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317:, syllables may last different amounts of time, but there is perceived to be a fairly constant amount of time (on average) between consecutive stressed syllables. Consequently, unstressed syllables between stressed syllables tend to be compressed to fit into the time interval: if two stressed syllables are separated by a single unstressed syllable, as in 412:, for example, tends toward syllable-timing. This does not necessarily mean the language standard itself is to be classified as syllable-timed, of course, but rather that this feature is more pronounced. A subtle example is that to a native English speaker, for example, some accents from Wales may sound more syllable-timed. 497:
types of rhythm to a greater or lesser extent. T. F. Mitchell claimed that there is no language which is totally syllable-timed or totally stress-timed; rather, all languages display both sorts of timing. Languages will, however, differ in which type of timing predominates. This view was developed by
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While many linguists find the idea of different rhythm types appealing, empirical studies have not been able to find acoustic correlates of the postulated types, calling into question the validity of these types. However, when viewed as a matter of degree, relative differences in the variability of
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has proposed (citing work by Grabe and Low ) that, since languages differ from each other in terms of the amount of difference between the durations of vowels in adjacent syllables, it is possible to calculate a Pairwise Variability Index (PVI) from measured vowel durations to quantify the
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Despite the relative simplicity of the classifications above, in the real world languages do not fit quite so easily into such precise categories. Languages exhibit degrees of durational variability both in relation to other languages and to other standards of the same language.
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Dauer in such a way that a metric was provided allowing researchers to place any language on a scale from maximally stress-timed to maximally syllable-timed. Examples of this approach in use are Dimitrova's study of Bulgarian and Olivo's study of the rhythm of Ashanti Twi.
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Since the 1950s, speech scientists have tried to show the existence of equal syllable durations in the acoustic speech signal without success. More recent research claims that the duration of consonantal and vocalic intervals is responsible for syllable-timed perception.
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are commonly quoted as examples of syllable-timed languages. This type of rhythm was originally metaphorically referred to as "machine-gun rhythm" because each underlying rhythmical unit is of the same duration, similar to the transient bullet noise of a
423:. The latter has mixed characteristics and varies according to speech rate, sex and dialect. At fast speech rates, Brazilian Portuguese is more stress-timed, while in slow speech rates, it can be more syllable-timed. The accents of rural, southern 123:
claimed "As far as is known, every language in the world is spoken with one kind of rhythm or with the other ... French, Telugu and Yoruba ... are syllable-timed languages, ... English, Russian and Arabic ... are stress-timed languages."
53:-timed. Real world languages do not fit quite so easily into such precise categories. Given the lack of solid evidence for a clear-cut categorical distinction between the two rhythmical types, it seems reasonable to suggest instead that 1120:
Grabe, Esther, "Variation Adds to Prosodic Typology", B.Bel and I. Marlin (eds), Proceedings of the Speech Prosody 2002 Conference, 11–13 April 2002, Aix-en-Provence: Laboratoire Parole et Langage, 127–132.
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Ong Po Keng, Fiona, Deterding, David and Low Ee Ling (2007) 'Rhythm in Singapore and British English: a comparison of indexes'. In David Deterding, Adam Brown and Low Ee Ling (eds. 2005),
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differences. The data show that, for example, Dutch (traditionally classed as a stress-timed language) exhibits a higher PVI than Spanish (traditionally a syllable-timed language).
305: 400:, a syllable-timed language, are effectively stress-timed. English, a stress-timed language, has become so widespread that some standards tend to be more syllable-timed than the 1302: 958: 473:, are most frequently essentially stress-timed. Also, male speakers of Brazilian Portuguese speak faster than female speakers and speak in a more stress-timed manner. 1153: 1169:
Grice, M.; D'Imperio, M.; Savino, M.; Avesani, C., 1998. "Strategies for intonation labelling across varieties of Italian" in Hirst, D.; Di Christo, A., 1998.
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In a syllable-timed language, every syllable is perceived as taking up roughly the same amount of time, though the absolute length of time depends on the
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Given the lack of solid evidence for a clear-cut categorical distinction between the two rhythmical types, it seems reasonable to suggest instead that
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in 1945, though the concept of language naturally occurring in chronologically and rhythmically equal measures is found at least as early as 1775 (in
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vowels, so CVV takes roughly twice the time as CV. A final /N/ also takes roughly as much time as a CV syllable, as does the extra length of a
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Low Ee Ling, Grabe, Esther and Nolan, Francis (2000) 'Quantitative characterisations of speech rhythm: syllable-timing in Singapore English',
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was also mora-timed, though most modern dialects are not. Mora-timing is still common when reciting classical Persian poetry and music.
