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Tudor Revival architecture

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1416: 1237: 255: 431:. At this time the style was known as "Old English", and considered especially appropriate for vicarages and rectories, partly because they were usually next to the church, which was likely to be Gothic, and because the larger windows patrons wanted were easier to work into the style than into a "pointed" Gothic. At this stage it was essentially a style for the country rather than houses in towns. Tudor style was "almost infinitely adaptable, particularly to low, spreading houses", After about 1850 "Old English" came to mean a rather different style based on vernacular architecture, although some Tudor features such as tall brick chimneys often remained. 1382: 1154:
the house to have an individual presence, despite variations in the style of neighboring houses. Whether of older or recent origin, the appearance of solid beams and half-timbered exterior walls is only superficial. Artificially aged and blackened beams are constructed from light wood, bear no loads, and are attached to ceilings and walls purely for decoration, while artificial flames leap from wrought iron fire-dogs in an inglenook often a third of the size of the room in which they are situated. Occasionally, owners sought to replicate more closely the conditions of Tudor living; an example were
1146: 1487: 849:, which was a large mansion around a courtyard, complete with mock battlements, towers, half-timbered upper facades and tall chimneys â€“ all features quite readily associated with Tudor architecture; in Shaw's hands, this less fantastical style achieved immediate maturity. Confusingly, it was then promptly named "Queen Anne style", when in reality it combined a revival of Elizabethan and Jacobean design details including mullioned and oriel windows. The style later began to incorporate the classic pre-Georgian features that are generally understood to represent 1294: 1472: 1317: 271: 1442: 1256: 953: 1457: 1366: 1332: 508: 1401: 720: 1268: 69: 1350: 38: 1218: 497: 1069:
The interiors of the Tudor style building have evolved considerably along with the style, often becoming truer to the replicated era than were the first examples of the revival style, where the style "rarely went far indoors". At Ascott House, Devey's great masterpiece constructed throughout the last
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The late 20th century has seen a change in the faithfulness of emulation of the style, since in a modern development it is common to have only a few basic floor plans for buildings, these combined with variations in interior surface treatment and in the exterior in rooflines and setbacks to provide a
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had this debased approach firmly in her sights when she attacked, "the rash of semi-detached villas, bedizened with Tudor gables, mock half-timber work, rough cast and bay windows of every shape which disfigures the outskirts of all our towns". It was also copied in many areas of the world, including
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such as fancy twisted brick chimney-stacks to make picturesque and comfortable middle-class homes. Several have thatched roofs, some at two levels in a completely unnecessary but very picturesque way. Nash published an illustrated book on the group; this was a formula with a future. In contrast with
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with a dark brown or wood effect finish. In the United States, the style is often further modified by painting the timbers colors such as blue or green. The Tudor Revival style was most popular for new American homes in the 1970s and 1980s. Today, it is rarely considered for residential construction
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Following the First World War many London outer suburbs had developments of houses in the style, all reflecting the taste for nostalgia for rural values. In the first half of the 20th century, increasingly minimal "Tudor" references for "instant" atmosphere in speculative construction cheapened the
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and facetted staircase tower, the shadowed windows under the eaves, or the prominent clustered chimneys were conventional Tudor Revival borrowings, some of which Lutyens was to remake in his own style, that already predominates in the dark recessed entryway, the confident massing, and his signature
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As the last and most recent phase of the Gothic period, the Tudor style had the most secular survivals in 17th and 18th-century England; many older buildings were rebuilt, added to, or redecorated with ornament in the Tudor period. As such, the Tudor style had perhaps an over-sized influence on the
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More often it is in the Tudor style houses of the very early 20th century that a greater devotion to the Tudor period is found, with appropriate interior layout, albeit coupled with modern-day comforts. This can be seen in older upscale neighbourhoods where the lots are sufficiently large to allow
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suggests that Ascott, "a half-timbered, heavily gabled, overgrown cottage, proves the appeal of Tudor to every era and condition of England". Devey's work at St Alban's Court and elsewhere incorporated other features of the Tudor Revival style such as "hung tiles and patterned brickwork". At St
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When the style was revived, the emphasis was typically on the simple, rustic, and the less impressive aspects of Tudor architecture, imitating in this way medieval houses and rural cottages. Although the style follows these more modest characteristics, items such as steeply
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describes as "the most extreme - and most successful - of all Tudor taste country houses". Lord Moyne's wife, Evelyn, a society hostess, employed the amateur architect Amyas Philips to create a house inspired by the medieval Baliffscourt Chapel which stood on the site. The
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in Kent. Pearson went to considerable lengths to source genuine Elizabethan building materials for the cottages, including stone, tiles and bricks, leading Astor to comment; "I could not believe they had been built a few short months ago, they looked so old and crooked".
199:. Elizabeth I herself built almost nothing, her father having left over 50 palaces and houses. Outside court circles styles were much more slow-moving, and essentially "Tudor" buildings continued to be built, eventually merging into a general English vernacular style. 560:
semi-circular terrace steps. This is Tudorbethan at its best, free in ground plan, stripped of cuteness, yet warmly vernacular in effect, familiar though new, eminently liveable. The Deanery was another example of the "naturalistic" approach; an anonymous reviewer for
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or blocks of various materials, stucco, or even simple studwall framing, with a lookalike "frame" of thin boards added on the outside to mimic the earlier functional and structural weight-bearing heavy timbers. An example of this is the "simple cottage" style of
1037:" building styles. The Tudor Revival, though, now concentrated on the picturesque. This combined with a desire for "naturalness", an intention to make buildings appear as if they had developed organically over the centuries, which the architectural historian 1415: 580:
who made their names as Tudor style architects. Lutyens though took the style away from what is generally understood as Tudor Revival creating a further highly personalised style of his own. His buildings coupled with their often accompanying gardens by
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In modern structures, usually on estates of private houses, a half-timbered appearance is obtained by applied decorative features over the "real" structure, typically wood stud framing or concrete block masonry. A combination of boards and
187:, considers the replacement of the private castle by the country house as "the seat of power and the centre of hospitality" to be "one of the great achievements of the Tudor age". Subsequent changes in court fashion saw the emergence of 703:), Tudor Revival may be placed directly next to an unrelated style such as French or Italian Provincial, resulting in an eclectic mix. The style has also been deployed for commercial developments; the architectural historian 1078:
fireplaces and heavy oak panelling. the large airy rooms are in fact more redolent of the 18th century than the 16th. Cragside is slightly more true to its theme, although the rooms are very large, some contain Tudor style
976:. Large and small houses alike with half-timbering in their upper storeys and gables were completed with tall ornamental chimneys, in what was originally a simple cottage style. It was here that the influences of the 1236: 857:. While in Britain the style remained closer to its Tudor roots, in the USA it evolved into a form of architecture not instantly recognisable as that constructed in either the Tudor or Queen Anne period. 564:
in 1903 wrote; "So naturally has the house been planned that it seems to have grown out of the landscape rather than to have been fitted into it". An example of Tudorbethan architecture was that seen at
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and James VI. "Tudorbethan" took it a step further, eliminated the hexagonal or many-faceted towers and mock battlements of Jacobethan, and applied the more domestic styles of "
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considered "one of the most significant of English contributions to architecture". An example is the "Tudor Village" constructed by Frank Loughborough Pearson for his client
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in the UK, first manifested in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as
4111: 1554:, directly on the shoreline of the Firth of Forth. They built Dalmeny further inland, reputedly after the third earl was "drenched by a huge wave" while at dinner. 1070:
twenty years of the 19th century, the interior was remodelled thirty years later. The Tudor Revival style was considered passé and was replaced by the fashionable
300:; instead, old gothic buildings were retained and adapted to Protestant use. In contexts where conservatism and traditionalism had great value (e.g., within the 1980: 516: 1607:
for John Calcott Horsley, who later introduced Shaw to Lord Armstrong. As well as those at Cragside, two notable examples were created for the now-demolished
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noted its derivation from "the Tudor style, both in its stone and its black-and-white versions". The half-timbering has been criticised as unfaithful to the
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in 1681, he noted; "I resolved it ought to be Gothic to agree with the Founder's work", adding that to do otherwise would lead to "an unhandsome medley".
