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The staging area was the largest of any theater in
Seattle, with an electrical system that was state-of-the-art for its time, and unusually numerous dressing rooms. Seating 2,436 in its original configuration, the Moore was one of the largest theatres in the U.S. at the time. The Moore was
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Built of reinforced concrete (plus an enormous steel girder spanning the width of the house, carrying the weight of the balcony without the need for support columns) and faced with a façade of white ceramic tile and terra-cotta, the theater is a mix of elements of the
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The Moore
Theatre is an example of the history of segregation in Seattle and the United States as the "colored entrance" for Black audience members restricted to the balcony remains viewable around the corner from the front entrance for white patrons.
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venue in New York. Programming continued at the Moore through the 1930s, but changes in entertainment gradually led to it facing a struggle for survival by the 1970s. In 1975 it became the Moore
Egyptian, with the lease being taken over by
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and Darryl MacDonald. They added
Egyptian to the title to link it to the many Egyptian Theaters in the U.S. and Canada and give the venue added sex appeal. There had previously been a Seattle Egyptian Theater on University Way
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at the corner of 2nd Avenue and
Virginia Street. It opened in 1907 and is Seattle's oldest active theater, hosting a variety of theatrical productions, concerts and lectures. The Moore is currently operated by the
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which was ultimately postponed to 1909. The Moore
Theatre and adjoining Moore Hotel were designed partly to accommodate and entertain tourists for this event.
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characterized by innovative architecture, luxurious materials, and sumptuous decor. The upper balcony, although well-appointed for its day, was originally
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from the rest of the theater hall. It once had separate entrances, and to this day has a separate staircase connecting it to just inside the front door.
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Built for
Seattle real estate developer James A. Moore and designed by E. W. Houghton, the Moore Theatre functioned as a lavish social venue for the
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styles. Like most theaters, the exterior is relatively plain and stylistically neutral compared to the extravagant interior.
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in 1974. Since the 1980s, it has hosted touring musicians and theatrical productions. It currently seats about 1,800 people.
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elite of early 20th-century
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From the
Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century
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The segregated entrance for Black patrons can be viewed around the corner from the main entrance.
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782:. Link is to first of 5 pages. "Moore Theatre and Hotel" (added 1974) is on p. 3 of 5.
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633:. Scarecrow Press. pp. 162–166 Chapter 12 Art and Grind in Seattle by Dennis Nyback.
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Interior of the Moore
Theatre on the occasion of its 100th anniversary celebration in 2007
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uses portions of the footage of his performance at the Moore Theater in the concert film
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459:" video consists of video footage taken during a concert at the Moore Theatre in 1992.
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in 1976. In 1981 the Moore's owners declined to renew their lease and moved to a
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music festivals were held there in 2002 and 2003, resulting in three live albums
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722:"Pomeroy Historic District | Property Data: Ron's Electric/Flynn's Electric"
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The Moore's architect, E. W. Houghton, also designed the Seeley Theatre in
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Theatres on the National Register of Historic Places in Washington (state)
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Kreisman, L: "Made to Last," page 36. University of Washington Press, 1999
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was the projectionist. The Moore Egyptian was the birthplace of the
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was first produced as a full stage production in 1971 by the
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home video release was filmed at the Moore Theatre in 1995.
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home video release was filmed at the Moore Theatre in 1990.
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Cline, John; Weiner, Robert G. & Gore, Chris (2010).
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Ireland and MacDonald transformed the theater into a
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679:Frishman, Richard (2020-11-30).
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1400:Freeway Park
1370:Urban Garden
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1261:Zig Zag Café
1140:Union Square
1120:Sinking Ship
1080:Safeco Plaza
940:Camlin Hotel
776:, retrieved
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330:movie palace
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95:Construction
55:1932 2nd Ave
1130:Smith Tower
895:619 Western
802:HistoryLink
539:Finest Hour
524:James Blunt
506:QueensrĂżche
488:Wanda Sykes
429:Soundgarden
314:Dan Ireland
192: /
168:Coordinates
87:Current use
1544:Categories
1327:Public art
1196:Iron Horse
1176:The Casino
1164:Businesses
915:1200 Fifth
859:First Hill
778:2006-07-21
757:2006-07-21
741:References
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603:2013-03-04
463:Mad Season
382:Italianate
294:Gilded Age
107:1907-12-28
62:Washington
883:Buildings
693:0362-4331
668:NRHP 2006
657:Flom 2002
457:Even Flow
453:Pearl Jam
378:Byzantine
321:) in the
305:John Cort
115:Architect
1211:OK Hotel
849:Belltown
768:(2006),
575:Archived
280:and the
212:74001958
78:Capacity
1492:Related
1270:Culture
1226:Phở Bắc
409:The Who
319:The Ave
288:History
123:Website
105: (
58:Seattle
52:Address
691:
637:
546:Jo Koy
494:there.
100:Opened
64:, U.S.
553:Notes
476:Wilco
414:Tommy
82:1,800
69:Owner
766:NRHP
689:ISSN
635:ISBN
583:2018
514:and
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