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Nespor, M., Shukla, M., & Mehler, J. (2011). Stress‐timed vs. syllable‐timed languages. In van Oostendorp et al. (Eds.),
1023: 1383: 979: 190: 1151: 120: 466: 321:, the unstressed syllable will be relatively long, while if a larger number of unstressed syllables intervenes, as in 694:
Roach, Peter (1982) 'On the distinction between "stress-timed" and "syllable-timed languages", in David Crystal (ed)
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There can be varying degrees of stress-timing within the various standards of a language. Some southern dialects of
509:, Welsh is neither syllable-timed nor stress-timed, as syllable length varies less than in stress-timed languages. 1632: 470: 506: 1570: 1376: 1102: 428: 74: 918:"Quantifying Speech Rhythms: Perception and Production Data in the Case of Spanish, Portuguese, and English" 435:) are considered to sound more syllable-timed than the others, while the southeastern dialects such as the 458: 405: 1562: 992: 863: 415:
A better-documented case of these varying degrees of stress-timing in a language comes from Portuguese.
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standards, an effect which comes from the influence of other languages spoken in the relevant region.
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Ehsan Shafiee Zargar, University of Texas at Arlington and Hamed Rahmani, Radboud University Nijmegen
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Deterding, David (2001) 'The Measurement of Rhythm: A Comparison of Singapore and British English',
167:. Syllable-timed languages tend to give syllables approximately equal prominence and generally lack 416: 377: 243: 116: 103: 1218:; Phonetics Laboratory, Federal University of Espírito Santo, Speech Prosody Studies Group, Brazil 1627: 1529: 1519: 1438: 1418: 1227:
E. Grabe and E.L. Low (2000) "Durational Variability in Speech and the Rhythm Class Hypothesis",
952: 365: 255: 194: 144: 46: 852: 723: 332:, but any resemblance between the two is only superficial. Stress-timing is strongly related to 1283: 1122: 1043: 727: 599: 543: 462: 424: 239: 210: 186: 1509: 1363: 1339: 787:
English in Singapore: Phonetic Research on a Corpus, Singapore: McGraw-Hill Education (Asia)
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http://www.journalofspeechsciences.org/index.php/journalofspeechsciences/article/view/27/12
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are typical stress-timed languages. Some stress-timed languages retain unreduced vowels.
1476: 716: 679:"Prosodic Typology: On the Dichotomy between Stress-Timed and Syllable-Timed Languages" 409: 373: 281: 1348: 1294:
Olivo, A. M. (2011) Exploring the speech rhythm continuum: evidence from Ashanti Twi,
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Kenworthy, J. (1987). Teaching English pronunciation. Oxford: Oxford University Press.
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Dimitrova, S. (1998) "Bulgarian speech rhythm – Syllable-timed or stress-timed?",
1198:– O Troqueu Silábico no Sistema Fonológico (Um Adendo ao Artigo de Plínio Barbosa) 1182:
UTA Working Papers in Linguistics. ed. Susan C. Herring and John C. Paolillo. P.83
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An American English speaker narrating this section. Listen for his stress timing.
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The Variable Elision of Unstressed Vowels in European Portuguese: A Case Study
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Three alternative ways in which a language can divide time are postulated:
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Proceedings of the International Congress of Phonetic Sciences (ICPhS) XVI
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Azevedo, Milton Mariano. 2005. Portuguese: a linguistic introduction. P.54
1596: 1537: 1461: 1413: 271: 198: 151: 94: 42: 38: 827:"The Implications of Prosodic Differences Between English and Armenian" 437: 251: 1349:Étude sur la discrimination des langues par la prosodie (pdf document) 971: 1591: 1466: 90: 34: 1207:
Meireles, Alexsandro R.; Tozetti1, João Paulo; Borges, Rogério R.;
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Dauer, R. (1987) Phonetic and phonological components of rhythm,
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Supra-segmental Phonology (rhythm, intonation and stress-timing)
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Dauer, R. (1983) Stress-timing and syllable-timing reanalyzed,
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Practical Phonetics and Phonology: A Resource Book for Students
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http://www.personal.reading.ac.uk/~llsroach/phon2/sdjipa.htm
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Proceedings of the XI Congress of Phonetic Sciences, 447–450
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The stress-timing–syllable-timing distinction as a continuum
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Linguistic Change and the Future of Metrical Persian Poetry
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Speech rate and rhythmic variation in Brazilian Portuguese
801:"On the syllable-timing of Cantonese and Beijing Mandarin" 567:. Ann Arbor: University of Michigan Press. pp. 34–35. 1359:
Languages' rhythm and language acquisition (pdf document)
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http://www.personal.reading.ac.uk/~llsroach/phon2/frp.pdf
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The duration of every syllable is equal (syllable-timed);
1082:(in German) (2nd ed.), Berlin: Erich Schmidt Verlag 1343:, "Some Languages are Spoken More Quickly Than Others" 1240:
Mitchell, T. F. (1969), review of Abercrombie (1967),
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syllable duration across languages have been found.
