Knowledge (XXG)

Moros y cristianos

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487: 605: 84: 1014: 520: 354: 250: 146: 473: 740:, the local militia that carried out military acts of display or exhibition of the troops if required to pay tribute to some authority. Traditionally they carried out these troop parades during the so-called "royal festivities" for the visit of the king, a royal anniversary, commemoration of a victory or birth of a prince. In certain towns, these acts of the militia were also carried out to honor the local 43: 709: 501: 617: 696:
since the 17th century and is a popular street play throughout the country. Unlike the Spanish version, the Philippine version is dominated by indigenous Philippine cultures which are used in language, costumes, musics, and dances of the play. The main story of the art, however, has been faithfully
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in battles, courtships between a Moro prince and a Christian princess and vice versa, and a conclusion which usually depicts the Muslim converting into Christianity, the Muslim dying, or the appearance of the Virgin Mary or a saint as the intervention figure of the conflict. The
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The historical element is added by taking advantage of these festivities for the representation and exhibition of Moors and Christians comedies, normally with a moralistic or religious didactic character. It is from the beginning of the 19th century when the first texts of
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delivering a challenge to an equally-boastful Christian. The street drama became popular in the rural areas due to the inputting of folk traditions in the play and the need of the people for leisure, especially after a hard day at labor. Overall, the Philippine
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reconquered the city of Alcoi, the Moors, in turn, tried to recover it. As fighting was about to resume, Saint George miraculously appeared, and the frightened Moors scattered in defeat. Other traditions ascribe a miraculous saintly appearance to
1081:, which is the common name of the street drama today. The street drama itself, however, did not draw from actual Christian-Muslim conflict in the Philippines. The main precursor of its popularity in the Philippines was the indigenous 398:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG). 294:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG). 190:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG). 841:), sometimes guiding the Christians to surprise the Moors; else rallying Christian forces during the battle. The feast day of St. James is 25 July, so some of the Moors' and Christians' festivals occur at the end of July. 1420:
Beutler, Gisela. "Algunas observaciones sobre los textos de moros y cristianos en México y Centroamérica." Actas del VIII Congreso de la Asociación Internacional de Hispanistas: 22-27 agosto 1983. Ediciones Istmo,
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Beutler, Gisela. "Algunas observaciones sobre los textos de moros y cristianos en México y Centroamérica." Actas del VIII Congreso de la Asociación Internacional de Hispanistas: 22-27 agosto 1983. Ediciones Istmo,
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The festivals represent the capture of the city by the Muslims and the subsequent Christian reconquering fight. The people who take part in the festival are usually enlisted in local associations called
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Alcantud, José Antonio González. "Imágenes para el ritual: moros y cristianos en el complejo festivo y ceremonial granadino José Antonio González Alcantud." Fêtes et divertissements 8 (1997): 143.
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Botella, Ana María. "Análisis del tratamiento curricular de la música de Moros y Cristianos en los libros de música de enseñanza secundaria." LEEME, Journal of Music in Education 25 (2010): 1-25.
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Carrasco Urgoiti, Maria Soledad. “Aspectos Folclóricos y Literarios De La Fiesta De Moros y Cristianos En España.” PMLA, vol. 78, no. 5, 1963, pp. 476–491., www.jstor.org/stable/460725.
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Soux, María Luisa. "El culto al apóstol Santiago en Guaqui, las danzas de moros y cristianos y el origen de la Morenada. Una Hipótesis de trabajo." Anales de la Reunión anual (2003).
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When performing, the representations for the Christians are in blue, while the representations for Muslims are in red or maroon. The street drama includes
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Mansanet Ribes, José Luis. "La fiesta de moros y cristianos como institución y su ordenación." I Congreso Nacional de Fiestas de Moros y Cristianos. 1976.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Ricard, Robert. "Contribution à l'étude des Fetes de «Moros y Cristianos» au Méxique." Journal de la Société des Américanistes 24.1 (1932): 51-84.
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play. The show begins with a parade of stars in colorful costumes: Christians wear blue costumes, while Moors wear fully ornamented red costumes.
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plays the repertoire for these parades, in the two latter types of marches the band's music is reinforced by timpani, concert bass drums and a
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Nicolás, Botella, and Ana María. "Orígenes de la música en las Fiestas de Moros y Cristianos de Alcoy." Revista de Folklore 372 (2013): 28–38.
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as one of the intangible cultural heritage of the Philippines under the performing arts category that the government may nominate in the
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Las fiestas de moros y cristianos en el Vianlopó. Centre d’Estudis Locals del Vinalopó-Mancomunitat de Municipis del Vinalopó (Alacant)
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García-Valdés, Celsa Carmen. "Moros y cristianos en dos dramas de Calderón: El príncipe constante y El gran príncipe de Fez." (1997).
