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729:. Its six chapters explore Miyazaki's early career from 1963 to 1985, including the artists and locations that inspired him. The book observes that Miyazaki's works evolved from optimism in the 1980s to darker narratives in the 1990s and 2000s. Greenberg was inspired to write the book as he felt Miyazaki's earlier works were largely unexplored. His work on the book was delayed by other projects, such as his PhD thesis. The 169-page book was published in 2018 by
820:. Its sixteen chapters explore Miyazaki's life and films: the first three chronologically discuss his early life and introduction to animation, and the following thirteen examine the impact of his life experiences on his work. Napier discusses themes such as environmentalism, nostalgia, and women empowerment, and frequently references Miyazaki's relationship with his mother, especially in relation to
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s Marco
Bellano praised the book's exploration of Miyazaki's largely undiscussed early work, providing context for his later films. He found Greenberg's personality made the book "accessible and pleasant to read" and felt it would be an appropriate tool in animation history studies. Writing for the
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is a 2016 book by Eric
Reinders. Published by McFarland & Co., the 222-page book analyses themes, morals, and religious elements in Miyazaki's films. Greenberg called it "an interesting but flawed book", enjoying its deeper analysis of religion and mythology but criticizing Reinders's ignorance
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is a 2014 book by Eriko
Ogihara-Schuck. The 240-page book was published by McFarland & Co. in paperback and ebook formats. It is split into four sections analysing the themes in Miyazaki's works and examines the reception of his films in Germany and North America. Ogihara-Schuck considers the
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is a 2011 book by Jeremy Mark
Robinson, published by Crescent Moon Publishing. In addition to discussing Miyazaki's work, the book explores his themes and influences, unmade films, and characters, as well as chapters on Takahata's work and other Japanese animation. A 664-page revised edition was
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s Tom Mes described McCarthy's writing style as "neither too highbrow nor too populist" and felt the book would "remain the seminal publication in the study of the animator's work". In 2021, McCarthy said she was more likely to write a sequel book about
Miyazaki's later career than update the
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before its
Western release. The book's original draft was "twice as long as it should have been". Odell and Le Blanc aimed the book at a wider audience as opposed to purely academics. The 160-page paperback was published on March 26, 2009, by Kamera Books, with eight pages of colour images.
842:, despite skepticism from others that an animator cannot hold such a label. She discovered Miyazaki's work while writing a book about anime and felt a full study was overdue. Napier interviewed Miyazaki for the book in 2013. The 344-page hardcover and digital book was published by
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to better understand
Miyazaki. Schodt and Cary sent Mamatas "anywhere between 20 and 100 pages at a time" for editing; he felt the variety of content led to difficulties in maintaining accurate tones while translating and editing. The English translation includes an eleven-page
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838:, refers to "the immersive animated realm" of Miyazaki's films, asserting they exist within a single universe rooted in helpless experiences of Miyazaki's childhood and an agenda of environmentalism, family, and humanism. Napier argues Miyazaki is an
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is a 2014 book by
Daisuke Akimono. Published by Lambert Academic Publishing, the book examines the evolution of political themes in Miyazaki's films. Raz Greenberg enjoyed Akimono's analysis but felt its structure read like a thesis
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s Andrew Osmond disagreed with several of
Greenberg's points, such as his descriptions of characters and proclamation of Miyazaki's "influences" without sourcing the claims, and lamented the lack of analysis of Takahata's works.
783:, Mari Nakamura called the book "a must-read" for those interested in Miyazaki, anime, and animation studies, but felt additional acknowledgement of primary and scholarly sources would have better contextualized Miyazaki's work.
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s
Michael Hale praised Ogihara-Schuck's writing and scholarship for being engaging and accessible while remaining primarily academic, noting that "fans of Miyazaki from all circles should give the work a chance". Conversely,
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s Theron Martin called it "a must-read for any Miyazaki admirer", praising its insight of Miyazaki's philosophies surrounding life and animation; he found Miyazaki's planning notes the most interesting element. Writing for
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is a 2002 biography by Japanese writer and pop culture specialist Mitsunari Ōizumi. One of the earliest biographies about Miyazaki, the book focuses on his childhood and career with little information about his personal
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in 1989, McCarthy began pitching a book about the director to British publishers but felt they were uninterested in a biography about "a single Asian cartoon director only geeks had heard of". Around 1997, animator
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the following month. The book features eight pages of color illustrations and 60 black-and-white images, as well as character sketches and story synopses. It explores Miyazaki's childhood and early career, and the
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s R. D. Sears lauded Cavallaro's research as "thorough and painstaking" for its development of context, history, and nuances, though found her writing occasionally "ponderous" and the illustrations "inadequate".
518:. The book, intended as "an introduction for audiences ... marginally familiar with Miyazaki's oeuvre", explores his work in the context of other animation and manga works, analyses his films and their blend of
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s Andrew Osmond praised the translated text as "flowing and graceful", though noted possible confusion for English readers due to the unavailability of some of Miyazaki's earlier works outside of Japan, such as
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s Claire Kohda Hazelton commended the incorporation of archival interviews with Miyazaki, though she felt the omission of contextualizing his work's acceptances in the Western world was a "missed opportunity".
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s Rebecca Silverman similarly considered the book repetitious and some of Miyazaki's opinions "uncomfortable ... for western readers" but praised the insight into his works, particularly the revelations about
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79:, while others examine the themes and religious elements of his works, such as Eriko Ogihara-Schuck and Eric Reinders. Colin Odell and Michelle Le Blanc's 2009 book explores the careers of both Miyazaki and
1046:. The book draws from interviews with Studio Ghibli staff members and covers 18 of Miyazaki's feature-length and short films, including aspects of their productions, inspirations, and animation techniques.
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is a 2009 book by Colin Odell and Michelle Le Blanc. The authors—a married writing duo—spent several months researching for the book and traveled to Japan, where they visited the Ghibli Museum and watched
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in Japan in 1996, the book features about 90 chapters chronicling Miyazaki's thoughts on animation, the film industry, and his own works, as well as a full-color reprinting of Miyazaki's eight-page manga
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s Ayçin Ergin Akdaş felt Napier's development of ideas throughout each chapter made the book easier to read and recommended that it be incorporated into educational programs, and Shiro Yoshioka in
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highlights the ideological connections between Miyazaki's films and personal life. Two books compiling essays, articles, lectures, and outlines written by Miyazaki were published in 1996 and 2008.
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enjoyed Napier's nuance and balance of information and analysis but noted some discrepancies in her conclusions and incomprehensiveness in omitting Miyazaki's manga and television work.
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s Ard Vijn praised Miyazaki's writing and humor and the inclusion of his drawings and manga, but lamented the omission of information about Miyazaki's friendly rivalry with animator
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as "a significant step forward in the nascent field of anime studies", praising Napier's expertise, writing style, and exploration of controversial elements of Miyazaki's works.
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s Brian Cirulnick called it "an excellent book and a worthy addition to any anime fan's library". Cavallaro wrote two more books about Miyazaki, published by McFarland:
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s John A. Lent praised Greenberg's analysis of Miyazaki's works and descriptions of his inspirations, though felt the book's detailed synopses limited its analyses.
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encouraged McCarthy to approach American publishers; she pitched the book to Peter Goodman of Stone Bridge, who accepted. In researching the book, McCarthy visited
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s Andrew Osmond found most chapters "more myopic than enlightening", though found one particularly fascinating for readers interested in intercultural adaptation.
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63:. According to Jeff Lenburg, more papers have been written about Miyazaki than any other Japanese artist. The first English-language book devoted to Miyazaki was
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s Angelica Frey called the book "an essential work in anime scholarship especially in the West" but sought deeper discussion of Miyazaki's artistic influences.
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found Napier's avoidance of technical jargon made it approachable to general readers while maintaining academic depth, a sentiment echoed by other reviewers.
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Viz Media published a 452-page English translation of the book in hardcover on April 8, 2014, coinciding with the home media release of Miyazaki's 2013 film
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316:(2008) are infrequently mentioned. Several of Miyazaki's essays about life are relevant to the films, such as anthropology and medieval history to
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355:. The book was translated by Schodt and Cary. It was released in a 462-page paperback on March 16, 2021, and a 456-page ebook on March 16, 2021.
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452:, over two days in January 1999. The book sold 10,000 copies within two months—a record for Stone Bridge—prompting a reprint in December.
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published a 461-page English translation of the book in hardcover on August 4, 2009, following a delay from July 7. Viz Media editor
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s Mihaela Mihailova noted occasional contradictions in the book but otherwise lauded Napier's versatility and depth of research. In
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s Kevin Cooley applauded the book's unique concept but found its execution flawed and felt Reinders's comparisons of Miyazaki and
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s Peter Stack, who praised McCarthy's love of Miyazaki's work as "infectious" and her prose as "insightful and at times lovely".
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is a compilation of essays, talks, and illustrations by—and interviews with—Miyazaki between 1997 and 2008. First published by
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in 1999, focusing on the films' narrative and artistic qualities. Many authors focus on Miyazaki's career and films, like
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lauded the balance of biography and analysis, calling the book "the labor of both a consummate scholar and an avid fan".