1561: 1528: 1500: 1437: 1404: 258:-timed, rather than syllable-timed. In Japanese, a 943:Clark John, Yallop Collin, Fletcher Janet (2007). 715: 1280:Journal of the International Phonetic Association 262:takes up one timing unit. Japanese does not have 998:Sanskrit Prosody and Numerical Symbols Explained 1065:An Introduction to the Pronunciation of English 449:, of the northern coast and eastern regions of 61:types of rhythm to a greater or lesser extent. 853:"Korean speech rhythm using rhythmic measures" 1384: 1042:(3rd ed.). Routledge. pp. 135–138. 8: 978:. Vol. 49, No. 4 (Dec., 1973), pp. 794–849. 957:: CS1 maint: multiple names: authors list ( 834:Collection of Scientific Articles of YSU SSS 325:, the unstressed syllables will be shorter. 27:Rhythmic division of time in spoken language 1014:Mohsen Mahdavi Mazdeh, Cambridge University 709: 707: 1391: 1377: 1369: 565:The Intonation of American English, vol. 1 493:languages (and all their accents) display 97:. The idea of was first expressed thus by 93:division of time into equal portions by a 57:languages (and all their accents) display 37:division of time into equal portions by a 542:. Cambridge University Press. p. 3. 1080:Einführung in die Phonetik des Deutschen 972:The Inflectional Accent in Indo-European 580:"Accent and Time in Descriptive Prosody" 1160:Durational Variability, Low & Grabe 1024:Musical Rhythm in Persian Poetic Meters 945:Introduction to Phonetics and Phonology 750:(pp. 1147-1159). Malden, MA: Blackwell. 530: 1317:Gibbon, D. & Williams, B. (2007). 950: 947:. Oxford: Blackwell. pp. (pp)340. 872: 861: 1067:(4th ed.), London: Edward Arnold 519:Stress and vowel reduction in English 298:Stress and vowel reduction in English 7: 748:The Blackwell Companion to Phonology 658:"Another slice of prosodic sausage" 540:English Intonation: An Introduction 722:(5th ed.). Thomson. pp.  328:Stress-timing is sometimes called 150:The interval between two stressed 25: 851:Mok, Peggy; Lee, Sang Im (2008). 388:Degrees of durational variability 254:also have regular pacing but are 1036:Collins, B.; Mees, I. (2013) . 891:"Research on linguistic rhythm" 578:Lightfoot, Marjorie J. (1970). 284:were also strictly mora-timed. 1229:Papers in Laboratory Phonology 637:"Slicing the syllabic bologna" 596:10.1080/00437956.1970.11435580 419:is more stress-timed than the 111:(1889) attributed the idea to 1: 1173:. Cambridge University Press. 980:Linguistic Society of America 656:Mark Liberman (May 6, 2008). 619:Elements of General Phonetics 808:Chinese Journal of Phonetics 621:. Edinburgh U.P. p. 97. 132:Alternative division of time 115:. This has implications for 617:Abercrombie, David (1967). 1649: 1319:"Timing Patterns in Welsh" 1296:Journal of Speech Sciences 1101:Silva, David James. 1994. 924:. University of California 295: 825:Mirakyan, Norayr (2016). 714:Ladefoged, Peter (2006). 563:Pike, Kenneth L. (1945). 1001:. Trübner & Company. 696:Linguistic Controversies 677:Antonio Pamies Bertrán. 154:is equal (stress-timed). 840:(13). YSU Press: 91–96. 69:Rhythm is an aspect of 1242:Journal of Linguistics 993:Brown, Charles Phillip 871:Cite journal requires 310: 147:is equal (mora-timed). 