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is applied to obtain the desired appearance, here seen in the upper image to the right. To minimise maintenance, the "boards" are now commonly made of
4818: 619:, considered Crawley's reconstruction gave the remains of the original manor, "a beauty far greater than was ever theirs in the days of its newness". 2461: 4171: 834:
explained Shaw's picturesque motivation; desiring it for "romantic effect, he reached out for it like an artist reaching out for a tube of colour".
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Some more enlightened landlords at this time became more aware of the needs for proper sanitation and housing for their employees, and some
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of several flights were often prominently positioned, based on Jacobean prototypes. It is this mingling of styles that has led to the term
711:, "dressed out with brick and tile, arches, gables and small window panes, all to put a smile on a friendly face - the mask of tradition". 585:, while in a style thought of as "olde world" would not be recognisable to inhabitants of the 16th century. Another noted practitioner was 1851: 1099:
Victorian small household. An example of a Tudor Revival house where the exterior and interior were treated with equal care is Old Place,
312:) building additions and annexes were often designed to blend or harmonize rather than contrast with the archaic style of the older work. 296:. While domestic and palace architecture changed rapidly according to contemporary taste, few notable churches were constructed after the 1331: 1255: 1115:
asking whether "anything could be more English in character than Old Place", was written when much of the house was barely 10 years old.
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Many British builders include variations on Tudorbethan in the range of styles they draw on, and the style tends to be associated with
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of their medieval past. Before the various phases of medieval architecture had been well identified and studied, and designers such as
4408: 4398: 4055: 3836: 3433: 2229: 2198: 814:, a hilltop mansion of eclectic architectural styles that incorporated certain Tudor features; Cragside was designed by the architect 744: 463: 4768: 4127: 3093: 2867: 443: 80: 880:. The historian Michael Hall considers the hall and library among "the finest Tudor Revival buildings (of) the nineteenth century. 1267: 442:, followed the precedent of Wren and Hawksmoor in designing new quads for various Cambridge colleges in a historic mode including 4915: 4868: 4838: 4455: 4085: 3540: 2224: 2193: 1155: 2935: 254: 4828: 4440: 3567: 3391: 2275: 642:
which inspired much of the Tudor Revival, calling Crowhurst, "an extreme example of the English flight from reality around the
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structures of the originals, in which the frame supported the whole weight of the house. Their modern counterparts consist of
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describes Wilkins' Dalmeny as "the finest of his houses in (the Tudor Gothic) style". The Roseberys originally lived at
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of the second half of the 19th century. Rejecting mass production that was introduced by industry at that time, the
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associated with the mid-20th century, few architects are known for buildings which could be called "Tudorbethan".
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tankards, and leaded lattice-windows of glass so antique that it was practically impossible to see out of them...
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villages were rebuilt to resemble what was thought to be an idyllic Elizabethan village, often grouped around a
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1835–1885 that had been called things like "Free English Renaissance". This was generally modelled on the grand
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visual variety to the street view. Owing to the smaller lots employed in modern developments (especially in the
4423: 4290: 4080: 3471: 1567: 1463: 1180: 1179:, the diarist and politician described the bedrooms themselves as "decorated to resemble the cell of a rather ' 1009: 977: 913: 800: 792: 475: 196: 188: 156: 2991: 4853: 4788: 4773: 4758: 4536: 4363: 4267: 4244: 3873: 3648: 3602: 3550: 3481: 2434: 1448: 1108: 827: 765: 740: 547: 396: 103: 3259: 818:. Shaw sketched out the whole design for the "future fairy palace" in a single afternoon, while his client 4763: 4501: 4481: 4282: 4070: 3972: 3740: 3426: 2734: 1582: 1391: 1341: 1198: 1100: 905: 785: 519: 491: 317: 4920: 4889: 4884: 4627: 4587: 4181: 3909: 3294: 3265: 3139: 3113: 2885: 2738: 2647: 2609: 1628: 1356: 1071: 1042: 804: 795:, closely related to Tudorbethan, drew on simple design inherent in aspects of its more ancient styles, 660: 615: 392: 369: 325: 263: 130: 667:, New Jersey feature particularly dense concentrations of Tudor Revival construction from this period. 1599:
Inglenook fireplaces were a regular feature of Tudor Revival interiors and a particular speciality of
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period also influenced new institutional buildings beginning in the 1820s. The architect of Dalmeny,
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would be suggested by the reception hall, often furnished as a sitting or dining room. Large wooden
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which bore little if any resemblance to a building from either period. Hall notes the influence of
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on the walls held dim iron lamps, so that only those of the most acute vision were able to read".
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The style later became an influence elsewhere, especially the British colonies. For example, in
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In the early part of the 20th century, one of the exponents who developed the style further was
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suggests that he succeeded "to the extent that innocent visitors never notice the difference".
1372: 1337: 997: 586: 503:' houses, here quite conventional in 1899, were to evolve still further from their Tudor roots 301: 147:
is a subset of Tudor Revival architecture that eliminated some of the more complex aspects of
133:. The earliest examples of the style originate with the works of such eminent architects as 4687: 4582: 4486: 3750: 3653: 3628: 3491: 3284: 3131: 3103: 3075: 2726: 2220: 2189: 2084: 1303: 973: 869: 865: 861: 624: 531: 507: 455: 357: 313: 1809: 1534:
Nash also undertook the design of a number of larger mansions in the Tudor style, of which
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rather than the perpendicular, Tudor elements figured heavily in the early examples of the
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Summerson, Chapter 1 to 4 cover this period; this brief summary is rather over-simplified.
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to create the impression of a Tudor mansion built "on the stone of medieval foundations".
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An Exuberant Catalogue of Dreams: The Americans Who Revived the Country House in Britain
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Tudorbethan represents a subset of Tudor Revival architecture; the word is modelled on
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periods, by the end of the 16th century, it had subsided completely in the wake of
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From the 1880s onward, Tudor Revival concentrated more on the simple but quaintly
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The Tudor style made one of its first appearances in Britain in the late 1860s at
37: 3330: 3288: 340:(1751) are the most notable examples of "Gothic survival" in the Baroque period. 4732: 4717: 4667: 4617: 4435: 4310: 3689: 3466: 2941: 2703: 2699: 2673: 2665: 2635: 1616: 1242: 1189: 1167: 1163: 965: 936: 877: 846: 815: 577: 377: 134: 114: 1193:; "the famous smoking-parlour, with rushes on the floor, a dresser ranged with 175:, between about 1485 and 1560, perhaps best exemplified by the oldest parts of 4707: 4662: 4546: 4224: 4045: 3765: 3730: 3699: 2908: 2756: 1571: 1127: 1119: 893: 700: 674:, some in a mock Tudor style called Brewer's Tudor. The style was captured in 651: 590: 293: 171:' usually refers to buildings constructed during the reigns of the first four 148: 84: 3401: 3377: 3212: 3157: 3063: 2926: 2852: 2812: 2691: 2627: 2593: 2171: 960:
department store in London, built in 1924 to emulate a half-timbered mansion.
