Knowledge (XXG)

Mirror Man (Captain Beefheart album)

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469:, who opens by citing Beefheart as "one of the four or five unqualified geniuses to rise from the hothouses of American music in the Sixties", states: "None of them really build in intensity or end up anyplace other than where they started, and would most likely prove intolerable to anyone already a bit put off by Beefheart's work." Mike Barnes suggests the lengths are partly justified by other bands' long blues compositions of the period, such as the nineteen-minute "Revelation" from 1574: 363:, and which he plays in a different key from the rest of the band. Additionally, some lyrics in Twenty fifth century quaker make reference to "lamps fluttering like fireflies" a lyric which was reused almost word for word on shiny beast bat chain puller in the track Love lies . Also on side one is an eight-minute "Kandy Korn", the second Magic Band tune to reference confectionery, following 315:, where it appears in shortened form). The album's original pressing was put together somewhat carelessly, with the cover art featured a shot of the band's 1970 line-up. Later pressings replaced this photo with a more striking image of Van Vliet (Beefheart) wearing a top hat. Other unreleased tracks from the original sessions were released in later reissues, including 1999's 450: 445: 440: 435: 430: 497:' for 16 minutes, their attention spans shouldn't have any trouble with this, which is not only better blues jamming but actually has more variety." The album reached a peak UK chart position of number 49, although, like all other Magic Band releases, it failed to break into the top 100 in the United States. 390:
review of the album cites "Mirror Man" as "one of the key tracks of Beefheart's entire career", adding, "Probably the catchiest tune Beefheart ever wrote, 'Mirror Man' has an almost funky, hip-swaying groove." Drummer John French notes, "This is the session in which I was told afterwards I had been
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concept, however, was at some point abandoned by Buddah, who kept the recordings and left some of the tracks from the sessions unfinished and without any vocals. The reason for this remains unclear, though Beefheart biographer Mike Barnes suggests it was probably because the band's record label,
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The second long 'live' blues jam, "25th Century Quaker", owes its surreal lyrics more to the psychedelic mood of the time, with its references to "blue cheese faces" and "eyes that flutter like a wide-open shutter." Around the time the song was recorded the band had been wearing black
265:, was for one disc of the LP to consist of structured studio tracks by Captain Beefheart and the Magic Band, while the other disc would consist of unstructured blues jams by The 25th Century Quakers, an alter-ego version of the group (who were to perform live in 29: 1410: 616:, which was released with a newly expanded track list and a 12-page booklet explaining the history of the recordings. The additional tracks included on this release are also taken from the abandoned 1546: 225:-rooted jams featuring uncharacteristically sparse lyrical accompaniment from Beefheart. A fourth tune, the eight-minute "Kandy Korn", is an earlier version of a track that appears on 620:
sessions, and thus yield a track listing which is somewhat closer to the original concept. Other tracks from these sessions are included as bonus material on Buddha's 1999 issue of
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given LSD in my tea by someone. Actually, it must have been a rather small amount, because I didn't find myself too far from reality." Like "Kandy Korn", it was re-recorded for
307:. The original session tapes, however, which included the three long blues jams along with a number of other unreleased songs, remained the property of Buddah, who released 273:). Three of the latter tracks—"Tarotplane", "25th Century Quaker", and "Mirror Man"—were long, psychedelic blues jams performed 'live in the studio' (in one take with no 283:(1968). These songs were characterized by their polyrhythmic structures and psychedelic themes, which marked a progression from the band's previous blues-rooted work on 1082: 311:
in May 1971, compiling the track list from the three 'live' jams and a finished version of "Kandy Korn" (which was one of the tracks re-recorded for
214:(1968). The tapes from the original sessions, however, remained under the care of Buddah, who took four of the unissued tunes and released them as 339:. Throughout "Tarotplane"'s nineteen minutes, Van Vliet quotes lines from Johnson's song as well as from various other blues tunes including 1055: 204:. It contains material that was recorded for the label in 1967 and originally intended for release as part of an abandoned project entitled 1460: 355:". The song is built on a single two-chord blues riff, and also features an appearance by Van Vliet on an Indian reed instrument called a 1435: 1600: 1041: 612:
In 1999, Buddha Records (which had renamed itself to correct the earlier misspelling, 'Buddah') reissued the album under the title
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costumes as an opening act during the band's concerts – this never came to pass, although a Quaker hat features on the cover of
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Reviews of the album have made much of the length of its four compositions. A contemporary review written for
158: 1340: 218:. The album sleeve features an erroneous claim that it had been "recorded one night in Los Angeles in 1965". 1225: 1147: 782: 262: 295:
Buddah, simply lost interest. A number of the abandoned tracks were re-recorded in 1968, and released as
1018: 277:). The band was also working on a number of other tracks, many of which would eventually be included on 825: 1605: 1499: 475: 340: 805: 1361: 1298: 304: 270: 1558: 1492: 1319: 1291: 1202: 1167: 1105: 1091: 1051: 1037: 485: 279: 242: 210: 197: 176: 141: 41: 247:
When the band went into the studio in late 1967 to record the follow-up to their debut album
1417: 1368: 1197: 371:, where the production buries the later sections of the song under a profusion of backwards 352: 332: 1513: 1485: 1453: 1232: 1157: 1152: 870: 360: 129: 367:
s "Abba Zaba". A different, shorter version of this song appears as the closing track on
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coats on stage, and even began to play their live shows as The 25th Century Quakers.
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I'm Going to Do What I Wanna Do: Live at My Father's Place 1978
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1971 studio album by Captain Beefheart and his Magic Band
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The opening track, "Tarotplane", takes its title after the
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The album closes with its fifteen-minute title track; an
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The intention, according to drummer 221:The album is dominated by three long, 408: 7: 1048:Beefheart: Through The Eyes of Magic 917:Beefheart: Through the Eyes of Magic 1050:. Proper Music Publishing Limited. 429: 14: 1573: 1572: 854:Bangs, Lester (April 1, 1971). " 715:"Beatle Bones n' Smokin' Stones" 448: 443: 438: 433: 428: 347:'s "Grinning in Your Face", and 1386:The Legendary A&M Sessions 1348:Shiny Beast (Bat Chain Puller) 633: 568: 524: 399:Critical and popular reception 1: 1507:Party of Special Things to Do 1436:Grow Fins: Rarities 1965–1982 335:", which was about a popular 1627: 1334:Unconditionally Guaranteed 1219:The Magic Band (2003–2017) 240: 1568: 1341:Bluejeans & Moonbeams 1098: 733: 722: 711: 700: 689: 678: 667: 656: 645: 637: 591: 580: 572: 547: 536: 528: 416: 413: 257:, provisionally entitled 152: 26: 1601:Captain Beefheart albums 1355:Doc at the Radar Station 1306:Lick My Decals Off, Baby 704:"Safe as Milk" (Take 12) 159:Lick My Decals Off, Baby 1015:The Mirror Man Sessions 768:Alex St. Clair Snouffer 614:The Mirror Man Sessions 607:The Mirror Man Sessions 317:The Mirror Man Sessions 231:The Mirror Man Sessions 1611:Buddah Records albums 1173:Antennae Jimmy Semens 1163:Winged Eel Fingerling 1046:French, John (2010). 1032:Barnes, Mike (2000). 915:French, John (2010). 660:"25th Century Quaker" 584:"25th Century Quaker" 303:'s own record label, 64:October–November 1967 1500:Moonlight on Vermont 799:Additional personnel 753:Captain Beefheart – 737:"Gimme Dat Harp Boy" 726:"Moody Liz" (Take 8) 404:Professional ratings 341:Blind Willie Johnson 1135:Gary 'Magic' Marker 693:"Trust Us" (Take 6) 564: 520: 514:by Flamingo Music. 405: 299:, through producer 1468:Ice Cream for Crow 1362:Ice Cream for Crow 1299:Trout Mask Replica 869:2010-02-18 at the 804:Mark Marcellino – 562: 518: 403: 271:Trout Mask Replica 1588: 1587: 1559:Back to the Front 1320:The Spotlight Kid 1292:Strictly Personal 1168:The Mascara Snake 1106:Captain Beefheart 1092:Captain Beefheart 1056:978-0-9561212-1-9 1036:. 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Index


Studio album
Captain Beefheart
his Magic Band
TTG Studios
Genre
Blues-rock
blues
Label
Buddah
Producer
Bob Krasnow
Captain Beefheart
his Magic Band
Lick My Decals Off, Baby
The Spotlight Kid
Captain Beefheart
Buddah Records
Strictly Personal
blues
Strictly Personal
Safe as Milk
double album
John French
Quaker
Trout Mask Replica
overdubs
Strictly Personal
Bob Krasnow
Blue Thumb

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