Knowledge (XXG)

Mondovino

Source đź“ť

843: 461:: "Mondovino is an earnest but unfocused attempt to rescue winemaking from the hands of profit-mongering capitalists. Too passive-aggressive to qualify as a proper exposé, the movie suggests the world has lost the art of appreciating fine wines, thanks to the proliferation of a popular American style in which the flavor imparted by new wood barrels overpowers the individual terroir, or region-specific quality, that gives each wine its personality." 449:: "It's shot simply and cheaply, a model of how to use the new, lightweight equipment and shooting methods. But it's such a knowledgeable work and so pleasantly obsessed with its subject that it will interest even audiences whose attraction to wine is only casual. And it may, like "Sideways," make you a little thirstier when it's over." 437:: "But what is it that Nossiter wants us to know about this world and its inhabitants? We visit lots of places but what do we see? The indictments, recriminations, and musings just sit there, and the movie feels incomplete and uncentered. It's like a grand magazine profile that's all reportage and absolutely no prose." 425:: "Although Nossiter set out merely to find the characters behind the wine industry, he ended up with a poignant look at some important issues, including deforestation, the corporation versus the independent company and even communism. The result is an inside examination of a world very few people see." 281:
opened in France November 3, 2004 and received mostly positive reviews among film critics and much buzz (both positive and negative) among the French wine industry. It was later released in the United Kingdom on December 10 of that year and in U.S. release March 23, 2005. On July 12, 2005, the DVD
274:
The film was shot entirely in single camera, about 60% of the time operated by Nossiter with the camera on his hip while he is conversing with the subject. The film features no narration. The cinematography does frequently employ "intense" zooms, sometimes right up to the subject's eyeballs, which
266:
for a budget around $ 400,000. Over 500 hours of original film was shot at locations in seven countries on three continents in five languages (French, Italian, Spanish, English and Portuguese). The footage from the handheld DV was blown up and transferred to 35 mm by
297:
earned a rare competition slot in the Official Selection of the 2004 Cannes Film Festival, one of only four documentaries ever nominated for the Palme d'Or in the history of the festival. This is the third major competition selection for Jonathan Nossiter, with
29: 756: 370: 879: 889: 779: 340: 320:. In May 2004, it was featured at Cannes with a run time of 2 hours 49 minutes. The film was edited down to 2 hrs 15 minutes after the screening. 884: 382: 376: 331: 388: 718: 750: 364: 316:
was promoted to its competition slot from a non competitive category just hours before the deadline by Cannes artistic director
894: 243:
from his time working at Balthazar in New York as well as an opportunity to visit some of the great wine regions of the world.
358: 634: 233:
was originally intended to be a two-month affair as a break between feature projects upon the completion of Nossiter's film
223:, against the small, single estate wineries who have traditionally boasted wines with individual character driven by their 576: 773: 664: 193: 219:
in defining an international style. It pits the ambitions of large, multinational wine producers, in particular
235: 570: 558: 859: 204: 585: 309: 534: 440: 212: 597: 286:, an episode of a ten-hour television series that is scheduled for an eventual DVD release of its own. 688: 268: 263: 514: 349: 107: 69: 59: 259: 874: 452: 734: 304: 317: 805: 591: 551: 255: 185: 39: 601: 177: 166: 258:
over the course of 4 years by Jonathan Nossiter with the assistance of Uruguayan filmmaker
854: 827: 760: 564: 445: 409: 848: 640: 842: 220: 216: 197: 73: 868: 783: 428: 421: 416: 189: 181: 122: 457: 433: 405: 174: 282:
version was released, including Director Commentary as well as a Bonus featurette
180:
on the impact of globalization on the world's different wine regions written and