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The style was also utilised for public buildings; an early example was the
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demonstrated a remarkably forward-looking selective appropriation of Tudor
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Elizabethan cottage, rather than the brick and battlemented splendours of
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in a revival of the early Tudor palace style, drawing in particular from
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tradition of the North-East of England, but the architectural historian
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tracery and Jacobean carved porch brackets combine in the Tudor Revival
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writes, "inglenooks are the decorative pièce de résistance of the Shaw
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The English Country House: From the Archives of Country Life 1897–1939
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The Long Weekend: Life in the English Country House Between the Wars
1924: 1922: 896:" style, which he used to describe the grand mixed revival style of 853:. The term "Queen Anne" for this style of architecture is now only 284:
Although the Gothic style remained popular in Britain well into the
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Edward C. Cressett House (left) and the Parke T. Burrows House in
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A very well-known example of the idealised half-timbered style is
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Marble Halls - Drawings and Models of Victorian Secular Buildings
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is an example of this, Pevsner noting the "Arts-and-Crafts (and)
30:"Mock Tudor" redirects here. For the Richard Thompson album, see 4727: 4647: 2384: 2382: 1620: 1111:
described the rooms as "a series of pictures" and an article in
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in central London, built in the late 1840s. The architect was
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are rarely requested to work in the style, and though current
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Ideal homes, 1918-39: Domestic design and suburban modernism
912:", which were cosier and quaint. It was associated with the 655:
the United States and Canada. New York City suburbs such as
155:", which were cosier and quaint. It was associated with the 3219:
Robinson, John Martin, Ascott, 2008, Scala Publishers Ltd,
2462:"Titanic owner's massive white elephant lumbers on to eBay" 380:) features elements derived from late gothic precedents. 2576:
The Tudor and Jacobean Country House: A Building History
454:, Trinity College, Cambridge (1825). In a similar vein, 185:
The Tudor and Jacobean Country House: A Building History
1981:"5 Sweet Southern Westchester Neighborhoods To Explore" 1570:
frontage were the "real article (sourced) from genuine
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the interiors are no different from those of any lower
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in Buckinghamshire. This was designed by Devey for the
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describes the Broadway Centre in the London borough of
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at Twickenham (1749–76; designed in collaboration with
141:, in what at the time was considered Neo-Tudor design. 3293:. The Buildings of England. New Haven, US and London: 3138:. The Buildings of England. New Haven, US and London: 3112:. The Buildings of England. New Haven, US and London: 1963: 1961: 2862:, Architectural Britain, 2007. National Trust Books, 784:
The Tudor Revival style was a reaction to the ornate
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Willborough Tudor Revival Village in Burlingame, CA
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Aslet and Power, 152–153 (153 quoted), 158–159, 162
1611:on the Wirral. One of these now forms the porch of 1118:In some of the larger Tudor style houses the Tudor 837:At approximately the same time, Shaw also designed 2877: 2760: 2639: 1928: 541:(1864–1944). At The Deanery in Berkshire, 1899, ( 102:, in reality it usually took the style of English 2337: 1149:Ballifscourt - Lord Moyne's "extreme Tudor taste" 948:appear as one Tudor-style house, built circa 1870 3407:Tudorbethan buildings in Australia and elsewhere 3044:. The Buildings of Scotland. Harmondsworth, UK: 1897:"133 homes planned for former Greaves Hall site" 776:style homes have superseded them in popularity. 246:, gave Tudor Revival its more striking effects. 2125: 1729: 743:includes a much wider range of styles than the 686: 609:panelling and large amounts of half-timbering. 446:, Corpus Christi College, Cambridge (1822–27); 191:among the elite, who built what are now called 2388: 106:of the Middle Ages that had survived into the 4112: 3427: 2225:"New Hall Library (Grade II*) (1379299)" 822:and his guests were out on a shooting party. 8: 3171:. Margate, Kent: Eyre and Spottiswoode Ltd. 2708:The National Trust Book of the English House 2250: 1538:in Shropshire is the only surviving example. 470:at St. John’s College, Cambridge (1826–31). 125:, then a British colony, architects such as 121:adapted the style for the local climate. In 1913: 1566:records that the timbers used on Liberty's 983:Tudor Revival houses are dissimilar to the 450:, King’s College, Cambridge (1824–28); and 4119: 4105: 4097: 3434: 3420: 3412: 3332:Nineteenth Century Architecture in Britain 2373: 1952: 1940: 1261:Petwood Hotel, Woodall Spa, England (1905) 2763:The English House Through Seven Centuries 2276:"Modern era buildings: a spotters' guide" 2176:Architecture Styles of America and Europe 1792: 2325: 2137: 1783:Aslet and Power, 151–152; Summerson, 451 410:Archibald Primrose, 4th Earl of Rosebery 2301: 1644: 1506: 1437: 1289: 1213: 693:And daren't look up and see the stars. 