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606:(1988:137-145) p. 138f; Frascari is discussing the "material light" of Istrian stone in Venice. The quote is more easily followed if one understands the classical concept of vision in the form of eye-beams that darted from the eye to the object seen, resulting in the refractory qualities of this light-reflecting stone.
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in Pienza, also of the 1460s, and also produced in an
Albertian milieu. The design was influential in Venice. When it was finished, a monk of the community wrote, "The facade, now complete and perfect, shiner of such a beauty so that it turns in itself the light of the eyes of all those who walk or
249:, a fit guardian of the sleep of the faithful dead. The island cemetery now includes the land of the formerly separate island of San Cristoforo. This church is sometimes referred to as San Michele di Murano, although this islet is separate from islands comprising that town.
280:, founder of the order, lived circa the year 1000 on this island, perhaps attracted by its insularity relative to the main islands of Venice. However, the first documentation we have is that a church dedicated to
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by the
Napoleonic armies during his occupation of the Veneto. The monks continued their communal existence as the faculty of a college, till that too was dissolved in 1814. The community then transferred to
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The abbey at the site endured some tumults during the following centuries, most regarding dissents within the
Camaldolese; however, it remained a major institution in Venice. The Camaldolese theologian
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241:), but now houses the main cemetery of the city. The monastery was mostly demolished in the 19th century, but the church remains, originally rebuilt starting in 1469. The church is dedicated to
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was granted in 1212 to the monastic order under the assent of the
Bishops Marco Niccola and Buono Balbi. The church was consecrated in 1221 with attendance of Doge
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Next to the main façade is the
Cappella Emiliani (1530). On the other side is a cloister dating to the 15th century, through which the cemetery can be reached.
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facade are carried right across the Ionic pilasters, a strikingly unusual feature for which that R. Lieberman could only find an earlier parallel in
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by
Lazzarini. The Cappella Emiliana, commissioned by Giovanni Miani for his wife Margherita Vitturi, was completed in 1530 by Guglielmo Bergamesco.
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The interior has a nave and two aisles, with polychrome marble decorations. A description from 1868 recalls the decoration of the church included a
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as the architect, completed in 1469. This is the first church known to have been designed by
Codussi. Built entirely in salt-white
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Venice : Her Art-treasures and
Historical Associations: A Guide to the City by Adalbert Muller, 1864, pages 315-316.
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Quoted, from Puppi and Puppi 1997, by Marco
Frascari, "The Lume Materiale in the Architecture of Venice",
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View North from
Fondamenta Nuova of Venice of San Cristoforo, then San Michele, with Murano in background
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308:. At San Michele, Placido was to befriend the fellow Camaldolese, Mauro Cappellari, who later became
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517:, 4th edition; Giovanni Brizeghel, Tipografia Litografica Calc Librajo, Venice (1868); page 218.
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Campanile and north side of the church of San Michele seen from the Venetian Lagoon.
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had been moved here from the church of the Servi. The main chapel, had a
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Roman Catholic church on the Isola di San Michele, Venice, northern Italy
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In 1453, a fire destroyed the old church, prompting reconstruction by
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resided in this monastery in 1716–1724. The monk and cartographer,
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Notizie storiche delle chiese e monasteri di Venezia, e di Torcello
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in Venice, with a facade that appears influenced by the work of
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It is stated by Cornaro, that Camaldolese tradition holds that
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Christian monasteries established in the 11th century
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15th-century Roman Catholic church buildings in Italy
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Guida fedele del forestiero per la città di Venezia
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548:R. Lieberman, reviewing L. and L.O. Puppi,
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550:Mauro Codussi e l'architettura veneziana
446:View from the water (facade facing East)
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503:Nuova enciclopedia popolare italiana
661:Renaissance architecture in Venice
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656:Roman Catholic churches in Venice
239:Monastero di S. Michele di Murano
18:Monastery of St. Michael (Murano)
671:Camaldolese monasteries in Italy
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407:. In the nave were paintings of
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681:1814 disestablishments in Italy
409:St Boniface and a Russian Ruler
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44:San Michele all'Isola in Venice
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437:Adoration of the Golden Calf
144:San Michele in Isola (Italy)
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331:In 1810 the monastery was
306:Il Mappamondo di Fra Mauro
322:Gian Benedetto Mittarelli
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539:F Cornaro, page 642-643.
493:F Cornaro, page 638-642.
370:Renaissance architecture
272:History of the monastery
217:church, located on the
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158:Geographic coordinates
588:channeled rustication
505:, Volume 4, page 149.
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429:Moses and the serpent
356:Church of San Michele
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180:45.44907°N 12.34698°E
637:at Wikimedia Commons
635:San Michele in Isola
528:Isola di San Michele
417:Blessed Michele Pini
399:(1622), sculpted by
259:(1722), by Canaletto
219:Isola di San Michele
211:San Michele in Isola
33:San Michele in Isola
586:They are not quite
571:Tempio Malatestiano
405:Domenico Campagnola
386:Palazzo Piccolomini
382:Bernardo Rossellino
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116:Shown within Venice
530:for a longer list.
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413:Gregorio Lazzarini
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185:45.44907; 12.34698
119:Show map of Venice
633:Media related to
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56:Affiliation
645:Categories
552:(1977) in
389:sail by".
346:Ezra Pound
333:suppressed
282:St Michael
171:12°20′49″E
168:45°26′57″N
601:Perspecta
435:, and an
298:Fra Mauro
201:Completed
454:See also
342:cemetery
84:Location
79:Location
68:Province
50:Religion
401:Bernini
374:Alberti
235:Italian
90:, Italy
666:Murano
575:Rimini
378:ashlar
324:, and
227:Murano
223:Venice
88:Venice
73:Venice
469:Notes
338:Padua
213:is a
526:See
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