143:The duration of every 1338:Roach, Peter (1998). 1231:7 (The Hague, Mouton) 1078:Kohler, K.J. (1995), 1063:Gimson, A.C. (1989), 718:A Course in Phonetics 315:stress-timed language 308: 1255:Journal of Phonetics 774:Journal of Phonetics 538:Wells, John (2006). 467:eastern Minas Gerais 238:Some languages like 191:Brazilian Portuguese 799:Mok, Peggy (2009). 761:Language and Speech 698:, Arnold, pp 73–9, 417:European Portuguese 378:European Portuguese 117:linguistic typology 104:Prosodia Rationalis 18:Mora-timed language 1305:2014-12-27 at the 1214:2020-01-16 at the 1171:Intonation Systems 1156:2013-06-15 at the 1108:2012-03-10 at the 776:, 29 (2), 217–230. 421:Brazilian standard 311: 272:geminate consonant 33:is the postulated 1615: 1614: 1049:978-0-415-50650-2 974:. Paul Kiparsky. 922:escholarship.org/ 425:Rio Grande do Sul 330:Morse-code rhythm 306: 286:Classical Persian 16:(Redirected from 1640: 1633:Rhythm and meter 1510:Secondary stress 1393: 1386: 1379: 1370: 1326: 1315: 1309: 1292: 1286: 1276: 1270: 1264: 1258: 1251: 1245: 1238: 1232: 1225: 1219: 1205: 1199: 1189: 1183: 1180: 1174: 1167: 1161: 1149: 1143: 1140: 1134: 1118: 1112: 1099: 1093: 1090: 1084: 1083: 1075: 1069: 1068: 1060: 1054: 1053: 1033: 1027: 1021: 1015: 1009: 1003: 1002: 989: 983: 969: 963: 962: 956: 948: 940: 934: 933: 931: 929: 916:Harris, Joseph. 913: 907: 906: 904: 902: 887: 881: 880: 874: 869: 867: 859: 857: 848: 842: 841: 831: 822: 816: 815: 805: 796: 790: 783: 777: 770: 764: 757: 751: 744: 738: 737: 721: 711: 702: 692: 686: 685: 683: 674: 668: 667: 653: 647: 646: 629: 623: 622: 614: 608: 607: 575: 569: 568: 560: 554: 553: 535: 471:Federal District 307: 260:V or CV syllable 207:Mandarin Chinese 21: 1648: 1647: 1643: 1642: 1641: 1639: 1638: 1637: 1618: 1617: 1616: 1611: 1557: 1553:Extra-shortness 1524: 1515:Vowel reduction 1496: 1433: 1429:Vowel reduction 1400: 1399:Suprasegmentals 1397: 1335: 1330: 1329: 1316: 1312: 1307:Wayback Machine 1293: 1289: 1277: 1273: 1265: 1261: 1252: 1248: 1239: 1235: 1226: 1222: 1216:Wayback Machine 1206: 1202: 1190: 1186: 1181: 1177: 1168: 1164: 1158:Wayback Machine 1150: 1146: 1141: 1137: 1119: 1115: 1110:Wayback Machine 1100: 1096: 1091: 1087: 1077: 1076: 1072: 1062: 1061: 1057: 1050: 1035: 1034: 1030: 1022: 1018: 1010: 1006: 991: 990: 986: 970: 966: 949: 942: 941: 937: 927: 925: 915: 914: 910: 900: 898: 889: 888: 884: 870: 860: 855: 850: 849: 845: 829: 824: 823: 819: 803: 798: 797: 793: 784: 780: 771: 767: 758: 754: 745: 741: 734: 713: 712: 705: 693: 689: 681: 676: 675: 671: 655: 654: 650: 635:(May 5, 2008). 631: 630: 626: 616: 615: 611: 577: 576: 572: 562: 561: 557: 550: 537: 536: 532: 527: 515: 507:Briony Williams 487: 478:Peter Ladefoged 390: 382:Iranian Persian 334:vowel reduction 302: 300: 294: 236: 161: 159:Syllable timing 134: 99:Kenneth L. Pike 83:tempo of speech 73:, others being 67: 28: 23: 22: 15: 12: 11: 5: 1646: 1644: 1636: 1635: 1630: 1620: 1619: 1613: 1612: 1610: 1609: 1604: 1599: 1594: 1589: 1584: 1579: 1574: 1567: 1565: 1559: 1558: 1556: 1555: 1550: 1545: 1540: 1534: 1532: 1526: 1525: 1523: 1522: 1517: 1512: 1506: 1504: 1498: 1497: 1495: 1494: 1489: 