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s Ashley S. Moser applauded Greenberg's research but felt his writing was often unsupported, unexplained, and uncertain.
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and its main content is split into five subjects, including people, animation, and film. It was released in a 462-page
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s Titus Techera commended Napier's thorough research but felt the book did not explain Miyazaki's reverence in Japan.
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s Mark Jenkins found some words overused and felt the book did not justify its argument of a "unified 'Miyazakiworld
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s Shelley Pallis felt the book lacked uniqueness among previous works, and identified several errors and omissions.
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in understanding Miyazaki's work and religious dissemination in media, but found some of her claims unconvincing.
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s Lisa DuMond lauded McCarthy's research and writing style, declaring her an authority on Miyazaki and his works.
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Review of Miyazaki's Animism Abroad: The Reception of Japanese Religious Themes by American and German Audiences
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after his death; Miyazaki felt Tezuka's work was "silly", despite his earlier works inspiring a young Miyazaki.
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felt the work offered an informative view into Miyazaki's filmography akin to "taking a peek inside his head".
4132:"'Why must fireflies die so young?' The Picturesque as an Instrument of Caution in the Works of Studio Ghibli"
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s Andrew Osmond found the book "illuminating" but "exasperatingly disorganised" and its chapters repetitious.
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s Leah Schnelbach praised Napier's exploration on environmental and political themes, and her analysis of
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in hardcover in Japan in 2008, the book is largely focused on two of Miyazaki's films from this period:
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lauded Miyazaki's refreshing, reflective, and honest candor and his comedic tales of his earlier life.
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Miyazaki's Animism Abroad: The Reception of Japanese Religious Themes by American and German Audiences
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Miyazaki's Animism Abroad: The Reception of Japanese Religious Themes by American and German Audiences
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Miyazaki's Animism Abroad: The Reception of Japanese Religious Themes by American and German Audiences
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Miyazaki's Animism Abroad: The Reception of Japanese Religious Themes by American and German Audiences
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152:. One of Miyazaki's essays became notable for being the sole criticism of manga artist and animator
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Rendell, James (2018). "Bridge builders, world makers: Transcultural Studio Ghibli fan crafting".
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described the book as "essential reading for anyone interested in Japanese—or Western—animation".
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401:. The first English-language book devoted to Miyazaki, the 240-page paperback was published by
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is a compilation of essays, articles, lectures, and outlines written by—and interviews with—
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This article is about works written by or about Miyazaki. For Miyazaki's manga works, see
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s Malcolm Cook lauded Bloomberg's series for its contribution to animation studies.
580:(2014), discussing his directorial and writing work on feature and short films; and
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that inspired his works, focusing on the films' narrative and artistic qualities. A
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in 2018 in French and in 2020 in English, the book chronicles Miyazaki's career.
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in 2009 would increase interest in Miyazaki's career. The book was translated by
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2612:"INTERVIEW – In Conversation With Colin Odell and Michelle Le Blanc (Authors of
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1398:"'The Continuing Allure of Hayao Miyazaki': Celebrating Japanese pop culture"
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is a 2012 book by Jeff Lenburg. The 120-page hardcover book was published by
666:, Francisco J. López Rodríguez lauded Ogihara-Schuck's study of contemporary
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and some chapters were previously published in other books in 2010 and 2011.
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s Michiko Yamada wrote it was "a must-have handbook for the Ghibli lover".
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s Terry Hong called the book "an excellent overview" of Studio Ghibli, and
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described it as "an excellent scholarly analysis" of Miyazaki's work, and
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The book was called "a very handsome tribute to Miyazaki and his work" by
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Hayao Miyazaki: Exploring the Early Works of Japan's Greatest Animator
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Hong, Terry (October 1, 2009). "Odell, Colin & Michelle Le Blanc.
514:. The book explores Miyazaki's career from his early manga work up to
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Hayao Miyazaki: Exploring the Early Work of Japan's Greatest Animator
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Hayao Miyazaki: Exploring the Early Work of Japan's Greatest Animator
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Hayao Miyazaki. Exploring the early work of Japan's greatest animator
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Hayao Miyazaki: Exploring the Early Work of Japan's Greatest Animator
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Hayao Miyazaki: exploring the early work of Japan's greatest animator
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Hayao Miyazaki: Exploring the Early Work of Japan's Greatest Animator
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Hayao Miyazaki: Exploring the Early Work of Japan's Greatest Animator
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Hayao Miyazaki: Exploring the Early Work of Japan's Greatest Animator
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3637:"Hayao Miyazaki's Films Help Us See Ourselves 'With Eyes Unclouded'"
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s English Voice Talent Cast, Miyazaki Hayao's Book Recommentdations"
3520:"What ties the magical worlds of Hayao Miyazaki's movies together?"
1988:"Introduction to Anime / Books offer insight into Miyazaki's films"
899:"as meta-commentaries on Studio Ghibli itself". Shane Healy of the
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59:. The books explore Miyazaki's biography and career, particularly
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Princess Mononoke: Understanding Studio Ghibli's Monster Princess
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Quinn, Judy (December 13, 1999). "No ennui for Japanese anime".
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4171:[Hayao Miyazaki: secrets of the master of animation].
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Studio Ghibli: The Films of Hayao Miyazaki & Isao Takahata
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on September 4, 2018, and the paperback on November 19, 2019.
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L'œuvre de Hayao Miyazaki: Le maitre de l'animation japonaise
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The Late Works of Hayao Miyazaki: A Critical Study, 2004–2013
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L'œuvre de Hayao Miyazaki: Le maitre de l'animation japonaise
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The Late Works of Hayao Miyazaki: A Critical Study, 2004–2013
324:. Some essays explore Miyazaki's thoughts on writers such as
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Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata
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Cook, Malcolm (Summer 2019). "Reviews: Rayna Denison (ed.),
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Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata
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Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata
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The cinema of Mamoru Oshii: fantasy, technology and politics
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Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata
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Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata
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in September 1999, alongside the North American release of
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The Works of Hayao Miyazaki: The Japanese Animation Master
2031:. Vol. 47, no. 2. April–June 2000. p. 106.
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gives a rare glimpse of acclaimed animator Hayao Miyazaki"
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is a 2018 book by French writer Gael Berton. Published by
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The Works of Hayao Miyazaki: The Japanese Animation Master
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The Origin of Miyazaki Hayao: The Story of Mother and Son
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The Origin of Miyazaki Hayao: The Story of Mother and Son
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published in paperback and hardcover with illustrations.
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Toy Story: How Pixar Reinvented the Animated Feature
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4586:Odell, Colin; Le Blanc, Michelle (March 26, 2009).
3874:"A Look at the Auteur of Animation, Hayao Miyazaki"
3841:"10 More books You Should Read to Understand Japan"
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418:version was published in the United Kingdom by
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3024:Bellano, Marco (November 2020). "Book review:
2585:"Interview: Michelle Le Blanc and Colin Odell"
828:. The book is one of few to analyse his manga
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3990:(July 2019). "Know Your Anime. Susan Napier.
549:in 2006, alongside the home media release of
545:The 204-page paperback book was published by
8:
4421:Hayao Miyazaki: Master of Japanese Animation
4366:. Animation:Key Films/Filmmakers. New York:
3410:(1). Society for Japanese Studies: 213–217.
2218:Hayao Miyazaki: Master of Japanese Animation
2181:Hayao Miyazaki: Master of Japanese Animation
2090:Hayao Miyazaki: Master of Japanese Animation
2025:Hayao Miyazaki: Master of Japanese Animation
1626:"The Early Years of Hayao Miyazaki Part 1 —
1586:"The Early Years of Hayao Miyazaki Part 1 —
391:Hayao Miyazaki: Master of Japanese Animation
384:Hayao Miyazaki: Master of Japanese Animation
69:Hayao Miyazaki: Master of Japanese Animation
3556:"A Grand Unified Theory of Hayao Miyazaki:
2587:. Kamera Books. August 2009. Archived from
2407:Children's Literature Association Quarterly
4706:
4692:
4684:
3310:Akdaş, Ayçin Ergin (September 20, 2019). "
1906:. Vol. 246, no. 50. p. 23.
737:series, alongside three other books about
135:between 1979 and 1996. First published in
4613:] (in Japanese). Tokyo: Chode Hansha.
4151:
3249:International Institute for Asian Studies
2914:
2746:
2739:Nanzan Institute for Religion and Culture
2423:
2301:
2048:
2046:
1927:
781:International Institute for Asian Studies
3917:Russell Kirk Center for Cultural Renewal
3755:from the original on September 27, 2020.
3704:"The Fantastic Worlds of Hayao Miyazaki"
3502:from the original on September 27, 2020.
3474:Hazelton, Claire Kohda (June 21, 2019).
