790:(1965), is given a "not-too-breakneck rocked-up bluegrassy treatment" and incorporates the "Coast of Austria" reel. Lawton wrote "Same for Everyone" and remains one of Landa's favourite Paperboys songs. Although the band tried several times to play the song live, they thought it was overshadowed by the "faster, more aggressive songs" as a result of "the danger of playing in night clubs," but Landa thought they captured the essence of the song in the recording. The first part of "Annabell's Reel/Theme Time" was written by Cam for a dance company and named for "a small furry friend," whilst the second part, "Theme Time", is "typical of 50s polyester
322:, in October 1997. Two singles were issued from the album, "After the First Time" and "Molinos". The latter became the band's most commercially successful song, with it and its music video being picked up on radio and video stations, although most notably, adult album alternative station in Seattle called The Mountain added the single to their playlist, and as such proved very popular with its listeners, with attenders of the band's Seattle concerts tripling. The album itself received critical acclaim, with critics complimenting its musical style, songs, influences and production. In 1998,
1012:, however, hasn't dated one iota, and is one of the most rousing and infectious CDs of its kind – look no further for some truly vital hardcore roots music that puts most other worldbeat practitioners firmly in the shade." The combination of critical success and fan popularity lead to Red House Records naming the album the band's "breakthrough", and noted it gave the band a strong following in the United States.
818:, is radically different from the original fiddle tune it is based on, and showcases Saunders' "great fiddle playing and ear for harmony and arrangement." Webster added an additional edge with some distortion on almost every instrument, and due to its double fiddle work, is rarely played live by the band, although Landa later noted that he "loves it" and "always thought it would be perfect for a
458:
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881:." The artwork was designed by Ralph Alfonso and features a painting by Robert Cerins on the album cover and illustrations of musical instruments by Tom Bogley within the liner notes. Unusually for a roots fusion band, the sources for the interpolated tunes, such as the reels, are fully credited in the insert notes. The band dedicated the album to the memory of Stewart Wickens.
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which definitely makes listeners aware that, yes indeed, a Celtic influence is at work here. Just listen to Shona Le Mottee's blistering fiddle riffs or Hank Araki's swirling whistle solos in some of the band's bouncy dance songs if you don't believe me." Most of the album's are written by the band's
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was promoted with the band's first
Canadian tour, where they "crossed the country sleeping on couches, playing in dingy bars and Irish pubs," with Landa recalling that "had it not been for our families who fed us along the way and gave us both encouragement and a place to sleep, that first tour would
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1991 by bassist
Christopher Jonat and Tom Landa on acoustic guitar and vocals, with Jeremy Hughes on accordion and vocals, Kevin Ball on fiddle, and Dave Plenkovich on drums. This early version of the band was very popular with the Vancouver college crowds, but, after creative discrepancies, Tom kept
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rated the album four stars out of five and said "the band's playing is solid and nicely idiomatic, but never academic or stiff. Singer/guitarist Tom Landa has a good voice and knows how to shape a song, and fiddlers Shona le Mottee and
Shannon Saunders weave a sparkling fabric around and behind him.
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and numerous other radio stations and music video channels across Canada. However, the second single, "Molinos", was according to Landa what "really started things moving." A music video for the song starring Dean Meehan was produced, and both the song and the video were picked up on radio and video
750:
drum beat, and tells the story of someone who "doesn't quite fit in." Incorporating elements of "The
Foxhunters Reel", Landa considers the song "the perfect blend of pop and Celtic." "Salvation", a song about "love lost to god," incorporates the John Campbell-written reel "Sandy MacIntyre's Trip to
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band was not the group's aim but that commercial radio stations could use a "good dose of ethnic and roots music, " and considered
Webster to be, "odd though it sounds, the perfect choice for what we were trying to do." The band hoped that listeners would feel inspired to discover "the roots of this
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was very favourable in his review, in which he concluded that "Canada just keeps sending more and more good stuff down south over the border into the States. With any luck, a few more
American musicians will be inspired to put out good stuff like this. In the meantime, there's the Paperboys to help
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for "Best Roots
Recording" later that same year, and was nominated for an Independent Music Award. The album also featured on numerous year-end "Albums of the Year" lists and the band gained a reputation as "one of the top Celtic and roots bands on the circuit." Although the band's line-up shifted
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was favourable and said that "The
Paperboys have been going for over ten years, but this album's been my first exposure to the band. And wow! for it's a superior, vigorous fusion of rootsy pop with distinct Celtic, bluegrass and Latin influences. And what I hear, I like rather a lot." He concluded
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radio station The
Mountain added the single to their playlist; Landa commented "bless those commercial stations that play independent bands." The song got a huge response from the station's listeners who started requesting it constantly. The attendance at the band's shows in Seattle subsequently
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Nonetheless, in the advent of their second tour being booked, Neil
Burnett and Moritz Behm left the band to pursue other musical ventures and finish their studies, leaving the three remaining band members to quickly find two replacements, Shannon Saunders (fiddles, accordion and bass) and Shona
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stations also added the song to their playlists in both Canada and the United States, whilst in January 1995, the album went on to garner a Juno Award nomination for Roots and Traditional Album of the Year, which Landa said was "a definite nod from the industry that we were on the right track."