538: 838: 621: 542: 239:(2000). The film gave Nossiter a chance to utilize his knowledge as a trained 28: 833: 821: 275:
Nossiter explains as a necessary means to keep the handheld camera in focus.
703: 607: 522: 240: 83: 816: 810: 628: 611: 509: 499: 488: 480: 799: 615: 505: 224: 518: 484: 404:
received mostly positive reviews with 70% positive rating given by
495: 208: 211:-producing regions, and the influence of critics like 646:
Domaine Lafarge, Volnay, France. (Bonus featurette)
150: 142: 132: 89: 79: 65: 53: 45: 35: 21: 643:Vineyard, St. Vivant, Burgundy. (Bonus featurette) 371:Copenhagen International Documentary Film Festival 547:Staglin Family Vineyards, Napa Valley, California 327:and subsequent nominations, honors and awards 8: 557:Taillepieds Vineyard (Domaine de Montille), 365:Titanic International Filmpresence Festival 323:Other notable Film Festivals that featured 841: 738:, "Film on winemaking is juicy but cloudy" 637:, St. Vivant, Burgundy. (Bonus featurette) 27: 18: 582:Domaine Iris du Gayon, Pauillac, Bordeaux 341:L'Alliance Française French Film Festival 777:, "Not the grapes of wrath, but earnest" 254:was filmed with a hand held Sony PD-150 656: 531:Harlan Estate, Napa Valley, California 880:Documentary films about globalization 7: 860:Jonathan Nossiter's official website 890:Films directed by Jonathan Nossiter 383:Toronto International Film Festival 377:Deauville Festival of American Film 332:Bangkok International Film Festival 389:Vienna International Film Festival 14: 528:Château Clinet, Pomerol, Bordeaux 474:(In order of appearance in film) 203:The film explores the impact of 665:"Festival de Cannes: Mondovino" 627:Bodega San Pedro de Yacochuya, 359:Era New Horizons Film Festival 1: 754:, "Movie review: 'Mondovino'" 262:and documentary photographer 885:Documentary films about wine 635:Domaine de la RomanĂ©e-Conti 494:Giovanni Battista Columbu, 188:. It was nominated for the 911: 373:2004 (Copenhagen, Denmark) 577:Château Mouton-Rothschild 567:, Napa Valley, California 194:2004 Cannes Film Festival 26: 412:. Some notable reviews: 408:featured on the website 379:2004 (Deauville, France) 367:2005 (Budapest, Hungary) 113:March 23, 2005 687:filmmakermagazine.com, 184:by American film maker 895:2004 documentary films 466:Vineyard locations in 391:2004 (Vienna, Austria) 385:2004 (Toronto, Canada) 361:2005 (Cieszyn, Poland) 310:Sundance Film Festival 302:in Berlin in 2000 and 170: 98:May 14, 2004 722:, "Review: Mondovino" 571:Château Petit-Village 550:Domaine de Montille, 535:Robert Mondavi Winery 343:, in Australia 2005: 215:and consultants like 588:, Pauillac, Bordeaux 579:, Pauillac, Bordeaux 515:Mas de Daumas Gassac 350:London Film Festival 336:Windows on the World 749:chicagotribune.com 702:rottentomatoes.com 690:Film Maker Magazine 669:festival-cannes.com 620:Bianchetti Winery, 594:, Pomerol, Bordeaux 586:Château Lynch-Bages 573:, Pomerol, Bordeaux 300:Signs & Wonders 759:2007-01-28 at the 692:, "The Terroirist" 598:Château Valandraud 479:Domaine de Souch, 441:Michael Wilmington 16:2004 American film 717:rollingstone.com 475: 256:digital camcorder 236:Signs and Wonders 186:Jonathan Nossiter 158: 157: 57:Jonathan Nossiter 49:Jonathan Nossiter 40:Jonathan Nossiter 902: 845: 787: 770: 764: 747: 741: 731: 725: 715: 709: 700: 694: 685: 679: 678: 676: 675: 661: 504:Château Le Gay, 473: 354:Documentary Gala 308:, winner of the 269:Tommaso Vergallo 264:Stephanie Pommez 178:documentary film 120: 118: 105: 103: 31: 19: 910: 909: 905: 904: 903: 901: 900: 899: 865: 864: 855:Box Office Mojo 828:Rotten Tomatoes 796: 791: 790: 771: 767: 761:Wayback Machine 752:Chicago Tribune 748: 744: 732: 728: 716: 712: 701: 697: 686: 682: 673: 671: 663: 662: 658: 653: 565:Opus One Winery 471: 446:Chicago Tribune 410:Rotten Tomatoes 398: 396:Critical review 318:Thierry FrĂ©maux 292: 249: 207:on the various 154:English, French 135: 128: 116: 114: 101: 99: 92: 72: 60:Emmanuel Giraud 58: 17: 12: 11: 5: 908: 906: 898: 897: 892: 887: 882: 877: 867: 866: 863: 862: 857: 846: 830: 819: 808: 795: 794:External links 792: 789: 788: 782:2007-06-23 at 765: 742: 740:April 15, 2005 726: 724:March 24, 2005 710: 695: 680: 655: 654: 652: 649: 648: 647: 644: 638: 