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Taboada, Jesús. "Moros y cristianos en tierras de Laza (Orense)." Revista de Dialectología y Tradiciones Populares 11.3 (1955): 334.
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Ravines, Roger. "Moros y Cristianos, espectáculo tradicional religioso de San Lucas de Colán, Piura." Boletín de Lima 41 (1988): 52.
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in dramatized battles. The festivals last for several days, and feature festive parades with bombastic costumes loosely inspired by
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Martín, Demetrio E. Brisset. "Fiestas hispanas de moros y cristianos. Historia y significados." Gazeta de Antropología 17 (2001).
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Due to Spanish Empire expansion, the performing art has been adapted in other places in Europe, America, and Asia, as in the
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A significant amount of incidental music has been composed and still is composed annually for these parades. It is known as
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Content in this edit is translated from the existing Catalan Knowledge (XXG) article at ]; see its history for attribution.
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Content in this edit is translated from the existing Spanish Knowledge (XXG) article at ]; see its history for attribution.
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Content in this edit is translated from the existing French Knowledge (XXG) article at ]; see its history for attribution.
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Fernández Hervás, Enrique. "Fiestas de moros y cristianos en España y su estudio en la provincia de Jaén." (1992).
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Becerra, Salvador Rodríguez. "Las fiestas de moros y cristianos en Andalucía." Gazeta de Antropología 3 (1984).
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also has very interesting Moors and Christians performances, especially in the former Moorish kingdom of
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and comes from military band marches. There are currently three main genres: the classic and popular
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Valderrama, Milena Cáceres. La fiesta de moros y cristianos en el Perú. Fondo Editorial PUCP, 2005.
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in Jaén. The modern "comparsas" or companies of Moors and Christians have their origin in the old
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Santamarina Campos, Beatriz. "Moros y cristianos. De la batalla festiva a la discursiva." (2008).
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celebrates it in the last week of July, with a reenactment of the Berber pirate attack of 1538 (
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Theatrical festivities with this setting are already documented even before the end of the
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may last from one to several days, depending on the Philippine-written script being used.
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Moros y cristianos: representaciones del otro en las fiestas del Mediterraneo occidental
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also have festivals featuring Moors and Christians reenactments (the Mexican term is
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Moros y Cristianos. Del Alarde Medieval a las Fiestas Reales Barrocas ss. XV-XVIII.
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Diputación de Alicante-Patronato Provincial de Turismo de Alicante. 302 págs.
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Other noteworthy Moors and Christians festivals are celebrated in the towns of
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Por un inventario de las fiestas de moros y cristianos: Otro toque de atención
971: 905: 901: 584: 593:(from the 8th century through the 15th century). There are also festivals of 1029: 994: 959: 929: 881: 862: 838: 797: 708: 698: 686: 682: 500: 689:, and ends with the Christians winning a simulated battle around a castle. 616: 1414:. Servicio de publicaciones del Teatro Universitario de San Marcos, 1976. 998: 982: 966:. Performances are mostly organized in rural towns and villages, such as 953: 933: 678: 670: 662: 646: 513: 1524:. Alicante, Diputación de Alicante y Asociación de Comparsas, 201 págs. 744:
figure on his holiday, which is why it survived as annual celebrations.
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to the source of your translation. A model attribution edit summary is
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to the source of your translation. A model attribution edit summary is
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to the source of your translation. A model attribution edit summary is
1672: 1268:"Spain, 2008, July, festivals, events, Villajoyosa, Moors, Christians" 990: 854: 801: 580: 1559:
Moros y cristianos en España medieval: estudios histórico-literarios
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Castalla en el origen de la Fiesta de Moros y Cristianos (1473-1804)
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Otra contribución al estudio de las fiestas de" Moros y Cristianos"
1286:"Crevillent Moors and Christians In honour of San Francisco de Ass" 624:
brings together the largest number of participants and music bands.
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Albert-Llorca, Marlène, and José Antonio González Alcantud, eds.
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with approximately 12,000 participants (most crowded festival),
733: 729: 494: 395: 291: 187: 1663: 1243:"Villajoyosa Moors and Christians Fiesta | Alicante Spain" 654: 347: 243: 139: 77: 36: 1578:. Obra Cultural del Monte de Piedad y Caja de Ahorros, 1969. 1576:
La Fiesta de Moros y Cristianos de Alcoy y sus instituciones
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La Fiesta de Moros y Cristianos: Orígenes siglos XIII-XVIII.