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Numerous guest musicians recorded parts for the album; "Crashing Down" features vocal contributions from Steve Mitchell, Danny Kramer, Anette Ducharme, Jane Sawyer and guitar work from Alpha Yaya Diallo, Graham MacLennan performs pipes on "Pound a Week Rise", Ducharme also performs vocals on
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Boston" for "added flair" and in the words of Landa, was inspired by how "values and religion are very sacred and beautiful things. The spiritual path is never an easy one and sometimes people get lost along the way." Drummer Paul Lawton wrote "Waste Some Time", a song heavily influenced by
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player, who in 1996 joined the band, again dramatically changing the band's sound and "bringing with him not only a unique ethnic background but also a well-studied Irish sensibility." It was with this new line-up and a new batch of songs that the band began work on their second album
511:, the band tried to capture the energy and feel of their live shows as best as they could, despite their belief that "nothing quite compares to an actual concert." Due to the new line-up of the band changing the band's sound considerably from their original, more traditional
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main songwriter and singer Landa and have a "wistful pop air about them, but there's a driving undercurrent of Celtic wildness and bluegrass stylings which set the Paperboys apart from their just-pop peers." Multiple Celtic-bluegrass breakdowns are said to "fill the album."
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influences, Landa said "In Mexico there's a saying... 'El que se fue a la villa, perdio su silla,' which means 'He who snoozes - loses'." "Ray's Ukrainian Wine Cellar Polka/Nelli's Afterthought" closes the album. The band named the first polka from Ray Colosimo of
806:"While You Were Sleeping" begins with an Araki whistle set in slow, airy motion, before kicking into two fast-paced jigs, "The Breathing Method" and "The Jaunt". "After the First Time You Lose" was written by Landa and guest singer Steve Mitchell for the
29:
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The opening song and title track "Molinos", co-written with Annette Ducharme who had written or co-written several hits for several Canadian artists, was written "partly over the phone" and was inspired by a poster with the message "They are only
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also stated that the album "almost effortlessly conveys the high energy for which they've been renowned at festivals in recent years, certainly" and said that at times the band's "driving full-frontal sound and approach" reminded me of
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is something lacking in almost all of the other fine, artists who have taken a similar approach: namely, consistent skill at writing real pop songs with unembarrassing lyrics and honest-to-goodness melodic hooks." He noted how on
814:, who were described as "sort of a Paperboys spin-off band." The song incorporates the reel "Mrs. Wedderburn's Reel. (For Katie.)" and lyrically concerns "feeling tired and discouraged." "Drunken Wagoneer", which features
850:. Colosimo only knew that it was a Ukrainian wedding polka that didn't have a title or author, hence why the band came up with the title, and after this, Saunders was inspired to write the second polka. Tom Knapp of
833:'s Celtic Festival and then became a regular in the band's set list. The "Cabin Fever Ceilidh" part was written by le Mottee for his friend Ray Beattie. Discussing the lyrics of "Oh Maria", which incorporates
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music, but in an effective, radio-friendly way. The band tried to capture the energy and feel of their live shows on the record. The album also contains numerous guest musicians and interjects numerous
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in spring and summer 1997. The band tried to create an album that showed the band's disparate musical influences in world music, with the record combining influences from Celtic, bluegrass, Mexican,
822:." "Pound a Week Rise", a "miners' song" written by Ed Pickford with music composed by Cam Salay, began life as a tune called "The Blue Velvet Dress" which evolved into a song the band learnt from
658:" All six members are excellent musicians, and it would be invidious to single out any individuals from a uniformly strong lineup, while Tom's own songwriting is both solid and accessible."
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The highly Celtic-influenced "Swallow's Tail Jig/Cabin Fever Ceilidh/Swallow's Tail Reel", a set of tunes incorporating newly written pieces and traditional tunes, was first arranged for
1032:-era line-up to be "the definitive Paperboys line-up." Several of the album's tracks, "Molinos", "Waste Some Time", "Drunken Wagoneer" and "Same for Everybody", featured on the band's
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were recorded at Beatty Lane and Chaz Jean Studios, whilst the album was mixed at The Warehouse with the assistance of Gary Winger, and was mastered by Geore Leger at Utopia Parkway.
