
1749:
252:. Bach gave a concert on that organ when he visited Dresden in September 1725. Petzold died in 1733: as organist of the
196:
170:
47:
2162:
2094:
1869:
238:
started to visit Dresden, Petzold was well acquainted with several of the city's musicians, including the violinist
2032:
1996:
1280:
1265:
1958:
1635:
762:, performing the minuets on clavichord, recorded "Minuets in G major & G minor BWVAnh 114 & 115" in 2021
756:
recorded "2 Minuets, BWV Anh. 114–5 (from Clavier-Büchlein für Anna Magdalena Bach )" in 1995 (issued 1997).
1561:
1543:
1970:
423:
339:
2147:
1962:
1785:
1703:
1597:
1579:
314:
259:
964:
2372:
2155:
1922:
1776:
1690:
708:
358:
321:
242:, with whom Bach was also acquainted. In 1720, Petzold composed the music for the inauguration of the new
2180:
403:
239:
235:
180:
2323:
626:
563:
184:
580:
published Nos. 4 and 5 of Anna Magdalena Bach's second notebook as two of "twenty easy piano pieces" (
1847:
1839:
1155:
776:
723:
and 115 were recorded by renowned performers (on harpsichord unless otherwise indicated), including:
662:
243:
1974:
2065:
1731:
767:
292:
1659:
2433:
2240:
2199:
2055:
1896:
1771:
1655:
1151:
615:
554:
338:
From the early 1720s Petzold owned a state-of-the-art harpsichord manufactured by Silbermann. In
1691:
Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
40:
17:
2098:
2070:
2036:
2018:
2000:
1910:
1900:
1825:
1807:
1789:
1735:
1707:
1677:
1498:
1482:
1131:
1036:
984:
980:
925:
906:
860:
832:
642:
589:
1944:
1843:
1202:
1198:
1071:
1067:
2549:
2060:
1886:
1873:
1669:
727:
649:
611:
537:
529:
158:
1803:
2345:
2190:
2050:
1978:
1855:
1851:
1468:
713:
581:
523:
440:
347:
309:
1685:
1673:
759:
733:
222:
431:
notebook. Tzschirich may have had access to a score of Petzold's Suite via the Bachs.
2523:
2445:
2084:
1865:
1724:
753:
668:
634:
427:
206:
162:
2424:
1936:
1763:
1647:
1646:]. Oeuvres complettes (Edition nouvelle) (in French and German). Vol. 23.
1615:
1607:
1602:
1589:
1584:
1571:
1566:
1553:
1548:
772:
686:
630:
596:
577:
519:
468:
346:, published in 1732, Petzold is mentioned as a composer of "good keyboard pieces" (
301:
2318:
Minuets in G major and G minor, BWV Anh. III 114–115
296:
No. 3, the first piece after the two seven-movement Partitas, is a Minuet in
187:", of which millions of copies were sold, is based on the first of these Minuets.
2088:
2026:
1890:
1815:
1631:
1012:
743:
607:
305:
166:
1926:
1753:
965:
2. NotenbĂĽchlein der A. M. Bach, 1725 (D-B Mus. ms. Bach P 225) at Bach Digital
606:, published in 1950, the two Minuets were included as doubtful compositions in
1426:
1407:
1361:
1329:
685:(1990), the Minuets were attributed to Petzold and moved from Anh. II to
456:
415:
133:
1914:
766:
In 1988, Dadelsen published a facsimile of Anna Magdalena's second notebook.
1821:
1696:
Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition
1281:
Minuet, g ("2. Notenbuch der A. M. Bach, 1725") BWV Anh. 115 at Bach Digital
1266:
Minuet, G ("2. Notenbuch der A. M. Bach, 1725") BWV Anh. 114 at Bach Digital
464:
452:
444:
407:
2119:
2508:
652:. "A Lover's Concerto" sold more than two million copies and was awarded
638:
448:
279:
was started in 1725. It opened with two harpsichord suites, that is, the
200:
154:
2125:
Petzold's minuets in the 1725 Notebook for A. M. Bach (BWV Anh. 114–115)
1441:
1376:
1135:
1040:
1877:
618:, the editor of the New Bach Edition volume, remarked that the Minuets
472:
419:
399:
297:
288:
284:
280:
231:
150:
146:
2090:
Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks
411:
354:). Some of Petzold's harpsichord music appeared in 1729 collections:
142:
637:, was based on the Minuet in G major. The song was recorded by
1895:. Recent researches in the music of the Baroque Era. Vol. 69.
