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records, and when
Disclosure asked Green and the track's label permission for use of samples of his recording, Green and the label enjoyed the track the duo had worked on and gave them multitrack stems of the original song for a much cleaner sound of the samples in the track. While the vocals are
230:
In 2016, Disclosure had developed their skills of writing songs while on tour, but did not have time to produce enough material for a full-length album. Regardless, the duo wanted to release a record for the summer, reasoning that they felt "strange" not issuing any material to the public in that
270:
hotel room for a few days while on the road before being mixed and mastered at home, was the only song on the EP where
Disclosure worked on a track together. Driven by a harsh drum loop, the song features singing from Howard Lawrence, his vocal track pitch-shifted down and filtered with
30:
569:
magazine was also disappointed with the EP, writing that the songs were only "reminders" of their old sound rather than being something much more than "indistinct nothingness" in addition to their previous sound.
255:, in that there was some material only one of the members would work on, and after the song was finished, both members of the duo would decide if the track was ready for release and inclusion on the album.
555:, had a more mixed opinion, writing that while the release garners much of the same excitements as the "expert blend of sleek pop and those big, warm and happy belted house hooks of the ‘90s" that was on
339:
such as "When a Fire Starts to Burn". Instrumented with "warbled" synthesizers and a pounding bass drum, the song ends with a "hypnotising" sample of the track "Moody's Mood", sung and recorded by
355:. An a cappella group had written lyrics for the melody, and in the recording being sampled by the track, McKnight sings the melody and lyrics. The bassline in the track is also generated by a
251:(2015), reasoning that they would be making the same music over and over again if they kept making tracks the same way. However, they still had made songs in one similar way they did for
239:, which Howard said also "feels quite strange." With the EP, Disclosure wanted to use more different track development formulas from what they used for making their previous records,
200:". They did not have enough material to produce a full-length album, but wanted to have a record released for the summer of that year regardless. Featuring collaborations with
1218:
280:
288:
sped up in "Feel Like I Do," the strings, horns and electric guitar from Green's recording remain, with the addition electronic drums and "hazy effects" as
1514:
563:, not as good as Disclosure's debut given that it was "uninspired" and that none of the songs on the EP were "immediate or necessary." Kyle Forward of
483:
On 11 June 2016, Disclosure premiered "Boss" at the United
Kingdom Wildlife Festival, leading to an estatic reception from the audience according to
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song the
Avalanches didn’t make—and the top-down, sun-kissed track you need in your life right now." Rebecca Haithcoat, who wrote a review for
578:
All tracks written, mixed, and produced by Guy
Lawrence, and mastered by Lewis Hopkin; additional writing and production credits are noted.
1284:
865:
192:. 2016 was a year where the duo were developing their skills of writing material while on the road. Its title is named after the 1952
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the next day. The EP garnered generally positive reviews upon its distribution, some reviewers calling it significantly better than
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184:, consisting of brothers Howard and Guy Lawrence. The three-track record was released on 15 June 2016, by the labels
1039:"NEW @disclosure TRACK ALERT. They've just played Boss for the first time in their headline set at @WILD_LIFE_FEST."
545:
one of the "6 New Albums We Demand You Listen to
Immediately" only for "Feel Like I Do", calling the song "the best
231:
season. Therefore, they created and distributed a three-track "clubby" extended play that went "back to the start."
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501:'s "Hottest Record In The World" for 15 June. First available for streaming 14 June 2016,
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described. "Feel Like I Do" is the only track to not resemble the sound that was on
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902:"Disclosure Open Up About Their 'Moog for Love' EP in a 30-Minute Video Interview"
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in "Boss" and the title song are similar to those present on tracks from
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was
Disclosure's first record not to feature writing contributions from
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275:
effects. The second track on the EP, "Feel Like I Do", is a remix of
487:. On 14 June 2016, "Moog for Love" had a "World Record" premiere on
351:, its melody is derived from an improvised solo by jazz saxophonist
1054:"World Record: Disclosure & Eats Everything – "Moog for Love""
320:
1266:
929:"Hear Disclosure Sample Al Green on Soulful 'Moog for Love' EP"
218:(2015). Upon its release, the album landed at number 80 on the
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311:
208:, the album garnered generally mixed to positive reviews from
1262:
866:"Disclosure go 'back to the start' with Moog For Love EP"
1121:. PMR Records Official Website. Retrieved 24 June 2016.
521:. Praising it as a less "grown-up" dance release than
1133:"Disclosure's new EP is good enough to win you back"
1044:. BBC Radio 1. 11 June 2016. Retrieved 24 June 2016.
283:". Guy found the song while listening to a batch of
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1164:"6 New Albums We Demand You Listen to Immediately"
266:'s opening cut, "Boss", written and arranged in a
315:reviewer to borrow the rich sound that dominated
1217:: CS1 maint: others in cite AV media (notes) (
1078:. BBC Radio 1. 15 June 2016. Archived from the
176:is the sixth extended play recorded by British
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1082:on 24 June 2016. Retrieved 24 June 2016.