2164:
2152:
714:
4185:from the original on September 15, 2020
2004:from the original on September 29, 2020
1562:from the original on September 27, 2017
1260:from the original on September 27, 2017
1125:
1118:
4643:The Moral Narratives of Hayao Miyazaki
4252:"War and Peace" in Studio Ghibli Films
4226:from the original on February 27, 2021
4022:
3942:Mihailova, Mihaela (2020). "Review of
3886:from the original on February 11, 2019
3255:from the original on November 2, 2020.
2931:The Moral Narratives of Hayao Miyazaki
2863:The Moral Narratives of Hayao Miyazaki
2719:Rodríguez, Francisco J. López (2016).
2629:from the original on February 21, 2010
2610:Mulrooney, Marty (February 16, 2010).
2122:Driscoll, Nicholas (August 17, 2021).
2098:from the original on December 27, 2012
2056:(October 28, 2020). "Hayao Miyazaki".
1377:from the original on February 26, 2024
697:The Moral Narratives of Hayao Miyazaki
690:The Moral Narratives of Hayao Miyazaki
397:of Miyazaki written by British author
47:Several books have been written about
4204:Pallis, Shelley (February 27, 2021).
4111:from the original on February 1, 2023
3649:from the original on January 25, 2024
3598:East Asian Journal of Popular Culture
3554:Schnelbach, Leah (October 24, 2018).
3164:from the original on January 21, 2020
2730:Japanese Journal of Religious Studies
1835:from the original on December 6, 2021
663:Japanese Journal of Religious Studies
320:, and the development of children to
7:
5120:Hayao Miyazaki's Daydream Data Notes
4167:Lachasse, Jerome (August 25, 2018).
4043:The Complete Works of Hayao Miyazaki
3905:Techera, Titus (February 17, 2019).
3872:Frey, Angelica (February 11, 2019).
3853:from the original on August 31, 2024
3532:from the original on August 29, 2018
2195:from the original on October 1, 2000
2134:from the original on August 18, 2021
1522:from the original on October 4, 2023
3923:from the original on August 7, 2020
3820:from the original on March 26, 2024
3784:from the original on August 6, 2020
3718:from the original on April 23, 2022
3702:McNeil, Taylor (February 4, 2019).
3635:Rollmann, Rhea (December 3, 2018).
3576:from the original on March 26, 2024
3284:from the original on August 3, 2020
2809:from the original on June 20, 2021.
2460:from the original on April 22, 2006
2232:from the original on March 27, 2013
1801:from the original on March 16, 2021
1729:. November 26, 2008. Archived from
1438:Memoir Discusses His Life and Work"
1410:from the original on April 24, 2015
1306:from the original on March 23, 2010
5281:Bibliographies of Japanese writers
5100:Nausicaä of the Valley of the Wind
4772:Nausicaä of the Valley of the Wind
4136:Journal of Anime and Manga Studies
3677:Washington University in St. Louis
3266:Moser, Ashley S. (June 17, 2019).
3192:Norman McLaren: Between the Frames
3090:from the original on July 13, 2018
2955:from the original on June 17, 2021
2842:from the original on June 24, 2016
2283:from the original on April 7, 2006
1854:Silverman, Rebecca (May 8, 2014).
1767:from the original on June 28, 2023
831:Nausicaä of the Valley of the Wind
816:is a 2018 book by American writer
700:of the film's production context.
639:Nausicaä of the Valley of the Wind
51:, a Japanese animator, filmmaker,
25:
5153:The Kingdom of Dreams and Madness
3518:Jenkins, Mark (August 29, 2018).
1986:Stack, Peter (October 31, 1999).
1962:from the original on May 19, 2022
1488:from the original on June 8, 2023
1454:from the original on June 8, 2023
1340:from the original on May 29, 2023
1284:Martin, Theron (March 20, 2010).
725:is a 2018 book by Israeli writer
510:is a 2006 book by British writer
193:on April 8, 2014, and a 464-page
5163:Never-Ending Man: Hayao Miyazaki
4273:Berton, Gael (August 10, 2018).
4130:Roy, Samragngi (December 2022).
4081:from the original on May 4, 2016
3737:William, Ryan (April 10, 2019).
3683:from the original on May 1, 2020
3434:Yoshioka, Shiro (August 2021). "
3112:Lent, John A. (February 2019). "
3072:Osmond, Andrew (July 12, 2018).
2820:Osmond, Andrew (June 14, 2016).
2685:Yamada, Michiko (August 2009). "
2323:Reference and Research Book News
1876:from the original on May 9, 2014
1143:Osmond, Andrew (October 2009). "
5231:Nadia: The Secret of Blue Water
4393:Lenburg, Jeff (February 2012).
4330:The Animé Art of Hayao Miyazaki
4258:: Lambert Academic Publishing.
3669:"Susan Napier on the Making of
3403:The Journal of Japanese Studies
2748:10.18874/jjrs.43.2.2016.396-400
2448:The Anime Art of Hayao Miyazaki
2444:Cirulnick, Biran (March 2006).
2361:The animé art of Hayao Miyazaki
2359:Sears, R. D. (February 2007). "
2319:The animé art of Hayao Miyazaki
2257:The Anime Art of Hayao Miyazaki
1432:Smith, Carly (March 28, 2014).
1365:up for (pre-)order in English!"
1210:. March 6, 2009. Archived from
852:The Journal of Japanese Studies
735:Animation: Key Films/Filmmakers
508:The Animé Art of Hayao Miyazaki
501:The Animé Art of Hayao Miyazaki
176:and Beth Cary, who visited the
4664:Robinson, Jeremy Mark (2011).
4618:Ogihara-Schuck, Eriko (2014).
4010:10.5621/sciefictstud.46.2.0427
3235:Nakamura, Mari (Autumn 2020).
2532:Hayao Miyazaki's World Picture
2416:Johns Hopkins University Press
2070:10.1093/obo/9780199791286-0337
1396:Huang, Eric (April 23, 2015).
582:Hayao Miyazaki's World Picture
1:
3839:Healy, Shane (May 17, 2022).
3487:The Times Literary Supplement
3479:MIYAZAKI WORLD: A life in art
3450:Association for Asian Studies
3353:Cannon, C. B. (March 2019). "
3154:"The Big Idea: Raz Greenberg"
2400:West, Mark I. (Spring 2007).
1670:Osmond, Andrew (June 2014). "
1242:Vijn, Ard (October 5, 2009).
1042:by the Japanese film scholar
5173:Hayao Miyazaki and the Heron
4668:. Crescent Moon Publishing.
4666:The Cinema of Hayao Miyazaki
4565:Miyazakiworld: A Life in Art
4300: (September 2, 2020).
4144:University of Illinois Press
4077:. Crescent Moon Publishing.
3992:Miyazakiworld: A Life in Art
3944:Miyazakiworld: A Life in Art
3806:Miyazakiworld: A Life in Art
3741:Miyazakiworld: A Life in Art
3558:MiyazakiWorld: A Life in Art
3441:The Journal of Asian Studies
3436:Miyazakiworld: A Life in Art
3398:Miyazakiworld: A Life in Art
3369:American Library Association
3355:Miyazakiworld: a life in art
3312:Miyazakiworld: A Life in Art
3128:American Library Association
2379:American Library Association
2062:Oxford Bibliographies Online
1052:The Cinema of Hayao Miyazaki
879:The Journal of Asian Studies
814:Miyazakiworld: A Life in Art
807:Miyazakiworld: A Life in Art
18:Miyazakiworld: A Life in Art
4208:The Works of Hayao Miyazaki
4041:[Seiji Kano, author of
3400:by Susan Napier (review)".
3074:"Books: The Early Miyazaki"
2623:Alternative Magazine Online
2124:"Interview: Helen McCarthy"
1638:. p. 2. Archived from
1598:. p. 1. Archived from
1359:Vijn, Ard (March 3, 2009).
1030:
1013:The Complete Hayao Miyazaki
996:
284:
125:
5317:
5291:Books about film directors
4605:Ōizumi, Mitsunari (2002).
4038:「宮崎駿全書」を書いた 叶精二（かのう・せいじ）さん
1949:"Homage to an image maker"
378:Books about Hayao Miyazaki
28:
4976:Imaginary Flying Machines
4721:
4482:Starting Point: 1979–1996
4480: (August 4, 2009).
4250:Akimono, Daisuke (2014).
3458:10.1017/S0021911821001005
2824:Miyazaki's Animism Abroad
2329:(2). Portland. May 2006.
1628:Starting Point: 1979–1996
1588:Starting Point: 1979–1996
1510:Starting Point: 1979–1996
1476:Starting Point: 1979–1996
1363:Starting Point: 1979–1996
1328:Starting Point: 1979–1996
1288:Starting Point: 1979–1996
1246:Starting Point: 1979–1996
1021:
987:
960:Times Literary Supplement
278:
116:
108:Starting Point: 1979–1996
101:Starting Point: 1979–1996
5286:Bibliographies of people
5276:Bibliographies by writer
5240:Ni-Tele Really Big Clock
4762:The Castle of Cagliostro
4537:Turning Point: 1997–2008
4535: (April 8, 2014).
4397:. Legends of Animation.
