159:
Center. In 2015 he co-organized the "Knowledge Forms and
Forming Knowledge – Limits and Horizons of Transdisciplinary Art-Based Research" Seminar at the University of Graz and the IZK Künstlerhaus – Halle für Kunst & Medien. He gave lectures and presentations at the New Museum, Art in General, the Dutch Art Institute, UNSW University of New South Wales, Witte de With Contemporary Art, Goethe-Institut, CalArts School of Critical Studies, NYU, CA2M and the University of British Columbia.
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217:(&&& / The New Centre, 2016.) that featured texts by Jason Adams / Kate Armstrong, Elie Ayache, Benjamin Bratton, Clint Burnham, Lou Cantor, Manuel Correa, Alexander Galloway, Leo Goldsmith, Simón Isaza, Victoria Ivanova, Vaclav Janoscik, Ed Keller, Diana Khamis, Jessica Law, Siwin Lo, Nicola Masciandaro, Gean Moreno,
158:
He is one of the co-founders of The New Centre for
Research & Practice and the Fixing the Future platform. In 2014, he organized the Incredible Machines conference in Vancouver. and the "Here and Elsewhere, at War, and into the Future: Palestine" Discussion that was hosted Live at Whitebox Art
149:
Salemy has curated shows at the Morris and Helen Belkin Art
Gallery, Koerner Gallery, AMS Gallery at the University of British Columbia, Access Gallery, as well as the Satellite Gallery and he was the curator of Dadabase. Lastly his curatorial project "For Machine Use Only" was included in the 11th
150:
edition of the
Gwangju Biennale. His curatorial project "This is the Sea" was included in the 2017 edition of the artmonte-carlo Together with Patrick Schabus he curated the 2018 edition of the Sofia Queer Forum, that featured Barbara Hammer and Bruce laBruce.
1344:""In conjunction with Access Gallery, the independent curator Mohammad Salemy presents "Incredible Machines," a conference addressing different aspects of the expanding role of networked computers and digital processes in the production of knowledge.""
167:
As a writer, critic, and editor, Salemy has been a regular contributor to numerous exhibition catalogues, anthologies, and journals. His writings have appeared in numerous journals, catalogues, books, and magazines including:
140:
As an artist he has shown his work internationally and nationally, specially in Ashkal Alwan in Beirut and Witte de With in
Rotterdam. In 2016 he participated in the Gwangju Biennale with his project "For Machine Use Only".
692:
329:"Time and Televisual Intersubjectivity, McLuhan's Idea of Globalized Presence as the Prehistory of Telecomputation" in "This is Paradise: Art and Artists in Toronto", Published on 28 May 2015, pages 12–13
221:, Jeff O’brien, Matteo Pasquinelli, David Roden, Judith Rodenbeck, Rory Rowan, Daniel Sacilotto, Samuel Sackeroff, T’ai Smith, Nick Srnicek, Kate Steinmann, Steven Warrick, and Peter Wolfendale.
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224:
His texts were published in books like "reinventing horizons", and
Politics of study. He participated in numerous panel discussions and lectures in galleries, museums and colleges.
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Salemy holds a master's degree in
Critical Curatorial Studies from the University of British Columbia. His work is situated in the space between curatorial and artistic practice.
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He was the co-founder of the successful fashion label "Government
Clothing", and is known for his activism He also worked as a designer, specially for
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2316:"Accelerating Beyond "Iran"? "An Interview with Mohammad Salemy on Telecomputation, Digital Production, and Diaspora by Ajam Media Collective"
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885:"Ali Ahadi: WARNING – Use by Other Than Registered Owner Prohibited by Law – AHVA – The Department of Art History, Visual Art & Theory"
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Salemy, Mohammad. "Tom McGlynn and the
Asymtotes of Opticality", catalogue essay, For Geochromatic Index on Dadabase.Com NYC, 2014
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2383:""Iran Modern? Sure, What About It?: A Conversation about the Curation and Preservation of Memory, Modernity and Nationalism""
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1230:"Мохамад Салеми, куратор: Покрай Тръмп и #MeToo се повиши интересът към въпросите за пола в изкуството - Култура - Дневник"
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2176:"Speaking Out: A Lamentation for Parrhesian Strategies – AHVA – The Department of Art History, Visual Art & Theory"
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1394:"Knowledge Forms and Forming Knowledge – Limits and Horizons of Transdisciplinary Art-Based Research – Patricia Reed"
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1420:"Aesthetics After Finitude Conference & Exhibition 5–6 February 2015 – National Institute for Experimental Arts"
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323:"Our World: McLuhan's Idea of Globalized Presence as the Prehistory of Computational Temporality – Imaginations"
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Dorothée Dupuis (ed.), "Mohammad Salemy and the New Centre for
Research and Practice" in "Terremoto 4. " 2015.