601:, firstly for himself and latterly for 3165:Physick, John; Darby, Michael (1973). 2578:. Bridgend, Wales: Sutton Publishing. 2460:Wainwright, Martin (19 January 2012). 2149: 2041: 1870: 670:Brewery companies designed "improved" 151:in favour of more domestic styles of " 2554: 2542: 2530: 2485: 2421: 2409: 2361: 2313: 2194:"New Hall (Grade II*) (1379298)" 2110: 1771: 1759: 1091:than Tudor. While in the cottages at 7: 3191:The Traditional Buildings of England 3018:Twentieth Century Castles In Britain 2518: 2506: 2349: 2262: 2067:"Tudor Style Homes with Faux Planks" 2053: 1967: 1882: 1717: 1696: 1675: 1513:Wren consciously set out to imitate 684:, where "bald young clerks" gather: 3449:in architecture and decorative arts 689:And talk of sport and makes of cars 511:Tudor Revival features on the 1899 129:pioneered what became known as the 3316:Architecture in Britain, 1530-1830 2606:George Devey, Architect: 1820-1886 2230:National Heritage List for England 2199:National Heritage List for England 408:near Edinburgh, built in 1817 for 391:banker for his retired employees, 25: 4128:Architecture of the United States 3392:Various styles at certain periods 1895:Bona-SOU, Emilia (July 6, 2016). 1130:which resulted in houses such as 876:, better known for the classical 555:brick balustrade, the many-paned 383:In the group of nine cottages at 356:had advocated for the use of the 230:(overhanging) first floors above 3134:; Williamson, Elizabeth (2003). 1929:Nairn, Pevsner & Cherry 1971 1860:DykerHeightsCivicAssociation.com 1517:architectural style. Writing to 1485: 1470: 1455: 1440: 1414: 1399: 1380: 1364: 1348: 1330: 1315: 1292: 1266: 1254: 1235: 1216: 1187:satirised the style in his book 61: 4441:Sarasota School of Architecture 2007:"Brewery History: 119, pp. 2–9" 920:is also used synonymously with 2993:England's Thousand Best Houses 2847:. London: Longacre Press Ltd. 1107:from the 1870s. The architect 761:fibre reinforced cement siding 387:, built around 1810–1811 by a 1: 4566:Building types and vernacular 2965:The Life of Sir Edwin Lutyens 2845:The Architecture of John Nash 2338:Pevsner & Williamson 2003 1806:Historic Environment Scotland 1619:and the other went unsold on 425: 50: 4926:Revival architectural styles 3264:. New Haven, US and London: 2884:. New Haven, US and London: 2822:Arts and Crafts Architecture 2767:. Harmondsworth, Middlesex: 2733:. The Buildings of England. 2565:General and cited references 1849:Saitta House – Report Part 1 1623:in 2012. Shaw's biographer, 1005:Alban's he also made use of 636:Pevsner Buildings of England 195:in a distinctive version of 3352:Tinniswood, Adrian (2016). 3238:Manchester University Press 3230:Ryan, Deborah Sugg (2018). 3015:de Moubray, Amicia (2013). 2972:: Antique Collectors Club. 2937:The Victorian Country House 2880:The Victorian Country House 2435:"The Pantheon, Portmeirion" 2126:Pevsner & Richmond 2002 1750:Summerson, 366–376, 447–452 1730:Sherwood & Pevsner 2002 1479:Unley Park, South Australia 691:In various bogus-Tudor bars 304:and at the Universities of 4942: 4911:Tudor Revival architecture 4532:New Classical architecture 4164:Colonial and post-colonial 3023:Frances Lincoln Publishers 2389:Bradley & Pevsner 2003 916:. Outside North America, 904:built by the courtiers of 489: 127:Regent Alfred John Bidwell 92:Tudor Revival architecture 29: 3329:Turnor, Reginald (1950). 3040:McWilliam, Colin (1978). 1494:Adelaide, South Australia 1434:Australia and New Zealand 1426:Huntington, West Virginia 574:Mackay Hugh Baillie Scott 434:Examples of the Tudor or 338:All Souls College, Oxford 277:near Edinburgh, 1817, by 60:, is an early example of 4451:Spanish Colonial Revival 4291:Richardsonian Romanesque 4081:Richardsonian Romanesque 3683:Germany, Austria-Hungary 3593:Spanish Colonial Revival 3106:; Richmond, Ian (2002). 2909:Reed International Books 2646:. New Haven and London: 2251:Physick & Darby 1973 2161:Aslet and Power, 162–164 2025:"Slough - John Betjeman" 1838:Aslet and Power, 162–163 1603:. He built his first at 1568:Great Marlborough Street 1464:Killara, New South Wales 1371:The Atrium mini-mall in 1306:, designed by architect 978:arts and crafts movement 914:Arts and Crafts movement 892:'s 1933 coinage of the " 855:commonly used in the USA 793:Arts and Crafts movement 197:Renaissance architecture 189:Elizabethan architecture 157:Arts and Crafts movement 4916:Architecture in England 3989:Serbo-Byzantine Revival 3951:Russian Empire and USSR 3874:National Romantic style 3800:Black-and-white Revival 2843:Davis, Terence (1960). 2642:The Last Country Houses 1914:Aslet & Powers 1985 1477:Tudor Revival house in 1449:Mosman, New South Wales 1109:George Frederick Bodley 851:"Queen Anne" in Britain 741:postmodern architecture 397:vernacular architecture 104:vernacular architecture 4384:Dutch Colonial Revival 4071:Polish cathedral style 4036:Dutch Colonial Revival 3756:Indo-Saracenic Revival 2934:Hall, Michael (2009). 2903:Hall, Michael (1994). 2791:Victorian Architecture 1392:Minneapolis, Minnesota 1342:Long Beach, California 1183:' monk". The novelist 1150: 1101:Lindfield, West Sussex 961: 949: 759:faux wood, plastic or 728: 696: 631:, in the 1971 revised 534: 504: 318:St Dunstan-in-the-East 281: 267: 88: 65: 4628:Hall and parlor house 4588:Central-passage house 4409:Mediterranean Revival 4135:Native and indigenous 4056:Mediterranean Revival 3910:Soft Portuguese style 3853:Traditionalist School 3295:Yale University Press 3266:Yale University Press 3140:Yale University Press 3114:Yale University Press 2886:Yale University Press 2820:Davey, Peter (1995). 