1484: 1479: 1477:Tone terracing 1474: 1469: 1464: 1459: 1454: 1449: 1443: 1441: 1435: 1434: 1432: 1431: 1426: 1421: 1416: 1410: 1408: 1402: 1401: 1398: 1396: 1395: 1388: 1381: 1373: 1367: 1366: 1361: 1356: 1346: 1341:Language Myths 1334: 1333:External links 1331: 1328: 1327: 1310: 1287: 1271: 1259: 1246: 1233: 1220: 1200: 1184: 1175: 1162: 1144: 1135: 1113: 1094: 1085: 1070: 1055: 1048: 1028: 1016: 1004: 984: 964: 935: 908: 882: 873:|journal= 843: 817: 791: 778: 765: 763:, 43, 377–401. 752: 739: 732: 703: 687: 669: 648: 624: 609: 570: 555: 548: 529: 528: 526: 523: 522: 521: 514: 511: 486: 483: 463:Espírito Santo 459:Rio de Janeiro 410:Indian English 406:North American 389: 386: 293: 290: 282:Vedic Sanskrit 235: 232: 169:reduced vowels 160: 157: 156: 155: 148: 141: 133: 130: 121:D. Abercrombie 66: 63: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1645: 1634: 1631: 1629: 1626: 1625: 1623: 1608: 1605: 1603: 1602:Prosodic unit 1600: 1598: 1595: 1593: 1590: 1588: 1585: 1583: 1580: 1578: 1577:Pitch contour 1575: 1572: 1569: 1568: 1566: 1564: 1560: 1554: 1551: 1549: 1546: 1544: 1541: 1539: 1536: 1535: 1533: 1531: 1527: 1521: 1518: 1516: 1513: 1511: 1508: 1507: 1505: 1503: 1499: 1493: 1490: 1488: 1485: 1483: 1482:Floating tone 1480: 1478: 1475: 1473: 1470: 1468: 1465: 1463: 1460: 1458: 1455: 1453: 1450: 1448: 1445: 1444: 1442: 1440: 1436: 1430: 1427: 1425: 1424:Metrical foot 1422: 1420: 1417: 1415: 1412: 1411: 1409: 1407: 1403: 1394: 1389: 1387: 1382: 1380: 1375: 1374: 1371: 1365: 1362: 1360: 1357: 1354: 1350: 1347: 1344: 1342: 1337: 1336: 1332: 1324: 1320: 1314: 1311: 1308: 1304: 1301: 1297: 1291: 1288: 1285: 1281: 1275: 1272: 1269: 1263: 1260: 1256: 1250: 1247: 1243: 1237: 1234: 1230: 1224: 1221: 1217: 1213: 1210: 1204: 1201: 1197: 1193: 1188: 1185: 1179: 1176: 1172: 1166: 1163: 1159: 1155: 1152: 1148: 1145: 1139: 1136: 1132: 1128: 1127:2-9518233-0-4 1124: 1117: 1114: 1111: 1107: 1104: 1098: 1095: 1089: 1086: 1081: 1074: 1071: 1066: 1059: 1056: 1051: 1045: 1041: 1040: 1032: 1029: 1025: 1020: 1017: 1013: 1008: 1005: 1000: 999: 994: 988: 985: 981: 977: 973: 968: 965: 960: 954: 946: 939: 936: 923: 919: 912: 909: 896: 892: 886: 883: 878: 865: 854: 847: 844: 839: 835: 828: 821: 818: 813: 809: 802: 795: 792: 788: 782: 779: 775: 769: 766: 762: 756: 753: 749: 743: 740: 735: 733:9781413006889 729: 725: 720: 719: 710: 708: 704: 701: 697: 691: 688: 680: 673: 670: 665: 664: 659: 652: 649: 644: 643: 638: 634: 633:Mark Liberman 628: 625: 620: 613: 610: 605: 601: 597: 593: 589: 585: 581: 574: 571: 566: 559: 556: 551: 549:0-521-68380-7 545: 541: 534: 531: 524: 520: 517: 516: 512: 510: 508: 504: 503:Dafydd Gibbon 501:According to 499: 496: 492: 484: 482: 479: 474: 472: 468: 464: 460: 456: 452: 448: 444: 441:, in central 440: 439: 434: 430: 426: 422: 418: 413: 411: 407: 403: 399: 394: 387: 385: 383: 379: 375: 371: 367: 363: 359: 355: 351: 347: 343: 339: 335: 331: 326: 324: 323:tolerable tea 320: 319:delicious tea 316: 299: 292:Stress timing 291: 289: 287: 283: 279: 278:Ancient Greek 275: 273: 269: 265: 261: 257: 253: 249: 245: 241: 233: 231: 227: 225: 220: 216: 212: 208: 204: 200: 196: 192: 188: 184: 180: 176: 172: 