1624:
Johann Sebastian Bach's note-booklet for Anna Magdalena Bach (1725)
1620:
Johann Sebastian Bachs NotenbĂĽchlein fĂĽr Anna Magdalena Bach (1725)
361:
included a harpsichord suite by Petzold in the last five issues of
1699:
719:
Notwithstanding their status as pieces for beginners, the Minuets
562:
536:
528:
460:
1544:"2. NotenbĂĽchlein der A. M. Bach, 1725 (D-B Mus. ms. Bach P 225)"
1666:
The keyboard-booklets for Anna Magdalena Bach from 1722 and 1725
2151:
471:. According to the manuscript, the Minuets are to be performed
1598:"Minuet, g ("2. Notenbuch der A. M. Bach, 1725") BWV Anh. 115"
1580:"Minuet, G ("2. Notenbuch der A. M. Bach, 1725") BWV Anh. 114"
665:
published an article, dedicated to Georg von Dadelsen, in the
1661:
Die KlavierbĂĽchlein fĂĽr Anna Magdalena Bach von 1722 und 1725
1083:
567:
The minuets as found in Tzschirich's manuscript (pp. 34v-35r)
27:
Composition by Christian Petzold, formerly attributed to Bach
1513:
J. S. Bach et al.: The Anna Magdalena Bach Book of 1725
459:. After the double Minuet, Petzold's Suite continues with a
318:, Anh.), that is the annex of doubtful compositions, in the
1518:
2481:
Kyrie–Gloria Mass for double choir, BWV Anh. 167
1688:; Kobayashi, Yoshitake; BeiĂźwenger, Kirsten, eds. (1998).
1448:
1383:
1170:
824:
822:
820:
818:
816:
553:
Audio playback is not supported in your browser. You can
1640:
Compositions pour Piano seul de J. Seb. Bach: Supplement
695:
of spurious works, their full BWV numbers thus becoming
1950:
MusikstĂĽcke in den NotenbĂĽchern der Anna Magdalena Bach
1423:
Bach: Notebook For Anna Magdalena Bach / Kipnis, Blegen
1316:
1238:
881:
879:
877:
875:
873:
871:
869:
673:
of 1979 (issued 1980), in which he described Petzold's
504:
Both the G major and the G minor Menuets, in
1955:
Musical pieces in the notebooks of Anna Magdalena Bach
917:
915:
898:
896:
894:
291:, composed and written down by Johann Sebastian Bach.
410:
in 1725. Johann Benjamin Tzschirich was a student in
300:
by an unknown composer (likely not Bach), adopted as
2472:
2443:
2422:
2370:
2334:
2306:
2263:
2252:
Denn du wirst meine Seele nicht in der Hölle lassen
2238:
2209:
2188:
2455:Liebster Gott, wenn werd ich sterben, BWV 8/6
2350:Aria "Dein Kreuz, o Bräutgam meiner Seelen", from
2053:; Emery, Walter (2001). "Bach, Johann Sebastian".
1980:Musicalisches Lexicon oder Musicalische Bibliothec
1723:
2434:Magnificat in C major, BWV Anh. 30
1353:
1351:
1983:(in German). Leipzig: W. Deer. p. 475.