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2356:"America Is Hard to See: A Guide to not being depressed about US electoral politics this November"
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2107:"MO SALEMY: IN BETWEEN THE EMPTY FRAMES -INTERNATIONAL WHATEVER SEPTEMBER 4 – DECEMBER 1, 2008"
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1545:"Volume 52 - the End of Informality | LATEST architectural magazine issues at Bruil.info"
1291:"Интервю на Надежда Московска с Мохамед Салеми и Патрик Шабус, куратори на Sofia Queer Forum"
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ARTISTS IN CONVERSATION – Mohammad Salemy at the Witte de With Center for Contemporary Art
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347:"Ao on Site: Urs Fischer & Gavin Brown @ Tony Shafrazi Gallery, May 9 – July 12, 2008"
2371:"Artificial Intelligence and the Cybernetic Revolution: Video program by Mohammad Salemy"
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1824:"Notes Towards a General Theory of Surface or How Art Might Survive Contemporary Art"
1520:"Fridman Gallery opens first solo exhibition of British artist Navine G. Khan-Dossos"
218:
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2351:"Mohammad Salemy on the New Centre for Research & Practice by Rosemary Heather"
981:"Research Library – Digital Special Collections – Nature, Knowledge and the Knower"
203:
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2082:"MOHAMMAD SALEMY: THIS IS NEW YORK GARBAGE September 12, 2009 – November 15, 2009"
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107:, curator, writer . curator, writer He is sometimes referred to as "Mo Salemy".
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492:"Arts of the Working Class. Issue 1: A city is a stateless mind | EXILE"
2361:"Exploring Turkey's Political Crises Through Symbols of Byzantine Supremacy"
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1244:"Бежанците – изключени от обществото в "Родина за вагабонта" | Dnes.bg"
176:
2394:
Fardid in His Own Words, An Interview with Ahmad Fardid by Alireza Meibodi
1495:"Mohammad Salemy - New Centre for Research & Practice - Academia.edu"
1006:"Architecture and De-measurement in Abbas Akhavan's Work | ArteEast"
955:
1207:
1020:"Morris and Helen Belkin Art Gallery – Nature, Knowledge and the Knower"
445:
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1269:"София Куиър Форум: "Родина за вагабонта" в галерия "Васка Емануилова""
506:"HERE AND ELSEWHERE, AT WAR, AND INTO THE FUTURE: PALESTINE – WhiteBox"
1944:"NEWS Real Edgy A Report from Home Works 7 and Athens Biennale 5 to 6"
417:
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1964:
1627:"OCULA REPORT Berlin's belated Biennale: A response to the responses"
306:
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external links, and converting useful links where appropriate into
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2331:
Interview with Mohammad Salemy on Studio 4 with Fanny Kiefer, 2011
1943:
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1799:"Panel Discussion With David Semeniuk. Oct 19, 2013. Gam Gallery"
280:"For Machine Use Only", &&& / The New Centre, 2016.
2231:
1652:"OCULA REPORT Tilting the scale: on the 57th Venice Biennale"
1986:"9/11 & the Temporality of Televisual Intersubjectivity"
1372:"HERE AND ELSEWHERE, AT WAR, AND INTO THE FUTURE: PALESTINE"
361:"София куиър форум 2018 ще бъде куриран от ирански художник"
871:"Opening Reception of "Nature, Knowledge, and the Knower""
1908:
Transforming Technology - VIENNA ART WEEK 2017, pages 106
2366:"From Canada to Kanye: A Portrait of Yeezy as an Artist"
256:
Exhumed: Deliberating R.M. Khomeini, Photographs, 2002
2256:
1845:"WRITING / CURATING / ARTMAKING: A Triangular Practice"
253:
How to Assemble an Atomic Bomb, DVD and tin can, 2006.
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Planet of the Arts, 1993, volume 8, issue 4, page 4
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2396:, Introduction and Translation by Mohammad Salemy
2251:may not follow Knowledge's policies or guidelines
250:In between the empty frames, Color prints, 2008
1130:"Mohammad Salemy – Participants – Witte de With"
235:The Artist Is Hyperpresent, Installation 2015
446:"artmonte-carlo Fair Dates: April 29-30, 2017"
247:THIS IS NEW YORK GARBAGE, Color prints, 2009
8:
2346:"AFTER POST INTERNET & THE WINTER OF AI"
2306:SYSTEMS OF A GREATER SUM, Bots Bodies Beasts
400:"The New Centre for Research & Practice"
244:Preliminary materials for any theory, 2014
1319:"Introduce No. 10 – seeyounextthursday.com"
1155:"WARNING: Use by Other than Registered //"
118:""The 8th Climate, 11th Gwangju Biennale""
90:The New Centre for Research & Practice
20:
2457:21st-century Canadian non-fiction writers
2326:Interview with Mohammad Salemy on Shaw TV
2311:Mohammad Salemy on anthropocinema, e-flux
2287:Learn how and when to remove this message
1868:, Washington Square News, 29 January 2014
910:"ENCYCLONOSPACE IRANICA – Access Gallery"
718:"Emergency Biennale – Official Web Site!"