2739:Yale University Press 2731:London 6: Westminster 2648:Yale University Press 2610:The Lutterworth Press 2282:. September 10, 2011. 1590:, not just stuck on". 1501:Explanatory footnotes 1357:Westover Hills, Texas 1230:, England (1865–1897) 1148: 1072:Curzon Street Baroque 1043:William Waldorf Astor 955: 939: 722: 510: 499: 370:Strawberry Hill House 326:Christ Church, Oxford 320:(London,1668–71) and 273: 257: 131:Black and White House 71: 41:This simple cottage, 40: 4608:Critical regionalism 4301:American Renaissance 4021:American Renaissance 3963:Neoclassical Revival 3664:Louis Philippe style 3283:Sherwood, Jennifer; 2793:. Newton Abbot, UK: 2400:Aslet and Power, 248 2089:antiquehomestyle.com 2029:www-cdr.stanford.edu 1985:Westchester Magazine 1278:Bray, County Wicklow 1057:department store in 723:Mock Tudor house in 638:, note the sense of 480:Perpendicular Gothic 436:Perpendicular Gothic 354:George Gilbert Scott 344:image formed by the 242:, and even at times 211:often infilled with 177:Hampton Court Palace 4456:Territorial Revival 4399:International style 4369:California bungalow 4359:American Foursquare 4086:Territorial Revival 3669:Second Empire style 3541:Renaissance Revival 3261:Richard Norman Shaw 2960:Hussey, Christopher 2795:David & Charles 2787:Curl, James Stevens 2178:. October 17, 2011. 1795:, pp. 170–172. 1732:, pp. 110–111. 1601:Richard Norman Shaw 1588:pegged and mortised 1407:J. Deryl Hart House 1300:East Lake Golf Club 1249:, Germany 1913–1917 1105:Charles Eamer Kempe 1085:Italian Renaissance 764:in that country as 603:Consuelo Vanderbilt 551:, details like the 492:Stockbroker's Tudor 472:St. Luke's, Chelsea 27:Architectural style 4507:Mid-century modern 4354:American Craftsman 4343:Streamline Moderne 3786:Romanesque Revival 3776:Queen Anne Revival 3598:Swiss chalet style 3568:Romanesque Revival 3397:1930s Architecture 3236:. Manchester, UK: 2710:. Penguin/Viking. 2071:Faux Wood Workshop 2011:breweryhistory.com 1854:2008-12-16 at the 1741:Summerson, 235–236 1355:Westover Manor in 1151: 1074:sweeping away the 1039:James Stevens Curl 962: 950: 729: 657:Westchester County 650:style. The writer 535: 505: 418:East Barsham Manor 376:, John Chute, and 336:and Front Quad at 334:Codrington Library 330:Nicholas Hawksmoor 282: 268: 169:Tudor architecture 100:Tudor architecture 89: 66: 32:Mock Tudor (album) 4898: 4897: 4470:Post–World War II 4182:Colonial Georgian 4094: 4093: 4026:Collegiate Gothic 3884:Nordic Classicism 3816:Mycenaean Revival 3791:Scottish Baronial 3741:Edwardian Baroque 3736:Bristol Byzantine 3705:Nazi architecture 3502:French Provincial 3369:978-1-448-19124-6 3285:Pevsner, Nikolaus 3195:Thames and Hudson 3132:Pevsner, Nikolaus 3104:Pevsner, Nikolaus 3076:Pevsner, Nikolaus 2804:978-0-7153-9144-0 2748:978-0-300-09595-1 2727:Pevsner, Nikolaus 2101:Dean, pp. 250–251 1987:. 21 January 2015 1943:, pp. 62–64. 1552:Barnbougle Castle 1515:Cardinal Wolsey's 1394:, built 1928–1930 1373:Waterloo, Ontario 1338:Leonie Pray House 1055:Liberty & Co. 998:Rothschild family 980:became apparent. 958:Liberty & Co. 587:George A. Crawley 302:Church of England 220:mullioned windows 167:Today, the term ' 16:(Redirected from 4933: 4869:Washington, D.C. 4487:Deconstructivism 4389:Georgian Revival 4379:Colonial Revival 4332:mid-20th century 4256:Mid-19th century 4202:Spanish Colonial 4121: 4114: 4107: 4098: 4076:Queen Anne style 4031:Colonial Revival 3942:Romanian Revival 3862:Nordic countries 3751:Georgian Revival 3746:Egyptian Revival 3654:Directoire style 3629:Louis XIII style 3497:Egyptian Revival 3492:Carpenter Gothic 3436: 3429: 3422: 3413: 3381: 3348: 3308: 3304:978-0-30009-6392 3279: 3275:978-0-30015-5266 3251: 3247:978-0-71906-8850 3216: 3204:978-0-50034-1100 3182: 3178:978-0-90148-6684 3161: 3149:978-0-30009-5845 3127: 3123:978-0-30009-6385 3099: 3067: 3055:978-0-14071-0663 3036: 3032:978-0-71123-1788 3011: 3007:978-0-71399-5961 2983: 2979:978-0-90746-2590 2955: 2951:978-1-84513-4570 2930: 2918:978-1-85732-5300 2899: 2895:978-0-30002-3909 2883: 2856: 2839: 2835:978-07148-2874-9 2816: 2782: 2778:978-0-14006-7385 2766: 2752: 2725:Bradley, Simon; 2721: 2695: 2683:978-1-78131-0946 2661: 2657:978-0-30003-4745 2645: 2631: 2619:978-0-71882-7854 2597: 2585:978-0-75091-7889 2558: 2552: 2546: 2540: 2534: 2528: 2522: 2516: 2510: 2504: 2498: 2495: 2489: 2483: 2477: 2476: 2474: 2472: 2457: 2451: 2450: 2448: 2446: 2431: 2425: 2419: 2413: 2407: 2401: 2398: 2392: 2386: 2377: 2371: 2365: 2359: 2353: 2347: 2341: 2335: 2329: 2323: 2317: 2311: 2305: 2299: 2293: 2290: 2284: 2283: 2272: 2266: 2260: 2254: 2248: 2242: 2241: 2239: 2237: 2221:Historic England 2217: 2211: 2210: 2208: 2206: 2190:Historic England 2186: 2180: 2179: 2168: 2162: 2159: 2153: 2147: 2141: 2135: 2129: 2123: 2114: 2108: 2102: 2099: 2093: 2092: 2081: 2075: 2074: 2063: 2057: 2051: 2045: 2039: 2033: 2032: 2021: 2015: 2014: 2003: 1997: 1996: 1994: 1992: 1977: 1971: 1965: 1956: 1950: 1944: 1938: 1932: 1926: 1917: 1911: 1905: 1904: 1901:southportvisiter 1892: 1886: 1880: 1874: 1868: 1862: 1845: 1839: 1836: 1830: 1827: 1821: 1820: 1818: 1816: 1802: 1796: 1790: 1784: 1781: 1775: 1769: 1763: 1757: 1751: 1748: 1742: 1739: 1733: 1727: 1721: 1715: 1709: 1706: 1700: 1694: 1688: 1685: 1679: 1673: 1667: 1666: 1664: 1663: 1657:Oxford Reference 1649: 1632: 1597: 1591: 1561: 1555: 1545: 1539: 1532: 1526: 1511: 1489: 1474: 1459: 1444: 1418: 1403: 1384: 1368: 1352: 1334: 1319: 1304:Atlanta, Georgia 1296: 1270: 1258: 1239: 1220: 1166:, a house which 974:Compton Wynyates 625:Nikolaus Pevsner 576:(1865–1945) and 462:contributed the 456:Henry Hutchinson 430: 427: 358:Decorated gothic 314:Christopher Wren 232:pillared porches 179:. The historian 117:, the architect 