4037:
3324:University of Pittsburgh
3048:10.1177/1746847720974321
2450:— Anime Art Book Review"
2058:Cinema and Media Studies
1858:Turning Point: 1997–2008
1823:Turning Point: 1997–2008
1789:Turning Point: 1997–2008
1755:Turning Point: 1997–2008
1672:Turning Point: 1997–2008
1202:Shuppatsu Ten: 1979–1996
1145:Starting Point 1979–1996
637:regional perceptions of
326:Antoine de Saint-Exupéry
273:Turning Point: 1997–2008
266:Turning Point: 1997–2008
5301:Works by Hayao Miyazaki
4802:Kiki's Delivery Service
4647:McFarland & Company
4641:Reinders, Eric (2016).
4624:McFarland & Company
4510:Orikaeshi Ten 1997–2008
4455:Shuppatsu Ten 1979-1996
4334:McFarland & Company
4101:"Books by Jeff Lenburg"
3997:Science Fiction Studies
3214:Oxford University Press
1993:San Francisco Chronicle
1635:Animation World Network
1595:Animation World Network
1361:"Hayao Miyazaki's book
950:Science Fiction Studies
471:San Francisco Chronicle
468:, and "a real find" by
306:(2001); his other two,
225:Animation World Network
95:Books by Hayao Miyazaki
4153:10.21900/j.jams.v3.963
3912:The University Bookman
3332:10.5195/cinej.2019.245
2927:Cooley, Kevin (2019).
2781:Hale, Michael (2016).
1686:British Film Institute
1159:British Film Institute
1091:
919:The University Bookman
553:in the United States.
533:Grave of the Fireflies
44:
5057:Lupin the 3rd Part II
4923:From Up on Poppy Hill
4872:The Boy and the Heron
4569:Yale University Press
4563:(September 4, 2018).
4376:10.5040/9781501335976
4368:Bloomsbury Publishing
3966:10.1353/mni.2020.0011
3907:"Animating Our Souls"
3778:Yale University Press
3679:. November 12, 2018.
3611:10.1386/eapc.4.1.93_1
3416:10.1353/jjs.2020.0023
3222:10.1093/screen/hjz013
2941:University of Florida
2795:University of Florida
2425:10.1353/chq.2007.0023
2177:DuMond, Lisa (1999).
1998:Hearst Communications
1946:(November 10, 1999).
1624:(December 27, 2012).
1584:(December 27, 2012).
1031:Miyazaki Hayao Zensho
844:Yale University Press
747:(1995), and animator
731:Bloomsbury Publishing
39:
5037:Lupin the 3rd Part I
5016:Boro the Caterpillar
4903:Whisper of the Heart
4842:Howl's Moving Castle
4025:, pp. xiv, 286.
3946:, by Susan Napier".
3570:Macmillan Publishers
3438:. By Susan Napier".
3316:CINEJ Cinema Journal
2264:California Bookwatch
1870:Kadokawa Corporation
1300:Kadokawa Corporation
988:宮崎駿の原点 : 母と子の物語
897:Howl's Moving Castle
871:CINEJ Cinema Journal
855:, animation scholar
566:California Bookwatch
551:Howl's Moving Castle
524:cel-shaded animation
516:Howl's Moving Castle
334:Francis Ford Coppola
309:Howl's Moving Castle
55:, and co-founder of
31:Hayao Miyazaki manga
3949:Monumenta Nipponica
3816:. August 13, 2018.
3525:The Washington Post
2877:December 16, 2016.
2269:Midwest Book Review
1733:on December 6, 2008
1716:"Exclusive News on
1544:(August 29, 2009).
941:Monumenta Nipponica
928:The Washington Post
547:McFarland & Co.
197:on March 16, 2021.
142:Kuuchuu de Oshokuji
4986:Looking for a Home
4792:My Neighbor Totoro
4425:Stone Bridge Press
4419:(September 1999).
4055:on January 3, 2007
3988:Clements, Jonathan
3190:; Nichola Dobson,
1865:Anime News Network
1642:on January 7, 2013
1602:on January 2, 2013
1403:The Stanford Daily
1295:Anime News Network
1200:"Miyazaki Hayao's
822:My Neighbor Totoro
643:My Neighbor Totoro
436:My Neighbor Totoro
403:Stone Bridge Press
364:Anime News Network
332:, filmmakers like
215:Anime News Network
174:Frederik L. Schodt
45:
5263:
5262:
5223:Miyazaki Airplane
4893:Panda! Go, Panda!
4822:Princess Mononoke
4782:Castle in the Sky
4675:978-1-861-71515-9
4656:978-1-4766-6452-1
4633:978-0-786-47262-8
4597:978-1-842-43279-2
4578:978-0-300-24096-2
4550:978-1-421-56090-8
4523:978-4-000-22394-2
4508:(July 16, 2008).
4495:978-1-421-50594-7
4468:978-4-198-60541-4
4408:978-1-604-13841-2
4385:978-1-501-33596-9
4343:978-0-786-42369-9
4315:978-2-377-84288-9
4288:978-2-377-84052-6
4265:978-3-659-61832-1
3958:Sophia University
3813:Publishers Weekly
3448:(3). Pittsburgh:
3367:(7). Middletown:
3272:by Raz Greenberg"
3194:; Raz Greenberg,
3152:(July 13, 2018).
3126:(6). Middletown:
3040:SAGE Publications
2873:(47). Beaverton:
2664:Media Source Inc.
2542:(14). Beaverton:
2495:January 1, 2015.
2491:(51). Beaverton:
2377:(6). Middletown:
2155:, pp. 11–12.
1903:Publishers Weekly
1555:Los Angeles Times
1214:on March 12, 2009
1071:in February 2012.
955:Jonathan Clements
866:Publishers Weekly
739:Princess Mononoke
647:Princess Mononoke
428:Princess Mononoke
420:Optimum Releasing
407:Princess Mononoke
372:Princess Mononoke
340:, and films like
318:Princess Mononoke
297:Princess Mononoke
202:Los Angeles Times
61:his feature films
16:(Redirected from
5308:
5256:
5249:
5242:
5235:
5225:
5216:
5209:
5202:
5195:
5177:
5167:
5157:
5134:
5124:
5114:
5104:
5094:
5071:
5061:
5051:
5047:Future Boy Conan
5041:
5020:
5010:
5000:
4996:Hoshi o Katta Hi
4990:
4980:
4970:
4966:Koro no Daisanpo
4960:
4950:
4927:
4917:
4907:
4897:
4876:
4866:
4856:
4846:
4836:
4826:
4816:
4806:
4796:
4786:
4776:
4766:
4743:
4736:
4729:
4708:
4701:
4694:
4685:
4679:
4660:
4637:
4614:
4601:
4590:. Kamera Books.
4582:
4561:Napier, Susan J.
4554:
4534:
4527:
4499:
4479:
4472:
4446:
4412:
4389:
4355:
4319:
4299:
4292:
4269:
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4155:
4127:
4121:
4120:
4118:
4116:
4097:
4091:
4090:
4088:
4086:
4075:"Hayao Miyazaki"
4071:
4065:
4064:
4062:
4060:
4051:. Archived from
4048:Hokkaido Shimbun
4032:
4026:
4020:
4014:
4013:
3984:
3978:
3977:
3939:
3933:
3932:
3930:
3928:
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3793:
3791:
3789:
3766:
3757:
3756:
3734:
3728:
3727:
3725:
3723:
3712:Tufts University
3699:
3693:
3692:
3690:
3688:
3665:
3659:
3658:
3656:
3654:
3632:
3623:
3622:
3592:
3586:
3585:
3583:
3581:
3560:by Susan Napier"
3551:
3542:
3541:
3539:
3537:
3515:
3504:
3503:
3483:
3471:
3462:
3461:
3431:
3420:
3419:
3396:(Winter 2020). "
3390:
3381:
3380:
3350:
3344:
3343:
3307:
3294:
3293:
3291:
3289:
3277:Strange Horizons
3263:
3257:
3256:
3232:
3226:
3225:
3183:
3174:
3173:
3171:
3169:
3146:
3140:
3139:
3109:
3100:
3099:
3097:
3095:
3069:
3060:
3059:
3021:
3012:
3011:
2986:September 2018.