632: 625: 618: 605: 595: 592:Château Rouget 589: 583: 580: 574: 568: 562: 555: 548: 545: 532: 529: 526: 512: 502: 492: 470: 464: 463: 462: 450: 438: 426: 397: 394: 393: 392: 386: 380: 374: 368: 362: 356: 347: 338: 291: 290:Film festivals 288: 260:Juan Pittaluga 248: 245: 221:Robert Mondavi 217:Michel Rolland 156: 155: 152: 148: 147: 144: 140: 139: 136: 133: 130: 129: 127: 126: 111: 95: 93: 90: 87: 86: 81: 80:Distributed by 77: 76: 74:Michel Rolland 67: 63: 62: 55: 51: 50: 47: 43: 42: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 907: 896: 893: 891: 888: 886: 883: 881: 878: 876: 873: 872: 870: 861: 858: 856: 852: 851: 847: 844: 840: 836: 835: 831: 829: 825: 824: 820: 818: 814: 813: 809: 807: 803: 802: 798: 797: 793: 786:July 28, 2005 785: 784:archive.today 781: 778: 776: 769: 766: 762: 758: 755: 753: 746: 743: 739: 737: 730: 727: 723: 721: 720:Rolling Stone 714: 711: 708: 706: 699: 696: 693: 691: 684: 681: 670: 666: 660: 657: 650: 645: 642: 639: 636: 633: 630: 626: 623: 619: 617: 613: 609: 606: 603: 602:Saint-Émilion 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 560: 556: 553: 549: 546: 544: 540: 536: 533: 530: 527: 524: 520: 516: 513: 511: 507: 503: 501: 497: 493: 490: 486: 482: 478: 477: 476: 469: 465: 460: 459: 454: 453:Peter DeBruge 451: 448: 447: 442: 439: 436: 435: 430: 429:Wesley Morris 427: 424: 423: 422:Rolling Stone 418: 417:Peter Travers 415: 414: 413: 411: 407: 403: 395: 390: 387: 384: 381: 378: 375: 372: 369: 366: 363: 360: 357: 355: 351: 348: 346: 342: 339: 337: 333: 330: 329: 328: 326: 321: 319: 315: 311: 307: 306: 301: 296: 289: 287: 285: 280: 276: 272: 270: 265: 261: 257: 253: 246: 244: 242: 238: 237: 232: 228: 226: 222: 218: 214: 213:Robert Parker 210: 206: 205:globalization 201: 199: 195: 191: 187: 183: 179: 176: 172: 171:World of Wine 168: 164: 163: 153: 149: 146:United States 145: 141: 137: 131: 124: 123:New York City 112: 109: 97: 96: 94: 91:Release dates 88: 85: 82: 78: 75: 71: 70:Robert Parker 68: 64: 61: 56: 52: 48: 44: 41: 38: 34: 30: 25: 20: 849: 832: 822: 811: 800: 775:Miami Herald 774: 768: 763:May 12, 2005 751: 745: 736:Boston Globe 735: 729: 719: 713: 704: 698: 689: 683: 672:. Retrieved 668: 659: 472: 467: 458:Miami Herald 456: 444: 434:Boston Globe 432: 420: 406:film critics 401: 399: 353: 344: 335: 324: 322: 313: 303: 299: 294: 293: 284:Quo Vademus? 283: 278: 277: 273: 251: 250: 234: 230: 229: 202: 161: 160: 159: 134:Running time 733:boston.com 631:, Argentina 539:Napa Valley 400:In the US, 198:CĂ©sar Award 138:135 minutes 54:Produced by 36:Directed by 875:2004 films 869:Categories 839:Metacritic 772:miami.com 674:2009-11-30 651:References 622:Pernambuco 604:, Bordeaux 543:California 247:Production 190:Palme d'Or 117:2005-03-23 102:2004-05-14 46:Written by 850:Mondovino 834:Mondovino 823:Mondovino 812:Mondovino 801:Mondovino 705:Mondovino 608:Ornellaia 523:Languedoc 468:Mondovino 402:Mondovino 345:Screening 325:Mondovino 314:Mondovino 312:in 1997. 295:Mondovino 279:Mondovino 252:Mondovino 241:sommelier 231:Mondovino 162:Mondovino 151:Languages 84:THINKFilm 22:Mondovino 817:AllMovie 780:Archived 757:Archived 641:La Tâche 629:Cafayate 624:, Brazil 612:Bolgheri 610:Winery, 561:, France 554:, France 552:Burgundy 525:, France 510:Bordeaux 500:Sardinia 489:Pyrenees 481:Jurancon 182:directed 66:Starring 707:Reviews 616:Tuscany 506:Pomerol 225:terroir 192:at the 173:) is a 167:Italian 143:Country 115: ( 100: ( 559:Volnay 519:Aniane 485:France 352:2004: 334:2005: 305:Sunday 196:and a 121: ( 108:Cannes 106: ( 806:IMDb 496:Bosa 209:wine 175:2004 853:at 837:at 826:at 815:at 804:at 871:: 667:. 614:, 600:, 541:, 537:, 521:, 517:, 508:, 498:, 483:, 455:, 443:, 431:, 419:, 271:. 227:. 200:. 169:: 677:. 491:) 487:( 165:( 125:) 119:) 110:) 104:)

Index


Jonathan Nossiter
Emmanuel Giraud
Robert Parker
Michel Rolland
THINKFilm
Cannes
New York City
Italian
2004
documentary film
directed
Jonathan Nossiter
Palme d'Or
2004 Cannes Film Festival
CĂ©sar Award
globalization
wine
Robert Parker
Michel Rolland
Robert Mondavi
terroir
Signs and Wonders
sommelier
digital camcorder
Juan Pittaluga
Stephanie Pommez
Tommaso Vergallo
Sunday
Sundance Film Festival

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