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327:. He also noted that the elements of
7:
1096:"Stream Disclosure Moog For Love EP"
1070:"Disclosure – BOSS / Moog For Love"
840:Haithcoat, Rebecca (23 June 2016).
453:
14:
979:"Disclosure – 'Moog For Love' EP"
395:
323:that was used for most tracks on
1007:. Zumic. Retrieved 24 June 2016.
977:Bartleet, Larry (15 June 2016).
720:Gus Pirelli – engineer on "Boss"
495:show Beats 1. Both songs became
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298:due to its slow tempo and feel.
1005:"“Moog For Love” – Disclosure "
900:Kinkel, Oliver (20 June 2016).
1131:Cox, Jamieson (22 June 2016).
1094:Rettig, James (14 June 2016).
593:
1:
1241:. ARIA Report. Archived from
1019:Forward, Kyle (1 July 2016).
864:Blake, Jimmy (15 June 2016).
1021:"Disclosure – Moog for Love"
1203:(Media notes). Disclosure.
927:Reed, Ryan (15 June 2016).
842:"Disclosure: Moog for Love"
662:"Moog for Love" (featuring
1606:
1119:"‘Moog For Love’ OUT NOW!"
281:I'm Still in Love with You
1106:. Retrieved 24 June 2016.
1029:. Retrieved 24 June 2016.
991:. Retrieved 24 June 2016.
908:. Retrieved 24 June 2016.
878:. Retrieved 24 June 2016.
848:. Retrieved 24 June 2016.
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142:Caracal: Live BBC Session
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18:2016 EP by Disclosure
1585:Disclosure (band) albums
587: – Standard version
220:Australian Singles Chart
1207:. 2016. 00602557002935.
319:while having the same
363:Release and promotion
345:Moody's Mood for Love
198:Moody's Mood for Love
1424:Help Me Lose My Mind
559:, it was, much like
368:Professional ratings
1525:Promotional singles
1390:"Tenderly" / "Flow"
1348:Settle: The Remixes
1213:cite AV media notes
742:Australia Singles (
589:
525:, Lary Bartleet of
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715:Additional credits
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309:was analyzed by a
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1250:. Retrieved
1243:the original
1236:"Issue 1374"
1200:
1178:. Retrieved
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54:15 June 2016
15:
1557:Discography
1403:White Noise
1058:Apple Music
1056:. Beats 1.
876:BBC Radio 1
672:G. Lawrence
651:G. Lawrence
648:G. Lawrence
493:Apple Music
353:James Moody
268:Los Angeles
259:Composition
245:(2013) and
237:Jimmy Napes
190:PMR Records
1574:Categories
1445:Holding On
1294:Disclosure
1174:Condé Nast
906:Vice Media
820:References
789:Worldwide
781:Format(s)
686:Disclosure
634:Disclosure
547:Avalanches
226:Production
182:Disclosure
132:chronology
130:Disclosure
116:Disclosure
65:Electronic
44:Disclosure
1540:Hourglass
1533:Bang That
1473:Nocturnal
1417:F for You
1143:Vox Media
1138:The Verge
1104:SpinMedia
1100:Stereogum
1075:Annie Mac
904:. Thump.
737:position
601:Writer(s)
552:Pitchfork
509:released
498:Annie Mac
489:Zane Lowe
438:Pitchfork
329:UK garage
158:Moonlight
1580:2016 EPs
1515:Birthday
1366:The Face
1080:original
1042:Newsbeat
871:Newsbeat
604:Producer
277:Al Green
206:Al Green
109:Producer
51:Released
41: by
1501:My High
1487:Ecstasy
1466:Magnets
1383:Singles
1330:Alchemy
1316:Caracal
1180:30 June
1148:25 June
948:24 June
775:Region
561:Caracal
523:Caracal
519:Caracal
317:Caracal
248:Caracal
215:Caracal
161:(2018)
154:(2016)
145:(2015)
1494:Energy
1431:Voices
1323:Energy
1309:Settle
1252:1 July
804:Island
784:Label
725:Charts
615:"Boss"
607:Length
557:Settle
443:6.0/10
381:Rating
378:Source
337:Settle
325:Settle
296:Settle
253:Settle
242:Settle
196:song "
186:Island
95:Island
71:Length
1459:Jaded
1396:Latch
1246:(PDF)
1239:(PDF)
1169:Wired
778:Date
707:15:18
598:Title
538:Wired
448:Zumic
333:house
321:tempo
285:vinyl
273:EQing
88:Label
60:Genre
1452:Omen
1254:2016
1219:link
1182:2016
1150:2016
950:2016
756:ARIA
744:ARIA
735:Peak
697:5:24
654:3:15
637:6:39
513:for
505:and
331:and
204:and
188:and
180:duo
1358:EPs
1026:DIY
984:NME
943:LLC
809:PMR
761:13
749:80
594:No.
566:DIY
527:NME
503:PMR
491:'s
485:NME
431:4/5
426:NME
388:DIY
312:NME
100:PMR
1576::
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1211:{{
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758:)
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659:3.
642:2.
612:1.
359:.
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80:18
76:15
39:EP
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