1024:
736:, performing the minuets on organ, included in
173:, which, through their appearance in the 1725
2504:List of compositions by Johann Sebastian Bach
2163:
1784:] (in German) (BWV ed.). Wiesbaden:
1008:
545:The first eight measures in modern notation:
8:
2066:10.1093/gmo/9781561592630.article.6002278195
1892:Keyboard transcriptions from the Bach circle
690:
680:
674:
666:
601:
495:
487:
479:
319:
253:
247:
204:
1644:Compositions for solo piano by J. Seb. Bach
1494:
1478:
1330:"Song: The Duel written by Giorgio Moroder"
976:
828:
212:
2170:
2156:
2148:
807:
2143:International Music Score Library Project
2064:
1755:Recueil des XXV Concerts Pour le Clavecin
1304:
1182:
1152:pp. 44–45 of Mus.ms. Bach P 225
398:Heinrich Raphael Krause was a student in
384:Recueil des XXV Concerts Pour le Clavecin
1810:Clavier-BĂĽchlein vor Anna Magdalena Bach
1250:
1194:
921:
902:
856:
844:
1292:
1226:
1171:Czerny, Griepenkerl & Roitzsch 1880
1119:
1107:
1095:
1063:
1051:
996:
949:
937:
885:
795:
788:
379:concertos for unaccompanied harpsichord
2353:Ein Lämmlein geht und trägt die Schuld
2178:Compositions spuriously attributed to
1147:
1145:
1143:
131:
2461:Liebster Gott, wenn werd ich sterben?
2346:Aria "Bist du bei mir" (BWV 508)
2200:Sanctus in D minor, BWV 239
1680: 9790006461462. BA 5008-01.
1378:Gustav Leonhardt: Harpsichord Recital
1317:DĂĽrr, Kobayashi & BeiĂźwenger 1998
1239:DĂĽrr, Kobayashi & BeiĂźwenger 1998
1214:
622:and 115 appeared to belong together.
7:
1961:(in German). Vol. 43. Leipzig:
1899:: A-R Editions. pp. VII–XVIII.
1672:(in German). Vol. V/4 (Score).
1404:The Biggs Bach Book / E. Power Biggs
1358:Johann Sebastian Bach: Solo Keyboard
1868:(in German). Vol. 65. Berlin:
1626:] (in German). Munich: Callwey.
748:The Notebook of Anna Magdalena Bach
629:", written by American songwriters
2019:"The Anna Magdalena books and the
1752:; Kremmler, Johann George (1729).
1443:J. S. Bach: Harpsichord Works
132:Problems playing these files? See
32:Minuet in G major (disambiguation)
30:For other minuets in G major, see
25:
2530:Bach: spurious and doubtful works
2411:Siehe, es hat überwunden der Löwe
2229:(BWV Anh. III 165)
2139:Notebooks for Anna Magdalena Bach
1760:Album of 25 harpsichord concertos
1084:D-Bim Mus. ms. 29 at Bach Digital
333:
157: 114 and 115, are a pair of
2413:, TWV 1:1328 (BWV 219)
2118:
1993:J. S. Bach: A Life in Music
276:Notebook for Anna Magdalena Bach
268:Notebook for Anna Magdalena Bach
176:Notebook for Anna Magdalena Bach
109:
75:
39:
2404:, TWV 1:877 (BWV 160)
2402:Ich weiß, daß mein Erlöser lebt
2395:, TWV 1:634 (BWV 218)
2386:, TWV 1:183 (BWV 141)
2286:Schlage doch, gewĂĽnschte Stunde
1817:The Keyboard Music of J.S. Bach
1528:Retrieved 18 February 2020.
1458:Retrieved 18 February 2020.
1431:Retrieved 18 February 2020.
1412:Retrieved 18 February 2020.
1393:Retrieved 18 February 2020.
1366:Retrieved 18 February 2020.
1160:Retrieved 18 February 2020.
701:BWV Anh. II 115 / Anh. III 183→
697:BWV Anh. II 114 / Anh. III 183→
641:and reached number 2 in the US
94:Minuet in G minor, BWV Anh. 115
60:Minuet in G major, BWV Anh. 114
18:Minuet in G major, BWV Anh. 114
2393:Gott der Hoffnung erfĂĽlle euch
2359:Bekennen will ich seinen Namen
2135:Minuet in G minor, BWV Anh.115
2131:Minuet in G major, BWV Anh.114
1718:Preface in English and German.
492:(=second Minuet, G minor)
1:
2277:Meine Seele erhebt den Herren
1636:Griepenkerl, Friedrich Konrad
484:(=first Minuet, G major)
260:Bach's son Wilhelm Friedemann
2535:Compositions for harpsichord
2295:Meine Seele rĂĽhmt und preist
1935:] (in German). Hamburg.