238:What were you doing on 9/11?, 2010-2015
2008:"Art In The Age Of…Asymmetrical Warfare"
1071:"....:::: DADABASE GALLERY ::::..."
824:"Art in the age of asymmetrical warfare"
693:"Art in the age of asymmetrical warfare"
667:"Art in the age of asymmetrical warfare"
295:Manuel Correa, "artoffline" produced by
2381:Collective, Ajam Media (3 March 2014),
338:
69:Emily Carr University of Art and Design
2054:"Preliminary materials for any theory"
2032:"Preliminary materials for any theory"
1677:"Spike Art Quarterly Issue 54 out now"
1445:"Hybrid Ecologies and Audiences Today"
740:
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1896:, Open Sandberg 2018, 17 January 2018
7:
2132:"EXHUMED: DELIBERATING R.M KHOMEINI"
321:Salemy, Mohammad (6 December 2017).
1910:, Vienna Art Week, 8 September 2017
796:"The Dig Centre A's first 10 years"
2156:Post, Miranda (7 September 2006).
1727:"Visitingcritics: Mohammad Salemy"
932:"Tearsheet Encyclonospace Iranica"
14:
1922:"'Art Is Work' at Krokus Gallery"
2236:
1204:"Fair Dates: April 29-30, 2017"
617:"Art and Reason how art thinks"
1599:"Instagram as Non-Photography"
232:ART AFTER THE MACHINES, 2015
73:University of British Columbia
1:
2462:Canadian installation artists
2422:21st-century Canadian artists
2402:"THOMAS BAYRLE AT MAK VIENNA"
1561:, Brooklyn Rail, 15 July 2014
2442:Iranian contemporary artists
2158:"Ethics to a Tee – The Tyee"
1470:"Jornadas de la imagen 2017"
467:"News Sound of Conversation"
418:"Mohammad Salemy – Artspeak"
2447:Iranian emigrants to Canada
1398:www.aestheticmanagement.com
311:www.reinventinghorizons.org
213:In 2016 he edited the book
82:Artist, art critic, curator
2483:
2301:A city is a stateless mind
1323:www.seeyounextthursday.com
1045:"Interview with Mo Salemy"
722:www.emergency-biennale.org
1778:www.mottodistribution.com
1499:thenewcentre.academia.edu
289:www.mottodistribution.com
277:"The Sacred Meme Magic",
268:'s album Grab that gun
103:) is a Canadian artist,
1882:, Artweek, 7 March 2017
1753:reinventinghorizons.org
1374:. WhiteBox. 3 June 2014
771:"Emergency in Chechnya"
558:"Sound of Conversation"
1965:"News - Page 13 of 32"
1749:"Reinventing horizons"
1606:thirdrailquarterly.org
1573:"After Anthropocinema"
1049:Satellite Gallery Blog
307:"Reinventing Horizons"
2437:Iranian photographers
2427:Canadian art curators
2387:Ajam Media Collective
985:lbry-web-007.amnh.org
642:"Dutch Art Institute"
2432:Mass media theorists
2257:improve this article
1559:AFTER_ANTHROPOCINEMA
1424:www.niea.unsw.edu.au
1279:on 28 November 2018.
215:For Machine Use Only
99:(born 1967 in Iran,
2269:footnote references
1988:. 11 September 2016
1774:"Politics of Study"
1729:. Parsons Fine Arts
1400:. 11 September 2015
1232:. 12 November 2018.
1095:"Artificial Cinema"
646:dutchartinstiute.eu
375:"the8thclimate.org"
285:"Politics of Study"
199:Spike Art Quarterly
2452:Canadian activists
2034:. 5 September 2014
1293:. 9 November 2018.
956:"TAHGHIGH PROJECT"
912:. 24 February 2013
873:. 31 October 2011.
850:"Gwangju Biennale"
830:. 17 November 2015
750:Emergency Biennale
379:the8th climate.org
16:Iranian art critic
2297:
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1577:The Brooklyn Rail
673:. 9 December 2015
671:moussemagazine.it
241:Stairwell, 2015
228:Works (selection)
122:the8thclimate.org
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