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873:. Despite its autumn 1997 release date, some sources have incorrectly retrospectively cited its release date as July 1, 1997 or July 10, 1997. The album title comes from the
267:(1994), Neill Burnett and Moritz Behm left the band and were replaced by Shannon Saunders and Shona LeMotte, both of whom came from musical families and had been steeped in
765:. Concerning the song's subject matter, Landa said that "some of the best days are when the map has been lost and the plans have been thrown away. Besides, that's what
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The album was released to unanimous critical acclaim, with music critics praising, among numerous points, the album's songs, musical work and production. Tom Knapp of
794:." Landa, speaking about the lyrical inspiration for "Crashing Down", said "When I was in school, I used to write letters to the South African government on behalf of
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traditions for years. After a tour of the United States, flutist Hanz Araki joined the band in 1996. The new members of the band drew the band into an increasingly
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with solid conviction but almost always as adjuncts to their original songs. The effect can be thrilling." Another critic, Tom Knapp of cultural arts magazine
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LeMotte (fiddle), a line-up change which radically changed the band's sound. Saunders and LeMotte came from musical families and had been steeped in
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and, later, drummer Paul "Lolly" Lawton through a "Musicians Wanted" advertisement. With this line-up, the band recorded their first official album,
496:, a recording studio with a long history in Canadian music. In aiming to achieve a new sound, the band hired prolific rock producer
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music, but with a contemporary edge that meant music from the album could still be played on the radio. Landa said that becoming a
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that "I understand that the band have latterly moved away from the Celtic and bluegrass influences and more into the realms of
608:–but could still get play on the radio. Not that becoming a pop band was our ultimate goal, but I believed (and still do) that
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is "a mix of folk and roots, we wanted to come up with a sound that blended all of our interests - Celtic, bluegrass, Latin,
544:"Molinos", "Salvation" and "Waste Some Time", the latter of which Kramer also sings on, whilst Webster himself performs a B3
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have broken us." Upon returning from the tour, they found some minor success when, after filming a music video for the
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said "if this doesn't end your listening experience on a foot-tapping upbeat, your volume must be down all the way."
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traditions for years. The new five-piece line-up concentrated more on playing in the United States in cities such as
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tripled and copies of the disc could not be printed fast enough; Landa recalled "we felt like rock stars."
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sound, the band wanted to achieve a sound that blended all of the band's musical interests, from disparate
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for "Best Roots and Traditional Album", the first time the band had won the award. The album also won the
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to produce the album. Webster also engineered and mixed the album, whilst Peter Wosniak co-engineered it.
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stations, again including CMT. According to the band, the biggest surprise was when the Seattle-based
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for "Best Roots and Traditional Album" and the West Coast Music Award for "Best Roots Recording".
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798:. It seemed back then that our efforts were in vain. I'm glad I was wrong. Don't give up!"
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Anette Ducharme – vocals ("Crashing Down", "Molnios", "Salvation" and "Waste Some Time")
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radio is mostly full of shit and could use a good dose of ethnic and roots music."
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842:, late one night after a gig; the band recalled that they sat in his basement, or
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The album was released by the band's own label Stompy Discs, in association with
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without that same degree of political edge, at others there are hints of
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Swallow's Tail Jig / Cabin Fever Ceilidh / Swallow's Tail Reel" – 3:33
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said that "what the Paperboys bring to the table with their version of
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the Paperboys name and all the other remaining bandmembers reformed as
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1103:"While You Were Sleeping / The Breathing Method / The Jaunt" – 5:37
742:, they cannot hear you." The song was the band's first to feature a
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1139:"Ray's Ukrainian Wine Cellar Polka / Nelli's Afterthought" – 2:06
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In a retrospective review published in the 2000s, David Kidman of
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called the album a "vigorous fusion of rootsy pop" with distinct
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in 1996, and in the spring and summer of 1997, the band recorded
351:. Initially, Landa discovered Celtic music via the Canadian band
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Hanza Araki – flute, low whistles, whistle, shakuhachi, vocals
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music" which had in turn inspired the band to make the album.
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Danny Kramer – vocals ("Waste Some Time" and "Crashing Down")
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carry the slack. What are you waiting for?" Rick Anderson of
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on "Same for Everyone" and "percussion on a bunch of stuff."