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Domene, J., González Hernández, M.A. y Vázquez, V. (2006):
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Teatro folklórico: una representación de moros y cristianos
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Unión Nacional de Entidades Festeras de Moros y Cristianos
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Moors and Christians, also commemorating the Reconquest.
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The most well-known Moors and Christians festival are the
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La Fiesta de Moros y Cristianos: Evolución siglos XIX-XX.
669:. In contrast, Moors wear ancient Arab costumes, carry 1622: 636: 630: 1625:, Web page of the official organization, in Spanish. 391: 287: 283:
a machine-translated version of the Catalan article.
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a machine-translated version of the Spanish article.
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a machine-translated version of the French article.
1446:Libro de la fiesta de moros y cristianos de Alcoy 1306:. Chicago: Fitzroy Dearborn 1997, vol. 1, p. 491. 1569:La representación de moros y cristianos de Zújar 1685:Junta Festera de Moros i Cristians del Campello 1601:. Secretaría de Educación Pública, Mexico 1972. 1174:. Secretaría de Educación Pública, Mexico 1972. 977:Spaniards took this tradition overseas. In the 772:) from 22 to 24 April, around the Feast Day of 558: 416:accompanying your translation by providing an 378:Click for important translation instructions. 365:expand this article with text translated from 312:accompanying your translation by providing an 274:Click for important translation instructions. 261:expand this article with text translated from 208:accompanying your translation by providing an 170:Click for important translation instructions. 157:expand this article with text translated from 1659:Moros y Cristianos Festival history and today 1496:Diputación Provincial de Alicante, 156 págs. 1482:Diputación Provincial de Alicante, 163 págs. 1129:In 2011, the performing art was cited by the 869:, and other places), parades associated with 8: 1131:National Commission for Culture and the Arts 1071:National Commission for Culture and the Arts 861:. Especially in northern and western Spain ( 608:'Parading' Moorish ships along the beach of 1405:Historia de los Moros y Cristianos de Alcoy 71:Learn how and when to remove these messages 1436:La fiesta de moros y cristianos en el Perú 1185:La fiesta de moros y cristianos en el Perú 1093:traditions in Philippine native cultures. 1065:, the performing art is officially called 1520:González Hernández, Miguel-Ángel (2004): 1506:González Hernández, Miguel-Ángel (1999): 1492:González Hernández, Miguel-Ángel (1997): 1478:González Hernández, Miguel-Ángel (1996): 1135:UNESCO Intangible Cultural Heritage Lists 458:Learn how and when to remove this message 128:Learn how and when to remove this message 1687:, Web page of the official organization. 1551:. No. 64. Editorial Universitaria, 1970. 1534:Jáuregui, Jesús, and Carlo Bonfiglioli. 1429:Fiestas de moros y cristianos en Granada 853:), according to tradition repelled when 91:This article includes a list of general 1163: 681:. The festival develops among shots of 1549:Estudio sobre el baile de la conquista 1374:: CS1 maint: archived copy as title ( 1367: 1227:: CS1 maint: archived copy as title ( 1220: 829:(in what today is the municipality of 1037:(Moorish in style), and the forceful 543: 7: 952:, and some districts of the city of 428:{{Translated|fr|Moros y cristianos}} 220:{{Translated|es|Moros y cristianos}} 1538:. Fondo de cultura económica, 1996. 