588:) from that manuscript. The
550:
497:On reprend le premier Menuet
53:Notebook for A. M. Bach
2254:, JLB 21 (BWV 15)
2095:University of Chicago Press
1870:Evangelische Verlagsanstalt
1025:Petzold & Kremmler 1729
402:from 1720, before becoming
334:Petzold's harpsichord music
179:, used to be attributed to
2566:
2337:Gottfried Heinrich Stölzel
2227:Unser Wandel ist im Himmel
2033:Cambridge University Press
1997:Cambridge University Press
775:and at the website of the
746:, included the Minuets in
124:Performed on digital piano
29:
2499:
2384:Das ist je gewiĂźlich wahr
2225:(BWV 222) and motet
2028:Bach: A Musical Biography
1971:Walther, Johann Gottfried
1959:Bach-Gesellschaft Ausgabe
1933:The faithful music-master
1928:Der getreue Music-Meister
1885:Stinson, Russell (1992).
1722:Murrells, Joseph (1978).
500:(repeat the first Minuet)
496:
488:
480:
381:by Petzold was copied as
364:Der getreue Music-Meister
195:In the late 17th century
2488:Uns ist ein Kind geboren
2322:BWV Anh. 114 melody in "
1730:(2nd ed.). London:
1726:The Book of Golden Discs
586:20 leichte ClavierstĂĽcke
424:Friedrich Wilhelm Zachow
340:Johann Gottfried Walther
2545:Compositions in G minor
2540:Compositions in G major
2275:Magnificat in A minor (
1923:Telemann, Georg Philipp
1702: ed.). Wiesbaden:
555:download the audio file
352:gute ... Clavier-StĂĽcke
50:'s Minuets in the 1725
2373:Georg Philipp Telemann
1991:(2007). "The family".
1963:Breitkopf & Härtel
1786:Breitkopf & Härtel
1704:Breitkopf & Härtel
808:Wolff & Emery 2001
691:
682:Bach-Werke-Verzeichnis
681:
675:
667:
603:Bach-Werke-Verzeichnis
602:
585:
568:
542:
534:
481:Menuet alternativement
359:Georg Philipp Telemann
351:
322:Bach-Werke-Verzeichnis
320:
313:
254:
248:
205:
2457:, closing chorale of
2223:Mein Odem ist schwach
2181:Johann Sebastian Bach
1848:Schulze, Hans-Joachim
1840:Schulze, Hans-Joachim
798:, pp. 54–58, 64.
656:certification by the
566:
540:
532:
240:Johann Georg Pisendel
236:Johann Sebastian Bach
181:Johann Sebastian Bach
2212:Johann Ernst Bach II
2127:at Wikimedia Commons
2035:. pp. 231–234.
1999:. pp. 158–160.
1975:"Pezold (Christian)"
1824:. pp. 447–450.
1732:Barrie & Jenkins
1610:; et al. 2018-07-07.
1592:; et al. 2018-07-07.
1574:; et al. 2020-01-17.
1556:; et al. 2020-01-13.
1156:Berlin State Library
777:Berlin State Library
771:became available at
663:Hans-Joachim Schulze
648:and number 5 in the
258:he was succeeded by
2473:by unknown composer
1925:, ed. (1728–1729).
1772:Schmieder, Wolfgang
1762:] (in French).
1698:] (in German) (
1656:Dadelsen, Georg von
1562:"D-Bim Mus. ms. 29"
738:The Biggs Bach Book
377:A collection of 25
293:Anna Magdalena Bach
2324:A Lover's Concerto
2241:Johann Ludwig Bach
2056:Grove Music Online
1878:10.13141/bjb.v1979
1872:. pp. 45–64.
1862:Bach Yearbook 1979
1857:Bach-Jahrbuch 1979
1804:Schulenberg, David
1750:Petzold, Christian
1229:, pp. 51, 56.
1009:Telemann 1728–1729
627:A Lover's Concerto
616:Georg von Dadelsen
569:
543:
535:
185:A Lover's Concerto
2517:
2516:
2309:Christian Petzold
2266:Melchior Hoffmann
2123:Media related to
1808:"Appendix B: The
1295:, pp. 51–64.
1253:, pp. 83–84.
1122:, pp. 55–56.
1098:, pp. 54–56.
1054:, pp. 51–56.
940:, pp. 56–57.