367:(1992), The Paperboys soon added Neil Burnett to the band on
1714:"molino translation English - Spanish dictionary - Reverso"
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song "She Said", the video found some airplay on "Canada's
1389:"Mushroom Studios: The legacy of Aragon Records, 1945-70"
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The new line-up of the band began work on the songs on
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1093:(Bill Emerson, Cam Salay, Jimmy Martin, Paul Williams)
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was released on October 21, 1997 by two Canada-based
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Tom Landa – lead vocals, guitars, bouzouki, mandolin
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519:genres that, besides Celtic music, also included
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996:This album is a delight from beginning to end."
580:music, production and melodies. David Kidman of
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1524:: CS1 maint: others in cite AV media (notes) (
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1514:(liner). The Paperboys. Stompy Discs. 2002.
1467:(liner). The Paperboys. Stompy Discs. 1997.
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548:on "After the First Time" and "Salvation",
286:The band recorded the album at Vancouver's
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1303:"NetRhythms: A to Z Album and Gig reviews"
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653:influence is also prominent on the album.
338:The Paperboys were originally formed as a
263:. After the success of their second album
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1200:Steve Mitchell – vocals ("Crashing Down")
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1163:Paul Lawton – drums, percussion, vocals
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1203:Jane Sawyer – vocals ("Crashing Down")
1091:"Annabell's Reel / Theme Time" – 3:20
846:as they exchanged tunes and home-made
251:is the third studio album by Canadian
16:1997 studio album by The Paperboys
1234:Tom Bogley – instrument illustrations
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355:, whose flautist and co-vocalist was
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1850:The Paperboys (Canadian band) albums
1636:"Images for The Paperboys - Molinos"
1219:Pete Wosniak – assistant engineering
719:"Waste Some Time" was influenced by
279:-based direction, and began work on
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1216:– production, mixing, engineering
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1744:"Tom Landa & The Paperboys"
1166:Shana le Motee – fiddle, vocals
1141:(traditional, Shannon Saunders)
884:Two singles were released from
761:(1987) and features Webster on
576:and fuses them with accessible
1231:Robert Cerins – cover painting
1225:Gary Winger – assistant mixing
1129:(Shona le Mottee, traditional)
1109:"After the First Time" – 3:48
1:
1051:(Tom Landa, Annette Ducharme)
643:South African townships jive
1121:"Pound A Week Rise" – 4:45
1085:"Same for Everyone" – 4:30
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1115:"Drunken Wagoneer" – 3:47
649:–"all wonderful stuff!" A
1663:"Molinos - The Paperboys"
1061:"Waste Some Time" – 4:39
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867:independent record labels
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26:
1815:"The Paperboys – Tenure"
1591:"The Paperboys, Molinos"
1222:George Leger – mastering
1123:(Cam Salay, Ed Pickford)
1160:Cam Salay – banjo, bass
1111:(Landa, Steve Mitchell)
1097:"Crashing Down" – 3:50
1015:In the spring of 1998,
899:adult album alternative
663: —David Kidman of
363:-only release entitled
1228:Ralph Alfonso – design
1135:(Landa, Jenise Boland)
1025:West Coast Music Award
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220:"After the First Time"
60:Spring and summer 1997
1069:I've Just Seen a Face
858:Release and promotion
796:Amnesty International
774:I've Just Seen a Face
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460:
911:Professional ratings
840:Thunder Bay, Ontario
283:shortly afterwards.
1520:cite AV media notes
1473:cite AV media notes
1105:(Landa, Hanz Araki)
1055:"Salvation" – 4:02
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871:Stony Plain Records
808:alternative country
320:Stony Plain Records
290:with rock producer
135:Stony Plain Records
1395:on 6 February 2002
1133:"Oh Maria" – 3:40
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906:Critical reception
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353:Spirit of the West
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1177:Guest appearances
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1049:"Molinos" – 3:22
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349:The Clumsy Lovers
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52:October 21, 1997
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1769:"The Paperboys"
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381:Barney Bentall
357:Geoffrey Kelly
335:
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232:Released: 1997
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1669:. 1 July 1997
1668:
1667:The Paperboys
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1044:Track listing
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816:double fiddle
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410:
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406:
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397:Late as Usual
393:
392:Late as Usual
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42:The Paperboys
38:
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20:
1822:. Retrieved
1818:
1809:
1797:. Retrieved
1793:
1784:
1772:. Retrieved
1763:
1751:. Retrieved
1747:
1738:
1729:
1717:. Retrieved
1708:
1696:. Retrieved
1692:
1683:
1671:. Retrieved
1666:
1657:
1645:. Retrieved
1639:
1630:
1622:
1618:
1610:
1606:
1594:. Retrieved
1552:. Retrieved
1511:
1464:
1431:liner notes.
