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325:, based upon available photographs from when she was younger. Fields sent photographs of the bust to Frank's father, Otto, who felt that the portrait did not represent his daughter as he remembered her during their last months together. His statue "Young Woman Holding Wounded Bird" is in the School of Nursing of the
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In 1938 Fields, his wife
Beatrice (née Meyers) and their infant son Michael David returned to New York City. Fields continued creating sculpture until the entrance of the United States into World War II. Too old to be drafted into the army, he decided to "do his bit" for the war effort by working in
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Fields's work was to influence that of his eldest grandson, Reuven Fields Sadeh, a sculptor who worked mainly in metal. Although he was only five years old when his grandfather died, Sadeh, who lived and worked in Chapel Hill and Durham, North
Carolina, grew up surrounded by Fields's sculpture. His
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On completing his studies Fields began to work as a sculptor; he created in clay and plaster, in marble, and when commissioned to do so, cast his works in bronze. Fields continued living in New York, where he belonged to an informal circle of predominantly
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From the late 1950s until his death in 1966 Fields spent long periods of time in Israel, where he had a studio at 16 Da Modena St., Tel Aviv. During his stays in Israel he created portraits of personages for public spaces. These personages included
440:. During the early 1950s he began to work in ceramics, producing small tables and household items such as cups and vases. A short-lived attempt to sell the latter via a small business (Sculpture Products) did not succeed commercially. His
211:, whose aim was to support leftist and Marxist artists and writers. On occasion Fields produced works with a political message: in 1935 he sculpted a monument to the civilians killed in the February 1934 Vienna Uprising, also known as the
306:, head of the Medical Corps of the Israel Defense Forces and later director of the Tel Hashomer Hospital and Medical Center, which now bears his name; Member of Knesset Avraham Hertzfeld, as well as works now in private collections.
239:. "Mother and Child with Oar", a life-size marble statue of a woman holding a baby in one arm and an oar with the other arm, was commissioned for Gorky Park; versions of the same theme by other sculptors were also placed in
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awarded him a fellowship in 1932 which enabled him to live and work in Paris for two years; subsequently, in 1935 a second
Guggenheim Fellowship enabled him to reside and work in Moscow. Statues of his were placed in the
398:, he created life-size (and on occasion over-life-size) statues of the human body, both female and male. Fields depicted women as strong, capable figures, who were simultaneously feminine in a traditional sense. His
192:, James Lechay, Myron Lechay, Joseph Kantor, Saul Berman, Tully Filmus, were among the painters; while after World War II the informal "circle" of which he was part included the sculptors Clara Bratt,
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school of art. His friendships with
Israeli painters and sculptors, as well as his observations of the vibrant artistic scene in late 1950s' Israel are described in the chapter which he composed for
156:. Its student body consisted mainly of immigrants or first-generation Americans, many of whom came from a working-class background. Fields studied at Beaux-Arts from 1917 until 1927.
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243:. Attempts at locating this statue have not been successful; it was probably destroyed by German shelling during World War II. A plaster cast of the baby is still extant.
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own creations reflected the statuesque, essentially realistic character of his grandfather's work, as well as the latter's uncompromising excellence of craftsmanship.
84:(1901 – 1966) was a Romanian-born American sculptor, known for his life-size sculptures, as well as for his portraits. Fields's works belong to the schools of
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As was the case with many
American artists from immigrant families who came of age during the Great Depression, some of his works may be seen as part of the
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In the late 1940s, 1950s and 1960s Fields lived in New York and maintained a studio at 3 Gt. Jones St., New York. He was represented by the statue
120:; he was the third of five sons of Marku Feldman and Tova Felderman. In 1907 the family immigrated to the United States and made its home in
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Hazorea, Israel; his statue Naomi, which twice enabled him to receive a
Guggenheim Fellowship, is exhibited at the entrance to the kibbutz's
124:(Manhattan), then an immigrant neighborhood. The parents supported the family by selling vegetables in markets in Manhattan and the Bronx.
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in New York. The Beaux-Arts
Institute aimed to train architects, sculptors and mural painters in accordance with the agenda of the French
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of
Culture and Leisure in Moscow, in the Museum of Modern Western Art in Moscow and in the Pushkin Museum in Moscow, now the
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a factory which engaged in war production; he operated a lathe on the production line until after the final Allied victory.
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work, with its richly toned glazes and whimsical shapes, was his only attempt at adopting a semi-abstract idiom.
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movement, one of whose aims was to depict the working class as heroic. Yet he did not accept the tenets of
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Fields's sculptural language was representational. Having been educated in the tradition of
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Mallett, Daniel
Trowbridge. Index of Artists: International-Biographical. Two Volumes 1935
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as she might have looked during the last months of her life in hiding with her family in
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political views, the large majority of his works do not bear a political message.
