Knowledge (XXG)

Molara Wood

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along, negotiating extremes of human circumstance—barrenness, the (fated) pursuit of glamour, madness, death—struggling, all the while, to plant roots in shifting sand." Many of the stories dealt with the lives of African women negotiating concerns such as barrenness, polygamy and widowhood. Wood has said that "these are the writings of a womanist and a feminist. I have a great empathy, a well of feeling for what women go through. I don’t feel these are given adequate treatment in the writings of male writers, so it's really up to us, the female writers, to privilege the voices and experiences of women."
132:—all by the age of eleven or twelve. There is a sense in which you're always out of time, out of place—and the years in Britain merely compounded that. The feeling doesn’t go away with return to Nigeria, it merely mutates, as people remark about me coming across as someone from ‘away’, even when I’m trying to blend in. I am therefore pretty sensitive to the permutations of dislocation and re-integration. 194:
calling it "a reader's pleasure". As Oyebade Dosunmu writes: "Wood tells stories of people who inhabit in between ‘indigo’ spaces: the borderland of immigration, the no-man's-land of multiculturalism and the frontiers of social mobility. These worlds spiral into one another and their inhabitants spin
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Born in Nigeria, Molara Wood has lived what she describes as "a fairly peripatetic life", encompassing two decades in Britain, where she had initially gone to study ("Three or four years max, was the plan. But life happens. You don’t see the years rolling into each other, then you wake up one day,
57:(born 1967) is a Nigerian creative writer, journalist and critic. She has been described as "one of the eminent voices in the Arts in Nigeria". Her short stories, flash fiction, poetry and essays have appeared in numerous publications. These include 571: 103: 556: 601: 210: 473: 561: 456: 586: 140: 509: 274: 596: 407: 324: 591: 581: 203: 199: 606: 576: 136:
was a huge tableau for me to observe this theatre of human experience as far as Nigerian immigrants were concerned."
424: 566: 460: 348: 248: 59: 128:, Wood elaborated: "Even long before my UK days, I had lived in Northern and South-Western Nigeria as well as 551: 183: 155: 65: 546: 108: 98: 206:
and has been a participant in many literary events, including the Lagos Book & Art Festival.
89: 71: 474:"Library of Africa and African Diaspora Announces West African Writer Fellowship Residents" 530: 124:
and you’ve been in England for 20 years"). In a 2015 interview with Oyebade Dosunmu for
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newspaper (which ceased publication in 2011), and currently writes an Arts column for
540: 144: 129: 408:"Molara Wood kicks off CORA Book Trek 2016 with reading from Indigo, Route 234" 364: 168: 444: 525:
Per Contra: The International Journal of the Arts, Literature and Ideas
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Per Contra: The International Journal of the Arts, Literature and Ideas
147:. Since returning to Nigeria, she has been Arts and Culture Editor of 133: 510:"Peripatetic Lives: An Interview with Molara Wood, Author of Indigo" 275:"Peripatetic Lives: An Interview with Molara Wood, Author of Indigo" 502: 214: 160: 112: 323:
Commonwealth Broadcasting Press Association (20 November 2007).
457:"Molara Wood Reads from 'Indigo', Other Works, At Quintessence" 325:"Zambian Woman Wins Commonwealth Short Story Comp | Scoop News" 143:'s Short Story Competition. In 2008 she won the inaugural 209:
In 2022, she was appointed a writer-in-residence by the
349:"The John La Rose Memorial Short Story Competition" 44: 28: 21: 16:Nigerian writer, journalist and critic (born 1967) 139:In 2007, her fiction was highly commended in the 95:The New Gong Book of New Nigerian Short Stories 104:One World: A Global Anthology of Short Stories 163:, where she is now based. During her time at 145:John La Rose Memorial Short Story Competition 8: 289: 287: 572:Nigerian expatriates in the United Kingdom 244: 242: 211:Library of Africa and the African Diaspora 18: 521:"Molara Wood, The Per Contra Interview" 307:"Molara Wood, The Per Contra Interview" 238: 202:. She is on the Advisory Board of the 48:Creative writer, journalist and critic 269: 267: 265: 263: 261: 141:Commonwealth Broadcasting Association 7: 557:21st-century Nigerian women writers 602:Nigerian women short story writers 14: 178:Her collection of short stories, 447:, Etisalat Prize for Literature. 