94:, also known as 81:Beaney Institute 55: 52: 21: 4941: 4940: 4936: 4935: 4934: 4932: 4931: 4930: 4901: 4900: 4899: 4894: 4873: 4747: 4561: 4465: 4414:Mission Revival 4331: 4325: 4277: 4251: 4213: 4197:German Colonial 4192:French Colonial 4158: 4130: 4125: 4095: 4090: 4061:Mission Revival 4009: 3993: 3977: 3968:Russian Revival 3946: 3930: 3914: 3888: 3879:Gustavian style 3857: 3841: 3832:Stile Umbertino 3820: 3804: 3719: 3678: 3644:Louis XVI style 3634:Louis XIV style 3607: 3526:Moorish Revival 3477:Baroque Revival 3472:Arts and Crafts 3450: 3440: 3388: 3370: 3351: 3328: 3312:Summerson, John 3305: 3282: 3276: 3254: 3248: 3229: 3205: 3187:Quiney, Anthony 3185: 3179: 3164: 3150: 3136:Buckinghamshire 3130: 3124: 3102: 3096: 3080:Cherry, Bridget 3070: 3056: 3039: 3033: 3014: 3008: 2986: 2980: 2958: 2952: 2933: 2919: 2902: 2896: 2872: 2842: 2836: 2819: 2805: 2785: 2779: 2755: 2749: 2724: 2718: 2698: 2684: 2664: 2658: 2634: 2620: 2600: 2586: 2570: 2567: 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1682: 1678:, Introduction. 1674: 1670: 1661: 1659: 1653:"Tudor Revival" 1651: 1650: 1646: 1641: 1636: 1635: 1598: 1594: 1562: 1558: 1546: 1542: 1533: 1529: 1512: 1508: 1503: 1496: 1490: 1481: 1475: 1466: 1460: 1451: 1445: 1436: 1429: 1419: 1410: 1404: 1395: 1385: 1376: 1369: 1360: 1353: 1344: 1335: 1326: 1324:Davenport, Iowa 1320: 1311: 1297: 1288: 1281: 1271: 1262: 1259: 1250: 1240: 1231: 1221: 1212: 1207: 1132:Harlaxton Manor 1067: 1029:Buckinghamshire 934: 886: 874:Philip Hardwick 782: 717: 695: 692: 690: 659:, New York and 595:Crowhurst Place 583:Gertrude Jekyll 494: 488: 468:Bridge of Sighs 440:William Wilkins 428: 374:Richard Bentley 328:(1681–82), and 279:William Wilkins 252: 183:, in his study 165: 87:, built in 1899 53: 47:Buckinghamshire 35: 28: 23: 22: 15: 12: 11: 5: 4939: 4937: 4929: 4928: 4923: 4918: 4913: 4903: 4902: 4896: 4895: 4893: 4892: 4887: 4881: 4879: 4875: 4874: 4872: 4871: 4866: 4861: 4856: 4851: 4846: 4841: 4836: 4831: 4826: 4821: 4816: 4811: 4806: 4801: 4796: 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London, UK: 2931: 2917: 2900: 2894: 2874:Girouard, Mark 2870: 2857: 2840: 2834: 2817: 2803: 2783: 2777: 2753: 2747: 2722: 2716: 2696: 2682: 2662: 2656: 2632: 2618: 2602:Allibone, Jill 2598: 2584: 2566: 2563: 2560: 2559: 2557:, p. 174. 2547: 2545:, p. 179. 2535: 2533:, p. 173. 2523: 2511: 2509:, p. 164. 2499: 2490: 2488:, p. 137. 2478: 2452: 2439:coflein.gov.uk 2426: 2424:, p. 290. 2414: 2402: 2393: 2391:, p. 456. 2378: 2366: 2354: 2342: 2340:, p. 475. 2330: 2328:, p. 101. 2318: 2306: 2294: 2292:Robinson, p. 8 2285: 2267: 2255: 2253:, p. 153. 2243: 2212: 2181: 2163: 2154: 2152:, p. 101. 2142: 2140:, p. 312. 2130: 2128:, p. 244. 2115: 2103: 2094: 2076: 2058: 2056:, p. 146. 2046: 2044:, p. 214. 2034: 2016: 1998: 1972: 1970:, p. 307. 1957: 1945: 1933: 1931:, p. 177. 1918: 1916:, p. 248. 1906: 1887: 1885:, p. 178. 1875: 1863: 1840: 1831: 1822: 1797: 1793:McWilliam 1978 1785: 1776: 1764: 1752: 1743: 1734: 1722: 1710: 1701: 1689: 1680: 1668: 1643: 1642: 1640: 1637: 1634: 1633: 1592: 1556: 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4518: 4515: 4513: 4510: 4508: 4505: 4503: 4500: 4498: 4495: 4493: 4490: 4488: 4485: 4483: 4480: 4478: 4475: 4474: 4472: 4468: 4462: 4461:Tudor Revival 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4442: 4439: 4437: 4434: 4432: 4429: 4425: 4422: 4421: 4420: 4417: 4415: 4412: 4410: 4407: 4405: 4404:Mayan Revival 4402: 4400: 4397: 4395: 4392: 4390: 4387: 4385: 4382: 4380: 4377: 4375: 4372: 4370: 4367: 4365: 4362: 4360: 4357: 4355: 4352: 4350: 4347: 4344: 4340: 4337: 4336: 4334: 4328: 4322: 4319: 4317: 4314: 4312: 4309: 4307: 4304: 4302: 4299: 4297: 4296:Second Empire 4294: 4292: 4289: 4288: 4286: 4284: 4280: 4274: 4271: 4269: 4266: 4264: 4263:Greek Revival 4261: 4260: 4258: 4254: 4246: 4243: 4242: 4241: 4238: 4236: 4233: 4231: 4228: 4226: 4223: 4222: 4220: 4216: 4208: 4205: 4204: 4203: 4200: 4198: 4195: 4193: 4190: 4188: 4185: 4183: 4180: 4178: 4175: 4173: 4170: 4169: 4167: 4165: 4161: 4155: 4152: 4148: 4145: 4144: 4143: 4140: 4139: 4137: 4133: 4129: 4122: 4117: 4115: 4110: 4108: 4103: 4102: 4099: 4087: 4084: 4082: 4079: 4077: 4074: 4072: 4069: 4067: 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4041:Federal style 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4018: 4016: 4014:United States 4012: 4006: 4003: 4002: 4000: 3996: 3990: 3987: 3986: 3984: 3980: 3974: 3971: 3969: 3966: 3964: 3961: 3959: 3958:Neo-Byzantine 3956: 3955: 3953: 3949: 3943: 3940: 3939: 3937: 3933: 3927: 3924: 3923: 3921: 3917: 3911: 3908: 3906: 3903: 3901: 3900:Neo-Manueline 3898: 3897: 3895: 3891: 3885: 3882: 3880: 3877: 3875: 3872: 3870: 3867: 3866: 3864: 3860: 3854: 3851: 3850: 3848: 3844: 3838: 3835: 3833: 3830: 3829: 3827: 3823: 3817: 3814: 3813: 3811: 3807: 3801: 3797: 3796:Tudor Revival 3794: 3792: 3789: 3787: 3784: 3782: 3779: 3777: 3774: 3772: 3771:Neo-Palladian 3769: 3767: 3764: 3760:British India 3759: 3758: 3757: 3754: 3752: 3749: 3747: 3744: 3742: 3739: 3737: 3734: 3732: 3729: 3728: 3726: 3724:Great Britain 3722: 3716: 3715:Rundbogenstil 3713: 3711: 3708: 3706: 3703: 3701: 3698: 3696: 3693: 3691: 3688: 3687: 3685: 3681: 3675: 3672: 3670: 3667: 3665: 3662: 3660: 3657: 3655: 3652: 3650: 3649:Neoclassicism 3647: 3645: 3642: 3640: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3620: 3617: 3616: 3614: 3610: 3604: 3601: 3599: 3596: 3594: 3591: 3587: 3584: 3582: 3579: 3577: 3574: 3573: 3571: 3569: 3566: 3564: 3561: 3557: 3556:Palazzo style 3554: 3552: 3549: 3547: 3544: 3543: 3542: 3539: 3537: 3536:New Classical 3534: 3532: 3529: 3527: 3524: 3522: 3521:Mayan Revival 3519: 3517: 3513: 3512:Greek Revival 3510: 3508: 3505: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3487:Neo-Byzantine 3485: 3483: 3480: 3478: 