2971:
2965:
2964:
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2960:
2924:
2918:
2912:
2903:
2902:
2858:
2852:
2851:
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2645:
2639:
2638:
2636:
2634:
2618:
2607:
2601:
2600:
2598:
2596:
2591:on April 5, 2010
2581:
2572:
2571:
2527:
2521:
2520:
2476:
2470:
2469:
2467:
2465:
2441:
2430:
2429:
2427:
2402:"Books Received"
2397:
2391:
2390:
2356:
2347:
2346:
2314:
2305:
2299:
2293:
2292:
2290:
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2014:
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1983:
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1542:Solomon, Charles
1538:
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1529:
1527:
1504:
1498:
1497:
1495:
1493:
1470:
1464:
1463:
1461:
1459:
1434:"Hayao Miyazaki
1429:
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875:
800:
791:
786:Strange Horizons
777:
768:
759:
709:J. R. R. Tolkien
706:
684:
676:
655:PhD dissertation
621:
612:
575:
561:
494:
485:
476:
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442:Jeffrey J. Varab
368:
361:
338:Steven Spielberg
289:
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245:Future Boy Conan
240:
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130:
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21:
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5117:
5110:Shuna's Journey
5107:
5097:
5087:
5074:
5064:
5054:
5044:
5034:
5023:
5013:
5006:Mizugumo Monmon
5003:
4993:
4983:
4973:
4963:
4953:
4943:
4930:
4920:
4910:
4900:
4890:
4879:
4869:
4859:
4849:
4839:
4829:
4819:
4809:
4799:
4789:
4779:
4769:
4759:
4752:
4746:
4739:
4732:
4725:
4717:
4712:
4682:
4676:
4663:
4657:
4640:
4634:
4617:
4604:
4598:
4585:
4579:
4559:
4551:
4532:
4530:
4524:
4512:(in Japanese).
4506:Miyazaki, Hayao
4504:
4496:
4477:
4475:
4469:
4457:(in Japanese).
4453:(August 1996).
4451:Miyazaki, Hayao
4449:
4435:
4417:McCarthy, Helen
4415:
4409:
4392:
4386:
4358:
4344:
4326:Cavallaro, Dani
4324:
4316:
4297:
4295:
4289:
4272:
4266:
4249:
4245:
4240:
4239:
4229:
4227:
4203:
4202:
4198:
4188:
4186:
4166:
4165:
4161:
4129:
4128:
4124:
4114:
4112:
4105:JeffLenburg.com
4099:
4098:
4094:
4084:
4082:
4073:
4072:
4068:
4058:
4056:
4039:
4035:Saga, Yoshiro.
4034:
4033:
4029:
4021:
4017:
3986:
3985:
3981:
3941:
3940:
3936:
3926:
3924:
3904:
3903:
3899:
3889:
3887:
3871:
3870:
3866:
3856:
3854:
3846:Tokyo Weekender
3838:
3837:
3833:
3823:
3821:
3802:
3801:
3797:
3787:
3785:
3768:
3767:
3760:
3736:
3735:
3731:
3721:
3719:
3701:
3700:
3696:
3686:
3684:
3667:
3666:
3662:
3652:
3650:
3634:
3633:
3626:
3594:
3593:
3589:
3579:
3577:
3553:
3552:
3545:
3535:
3533:
3517:
3516:
3507:
3477:"Susan Napier:
3473:
3472:
3465:
3433:
3432:
3423:
3392:
3391:
3384:
3352:
3351:
3347:
3309:
3308:
3297:
3287:
3285:
3265:
3264:
3260:
3234:
3233:
3229:
3185:
3184:
3177:
3167:
3165:
3148:
3147:
3143:
3111:
3110:
3103:
3093:
3091:
3071:
3070:
3063:
3023:
3022:
3015:
2973:
2972:
2968:
2958:
2956:
2926:
2925:
2921:
2913:
2906:
2860:
2859:
2855:
2845:
2843:
2819:
2818:
2814:
2780:
2779:
2775:
2718:
2717:
2708:
2684:
2683:
2679:
2655:Library Journal
2647:
2646:
2642:
2632:
2630:
2616:
2609:
2608:
2604:
2594:
2592:
2583:
2582:
2575:
2546:April 6, 2015.
2529:
2528:
2524:
2478:
2477:
2473:
2463:
2461:
2443:
2442:
2433:
2399:
2398:
2394:
2358:
2357:
2350:
2316:
2315:
2308:
2300:
2296:
2286:
2284:
2253:
2252:
2245:
2235:
2233:
2213:
2212:
2208:
2198:
2196:
2176:
2175:
2171:
2163:
2159:
2151:
2147:
2137:
2135:
2121:
2120:
2111:
2101:
2099:
2084:McCarthy, Helen
2082:
2081:
2077:
2052:
2051:
2044:
2029:Japan Quarterly
2022:
2021:
2017:
2007:
2005:
1985:
1984:
1975:
1965:
1963:
1955:The Japan Times
1942:
1941:
1934:
1926:
1919:
1899:
1898:
1889:
1879:
1877:
1853:
1852:
1848:
1838:
1836:
1819:
1818:
1814:
1804:
1802:
1785:
1784:
1780:
1770:
1768:
1751:
1750:
1746:
1736:
1734:
1727:GhibliWorld.com
1720:
1714:
1713:
1709:
1677:Sight and Sound
1669:
1668:
1655:
1645:
1643:
1620:
1619:
1615:
1605:
1603:
1580:
1579:
1575:
1565:
1563:
1540:
1539:
1535:
1525:
1523:
1506:
1505:
1501:
1491:
1489:
1472:
1471:
1467:
1457:
1455:
1431:
1430:
1423:
1413:
1411:
1395:
1394:
1390:
1380:
1378:
1358:
1357:
1353:
1343:
1341:
1324:
1323:
1319:
1309:
1307:
1283:
1282:
1273:
1263:
1261:
1241:
1240:
1227:
1217:
1215:
1208:GhibliWorld.com
1198:
1197:
1182:
1150:Sight and Sound
1142:
1141:
1132:
1124:
1120:
1115:
1105:
1082:
1081:
1062:
1061:
1051:
1050:
1015:
1011:
1010:
1000:
981:
977:
976:
973:
963:
944:
935:
931:
922:
913:
902:Tokyo Weekender
888:
873:
818:Susan J. Napier
811:
798:
789:
775:
766:
757:
733:as part of its
720:
704:
694:
682:
674:
631:
619:
610:
607:Library Journal
593:
573:
559:
539:The Cat Returns
505:
492:
483:
474:
461:
458:The Japan Times
433:After watching
416:special edition
388:
380:
366:
359:
357:Sight and Sound
343:Dark Blue World
275:
270:
254:
238:
235:Sight and Sound
218:
210:Charles Solomon
205:
110:
105:
97:
85:Susan J. Napier
34:
23:
22:
15:
12:
11:
5:
5314:
5312:
5304:
5303:
5298:
5296:Hayao Miyazaki
5293:
5288:
5283:
5278:
5268:
5267:
5261:
5260:
5258:
5257:
5250:
5243:
5236:
5226:
5219:
5218:
5217:
5210:
5203:
5188:
5186:
5182:
5181:
5179:
5178:
5168:
5158:
5147:
5145:
5141:
5140:
5138:
5137:
5136:
5135:
5115:
5105:
5095:
5090:Sabaku no Tami
5084:
5082:
5076:
5075:
5073:
5072:
5067:Sherlock Hound
5062:
5052:
5042:
5031:
5029:
5025:
5024:
5022:
5021:
5011:
5001:
4991:
4981:
4971:
4961:
4951:
4940:
4938:
4932:
4931:
4929:
4928:
4918:
4908:
4898:
4887:
4885:
4881:
4880:
4878:
4877:
4867:
4862:The Wind Rises
4857:
4847:
4837:
4827:
4817:
4807:
4797:
4787:
4777:
4767:
4756:
4754:
4748:
4747:
4745:
4744:
4737:
4730:
4722:
4719:
4718:
4715:Hayao Miyazaki
4713:
4711:
4710:
4703:
4696:
4688:
4681:
4680:
4674:
4661:
4655:
4638:
4632:
4615:
4602:
4596:
4583:
4577:
4557:
4556:
4555:
4549:
4522:
4514:Iwanami Shoten
4502:
4501:
4500:
4494:
4467:
4447:
4433:
4413:
4407:
4390:
4384:
4360:Greenberg, Raz
4356:
4342:
4322:
4321:
4320:
4314:
4306:Third Éditions
4287:
4279:Third Éditions
4270:
4264:
4246:
4244:
4241:
4238:
4237:
4196:
4159:
4122:
4092:
4066:
4027:
4015:
4004:(2): 427–430.
3979:
3934:
3897:
3864:
3831:
3795:
3758:
3739:"Book Review:
3729:
3694:
3660:
3624:
3587:
3543:
3505:
3463:
3421:
3394:Denison, Rayna
3382:
3345:
3295:
3258:
3245:The Newsletter
3227:
3175:
3150:Greenberg, Raz
3141:
3101:
3061:
3013:
2984:Ringgold, Inc.
2966:
2919:
2917:, p. 155.
2915:Greenberg 2018
2904:
2875:Ringgold, Inc.
2853:
2812:
2773:
2706:
2677:
2640:
2602:
2573:
2544:Ringgold, Inc.
2522:
2493:Ringgold, Inc.
2471:
2431:
2392:
2348:
2306:
2302:Cavallaro 2006
2294:
2271:. April 2006.
2243:
2206:
2169:
2157:
2145:
2109:
2075:
2054:Greenberg, Raz
2042:
2015:
1973:
1944:Richie, Donald
1932:
1930:, p. 153.
