221:
352:
Phalke's first three films were created in eight months together without a film studio, by hand-driven machines and using a crew who had no prior film experience. All three films were highly successful and Phalke was able to pay off his debts, which he had acquired to make the films. They were shown
208:
and enchants
Bhasmasura. Bhasmasura asks her to marry him. Mohini agrees, but only on the condition that Bhasmasura follows her move for move in a dance. In the course of the dance, she places her hand on her head. Bhasmasura mimics the action, and in turn, reduces himself to ashes.
348:
was shot in the open countryside. The scene where
Bhasmasur keeps his hand on his head and reduces to ashes, Phalke shot with the actor and then retracted the film and shot some spoilt film being burnt in the actor's position, giving the effect of Bhasmasur burning.
312:(1917). His wife Saraswati Phalke was the woman behind the scene who was the manager and technical assistant to her husband in film making. Phalke was inspired into film making after he watched the movie "Life of Christ" in 1910. This led him to
254:. Kamala was only 13 years old at the time. However, in an era where women in performing arts were compared to prostitutes, this did not set a trend and male actors continued to perform female roles in cinema for years.
277:. He was an Indian producer-director-screenwriter, costume-designer, editor, processor, printer, developer, projectionist and distributor all rolled in one, known as the father of Indian cinema, and his first film was
328:, in 1912. He had bought the camera Williamson make for his film production, which he used for his first five Phalke Films. In creating the mythological themes for his films, Phalke was influenced by
332:, the famous painter of mythological themes. He also introduced the screen play format for the film and rehearsed his actors before recording the scenes. Departing from "
200:
grants
Bhasmasura the power to turn anyone into ashes by touching their head. The demon decides to try the power on Shiva himself. Shiva runs terrified. The god
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of the dance item and he had been inspired by Hindu temple sculptures, Buddhist murals in the
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Towards the
Contemporary Period: From the Mid-nineteenth to the End of the Twentieth Century
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Kamala who was a stage actress performed the first dance number in the role of a heroine in
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242:(1900–1998), then called as Kamla Kamat, a Marathi stage actress, was cast as the heroine
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Phalke produced four films in succession under the banner "Production
Company" including
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365:. In the dance item, she played the role of Mohini enticing Bhasmasura, the demon or
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was the second feature film on a Hindu mythological theme in black and white of the
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was screened for the first time in
November 1913. A one-minute short comedy film
184:
The plot of the film revolves round the theme of the Hindu mythological story of
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289:(Dough Claws) was released as a "side attraction" with the film.
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was the first Indian film to cast a female in the woman's role.
928:
774:
Chahryar Adle; Madhavan K.. Palat; Anara
Tabyshalieva (2005).
162:. It is India's and Phalke's second full-length feature film.
551:
Encyclopaedia of Indian Events and Dates: 6th
Revised Edition
554:. Sterling Publishers Pvt. Ltd. pp. A 168 and A 179.
344:(folk theater) dividing the screenplay into acts. Most of
340:(where mythological themes were prevalent), Phalke used
879:
Indian popular cinema: a narrative of cultural change
811:
National
Identity in Indian Popular Cinema: 1947–1987
621:
Gulazāra; Govind
Nihalani; Saibal Chatterjee (2003).
166:
is the first Indian film to have a female actor. In
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661:. Nepal Press Institute with the support of DANIDA
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683:Eena meena deeka: the story of Hindi film comedy
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413:Bollywood: A Guidebook To Popular Hindi Cinema
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876:K. Moti Gokulsing; Wimal Dissayanake (2004).
845:Arts of Transitional India, Twentieth Century
492:Dadasaheb Phalke, the father of Indian cinema
8:
455:Filming the Gods: Religion and Indian Cinema
281:, which released on 3 May 1913. Soon after,
746:. Tata McGraw-Hill Education. pp. 6–.
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381:(temple-dancer) tradition and dancing (see
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814:. University of Texas Press. p. 37.
489:Bāpū Vāṭave; National Book Trust (2004).
521:
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1156:Kakashebanchya Dolyat Jhanjhanit Anjan
7:
627:. Popular Prakashan. pp. 626–.
593:. Macmillan India. pp. 7, 347.
529:. Internet Movie data Base, Imdb.com
1475:Films based on the Bhagavata Purana
1470:Films directed by Dadasaheb Phalke
848:. Popular Prakashan. p. 948.
14:
882:. Trentham Books. pp. 105–.
587:Yves Thoraval (1 February 2000).
548:S. B. Bhattacherje (1 May 2009).
452:Dwyer, Rachel (30 August 2006).
273:(1870–1944), popularly known as
808:Sumita S. Chakravarty (1993).