170: 166: 158: 153: 149: 146: 142: 139: 138: 137: 131: 129: 125: 122: 118: 114: 110: 106: 105: 100: 96: 92: 88: 84: 80: 76: 72: 64: 62: 60: 56: 52: 48: 44: 40: 36: 32: 19: 1548:Vowel length 1452:Pitch accent 1447:Tone contour 1405: 1340: 1322: 1313: 1298:1(2), 3–15; 1295: 1290: 1279: 1274: 1267: 1262: 1254: 1249: 1241: 1236: 1228: 1223: 1203: 1187: 1178: 1170: 1165: 1147: 1138: 1116: 1097: 1088: 1079: 1073: 1064: 1058: 1038: 1031: 1019: 1007: 997: 987: 975: 967: 944: 938: 926:. 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Retrieved 894: 885: 864:cite journal 846: 837: 833: 820: 811: 807: 794: 789:, pp. 74–85. 786: 781: 773: 768: 760: 755: 747: 742: 717: 695: 690: 672: 663:Language Log 661: 651: 642:Language Log 640: 627: 618: 612: 590:(1): 47–64. 587: 583: 573: 564: 558: 539: 533: 500: 494: 490: 488: 475: 469:as well the 454: 446: 443:Minas Gerais 436: 431:(especially 414: 395: 391: 329: 327: 322: 318: 314: 312: 276: 267: 237: 228: 173: 162: 135: 126: 102: 86: 68: 58: 54: 49:-timed, and 30: 29: 1582:Pitch reset 1492:Tone letter 1487:Tone sandhi 1282:27, 27–33, 1192:Bisol, leda 336:processes. 234:Mora timing 224:machine gun 1622:Categories 1571:Intonation 1543:Gemination 1244:5, 153–164 814:: 148–154. 525:References 455:fluminense 453:, and the 447:paulistano 296:See also: 264:diphthongs 244:Gilbertese 89:refers to 75:intonation 1628:Phonetics 1472:Downdrift 1257:11, 51–62 953:cite book 928:24 August 901:24 August 604:0043-7956 476:Linguist 451:São Paulo 429:Northeast 366:Norwegian 203:Cantonese 195:Icelandic 152:syllables 87:Isochrony 31:Isochrony 1597:Loudness 1538:Chroneme 1462:Downstep 1457:Register 1414:Syllable 1303:Archived 1212:Archived 1154:Archived 1106:Archived 995:(1869). 976:Language 895:unito.it 513:See also 457:, along 427:and the 240:Japanese 211:Armenian 199:Singlish 187:Romanian 95:language 91:rhythmic 45:-timed, 43:syllable 39:language 35:rhythmic 1573:(pitch) 1563:Prosody 897:. LFSAG 724:245–247 438:mineiro 402:British 398:Italian 370:Faroese 362:Swedish 354:Russian 338:English 215:Turkish 183:Spanish 179:Italian 165:prosody 71:prosody 65:History 1592:Rhythm 1587:Stress 1530:Length 1520:Accent 1502:Stress 1467:Upstep 1406:Timing 1353:French 1125:  1046:  730:  602:  546:  445:, the 380:, and 358:Danish 350:German 268:double 248:Slovak 219:Korean 175:French 113:Curwen 109:Soames 81:, and 79:stress 51:stress 1607:Pausa 1321:. In 1196:PUCRS 856:(PDF) 830:(PDF) 804:(PDF) 682:(PDF) 433:Bahia 374:Dutch 313:In a 252:Ganda 1439:Tone 1419:Mora 1131:.doc 1123:ISBN 1044:ISBN 959:link 930:2019 903:2019 877:help 728:ISBN 600:ISSN 584:WORD 544:ISBN 505:and 495:both 465:and 342:Thai 280:and 266:but 256:mora 250:and 217:and 145:mora 59:both 47:mora 1129:. 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Index

Mora-timed language
rhythmic
language
syllable
mora
stress
prosody
intonation
stress
tempo of speech
rhythmic
language
Kenneth L. Pike
Prosodia Rationalis
Soames
Curwen
linguistic typology
D. Abercrombie
mora
syllables
prosody
reduced vowels
French
Italian
Spanish
Romanian
Brazilian Portuguese
Icelandic
Singlish
Cantonese

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