706:In the 1984 film
676:Suite de Clavecin
590:Bach-Gesellschaft
578:C. F. Peters
559:
475:, in this order:
197:Christian Petzold
171:Christian Petzold
119:
85:
16:(Redirected from
2557:
2183:
2172:
2165:
2158:
2149:
2141:: Scores at the
2122:
2108:
2080:
2068:
2051:Wolff, Christoph
2046:
2010:
1984:
1966:
1940:
1918:
1881:
1852:Wolff, Christoph
1835:
1820:(2nd ed.).
1799:
1767:
1745:
1729:
1717:
1681:
1670:New Bach Edition
1651:
1627:
1611:
1593:
1575:
1557:
1530:
1529:
1525:
1522:
1520:
1508:
1502:
1495:Schulenberg 2006
1492:
1486:
1479:Schulenberg 2006
1476:
1470:
1466:
1460:
1459:
1455:
1452:
1450:
1439:
1433:
1432:
1420:
1414:
1413:
1401:
1395:
1394:
1390:
1387:
1385:
1374:
1368:
1367:
1355:
1346:
1345:
1343:
1341:
1336:. March 29, 2019
1326:
1320:
1314:
1308:
1302:
1296:
1290:
1284:
1278:
1269:
1263:
1254:
1248:
1242:
1236:
1230:
1224:
1218:
1212:
1206:
1192:
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728:Gustav Leonhardt
722:
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684:
678:
672:
650:UK Singles Chart
621:
612:New Bach Edition
605:
522:, consist of 32
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2330:
2329:
2302:
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2259:
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2250:Easter cantata
2234:
2233:
2205:
2204:
2191:Antonio Caldara
2184:
2179:
2176:
2115:
2105:
2085:Yearsley, David
2083:
2077:
2049:
2043:
2015:Williams, Peter
2013:
2007:
1989:Williams, Peter
1987:
1969:
1945:Waldersee, Paul
1943:
1921:
1907:
1884:
1838:
1832:
1802:
1796:
1770:
1748:
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720:
714:Giorgio Moroder
709:Electric Dreams
700:
696:
619:
600:edition of the
574:
561:
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514:
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437:
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2500:
2497:
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2490:(BWV 142)
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2361:, BWV 200
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2279:, BWV Anh. 21)
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2113:External links
2111:
2110:
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2081:
2075:
2047:
2041:
2011:
2005:
1985:
1967:
1947:, ed. (1894).
1941:
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1794:
1774:, ed. (1990).
1768:
1746:
1740:
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1712:
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1658:, ed. (1957).
1652:
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1618:, ed. (1904).
1616:Batka, Richard
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1309:
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1305:Schmieder 1990
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760:Mahan Esfahani
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734:E. Power Biggs
731:
689:, that is the
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2038:
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2021:French Suites
2016:
2012:
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2006:9781139461191
2002:
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952:, p. 64.
951:
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934:
931:
927:
923:
922:Murrells 1978
918:
916:
912:
908:
904:
903:Williams 2016
899:
897:
895:
891:
888:, p. 56.
887:
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874:
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866:
862:
858:
857:Yearsley 2019
853:
850:
846:
845:Williams 2007
841:
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768:Richard Jones
761:
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754:Richard Egarr
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687:Anh. III
683:
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670:
669:Bach-Jahrbuch
664:
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635:Denny Randell
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249:Sophienkirche
246:organ of the
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207:Sophienkirche
202:
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155:BWV Anh.