3475: 3473: 3470: 3468: 3465: 3463: 3460: 3459: 3457: 3455:International 3453: 3448: 3444: 3437: 3432: 3430: 3425: 3423: 3418: 3417: 3414: 3408: 3405: 3403: 3400: 3398: 3395: 3393: 3390: 3389: 3385: 3379: 3375: 3371: 3365: 3361: 3360:Jonathan Cape 3357: 3356: 3350: 3346: 3342: 3338: 3334: 3333: 3327: 3325: 3321: 3317: 3313: 3310: 3306: 3300: 3296: 3292: 3291: 3286: 3281: 3277: 3271: 3267: 3263: 3262: 3257: 3256:Saint, Andrew 3253: 3249: 3243: 3239: 3235: 3234: 3228: 3226: 3222: 3218: 3214: 3210: 3206: 3200: 3196: 3192: 3188: 3184: 3180: 3174: 3170: 3169: 3163: 3159: 3155: 3151: 3145: 3141: 3137: 3133: 3129: 3125: 3119: 3115: 3111: 3110: 3105: 3101: 3097: 3095:0-300-09675-5 3091: 3087: 3086: 3081: 3077: 3073: 3069: 3065: 3061: 3057: 3051: 3047: 3046:Penguin Books 3043: 3038: 3034: 3028: 3024: 3020: 3019: 3013: 3009: 3003: 2999: 2998:Penguin Books 2995: 2994: 2989: 2985: 2981: 2975: 2971: 2967: 2966: 2961: 2957: 2953: 2947: 2943: 2939: 2938: 2932: 2928: 2924: 2920: 2914: 2910: 2906: 2901: 2897: 2891: 2887: 2882: 2881: 2875: 2871: 2869: 2868:9781905400492 2865: 2861: 2860:Dean, Ptolemy 2858: 2854: 2850: 2846: 2841: 2837: 2831: 2827: 2826:Phaidon Press 2823: 2818: 2814: 2810: 2806: 2800: 2796: 2792: 2788: 2784: 2780: 2774: 2770: 2769:Penguin Books 2765: 2764: 2758: 2754: 2750: 2744: 2740: 2736: 2732: 2728: 2723: 2719: 2713: 2709: 2705: 2701: 2697: 2693: 2689: 2685: 2679: 2675: 2671: 2667: 2663: 2659: 2653: 2649: 2644: 2643: 2637: 2633: 2629: 2625: 2621: 2615: 2611: 2608:. Cambridge: 2607: 2603: 2599: 2595: 2591: 2587: 2581: 2577: 2573: 2572:Airs, Malcolm 2569: 2568: 2564: 2556: 2551: 2548: 2544: 2539: 2536: 2532: 2527: 2524: 2521:, p. 26. 2520: 2515: 2512: 2508: 2503: 2500: 2494: 2491: 2487: 2482: 2479: 2467: 2463: 2456: 2453: 2440: 2436: 2430: 2427: 2423: 2418: 2415: 2412:, p. 45. 2411: 2406: 2403: 2397: 2394: 2390: 2385: 2383: 2379: 2376:, p. 50. 2375: 2370: 2367: 2364:, p. 53. 2363: 2358: 2355: 2352:, p. 80. 2351: 2346: 2343: 2339: 2334: 2331: 2327: 2326:Allibone 1991 2322: 2319: 2316:, p. 90. 2315: 2310: 2307: 2304:, p. 21. 2303: 2298: 2295: 2289: 2286: 2281: 2277: 2271: 2268: 2265:, p. 98. 2264: 2259: 2256: 2252: 2247: 2244: 2232: 2231: 2226: 2222: 2216: 2213: 2201: 2200: 2195: 2191: 2185: 2182: 2177: 2173: 2167: 2164: 2158: 2155: 2151: 2146: 2143: 2139: 2138:Girouard 1979 2134: 2131: 2127: 2122: 2120: 2116: 2113:, p. 80. 2112: 2107: 2104: 2098: 2095: 2090: 2086: 2080: 2077: 2072: 2068: 2062: 2059: 2055: 2050: 2047: 2043: 2038: 2035: 2030: 2026: 2020: 2017: 2012: 2008: 2002: 1999: 1986: 1982: 1976: 1973: 1969: 1964: 1962: 1958: 1955:, p. 63. 1954: 1949: 1946: 1942: 1937: 1934: 1930: 1925: 1923: 1919: 1915: 1910: 1907: 1902: 1898: 1891: 1888: 1884: 1879: 1876: 1873:, p. 95. 1872: 1867: 1864: 1861: 1857: 1853: 1850: 1844: 1841: 1835: 1832: 1826: 1823: 1811: 1807: 1801: 1798: 1794: 1789: 1786: 1780: 1777: 1774:, p. 28. 1773: 1768: 1765: 1762:, p. 72. 1761: 1756: 1753: 1747: 1744: 1738: 1735: 1731: 1726: 1723: 1720:, p. 83. 1719: 1714: 1711: 1708:Summerson, 23 1705: 1702: 1698: 1693: 1690: 1684: 1681: 1677: 1672: 1669: 1658: 1654: 1648: 1645: 1638: 1630: 1629:country house 1626: 1622: 1618: 1614: 1610: 1606: 1602: 1596: 1593: 1589: 1585: 1584: 1579: 1578: 1573: 1569: 1565: 1560: 1557: 1553: 1549: 1544: 1541: 1537: 1531: 1528: 1524: 1520: 1516: 1510: 1507: 1500: 1495: 1488: 1483: 1480: 1473: 1468: 1465: 1458: 1453: 1450: 1443: 1438: 1433: 1427: 1423: 1422:Cammack House 1417: 1412: 1408: 1402: 1397: 1393: 1389: 1383: 1378: 1374: 1367: 1362: 1358: 1351: 1346: 1343: 1339: 1333: 1328: 1325: 1318: 1313: 1309: 1308:Philip Shutze 1305: 1302:Clubhouse in 1301: 1295: 1290: 1286:North America 1285: 1279: 1275: 1269: 1264: 1257: 1252: 1248: 1244: 1238: 1233: 1229: 1225: 1219: 1214: 1209: 1204: 1202: 1200: 1196: 1192: 1191: 1186: 1182: 1178: 1177:Chips Channon 1174: 1169: 1165: 1161: 1157: 1147: 1143: 1141: 1140:Wollaton Hall 1137: 1133: 1129: 1125: 1121: 1116: 1114: 1110: 1106: 1102: 1098: 1094: 1090: 1086: 1082: 1077: 1073: 1064: 1062: 1060: 1056: 1051: 1048: 1044: 1040: 1036: 1035: 1030: 1026: 1022: 1021:village green 1018: 1013: 1011: 1008: 1003: 1002:Simon Jenkins 999: 995: 990: 986: 985:timber-framed 981: 979: 975: 971: 970:Hampton Court 967: 959: 954: 947: 943: 942:semi-detached 938: 931: 929: 927: 923: 922:Tudor Revival 919: 915: 911: 907: 903: 899: 895: 891: 890:John Betjeman 883: 881: 879: 875: 871: 870:Lincoln's Inn 867: 863: 858: 856: 852: 848: 844: 840: 835: 833: 832:Mark Girouard 829: 825: 821: 817: 813: 808: 806: 802: 798: 794: 790: 787: 779: 777: 775: 771: 770:Mediterranean 767: 762: 758: 754: 748: 746: 742: 738: 734: 726: 721: 714: 712: 710: 706: 702: 694: 685: 683: 682: 678:'s 1937 poem 677: 676:John Betjeman 673: 668: 666: 662: 658: 653: 647: 645: 641: 637: 634: 630: 626: 622: 618: 617: 613:, writing in 612: 611:Martin Conway 608: 604: 600: 596: 592: 588: 584: 579: 575: 570: 568: 563: 558: 554: 550: 549: 544: 540: 539:Edwin Lutyens 533: 529: 525: 524:Dyker Heights 522:, located in 521: 518: 514: 509: 502: 498: 493: 485: 483: 481: 477: 473: 469: 465: 461: 457: 453: 449: 445: 441: 437: 432: 423: 419: 415: 412:, is a large 411: 407: 406:Dalmeny House 403: 402:Blaise Hamlet 398: 394: 390: 386: 385:Blaise Hamlet 381: 379: 375: 371: 367: 363: 359: 355: 351: 347: 341: 339: 335: 331: 327: 323: 319: 315: 311: 307: 303: 299: 295: 291: 287: 280: 276: 275:Dalmeny House 272: 265: 261: 260:Blaise Hamlet 256: 249: 247: 245: 241: 238:supported by 237: 233: 229: 225: 221: 217: 214: 210: 206: 205:pitched-roofs 200: 198: 194: 190: 186: 182: 178: 174: 170: 162: 160: 158: 154: 150: 146: 142: 140: 136: 132: 128: 124: 120: 119:Francis Petre 116: 111: 109: 105: 101: 97: 93: 86: 82: 78: 74: 70: 63: 59: 48: 44: 39: 33: 19: 4921:House styles 4834:Philadelphia 4794:Jacksonville 4683:Quiggly hole 