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Mitchell Fields died after a short illness on
October 6, 1966. He is buried in
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Even after World War II, when many American artists moved in the direction of
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exhibit in 1949. He created a larger-than-life-size portrait bust of the late
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During the mid-1930s Fields divided his time between New York and Europe. The
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in Hoboken NJ he decided to pursue a career as a sculptor and enrolled at the
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During this period he created a portrait bust of the great Yiddish author
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Annual Exhibition Record, 1914–68, Pennsylvania Academy of the Fine Arts
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Mitchell Fields (né Mendel Feldman) was born on September 28, 1901, in
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Regional Council Library. Fields also attempted a portrait bust of
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whose work was for the most part representational: Moses Soyer,
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The Artists Bluebook 34,000 North American Artists to March 2005
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1951 – Thomas R. Proctor Award, National Academy of Design (for
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One Hundred Contemporary American Jewish Painters and Sculptors
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Annual Exhibition Record, National Academy of Design 1901-1950
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1929 - Helen Foster Barnett prize, National Academy of Design
582:(composer), Pushkin State Museum of Fine Arts, Moscow, Russia
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From time to time Fields taught courses in sculpture at the
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1945 – elected Associate Member, National Academy of Design
171:, Sheba Medical Center School of Nursing, Ramat Gan, Israel
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1965 – Thomas R. Proctor Award, National Academy of Design
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Museum of Modern Western Art, Moscow, USSR, (one-man show)
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which was encouraged by his teachers. After a year at the
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Dictionary of American Sculptors: 18th Century to Present
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Fields was assisted by Robert Bannet, City Architect of
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Beaux-Arts Institute of Design (New York City) alumni
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1955 – Watrous gold medal, National Academy of Design
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1949 – Watrous gold medal, National Academy of Design
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schools in Manhattan and Woodstock, New York, at the
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History of the National Academy of Design, 1825-1953
281:School of Fine Arts in New York, as well as at the
793:Opitz, Glenn. Dictionary of American Artists. 1982
336:and head of the team of architects which planned
266:which was placed in the Museum of Immigration on
436:, Fields continued to create within the realist
207:During the early 1930s Fields was active in the
730:Ray Davenport's Art Reference:The Gold Edition
640:Lesson of the Austrian Revolt (semi-life-size)
606:(head of Medical Corps, Israel Defense Forces)
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576:Avraham Hertzfeld (Member of Israel Knesset)
535:, Pushkin State Museum of Fine Arts, Moscow
862:American people of Romanian-Jewish descent
838:Smithsonian Archives of American Art photo
524:, Megiddo Regional Council Library, Israel
406:were articulated in a non-abstract idiom.
803:Who Was Who in America. Vol. IV 1961-1968
766:, (Russian-language) vol. 45, p. 90.
483:Gorky Park of Culture and Leisure, Moscow
69:Learn how and when to remove this message
386:, Wilfrid Israel Museum, Hazorea, Israel
148:School of Fine Arts in New York and the
32:This article includes a list of general
897:Romanian emigrants to the United States
600:(Member and Speaker of Israel Knesset)
503:Wilfrid Israel Museum, Hazorea, Israel
302:, first Speaker of the Knesset; Prof.
674:Pennsylvania Academy of the Fine Arts
313:. This portrait is on exhibit in the
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708:1956 – Tiffany Foundation fellowship
705:1955 – Tiffany Foundation fellowship
887:20th-century American male artists
38:it lacks sufficient corresponding
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492:Pushkin State Museum of Fine Arts
487:Pennsylvania Academy of Fine Arts
237:Pushkin State Museum of Fine Arts
735:Dunbier, Lonnie Pierson (Editor)
655:Young Woman Holding Wounded Bird
169:Young Woman Holding Wounded Bird
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882:20th-century American sculptors
275:Art Students League of New York
142:Stevens Institute of Technology
797:Who's Who in American Art-1966
779:Mandelbaum, Bernard (Editor).
756:Falk, Peter Hastings (Editor)
614:Life-size statues–partial list
150:Beaux-Arts Institute of Design
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764:The Great Soviet Encyclopedia
742:Falk, Peter Hastings (Editor)
643:Mother and Child – 2 versions
465:Gorky Literary Museum, Moscow
348:, one of the founders of the
686:1935 – Guggenheim Fellowship
683:1932 – Guggenheim Fellowship
221:Work Projects Administration
744:Who Was Who in American Art
522:Portrait of Sholem Aleichem
513:Portrait busts–partial list
260:3rd Sculpture International
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822:Mitchell Fields at Ask Art
507:1939 New York World's Fair
469:Metropolitan Museum of Art
344:for her sculpture, and of
279:National Academy of Design
256:Philadelphia Museum of Art
146:National Academy of Design
877:Socialist realist artists
786:Opitz, Glenn B. (editor)
646:Mother and Child with Oar
609:Sonja Tykhayeva (athlete)
533:Portrait of Hall Johnson
917:People from East Harlem
892:American male sculptors
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660:Prizes and fellowships
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434:Abstract Expressionism
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298:(Ka-tzetnik), author;
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134:Stuyvesant High School
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198:Alexander Archipenko
154:École des Beaux-Arts
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241:Gorky Park (Moscow)
907:Romanian sculptors
833:Guggenheim profile
670:Widener Gold Medal
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283:University of Iowa
213:Austrian Civil War
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415:Socialist Realism
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289:Career in Israel
217:Great Depression
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448:Exhibitions
442:ceramic art
396:Romanticism
304:Chaim Sheba
194:Chaim Gross
122:East Harlem
51:introducing
846:Categories
716:References
571:Anne Frank
500:, New York
477:, New York
471:, New York
454:Birobidjan
338:Ramat Aviv
319:Anne Frank
233:Gorky Park
104:Early life
34:references
427:left-wing
423:communism
419:socialism
323:Amsterdam
186:Ben Shahn
138:sculpture
59:July 2022
628:Beatrice
594:(author)
573:(author)
558:(author)
543:(author)
494:, Moscow
400:portrait
371:Museum.
356:(1960).
334:Tel Aviv
110:Belcesti
790:. 1984
697:Michael
668:1930 –
637:Fatigue
631:Blossom
622:At Rest
404:reliefs
392:Realism
365:Kibbutz
315:Megiddo
254:in the
118:Romania
86:Realism
47:improve
805:. 1968
799:. 1966
783:. 1960
773:. 1947
760:. 1989
753:. 1990
746:. 1999
739:. 2005
732:. 2005
725:. 1954
625:Bather
252:Bather
160:Career
36:, but
678:Naomi
676:(for
652:Torso
649:Naomi
619:Angel
588:Nelly
438:canon
384:Naomi
350:Dada
200:and
114:Iaşi
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