1428:
1397:. Retrieved
1393:the original
1383:
1378:Liner notes.
1374:
1362:. Retrieved
1353:
1348:liner notes.
1345:
1306:. Retrieved
1268:. Retrieved
1264:
1214:John Webster
1186:John Webster
1037:
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824:Dick Gaughan
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664:
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657:
635:the Specials
613:
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581:
569:
564:An eclectic
563:
542:
508:
506:
498:John Webster
481:
477:
475:
461:
446:
418:
411:and several
396:
391:
386:Released on
385:
376:
364:
337:
323:
317:
292:John Webster
285:
280:
264:
247:
246:
245:
208:
187:
179:
178:
171:
153:John Webster
139:Stompy Discs
37:Studio album
1845:1997 albums
1733:Back cover.
1075:John Lennon
844:wine cellar
802:Second half
748:dance-floor
706:Composition
678:Celtic rock
513:Celtic rock
340:Celtic rock
277:world music
257:Celtic rock
96:Celtic rock
1839:Categories
1239:References
1208:Production
1021:Juno Award
1001:NetRhythms
980:favourable
970:favourable
966:NetRhythms
820:soundtrack
780:-composed
769:are for."
711:First half
665:NetRhythms
627:Oysterband
619:Tanglefoot
614:NetRhythms
582:NetRhythms
442:shakuhachi
334:Background
328:Juno Award
162:chronology
1689:"Molinos"
1261:"Molinos"
1147:Personnel
1071:" – 3:27
894:MuchMusic
879:windmills
831:Vancouver
812:Yard Sale
792:bluegrass
744:drum loop
740:windmills
631:Los Lobos
590:bluegrass
566:worldbeat
554:keyboards
550:Harmonium
529:bluegrass
490:Vancouver
470:Vancouver
453:Recording
426:bluegrass
405:MuchMusic
344:Vancouver
273:bluegrass
253:worldbeat
229:"Molinos"
188:Postcards
101:worldbeat
73:Vancouver
1625:booklet.
1265:AllMusic
1040:(2002).
1019:won the
993:Allmusic
930:Allmusic
731:pictured
699:pop rock
674:Allmusic
502:Overdubs
369:whistles
361:cassette
342:band in
326:won the
209:Molinos
148:Producer
57:Recorded
49:Released
39: by
1819:Discogs
1641:Discogs
1613:booklet
1611:Molinos
1465:Molinos
1429:Molinos
1099:(Landa)
1057:(Landa)
1034:best-of
1030:Molinos
1017:Molinos
1010:Molinos
988:Rambles
976:Rambles
886:Molinos
875:Spanish
863:Molinos
852:Rambles
782:Beatles
695:Rambles
683:Molinos
651:Mexican
647:klezmer
602:African
598:Molinos
570:Molinos
568:album,
521:African
509:Molinos
482:Molinos
478:Molinos
462:Molinos
447:Molinos
438:flutist
430:Seattle
365:January
324:Molinos
296:African
281:Molinos
248:Molinos
205:Singles
191:(2000)
184:(1997)
180:Molinos
175:(1994)
22:Molinos
1824:21 May
1799:21 May
1774:21 May
1753:21 May
1719:21 May
1698:21 May
1693:iTunes
1673:21 May
1647:21 May
1623:Tenure
1596:21 May
1554:21 May
1512:Tenure
1399:21 May
1364:21 May
1346:Tenure
1308:21 May
1270:21 May
1038:Tenure
1036:album
924:Rating
921:Source
610:Top 40
586:Celtic
422:Celtic
390:1994,
269:Celtic
110:Length
81:Canada
65:Studio
877:for "
810:band
787:Help!
691:reels
594:Latin
525:Latin
517:world
488:, in
313:reels
300:Latin
259:band
207:from
127:Label
88:Genre
1826:2016
1801:2016
1776:2016
1755:2016
1721:2016
1700:2016
1675:2016
1649:2016
1598:2016
1556:2016
1526:link
1479:link
1401:2016
1366:2016
1310:2016
1272:2016
1006:soul
848:vino
689:and
687:jigs
645:and
604:and
592:and
531:and
507:For
440:and
432:and
424:and
373:harp
371:and
311:and
309:jigs
302:and
271:and
890:CMT
835:ska
755:'s
725:by
625:or
578:pop
537:pop
484:at
409:CBC
403:",
401:MTV
1841::
1817:.
1792:.
1746:.
1691:.
1665:.
1638:.
1564:^
1534:^
1522:}}
1518:{{
1487:^
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1471:{{
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641:,
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383:.
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1073:(
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729:(
667:.
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255:/
117::
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