1302:Emily Socolov, "Festival Cycle" in 324:{{Translated|ca|Moros i Cristians}} 32:Moros y cristianos (disambiguation) 1733:Culture of the Valencian Community 1017:Moors and Christians marching band 697:retained. Similar celebrations in 97:it lacks sufficient corresponding 25: 884:(a Medieval town, 1–5 February), 52:This article has multiple issues. 1397:. Presses Univ. du Mirail, 2003. 352: 248: 144: 82: 41: 1647:La fiesta de moros y cristianos 60:or discuss these issues on the 1629:Moros y Cristianos Villajoyosa 1613:Pictures of Moros y Cristianos 1599:La danza de moros y cristianos 1431:. Diputación Provincial, 1988. 1172:La danza de moros y cristianos 1067:Moro y Cristianos Street Drama 970:, a small town in the Eastern 808:). According to legend, after 712:Entrance of the Moors, 2006 - 426:You may also add the template 322:You may also add the template 218:You may also add the template 1: 1691:Comparsa Saudites d'Ontinyent 1679:Moros y Cristianos of Villena 1438:. Fondo Editorial PUCP, 2005. 1187:. Fondo Editorial PUCP, 2005. 1147:Moors and Christians of Alcoy 827:Battle of Las Navas de Tolosa 762:Moors and Christians of Alcoy 1434:Cáceres Valderrama, Milena. 1057:Philippine Moro y Cristianos 545:[ˈmoɾosikɾisˈtjanos] 27:Traditional Spanish festival 1574:Ribes, José Luis Mansanet. 1183:Milena Cáceres Valderrama. 857:(feast day 29 July) sent a 792:), the patron saint of the 637: 631: 587:during the period known as 560:[ˈmɔɾozikɾistiˈans] 439:Knowledge (XXG):Translation 335:Knowledge (XXG):Translation 231:Knowledge (XXG):Translation 1764: 1728:Theatre in the Philippines 1673:Moros y Cristianos of Elda 1653:Moros i Cristians of Alcoi 1557:Palencia, Angel González. 1403:Barceló, Julio Berenguer. 390:Machine translation, like 286:Machine translation, like 182:Machine translation, like 29: 873:celebrations may feature 804:and formerly also of the 653:fashion. Christians wear 571:, mainly in the southern 367:the corresponding article 263:the corresponding article 159:the corresponding article 1697:(in Spanish and English) 1451:Contreras, Constantino. 1152:Museu Alcoià de la Festa 657:, metallic helmets, and 563:), literally in English 1536:Las danzas de conquista 821:), the patron saint of 437:For more guidance, see 333:For more guidance, see 229:For more guidance, see 112:more precise citations. 1704:Travel guide and info. 1645:Pictures of Alcoy and 1567:Renedo, Carmen Muñoz. 1304:Encyclopedia of Mexico 1109:usually begins with a 1018: 825:, particularly at the 716: 685:, medieval music, and 625: 613: 531: 516: 497: 483: 1597:Warman Gryj, Arturo. 1016: 711: 701:, México, are called 619: 607: 522: 503: 489: 475: 410:copyright attribution 306:copyright attribution 202:copyright attribution 1075:Muslims in the south 764:that takes place in 565:Moors and Christians 523:The Moor Embassy in 30:For other uses, see 1702:Tourist information 1427:Brisset, Demetrio. 1410:Bataillon, Marcel. 886:Banyeres de Mariola 867:Valencian Community 806:Valencian Community 770:Valencian Community 573:Valencian Community 1738:Festivals in Spain 1668:Moros y Cristianos 1633:Moros y Cristianos 1547:Montoya, Matilde. 1124:moros y cristianos 1039:marchas cristianas 1019: 717: 626: 614: 595:Moros y Cristianos 536:Moros y Cristianos 532: 517: 510:Moros y Cristianos 498: 491:Moros y Cristianos 484: 477:Moros y Cristianos 418:interlanguage link 314:interlanguage link 210:interlanguage link 18:Moros y Cristianos 1664:MusicaFestera.com 875:gigantic costumed 810:James I of Aragon 732:in Murcia and in 551:Moros i Cristians 504:Parade of a Moor 468: 467: 460: 450: 449: 379: 375: 346: 345: 275: 271: 242: 241: 171: 167: 138: 137: 130: 75: 16:(Redirected from 1755: 1748:Theatre in Spain 1723:Culture of Spain 1698: 1584:Ricard, Robert. 1444:Coloma, Rafael. 