715:"Dadasaheb Phalke (1870–1944)"
353:by Phalke in London, in 1914.
250:her mother played the role of
1:
1004:Satyavadi Raja Harishchandra
624:Encyclopaedia Of Hindi Cinema
1465:Indian black-and-white films
1422:Scenes of the River Godavari
1410:Nasik Trimbak Yethil Dekhave
743:Tmh General Knowledge Manual
303:Satyavadi Raja Harishchandra
231:in the film Mohini Bhasmasur
227:who played the lead role as
1404:The Dreamland of Ganjandrao
1292:Kumari Millche Shuddhikaran
655:Paraśurāma Kharela (2002).
1491:
1132:Shivajichi Agryahun Sutaka
1428:Talegaoncha Kach Karkhana
780:. UNESCO. pp. 804–.
458:. Routledge. p. 23.
409:Ganti, Tejaswini (2004).
269:produced and directed by
1460:Hindu mythological films
842:Vinayak Purohit (1988).
680:Sanjit Narwekar (2005).
658:Sight, Sound & Pulse
527:"Mohini Bhasmasur(1913)"
495:. National Book Trust.
271:Dhundiraj Govind Phalke
232:
192:(a) ("ash-demon"), an
1276:Shri Krishna Shishtai
1164:Hidimb Bajkasur Vadha
417:. Routledge. p.
223:
1260:Draupadi Vastraharan
740:Tmh (1 March 2007).
590:The cinemas of India
1455:Indian silent films
1172:Chaturthicha Chanda
1100:Bhakta Gora Kumbhar
148:Indian mythological
1236:Rukamangada Mohini
1020:Shri Krishna Janma
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357:First dance number
279:Raja Harishchandra
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100:November 1913
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1060:Ram Maruti Yuddha
1036:Rajrishi Ambarish
889:978-1-85856-329-9
855:978-0-86132-138-4
821:978-0-292-78985-2
787:978-92-3-103985-0
753:978-0-07-061999-9
686:. Rupa & Co.
634:978-81-7991-066-5
600:978-0-333-93410-4
561:978-81-207-4074-7
502:978-81-237-4319-6
465:978-0-203-08865-4
428:978-0-415-28853-8
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169:Raja Harischandra
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719:The Tribune
389:folk form.
385:) from the
336:" style of
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309:Lanka Dahan
306:(1917) and
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127:Silent film
47:Produced by
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1444:Categories
1308:Vasantsena
1148:Satyabhama
1108:Babruwahan
393:References
258:Production
176:, a male.
146:is a 1913
39:Written by
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1092:Buddhadev
1068:Mahananda
190:Bhasmasur
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300:(1914),
55:Starring
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387:Tamasha
252:Parvati
131:Marathi
115:Country
104:1913-11
102: (
1430:(1915)
1424:(1914)
1418:(1914)
1412:(1914)
1406:(1913)
1400:(1912)
1383:(1937)
1375:(1932)
1367:(1930)
1359:(1929)
1351:(1929)
1343:(1929)
1335:(1929)
1327:(1929)
1319:(1929)
1311:(1929)
1303:(1928)
1295:(1928)
1287:(1928)
1279:(1928)
1271:(1927)
1263:(1927)
1255:(1927)
1247:(1927)
1239:(1927)
1231:(1927)
1223:(1926)
1215:(1926)
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1199:(1926)
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1183:(1926)
1175:(1925)
1167:(1925)
1159:(1925)
1151:(1925)
1143:(1925)
1135:(1924)
1127:(1924)
1119:(1924)
1111:(1923)
1103:(1923)
1095:(1923)
1087:(1923)
1079:(1923)
1071:(1923)
1063:(1923)
1055:(1923)
1047:(1922)
1039:(1922)
1031:(1919)
1023:(1918)
1015:(1917)
1007:(1917)
999:(1915)
991:(1914)
983:(1913)
975:(1913)
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750:
690:
631:
597:
558:
499:
462:
425:
383:Lavani
342:nataka
320:under
314:London
244:Mohini
229:Mohini
206:Mohini
202:Vishnu
186:Mohini
367:asura
198:Shiva
194:asura
118:India
920:IMDb
897:2013
884:ISBN
863:2013
850:ISBN
829:2013
816:ISBN
795:2013
782:ISBN
761:2013
748:ISBN
727:2013
701:2013
688:ISBN
667:2013
642:2013
629:ISBN
608:2013
595:ISBN
569:2013
556:ISBN
535:2013
510:2013
497:ISBN
473:2013
460:ISBN
436:2013
423:ISBN
246:and
216:Cast
188:and
180:Plot
158:and
918:at
419:206
324:of
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518:^
481:^
444:^
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401:^
377:,
296:,
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