152:
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144:
137:
135:
95:
61:
55:
54:
49:
42:
33:
19:
2487:
2460:
2425:Pietro Torri
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2356:, model for
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2089:
2054:
2027:
2020:
1992:
1979:
1954:
1948:
1937:SLUB Dresden
1932:
1927:
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1809:
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1775:
1764:SLUB Dresden
1759:
1754:
1725:
1695:
1689:
1686:DĂĽrr, Alfred
1665:
1660:
1648:C. F. Peters
1643:
1639:
1632:Czerny, Carl
1623:
1619:
1608:Bach Archive
1603:Bach Digital
1601:
1590:Bach Archive
1585:Bach Digital
1583:
1572:Bach Archive
1567:Bach Digital
1565:
1554:Bach Archive
1549:Bach Digital
1547:
1512:
1506:
1490:
1474:
1464:
1442:
1437:
1418:
1399:
1377:
1372:
1340:September 1,
1338:. Retrieved
1333:
1324:
1312:
1300:
1293:Schulze 1980
1288:
1246:
1234:
1227:Schulze 1980
1222:
1210:
1190:
1178:
1166:
1127:
1120:Schulze 1980
1115:
1108:Schulze 1980
1103:
1096:Schulze 1980
1091:
1079:
1064:Stinson 1992
1059:
1052:Schulze 1980
1047:
1032:
1020:
1004:
997:Walther 1732
992:
972:
950:Schulze 1980
945:
938:Schulze 1980
933:
886:Schulze 1980
852:
840:
803:
796:Schulze 1980
791:
773:Bach Digital
765:
747:
737:
721:BWV Anh. 114
718:
707:
705:
661:
643:
631:Sandy Linzer
624:
620:BWV Anh. 114
608:Anh. II
597:Max Seiffert
594:
575:
544:
511:
503:
438:
426:, Telemann,
397:
383:
363:
343:
337:
328:
306:second annex
302:No. 113
298:F major
274:
272:
267:
194:
174:
151:G minor
147:G major
140:
51:
1674:Bärenreiter
1606:. Leipzig:
1588:. Leipzig:
1570:. Leipzig:
1552:. Leipzig:
1519:suttonmusic
1197:, pp.
1066:, pp.
1011:, pp.
979:, pp.
744:Igor Kipnis
654:gold record
435:Description
388: [
368: [
273:The second
167:harpsichord
2524:Categories
2463:BWV 8
1906:0895792699
1497:, p.
1481:, p.
1451:.muziekweb
1427:ArkivMusic
1408:ArkivMusic
1386:.muziekweb
1362:ArkivMusic
1215:Batka 1904
924:, p.
905:, p.
859:, p.
831:, p.
783:References
416:Bitterfeld
244:Silbermann
134:media help
2297:(BWV 189)
1915:0484-0828
1887:"Preface"
1822:Routledge
1429:website.
1410:website.
1364:website.
1158:website.
1136:467022504
1041:212009607
644:Billboard
595:In 1904,
576:In 1880,
572:Reception
465:Passepied
453:Sarabande
445:Allemande
408:Olbernhau
283:BWV
225:'s Church
159:movements
2509:BWV Anh.
2486:Cantata
2459:Cantata
2409:Cantata
2400:Cantata
2391:Cantata
2382:Cantata
2293:Cantata
2288:(BWV 53)
2284:Cantata
2221:Cantata
2087:(2019).
2017:(2016).
1973:(1732).
1854:(eds.).
1842:(1980).
1806:(2006).
1511:ABRSM –
658:R.I.A.A.
639:The Toys
524:measures
489:Menuet 2
449:Courante
281:Partitas
201:organist
2550:Minuets
1957:].
1897:Madison
1864:].
1668:].
1537:Sources
646:Hot 100
473:da capo
457:Bourrée
441:Prelude
420:BWV 914
400:Leipzig
344:Lexicon
304:in the
266:In the
232:Dresden
216:
203:at the
199:became
191:History
161:from a
143:Minuets
48:Petzold
2101:
2073:
2039:
2003:
1913:
1903:
1828:
1792:
1738:
1710:
1134:
1039:
692:Anhang
582:German
463:and a
455:and a
412:Grimma
404:cantor
390:scores
370:scores
348:German
315:Anhang
310:German
223:Sophia
1953:[
1931:[
1860:[
1780:[
1758:[
1694:[
1664:[
1642:[
1622:[
467:with
461:Gigue
443:, an
392:]
372:]
230:) of
163:suite
2099:ISBN
2071:ISBN
2037:ISBN
2001:ISBN
1911:ISSN
1901:ISBN
1826:ISBN
1790:ISBN
1736:ISBN
1708:ISBN
1678:ISMN
1342:2024
1132:RISM
1037:RISM
699:and
633:and
520:time
469:Trio
451:, a
447:, a
287:and
213:lit.
165:for
149:and
141:The
2444:by
2423:by
2371:by
2335:by
2307:by
2264:by
2239:by
2210:by
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