Knowledge (XXG)

Mosaic Fragment with Man Leading a Giraffe

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mosaics from the Middle Eastern region. Mr. Mayer died in 1974 and his collection of about 2,000 items was left to his wife . She established a program which actively loaned items from her private collection to colleges and museums, and she later sold several of the contemporary art pieces for millions of dollars.
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The fragment is located in Gallery 153, the Ancient and Byzantine Gallery, at the Institute. It is still in some ways used in its original intended way, aesthetic representation, but it has lost its function as a structural element. The piece is near the back corner of its gallery with like objects.
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and a member of the purchasing committee for the Art Institute. He and his wife Beatrice “Buddy” Mayer travelled the world, collecting art. Mrs. Mayer worked with children in Israel, and this particular mosaic fragment may have come into the Mayers’ possession because they had fallen in love with
111:. A related object from the same donor and region also specifies that the room within which the floor was located was likely semipublic, such as a reception or dining room. The text suggests that this image was once among several other examples of exotic animals, which 127:
in 46 CE. Since the region in which this object originated had experienced Roman control prior to the making of the piece, this is a likely influence and possible reason for this particular image's creation.
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The work was a gift in 1993 from a Mrs. Robert B. Mayer. In 1989, just a few years before the accession of this particular piece, the donations of the Mayer family were discussed in an article in the
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Gallery 153 is arranged chronologically and so this work “belongs” in this location according to its place in time, and has an interactive iPad beside its display case to entice visitors to stop.
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region and were often only seen while being paraded around at public events. Giraffes were collected by Romans beginning with the first one being brought to
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Snyder, Barbara. "A Private Audience with the Masters: Two Dickinsonians take care of Chicago’s art treasures." Dickinson Magazine, Winter 2003.
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Bowman, B. A. "Transnational Crimes Against Culture: Looting at Archaeological Sites and the ‘Grey’ Market in Antiquities,"
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Muchnic, Suzanne. “Two Major Chicago Art Collections on Christie’s Fall Sales Schedule.” Los Angeles Times, Sept 7, 1989.
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and originated in northern Syria or Lebanon. Mosaics of this type were commonly used to decorate wealthy family villas.
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Museum label, Mosaic Fragment with Man Leading a Giraffe, Chicago, Art Institute of Chicago.
107:. It was part of a much larger composition which covered the floor of a wealthy family 299: 124: 116: 290: 280: 22:
Mosaic Fragment with Man Leading a Giraffe, Byzantine, northern Syria or Lebanon
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Video of Mosaic Conservation and Display at The Art Institute of Chicago
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Kennedy, Andy. "Dallas Museum Volunteers to Return Mosaic to Turkey,"
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were considered to be at that time since they were non-native to the
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Nelson, Robert S. "Living on the Byzantine Borders of Western Art,"
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Vogel, Susan. "Always True to the Object, in Our Fashion,"
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170.8 x 167 x 6.35 cm (67 1/4 x 65 3/4 x 2 1/2 in.)
43: 35: 21: 212:The Art Institute of Chicago Annual Report 1993-4. 281:The Art Institute of Chicago Mission and History 152:. Robert B. Mayer was a founding member of the 8: 306:Collection of the Art Institute of Chicago 77:Mosaic Fragment with Man Leading a Giraffe 27: 18: 83:from the 5th century CE, now held in the 247:Journal of Contemporary Criminal Justice 135: 182: 268:Poetics and Politics of Museum Display 7: 220: 218: 190: 188: 186: 154:Chicago Museum of Contemporary Art 99:The fragment originated in either 14: 167:Lod Mosaic Archaeological Center 203:Pliny, Natural History, VIII.69 1: 270:(Smithsonian, 1991): 191-204. 140:The Art Institute of Chicago 16:5th century Byzantine mosaic 286:Object Online Catalog Entry 337: 26: 85:Art Institute of Chicago 56:Art Institute of Chicago 172:Basilica of San Vitale 141: 139: 249:, 24 (2008): 225–42. 256:(December 3, 2012). 316:5th century in art 263:35/1 (1996): 3-11. 254:The New York Times 142: 311:Byzantine mosaics 150:Los Angeles Times 73: 72: 328: 234: 231: 225: 222: 213: 210: 204: 201: 195: 192: 39:5th century A.D. 31: 19: 336: 335: 331: 330: 329: 327: 326: 325: 321:Giraffes in art 296: 295: 277: 242: 240:Further reading 237: 232: 228: 223: 216: 211: 207: 202: 198: 193: 184: 180: 163: 134: 97: 87:. The piece is 17: 12: 11: 5: 334: 332: 324: 323: 318: 313: 308: 298: 297: 294: 293: 288: 283: 276: 275:External links 273: 272: 271: 264: 257: 250: 241: 238: 236: 235: 226: 214: 205: 196: 181: 179: 176: 175: 174: 169: 162: 159: 133: 130: 96: 93: 71: 70: 67: 63: 62: 53: 49: 48: 45: 41: 40: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 333: 322: 319: 317: 314: 312: 309: 307: 304: 303: 301: 292: 289: 287: 284: 282: 279: 278: 274: 269: 265: 262: 258: 255: 251: 248: 244: 243: 239: 230: 227: 221: 219: 215: 209: 206: 200: 197: 191: 189: 187: 183: 177: 173: 170: 168: 165: 164: 160: 158: 155: 151: 146: 138: 131: 129: 126: 125:Julius Caesar 122: 118: 117:Mediterranean 114: 110: 106: 102: 94: 92: 90: 86: 82: 78: 68: 64: 61: 57: 54: 50: 46: 42: 38: 34: 30: 25: 20: 267: 260: 253: 246: 229: 208: 199: 149: 147: 143: 98: 76: 74: 300:Categories 178:References 132:Provenance 95:Background 44:Dimensions 89:Byzantine 66:Accession 161:See also 113:giraffes 69:1993.345 52:Location 105:Lebanon 60:Chicago 81:mosaic 261:Gesta 109:villa 101:Syria 79:is a 121:Rome 75:The 36:Year 123:by 103:or 302:: 217:^ 185:^ 58:,

Index


Art Institute of Chicago
Chicago
mosaic
Art Institute of Chicago
Byzantine
Syria
Lebanon
villa
giraffes
Mediterranean
Rome
Julius Caesar

Chicago Museum of Contemporary Art
Lod Mosaic Archaeological Center
Basilica of San Vitale





The Art Institute of Chicago Mission and History
Object Online Catalog Entry
Video of Mosaic Conservation and Display at The Art Institute of Chicago
Categories
Collection of the Art Institute of Chicago
Byzantine mosaics
5th century in art
Giraffes in art

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