1928:Greenberg 2018
1917:
1887:
1846:
1812:
1778:
1744:
1707:
1653:
1622:Tieryas, Peter
1613:
1582:Tieryas, Peter
1573:
1548:Starting Point
1533:
1499:
1465:
1421:
1388:
1370:Screen Anarchy
1351:
1317:
1290:(book) Review"
1271:
1253:Screen Anarchy
1225:
1180:
1130:
1128:, p. 107.
1117:
1116:
1114:
1111:
1110:
1109:
1099:Third Éditions
1079:
1072:
1058:
1047:
1040:reference work
1008:
972:
969:
826:The Wind Rises
810:
804:
749:Norman McLaren
719:
713:
711:were unclear.
693:
687:
630:
624:
592:
586:
512:Dani Cavallaro
504:
498:
422:alongside the
412:Japanese myths
399:Helen McCarthy
387:
381:
379:
376:
352:The Wind Rises
330:Robert Westall
292:Iwanami Shoten
269:
263:
251:Screen Anarchy
133:Hayao Miyazaki
104:
98:
96:
93:
73:Dani Cavallaro
65:Helen McCarthy
49:Hayao Miyazaki
41:Hayao Miyazaki
24:
14:
13:
10:
9:
6:
4:
3:
2:
5313:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5273:
5271:
5255:
5251:
5248:
5244:
5241:
5237:
5233:
5232:
5227:
5224:
5220:
5215:
5214:Goro Miyazaki
5211:
5208:
5207:Ghibli Museum
5204:
5201:
5197:
5196:
5194:
5193:Studio Ghibli
5190:
5189:
5187:
5183:
5175:
5174:
5169:
5165:
5164:
5159:
5155:
5154:
5149:
5148:
5146:
5144:Documentaries
5142:
5132:
5131:
5130:Hikōtei Jidai
5126:
5125:
5122:
5121:
5116:
5112:
5111:
5106:
5102:
5101:
5096:
5092:
5091:
5086:
5085:
5083:
5081:
5077:
5069:
5068:
5063:
5059:
5058:
5053:
5049:
5048:
5043:
5039:
5038:
5033:
5032:
5030:
5026:
5018:
5017:
5012:
5008:
5007:
5002:
4998:
4997:
4992:
4988:
4987:
4982:
4978:
4977:
4972:
4968:
4967:
4962:
4958:
4957:
4952:
4948:
4947:
4942:
4941:
4939:
4937:
4933:
4925:
4924:
4919:
4915:
4914:
4909:
4905:
4904:
4899:
4895:
4894:
4889:
4888:
4886:
4882:
4874:
4873:
4868:
4864:
4863:
4858:
4854:
4853:
4848:
4844:
4843:
4838:
4834:
4833:
4832:Spirited Away
4828:
4824:
4823:
4818:
4814:
4813:
4808:
4804:
4803:
4798:
4794:
4793:
4788:
4784:
4783:
4778:
4774:
4773:
4768:
4764:
4763:
4758:
4757:
4755:
4751:Films written
4749:
4742:
4741:List of works
4738:
4735:
4731:
4728:
4724:
4723:
4720:
4716:
4709:
4704:
4702:
4697:
4695:
4690:
4689:
4686:
4677:
4671:
4667:
4662:
4658:
4652:
4648:
4645:. Jefferson:
4644:
4639:
4635:
4629:
4625:
4622:. Jefferson:
4621:
4616:
4612:
4608:
4603:
4599:
4593:
4589:
4584:
4580:
4574:
4570:
4566:
4562:
4558:
4552:
4546:
4542:
4538:
4529:
4528:
4525:
4519:
4515:
4511:
4507:
4503:
4497:
4491:
4487:
4483:
4474:
4473:
4470:
4464:
4460:
4459:Studio Ghibli
4456:
4452:
4448:
4444:
4440:
4436:
4434:1-880656-41-8
4430:
4426:
4422:
4418:
4414:
4410:
4404:
4400:
4399:Chelsea House
4396:
4391:
4387:
4381:
4377:
4373:
4369:
4365:
4361:
4357:
4353:
4349:
4345:
4339:
4335:
4332:. Jefferson:
4331:
4327:
4323:
4317:
4311:
4307:
4303:
4294:
4293:
4290:
4284:
4280:
4277:(in French).
4276:
4271:
4267:
4261:
4257:
4253:
4248:
4247:
4242:
4225:
4221:
4220:Anime Limited
4217:
4216:
4215:All the Anime
4211:
4209:
4200:
4197:
4184:
4180:
4177:(in French).
4176:
4175:
4170:
4163:
4160:
4154:
4149:
4145:
4141:
4137:
4133:
4126:
4123:
4110:
4106:
4102:
4096:
4093:
4080:
4076:
4070:
4067:
4054:
4050:
4049:
4044:
4040:
4031:
4028:
4024:
4019:
4016:
4011:
4007:
4003:
3999:
3998:
3993:
3989:
3983:
3980:
3975:
3971:
3967:
3963:
3959:
3955:
3951:
3950:
3945:
3938:
3935:
3922:
3918:
3914:
3913:
3908:
3901:
3898:
3885:
3881:
3880:
3879:Hyperallergic
3875:
3868:
3865:
3852:
3849:. Engawa Co.
3848:
3847:
3842:
3835:
3832:
3819:
3815:
3814:
3809:
3807:
3799:
3796:
3783:
3779:
3775:
3773:
3772:Miyazakiworld
3765:
3763:
3759:
3754:
3750:
3749:
3744:
3742:
3733:
3730:
3717:
3713:
3709:
3705:
3698:
3695:
3682:
3678:
3674:
3672:
3671:Miyazakiworld
3664:
3661:
3648:
3644:
3643:
3638:
3631:
3629:
3625:
3620:
3616:
3612:
3608:
3605:(1): 93–109.
3604:
3600:
3599:
3591:
3588:
3575:
3571:
3567:
3566:
3561:
3559:
3550:
3548:
3544:
3531:
3527:
3526:
3521:
3514:
3512:
3510:
3506:
3501:
3497:
3493:
3489:
3488:
3482:
3480:
3470:
3468:
3464:
3459:
3455:
3451:
3447:
3443:
3442:
3437:
3430:
3428:
3426:
3422:
3417:
3413:
3409:
3405:
3404:
3399:
3395:
3389:
3387:
3383:
3378:
3374:
3370:
3366:
3362:
3361:
3356:
3349:
3346:
3341:
3337:
3333:
3329:
3325:
3321:
3317:
3313:
3306:
3304:
3302:
3300:
3296:
3283:
3279:
3278:
3273:
3271:
3262:
3259:
3254:
3250:
3246:
3242:
3240:
3231:
3228:
3223:
3219:
3215:
3211:
3207:
3206:
3201:
3197:
3193:
3189:
3182:
3180:
3176:
3163:
3159:
3155:
3151:
3145:
3142:
3137:
3133:
3129:
3125:
3121:
3120:
3115:
3108:
3106:
3102:
3089:
3085:
3084:Anime Limited
3081:
3080:
3079:All the Anime
3075:
3068:
3066:
3062:
3057:
3053:
3049:
3045:
3041:
3037:
3033:
3032:
3027:
3020:
3018:
3014:
3009:
3005:
3001:
2997:
2993:
2989:
2985:
2982:. Beaverton:
2981:
2977:
2970:
2967:
2954:
2950:
2946:
2942:
2938:
2934:
2932:
2923:
2920:
2916:
2911:
2909:
2905:
2900:
2896:
2892:
2888:
2884:
2880:
2876:
2872:
2868:
2864:
2857:
2854:
2841:
2837:
2836:Anime Limited
2833:
2832:
2831:All the Anime
2827:
2825:
2816:
2813:
2808:
2804:
2800:
2796:
2792:
2788:
2786:
2777:
2774:
2769:
2765:
2764:
2758:
2754:
2749:
2744:
2740:
2736:
2732:
2731:
2726:
2724:
2715:
2713:
2711:
2707:
2702:
2698:
2694:
2693:
2688:
2681:
2678:
2673:
2669:
2665:
2661:
2657:
2656:
2651:
2644:
2641:
2628:
2624:
2620:
2615:
2606:
2603:
2590:
2586:
2580:
2578:
2574:
2569:
2565:
2561:
2557:
2553:
2549:
2545:
2541:
2537:
2533:
2526:
2523:
2518:
2514:
2510:
2506:
2502:
2498:
2494:
2490:
2486:
2482:
2475:
2472:
2459:
2455:
2451:
2449:
2440:
2438:
2436:
2432:
2426:
2421:
2417:
2413:
2409:
2408:
2403:
2396:
2393:
2388:
2384:
2380:
2376:
2372:
2371:
2366:
2362:
2355:
2353:
2349:
2344:
2340:
2336:
2332:
2328:
2324:
2320:
2313:
2311:
2307:
2303:
2298:
2295:
2282:
2278:
2274:
2270:
2266:
2265:
2260:
2258:
2250:
2248:
2244:
2231:
2227:
2226:
2221:
2219:
2210:
2207:
2194:
2190:
2189:
2184:
2182:
2173:
2170:
2167:, p. 12.