1380: 1379: 1373: 1365: 1363: 1362: 1356: 1350:. Archived from 1349: 1341: 1335: 1332: 1326: 1323: 1317: 1313: 1307: 1300: 1294: 1293: 1288:. Archived from 1282: 1276: 1275: 1270:. Archived from 1264: 1258: 1257: 1255: 1254: 1245:. Archived from 1239: 1233: 1232: 1226: 1218: 1216: 1215: 1209: 1203:. Archived from 1202: 1194: 1188: 1181: 1175: 1168: 1113:, followed by a 1033:, the melodious 985:often include a 950:Monforte del Cid 896:(early August), 835:Province of Jaén 673:, and ride real 640: 634: 562: 557: 547: 542: 463: 456: 429: 423: 396:Google Translate 377: 373: 356: 355: 348: 325: 319: 292:Google Translate 273: 269: 252: 251: 244: 221: 215: 188:Google Translate 169: 165: 148: 147: 140: 133: 126: 122: 119: 113: 108:this article by 99:inline citations 86: 85: 78: 67: 45: 44: 37: 21: 1763: 1762: 1758: 1757: 1756: 1754: 1753: 1752: 1708: 1707: 1696: 1609: 1604: 1389: 1387:Further reading 1384: 1383: 1366: 1360: 1358: 1354: 1347: 1345:"Archived copy" 1343: 1342: 1338: 1333: 1329: 1324: 1320: 1314: 1310: 1301: 1297: 1284: 1283: 1279: 1266: 1265: 1261: 1252: 1250: 1241: 1240: 1236: 1219: 1213: 1211: 1207: 1200: 1198:"Archived copy" 1196: 1195: 1191: 1182: 1178: 1170:Arturo Warman. 1169: 1165: 1160: 1143: 1059: 1011: 932:(late August), 888:(22-25 April), 794:Crown of Aragon 758: 722: 620:The parades in 599:Spanish America 555: 540: 464: 453: 452: 451: 446: 445: 444: 427: 421: 380: 357: 353: 342: 341: 340: 323: 317: 276: 253: 249: 238: 237: 236: 219: 213: 172: 149: 145: 134: 123: 117: 114: 104:Please help to 103: 87: 83: 46: 42: 35: 28: 23: 22: 15: 12: 11: 5: 1761: 1759: 1751: 1750: 1745: 1740: 1735: 1730: 1725: 1720: 1710: 1709: 1706: 1705: 1699: 1688: 1682: 1676: 1670: 1661: 1656: 1650: 1640: 1637:La Vila Joiosa 1631:, Pictures of 1626: 1620: 1608: 1607:External links 1605: 1603: 1602: 1595: 1592: 1589: 1582: 1579: 1572: 1565: 1562: 1555: 1552: 1545: 1542: 1539: 1532: 1518: 1504: 1490: 1476: 1473: 1470: 1456: 1449: 1442: 1439: 1432: 1425: 1422: 1418: 1415: 1408: 1401: 1398: 1390: 1388: 1385: 1382: 1381: 1336: 1327: 1318: 1308: 1295: 1292:on 2012-01-05. 1277: 1274:on 2008-03-19. 1259: 1234: 1189: 1176: 1162: 1161: 1159: 1156: 1155: 1154: 1149: 1142: 1139: 1100:tune marches, 1058: 1055: 1024:música festera 1010: 1007: 968:Válor, Granada 871:Corpus Christi 843:La Vila Joiosa 757: 754: 721: 718: 525:Atalaya Castle 466: 465: 448: 447: 443: 442: 435: 424: 402: 399: 388: 381: 374:(January 2021) 362: 361: 360: 358: 351: 344: 343: 339: 338: 331: 320: 298: 295: 284: 277: 270:(January 2021) 258: 257: 256: 254: 247: 240: 239: 235: 234: 227: 216: 194: 191: 180: 173: 166:(January 2021) 154: 153: 152: 150: 143: 136: 135: 90: 88: 81: 76: 50: 49: 47: 40: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1760: 1749: 1746: 1744: 1741: 1739: 1736: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1715: 1713: 1703: 1700: 1695: 1692: 1689: 1686: 1683: 1680: 1677: 1674: 1671: 1669: 1665: 1662: 1660: 1657: 1654: 1651: 1648: 1644: 1641: 1638: 1634: 1630: 1627: 1624: 1621: 1618: 1617:Muro de Alcoy 1614: 1611: 1610: 1606: 1600: 1596: 1593: 1590: 1587: 1583: 1580: 1577: 1573: 1570: 1566: 1563: 1560: 1556: 1553: 1550: 1546: 1543: 1540: 1537: 1533: 1531: 1530:84-609-2145-X 1527: 1523: 1519: 1517: 1516:84-923611-3-1 1513: 1509: 1505: 1503: 1502:84-923611-0-7 1499: 1495: 1491: 1489: 1488:84-923611-1-5 1485: 1481: 1477: 1474: 1471: 1469: 1468:84-609-9551-8 1465: 1461: 1457: 1454: 1450: 1447: 1443: 1440: 1437: 1433: 1430: 1426: 1423: 1419: 1416: 1413: 1409: 1406: 1402: 1399: 1396: 1392: 1391: 1386: 1377: 1371: 1357:on 2015-07-10 1353: 1346: 1340: 1337: 1331: 1328: 1322: 1319: 1312: 1309: 1305: 1299: 1296: 1291: 1287: 1281: 1278: 1273: 1269: 1263: 1260: 1249:on 2012-05-12 1248: 1244: 1238: 1235: 1230: 1224: 1210:on 2015-07-10 1206: 1199: 1193: 1190: 1186: 1180: 1177: 1173: 1167: 1164: 1157: 1153: 1150: 1148: 1145: 1144: 1140: 1138: 1136: 1132: 1127: 1125: 1120: 1116: 1112: 1108: 1103: 1099: 1094: 1092: 1091: 1086: 1085: 1080: 1076: 1072: 1068: 1064: 1056: 1054: 1052: 1048: 1044: 1043:marching band 1041:. 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