4522:Neo-futurism 4517:Neo-eclectic 4477:Blobitecture 4460: 4330:Late-19th to 4240:Neoclassical 4235:Jeffersonian 4177:First Period 4051:Jeffersonian 3869:Dragon style 3795: 3710:Resort style 3674:Belle Époque 3659:Empire style 3546:Châteauesque 3531:Neoclassical 3354: 3331: 3315: 3289: 3260: 3232: 3190: 3167: 3135: 3108: 3084: 3041: 3017: 2992: 2964: 2936: 2904: 2879: 2844: 2821: 2790: 2762: 2737:and London: 2730: 2707: 2704:Powers, Alan 2700:Aslet, Clive 2669: 2666:Aslet, Clive 2641: 2636:Aslet, Clive 2605: 2575: 2550: 2538: 2526: 2514: 2502: 2497:Robinson, p9 2493: 2481: 2471:18 September 2469:. Retrieved 2466:The Guardian 2465: 2455: 2445:18 September 2443:. Retrieved 2438: 2429: 2417: 2405: 2396: 2369: 2357: 2345: 2333: 2321: 2309: 2302:Jenkins 2003 2297: 2288: 2280:The Guardian 2279: 2270: 2258: 2246: 2234:. Retrieved 2228: 2215: 2203:. Retrieved 2197: 2184: 2175: 2172:"Queen Anne" 2166: 2157: 2145: 2133: 2106: 2097: 2088: 2079: 2070: 2061: 2049: 2037: 2028: 2019: 2010: 2001: 1991:December 22, 1989:. Retrieved 1984: 1975: 1948: 1936: 1909: 1900: 1890: 1878: 1866: 1859: 1843: 1834: 1825: 1813:. Retrieved 1800: 1788: 1779: 1767: 1755: 1746: 1737: 1725: 1713: 1704: 1692: 1683: 1671: 1660:. Retrieved 1656: 1647: 1625:Andrew Saint 1613:The Pantheon 1612: 1609:Dawpool Hall 1595: 1581: 1575: 1559: 1543: 1536:Longner Hall 1530: 1509: 1428:, built 1923 1188: 1185:E. F. Benson 1160:Baliffscourt 1152: 1117: 1113:Country Life 1112: 1097:middle-class 1068: 1052: 1047:Hever Castle 1034:cottage ornĂ© 1032: 1014: 994:Ascott House 982: 963: 944:cottages at 925: 921: 917: 897: 887: 859: 836: 809: 783: 774:French villa 749: 730: 715:21st century 697: 688: 679: 669: 648: 632: 616:Country Life 614: 571: 567:Greaves Hall 562:Country Life 561: 557:oriel window 548:Country Life 546: 542: 536: 513:Saitta House 486:20th century 476:James Savage 433: 414:stately home 382: 350:A.W.N. Pugin 342: 283: 201: 184: 181:Malcolm Airs 166: 144: 143: 139:George Devey 112: 108:Tudor period 95: 91: 90: 58:George Devey 43:Ascott House 4844:San Antonio 4819:New Orleans 4809:Los Angeles 4799:Kansas City 4733:Town square 4718:Sweat lodge 4668:Plank house 4618:Earth lodge 4436:PWA Moderne 4311:Stick style 4207:Territorial 4005:Neo-MudĂ©jar 3905:Neo-MudĂ©jar 3846:Netherlands 3695:GrĂĽnderzeit 3690:Biedermeier 3467:Art Nouveau 3443:Historicism 3290:Oxfordshire 2942:Aurum Press 2757:Cook, Olive 2674:Aurum Press 2150:Turnor 1950 2042:Quiney 1990 1871:Hussey 1989 1699:, Foreword. 1617:Portmeirion 1583:Impregnable 1243:Cecilienhof 1190:Queen Lucia 1168:Clive Aslet 1164:West Sussex 966:picturesque 918:Tudorbethan 906:Elizabeth I 884:Tudorbethan 878:Euston Arch 847:East Sussex 816:Norman Shaw 801:Elizabethan 644:1914–18 war 578:Blair Imrie 572:Later came 448:Front Court 429: 1520 378:James Essex 298:Reformation 286:Renaissance 213:herringbone 145:Tudorbethan 135:Norman Shaw 115:New Zealand 62:Tudorbethan 54: 1876 4905:Categories 4708:Skyscraper 4663:Moki steps 4658:Longhouses 4552:Tiny-house 4547:Shed style 4537:Postmodern 4364:Beaux-Arts 4316:Queen Anne 4268:Italianate 4245:Antebellum 4046:Greco Deco 3766:Jacobethan 3700:Jugendstil 3603:Vernacular 3551:Italianate 3482:Beaux-Arts 3447:Revivalism 3358:. London: 3324:0140560033 3225:1857595041 3193:. London: 3072:Nairn, Ian 2970:Woodbridge 2907:. London: 2824:. London: 2717:0670801755 2672:. London: 2555:Aslet 1982 2543:Aslet 1982 2531:Aslet 1982 2486:Saint 2010 2422:Saint 2010 2410:Saint 2010 2362:Aslet 2013 2314:Davey 1995 2111:Saint 2010 1772:Davis 1960 1760:Davis 1960 1662:2024-01-18 1572:men-of-war 1390:Museum in 1388:The Bakken 1156:the Moynes 1128:Jacobethan 1124:staircases 1120:great hall 1023:and pond; 926:mock Tudor 894:Jacobethan 862:Great Hall 828:vernacular 737:Architects 727:, Scotland 701:Western US 652:Olive Cook 591:hall house 517:Queen Anne 490:See also: 294:classicism 149:Jacobethan 96:mock Tudor 85:Canterbury 18:Mock-Tudor 4864:St. Louis 4804:Las Vegas 4713:Sod house 4653:Log cabin 4598:Corn crib 4527:Neomodern 4502:High-tech 4497:Earthship 4482:Brutalist 4283:Victorian 3973:Stalinist 3731:Adamesque 3378:951261677 3213:473283902 3158:835201226 3064:669710509 2962:(1989) . 2927:832426788 2853:559524050 2813:823781473 2735:New Haven 2692:840477309 2628:231443025 2594:963827785 2519:Hall 2009 2507:Hall 2009 2350:Curl 1990 2263:Hall 2009 2054:Ryan 2018 1968:Cook 1984 1883:Hall 1994 1718:Curl 1990 1697:Airs 1995 1676:Airs 1995 1639:Citations 1605:Cranbrook 1577:Hindustan 1519:Dean Fell 1492:House in 1462:House in 1447:House in 1280:, Ireland 1081:panelling 1076:inglenook 1065:Interiors 1007:rag-stone 786:Victorian 780:Evolution 745:modernism 661:Englewood 621:Ian Nairn 607:linenfold 520:Victorian 464:New Court 452:New Court 444:New Court 393:John Nash 346:Georgians 322:Tom Tower 310:Cambridge 264:John Nash 216:brickwork 123:Singapore 64:influence 49:designed 4839:Portland 4779:Columbus 4583:Cape Cod 4578:Barabara 4339:Art Deco 4147:Builders 3893:Portugal 3581:European 3516:Neo-Grec 3462:Art Deco 3337:Batsford 3287:(1996). 3258:(2010). 3189:(1990). 3082:(1971). 2990:(2003). 2876:(1979). 2789:(1990). 2759:(1984). 2729:(2003). 2706:(1985). 2668:(2013). 2638:(1982). 2604:(1991). 2574:(1995). 2441:. 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Index

Mock-Tudor
Mock Tudor (album)

Ascott House
Buckinghamshire
George Devey
Tudorbethan

Half-timbering
Gothic Revival
Beaney Institute
Canterbury
Tudor architecture
vernacular architecture
Tudor period
New Zealand
Francis Petre
Singapore
Regent Alfred John Bidwell
Black and White House
Norman Shaw
George Devey
Jacobethan
Merrie England
Arts and Crafts movement
Tudor architecture
Tudor monarchs
Hampton Court Palace
Malcolm Airs
Elizabethan architecture

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