2166:
2165:McCarthy 1999
2161:
2158:
2154:
2153:McCarthy 1999
2149:
2146:
2133:
2129:
2125:
2118:
2116:
2114:
2110:
2097:
2093:
2091:
2085:
2079:
2076:
2071:
2067:
2063:
2059:
2055:
2049:
2047:
2043:
2038:
2034:
2030:
2026:
2019:
2016:
2003:
1999:
1995:
1994:
1989:
1982:
1980:
1978:
1974:
1961:
1957:
1956:
1950:
1945:
1939:
1937:
1933:
1929:
1924:
1922:
1918:
1913:
1909:
1905:
1904:
1896:
1894:
1892:
1888:
1875:
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1859:
1850:
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1800:
1796:
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1782:
1779:
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1748:
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1732:
1728:
1724:
1719:
1711:
1708:
1703:
1699:
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1683:
1679:
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1658:
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1637:
1636:
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1617:
1614:
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1597:
1596:
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1589:
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1561:
1557:
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1549:
1543:
1537:
1534:
1521:
1517:
1513:
1511:
1503:
1500:
1487:
1483:
1479:
1477:
1469:
1466:
1453:
1449:
1445:
1444:
1439:
1437:
1436:Turning Point
1428:
1426:
1422:
1409:
1405:
1404:
1399:
1392:
1389:
1376:
1372:
1371:
1366:
1364:
1355:
1352:
1339:
1335:
1331:
1329:
1321:
1318:
1305:
1301:
1297:
1296:
1291:
1289:
1280:
1278:
1276:
1272:
1259:
1255:
1254:
1249:
1247:
1238:
1236:
1234:
1232:
1230:
1226:
1213:
1209:
1205:
1203:
1195:
1193:
1191:
1189:
1187:
1185:
1181:
1176:
1172:
1168:
1164:
1160:
1156:
1152:
1151:
1146:
1139:
1137:
1135:
1131:
1127:
1122:
1119:
1112:
1104:
1103:All the Anime
1100:
1093:
1089:
1085:
1080:
1076:
1073:
1070:
1069:Chelsea House
1066:
1059:
1055:
1048:
1045:
1041:
1032:
1027:
1019:
1014:
1009:
998:
993:
985:
980:
975:
974:
970:
968:
962:
961:
956:
952:
951:
943:
942:
930:
929:
921:
920:
912:
911:
910:Hyperallergic
906:
904:
903:
898:
894:
893:Spirited Away
887:
886:
881:
880:
872:
868:
867:
862:
861:Miyazakiworld
858:
857:Rayna Denison
854:
853:
847:
845:
841:
837:
836:Miyazakiworld
834:. The title,
833:
832:
827:
823:
819:
815:
808:
805:
803:
797:
796:
795:All the Anime
788:
787:
782:
774:
773:
765:
761:
756:
755:
750:
746:
745:
740:
736:
732:
728:
727:Raz Greenberg
724:
717:
712:
710:
703:
698:
691:
688:
686:
681:
680:All the Anime
673:
669:
665:
664:
658:
656:
652:
651:Spirited Away
648:
644:
640:
635:
628:
623:
618:
617:
609:
608:
602:
597:
590:
587:
585:
583:
579:
572:
568:
567:
558:
557:
552:
548:
543:
541:
540:
535:
534:
529:
525:
521:
517:
513:
509:
502:
499:
497:
491:
490:
482:
481:
473:
472:
467:
466:Donald Richie
460:
459:
453:
451:
450:Toshio Suzuki
447:
446:Studio Ghibli
443:
438:
437:
431:
429:
425:
421:
417:
413:
408:
404:
400:
396:
392:
385:
382:
377:
375:
373:
365:
358:
354:
353:
347:
345:
344:
339:
335:
331:
327:
323:
322:Spirited Away
319:
315:
311:
310:
305:
304:
303:Spirited Away
299:
298:
293:
286:
285:Orikaeshi Ten
274:
267:
264:
262:
260:
253:
252:
247:
246:
237:
236:
231:
230:Peter Tieryas
227:
226:
217:
216:
211:
204:
203:
198:
196:
192:
188:
187:John Lasseter
184:
179:
178:Ghibli Museum
175:
171:
170:
165:
161:
157:
155:
151:
150:Isao Takahata
147:
143:
138:
134:
127:
126:Shuppatsu Ten
122:
114:
109:
102:
99:
94:
92:
90:
89:Miyazakiworld
87:'s 2018 book
86:
82:
81:Isao Takahata
78:
77:Raz Greenberg
74:
70:
66:
62:
58:
57:Studio Ghibli
54:
50:
42:
38:
32:
27:
19:
5229:
5171:
5161:
5151:
5128:
5118:
5108:
5098:
5088:
5065:
5055:
5045:
5035:
5014:
5004:
4994:
4984:
4974:
4964:
4954:
4946:On Your Mark
4944:
4921:
4911:
4901:
4891:
4884:Written only
4870:
4860:
4850:
4840:
4830:
4820:
4810:
4800:
4790:
4780:
4770:
4760:
4753:and directed
4734:Bibliography
4733:
4665:
4642:
4619:
4610:
4606:
4587:
4564:
4536:
4509:
4481:
4454:
4420:
4394:
4363:
4329:
4301:
4274:
4251:
4243:Bibliography
4228:. Retrieved
4213:
4207:
4199:
4187:. Retrieved
4172:
4162:
4139:
4135:
4125:
4113:. Retrieved
4104:
4095:
4083:. Retrieved
4069:
4059:September 8,
4057:. Retrieved
4053:the original
4046:
4042:
4030:
4018:
4001:
3995:
3991:
3982:
3953:
3947:
3943:
3937:
3925:. Retrieved
3910:
3900:
3888:. Retrieved
3877:
3867:
3855:. Retrieved
3844:
3834:
3822:. Retrieved
3811:
3805:
3798:
3786:. Retrieved
3771:
3746:
3740:
3732:
3720:. Retrieved
3707:
3697:
3685:. Retrieved
3670:
3663:
3651:. Retrieved
3640:
3602:
3596:
3590:
3578:. Retrieved
3563:
3557:
3534:. Retrieved
3523:
3490:(6064): 31.
3485:
3478:
3445:
3439:
3435:
3407:
3401:
3397:
3364:
3358:
3354:
3348:
3319:
3315:
3311:
3286:. Retrieved
3275:
3269:
3261:
3244:
3238:
3230:
3209:
3203:
3199:
3195:
3191:
3187:
3166:. Retrieved
3144:
3123:
3117:
3113:
3092:. Retrieved
3077:
3035:
3029:
3025:
2979:
2975:
2969:
2957:. Retrieved
2936:
2930:
2922:
2870:
2866:
2862:
2856:
2844:. Retrieved
2829:
2823:
2815:
2790:
2784:
2776:
2762:
2734:
2728:
2722:
2692:Film Ireland
2690:
2686:
2680:
2659:
2653:
2649:
2643:
2631:. Retrieved
2622:
2613:
2605:
2593:. Retrieved
2589:the original
2539:
2535:
2531:
2525:
2488:
2484:
2480:
2474:
2462:. Retrieved
2453:
2447:
2411:
2405:
2395:
2374:
2368:
2364:
2360:
2326:
2322:
2318:
2304:, p. 1.
2297:
2285:. Retrieved
2262:
2256:
2234:. Retrieved
2225:Midnight Eye
2223:
2217:
2209:
2197:. Retrieved
2186:
2180:
2172:
2160:
2148:
2136:. Retrieved
2128:Toho Kingdom
2127:
2100:. Retrieved
2089:
2078:
2057:
2028:
2024:
2018:
2006:. Retrieved
1991:
1964:. Retrieved
1953:
1901:
1878:. Retrieved
1863:
1857:
1849:
1837:. Retrieved
1822:
1815:
1803:. Retrieved
1788:
1781:
1769:. Retrieved
1754:
1747:
1735:. Retrieved
1731:the original
1726:
1717:
1710:
1681:
1675:
1671:
1646:February 26,
1644:. Retrieved
1640:the original
1633:
1627:
1616:
1606:February 26,
1604:. Retrieved
1600:the original
1593:
1587:
1576:
1566:February 26,
1564:. Retrieved
1553:
1547:
1536:
1526:February 26,
1524:. Retrieved
1509:
1502:
1492:February 26,
1490:. Retrieved
1475:
1468:
1458:February 26,
1456:. Retrieved
1443:The Escapist
1441:
1435:
1414:February 26,
1412:. Retrieved
1401:
1391:
1381:February 26,
1379:. Retrieved
1368:
1362:
1354:
1344:February 26,
1342:. Retrieved
1327:
1320:
1310:February 26,
1308:. Retrieved
1293:
1287:
1264:February 26,
1262:. Retrieved
1251:
1248:Book Review"
1245:
1218:February 26,
1216:. Retrieved
1212:the original
1207:
1201:
1154:
1148:
1144:
1126:Lenburg 2012
1121:
1102:
1083:
1074:
1060:
1049:
1012:
978:
958:
948:
939:
926:
917:
908:
907:
900:
896:
892:
883:
877:
870:
864:
860:
850:
848:
835:
829:
825:
821:
813:
812:
806:
793:
784:
770:
763:
762:
752:
742:
738:
734:
722:
721:
715:
701:
696:
695:
689:
679:
671:
661:
659:
650:
646:
642:
638:
633:
632:
626:
616:Film Ireland
614:
605:
600:
595:
594:
588:
581:
577:
570:
564:
554:
550:
544:
537:
531:
515:
507:
506:
500:
489:Midnight Eye
487:
478:
469:
456:
454:
434:
432:
427:
406:
390:
389:
383:
371:
363:
356:
350:
348:
341:
321:
317:
313:
307:
301:
295:
272:
271:
265:
259:Mamoru Oshii
249:
243:
233:
223:
213:
200:
199:
167:
164:Nick Mamatas
158:
154:Osamu Tezuka
141:
107:
106:
100:
88:
68:
53:manga artist
46:
26:
5200:Ghibli Park
5123:(1984–2009)
4936:Short films
4812:Porco Rosso
4256:Saarbrücken
4146:: 118–146.