111:, 2009). She currently lives in 175:series. She is also a blogger. 198:Wood was a judge for the 2015 1: 562:21st-century Nigerian writers 200:Etisalat Prize for Literature 587:Nigerian short story writers 182:, was published in 2013 by 36:1967 (age 56–57) 623: 597:Nigerian women journalists 433:Critical Literature Review 204:Aké Arts and Book Festival 192:Critical Literature Review 505:blog on arts and culture. 463:2016 Events, 5 July 2016. 253:Sentinel Poetry Quarterly 173:Letters to a young Writer 167:, she was the editor for 429:by Molara Wood" (review) 414:(Nigeria), 17 July 2016. 190:was well received, with 60:African Literature Today 592:Nigerian women bloggers 229:(short stories), 2013. 582:Nigerian journalists 109:New Internationalist 107:(ed. Chris Brazier; 516:, 30 November 2015. 435:, 31 December 2013. 365:Molara Wood profile 281:, 30 November 2015. 251:, Editorial Board, 213:(LOATAD), based in 184:Parrésia Publishers 99:Adewale Maja-Pearce 607:Writers from Lagos 577:Nigerian feminists 519:Miriam N. Kotzin, 480:. 25 February 2022 305:Miriam N. Kotzin, 90:Eclectica Magazine 567:Nigerian bloggers 508:Oyebade Dosunmu, 406:Anote Ajeluorou, 388:. 27 October 2010 382:"words follow me" 273:Oyebade Dosunmu, 72:Farafina Magazine 52: 51: 614: 490: 489: 487: 485: 470: 464: 454: 448: 442: 436: 423:Joseph Omotayo, 421: 415: 404: 398: 397: 395: 393: 378: 372: 362: 356: 355:, 17 March 2008. 346: 340: 339: 337: 335: 320: 314: 303: 297: 291: 282: 271: 256: 249:"Reviews Editor" 246: 81:DrumVoices Revue 19: 622: 621: 617: 616: 615: 613: 612: 611: 537: 536: 498: 493: 483: 481: 472: 471: 467: 455: 451: 443: 439: 422: 418: 405: 401: 391: 389: 386:words follow me 380: 379: 375: 363: 359: 347: 343: 333: 331: 329:www.scoop.co.nz 322: 321: 317: 304: 300: 292: 285: 272: 259: 247: 240: 236: 223: 121: 77:Sentinel Poetry 40: 37: 35: 34: 24: 17: 12: 11: 5: 620: 618: 610: 609: 604: 599: 594: 589: 584: 579: 574: 569: 564: 559: 554: 549: 539: 538: 535: 534: 528: 517: 506: 501:Molara Wood's 497: 496:External links 494: 492: 491: 478:Nigeria Abroad 465: 449: 437: 416: 399: 373: 357: 341: 315: 298: 283: 257: 237: 235: 232: 231: 230: 222: 219: 120: 117: 50: 49: 46: 42: 41: 38: 32: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 619: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 552:Living people 550: 548: 545: 544: 542: 532: 529: 526: 522: 518: 515: 512:(interview), 511: 507: 504: 500: 499: 495: 479: 475: 469: 466: 462: 458: 453: 450: 446: 441: 438: 434: 430: 428: 420: 417: 413: 409: 403: 400: 387: 383: 377: 374: 370: 366: 361: 358: 354: 350: 345: 342: 330: 326: 319: 316: 312: 308: 302: 299: 295: 290: 288: 284: 280: 277:(interview), 276: 270: 268: 266: 264: 262: 258: 254: 250: 245: 243: 239: 233: 228: 225: 224: 220: 218: 216: 212: 207: 205: 201: 196: 193: 189: 185: 181: 176: 174: 170: 166: 162: 158: 157: 152: 151: 146: 142: 137: 135: 131: 127: 118: 116: 114: 110: 106: 105: 101:, 2007), and 100: 96: 92: 91: 86: 82: 78: 74: 73: 68: 67: 62: 61: 56: 47: 45:Occupation(s) 43: 31: 27: 20: 524: 513: 482:. Retrieved 477: 468: 452: 440: 432: 426: 419: 412:The Guardian 411: 402: 392:23 September 390:. Retrieved 385: 376: 369:The Guardian 368: 360: 352: 344: 332:. Retrieved 328: 318: 310: 301: 278: 252: 226: 221:Bibliography 208: 197: 191: 187: 179: 177: 172: 164: 156:The Guardian 154: 148: 138: 125: 122: 102: 94: 88: 85:Sable LitMag 84: 80: 76: 70: 64: 58: 54: 53: 547:1967 births 531:@molarawood 484:30 December 334:13 February 130:Los Angeles 55:Molara Wood 33:Molara Wood 23:Molara Wood 541:Categories 514:Aké Review 371:(Nigeria). 279:Aké Review 234:References 126:Aké Review 119:Background 66:Chimurenga 503:Wordsbody 353:Wordsbody 294:Wordsbody 217:, Ghana. 169:Teju Cole 533:Twitter 39:Nigeria 445:Judges 427:Indigo 227:Indigo 188:Indigo 180:Indigo 134:London 296:blog. 215:Accra 161:Lagos 113:Lagos 97:(ed. 486:2023 461:CORA 394:2021 336:2020 165:Next 150:Next 29:Born 367:at 171:´s 159:in 543:: 523:, 476:. 459:, 431:, 410:, 384:. 351:, 327:. 309:, 286:^ 260:^ 241:^ 186:. 115:. 93:, 87:, 83:, 79:, 75:, 69:, 63:, 527:. 488:. 425:" 396:. 338:. 313:. 255:.

Index

African Literature Today
Chimurenga
Farafina Magazine
Eclectica Magazine
Adewale Maja-Pearce
One World: A Global Anthology of Short Stories
New Internationalist
Lagos
Los Angeles
London
Commonwealth Broadcasting Association
John La Rose Memorial Short Story Competition
Next
The Guardian
Lagos
Teju Cole
Parrésia Publishers
Etisalat Prize for Literature
Aké Arts and Book Festival
Library of Africa and the African Diaspora
Accra


"Reviews Editor"





"Peripatetic Lives: An Interview with Molara Wood, Author of Indigo"

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