4023:Napier 2018
3960:: 191–196.
3452:: 752–754.
3326:: 147–151.
3158:John Scalzi
3042:: 297–301.
2929:"Review of
2783:"Review of
2741:: 396–400.
2695:(129): 45.
1078:manuscript.
971:Other books
536:(1988) and
520:traditional
426:release of
300:(1997) and
148:written by
5270:Categories
5254:Susuwatari
5028:Television
4956:Kujiratori
4352:2005035065
3857:August 31,
3748:MovieMaker
3722:August 31,
3642:PopMatters
3496:A631896159
3377:2187375784
3136:2172584772
3008:A555773379
2899:1849428099
2846:August 31,
2672:A210099316
2568:1669971085
2517:2778525320
2277:A146074464
2214:Mes, Tom.
1791:Paperback"
1757:Hardcover"
1702:1531099258
1478:Paperback"
1448:Defy Media
1330:Hardcover"
1113:References
1044:Seiji Kanō
1038:is a 2006
859:described
496:original.
393:is a 1999
5234:(1990–91)
5103:(1982–94)
5093:(1969–70)
5070:(1984–85)
5040:(1971–72)
4896:(1972–73)
4727:Accolades
4541:Viz Media
4486:Viz Media
4230:March 26,
4189:March 26,
4174:BFMTV.com
4115:March 26,
4085:March 26,
3974:1880-1390
3927:March 26,
3890:March 26,
3824:March 26,
3788:March 26,
3708:Tufts Now
3687:March 26,
3653:March 26,
3619:2051-7084
3580:March 26,
3536:March 26,
3340:2158-8724
3288:March 25,
3168:March 24,
3094:March 25,
3056:1746-8477
3031:Animation
3000:989943755
2992:2372-3424
2980:ProtoView
2959:March 26,
2949:1549-6732
2937:ImageTexT
2891:989943755
2883:2372-3424
2867:ProtoView
2803:1549-6732
2791:ImageTexT
2768:121422033
2757:0304-1042
2701:194683376
2633:March 26,
2595:March 26,
2560:989943755
2552:2372-3424
2536:ProtoView
2509:989943755
2501:2372-3424
2485:ProtoView
2464:March 15,
2454:Anime.com
2418:: 63–64.
2387:225751138
2343:199752721
2335:0887-3763
2287:March 15,
2236:March 15,
2199:March 15,
2138:March 14,
2102:March 14,
2037:234912525
2008:March 15,
1966:March 15,
1912:197066196
1880:March 11,
1860:– Review"
1839:March 11,
1829:Viz Media
1805:March 11,
1795:Viz Media
1771:March 11,
1761:Viz Media
1737:March 11,
1694:2515-5164
1516:Viz Media
1482:Viz Media
1334:Viz Media
1175:237127819
1167:2515-5164
772:Animation
744:Toy Story
702:ImageTexT
672:ImageTexT
571:Anime.com
395:biography
191:paperback
160:Viz Media
146:afterword
137:hardcover
4913:Arrietty
4443:99043688
4362:(2018).
4328:(2006).
4224:Archived
4206:"Books:
4183:Archived
4109:Archived
4079:Archived
3921:Archived
3884:Archived
3851:Archived
3818:Archived
3782:Archived
3753:Archived
3716:Archived
3681:Archived
3647:Archived
3574:Archived
3530:Archived
3500:Archived
3373:ProQuest
3282:Archived
3253:Archived
3162:Archived
3132:ProQuest
3088:Archived
2953:Archived
2895:ProQuest
2840:Archived
2822:"Books:
2807:Archived
2697:ProQuest
2627:Archived
2564:ProQuest
2513:ProQuest
2458:Archived
2383:ProQuest
2339:ProQuest
2281:Archived
2230:Archived
2193:Archived
2132:Archived
2096:Archived
2033:ProQuest
2002:Archived
1960:Archived
1908:ProQuest
1874:Archived
1833:Archived
1825:Digital"
1799:Archived
1765:Archived
1698:ProQuest
1560:Archived
1520:Archived
1512:Digital"
1486:Archived
1452:Archived
1408:Archived
1375:Archived
1338:Archived
1304:Archived
1258:Archived
1171:ProQuest
1018:Japanese
984:Japanese
542:(2002).
346:(2001).
248:(1978).
183:foreword
113:Japanese
5247:Nandarō
5185:Related
4906:(1995)
4045:].
3565:Reactor
3371:: 878.
3130:: 744.
2381:: 993.
2188:SF Site
1688:: 106.
1026:Hepburn
992:Hepburn
885:Reactor
668:animism
660:In the
480:SF Site
144:and an
121:Hepburn
43:in 2012
5176:(2024)
5166:(2016)
5156:(2013)
5133:(1989)
5113:(1983)
5060:(1980)
5050:(1978)
5019:(2018)
5009:(2006)
4999:(2006)
4989:(2006)
4979:(2002)
4969:(2002)
4959:(2001)
4949:(1995)
4926:(2011)
4916:(2010)
4875:(2023)
4865:(2013)
4855:(2008)
4845:(2004)
4835:(2001)
4825:(1997)
4815:(1992)
4805:(1989)
4795:(1988)
4785:(1986)
4775:(1984)
4765:(1979)
4672:
4653:
4630:
4594:
4575:
4547:
4531:
4520:
4492:
4476:
4465:
4441:
4431:
4405:
4382:
4350:
4340:
4312:
4296:
4285:
4262:
4179:BFM TV
3972:
3617:
3494:
3375:
3360:Choice
3338:
3251:: 25.
3247:(87).
3205:Screen
3134:
3119:Choice
3054:
3006:
2998:
2990:
2947:
2897:
2889:
2881:
2801:
2766:
2755:
2699:
2670:
2666:: 79.
2662:(16).
2566:
2558:
2550:
2515:
2507:
2499:
2385:
2370:Choice
2341:
2333:
2275:
2035:
1910:
1700:
1692:
1173:
1165:
1161:: 93.
1157:(10).
1088:French
840:auteur
809:(2018)
764:Choice
754:Screen
718:(2018)
692:(2016)
649:, and
629:(2014)
591:(2009)
556:Choice
528:Disney
503:(2006)
386:(1999)
268:(2008)
103:(1996)
83:, and
5080:Manga
4852:Ponyo
4609:[
3956:(1).
3322:(2).
3212:(2).
3038:(3).
2761:EBSCO
2737:(2).
2617:)
2414:(1).
1721:'
1718:Ponyo
1684:(6).
1106:'
1022:宮崎駿全書
1007:life.
964:'
945:'
932:'
923:'
914:'
889:'
874:'
799:'
790:'
776:'
767:'
758:'
705:'
683:'
675:'
620:'
611:'
601:Ponyo
574:'
560:'
493:'
484:'
475:'
462:'
367:'
360:'
314:Ponyo
279:折り返し点
255:'
239:'
219:'
206:'
195:ebook
169:Ponyo
4670:ISBN
4651:ISBN
4628:ISBN
4592:ISBN
4573:ISBN
4545:ISBN
4518:ISBN
4490:ISBN
4463:ISBN
4439:LCCN
4429:ISBN
4403:ISBN
4380:ISBN
4348:LCCN
4338:ISBN
4310:ISBN
4283:ISBN
4260:ISBN
4232:2024
4191:2024
4117:2024
4087:2024
4061:2024
3970:ISSN
3929:2024
3892:2024
3859:2024
3826:2024
3790:2024
3724:2024
3689:2024
3655:2024
3615:ISSN
3582:2024
3538:2024
3492:Gale
3336:ISSN
3290:2024
3170:2024
3096:2024
3052:ISSN
3004:Gale
2996:OCLC
2988:ISSN
2961:2024
2945:ISSN
2887:OCLC
2879:ISSN
2848:2024
2799:ISSN
2763:host
2753:ISSN
2668:Gale
2635:2024
2597:2024
2556:OCLC
2548:ISSN
2505:OCLC
2497:ISSN
2466:2024
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