229:," continued as the central creative and organizing force behind More Fire! until she decided to disband the company in 1988. She was involved in every aspect of the production end as well as the artistic creation and design. She wrote, often in collaboration with others, all eight More Fire! experimental plays, performed in them, designed sets and painted scenery, created popular music soundtracks, and wrote songs.
116:(also known as P.S. 122), became a regular meeting ground for New York and European dancers, actors and other artists, a number of whom had taken part in Grotowski's projects. Cantwell, Doba, and Epstein were all regular participants in Open Movement. Cantwell and Doba began collaborating with Epstein, who was then primarily a painter, to create an
147:, which used the movement and physicality of restaurant work to create theatre. The film shows the company's improvisational use of restaurant movement and language, and its real-life context in Epstein and Cantwell's lives as busy East Village artists and actresses who earned their livings as waitresses.
395:
after audience members sent hundreds of postcards demanding a review. Although the postcards were part of the performance, Solomon saw them as a "cry for reviews" and described the play as "politically irresponsible. . . . Instead of taking potshots from a fortress of self-indulgence, why not
150:
As co-founders of More Fire! Productions, Epstein and
Cantwell shared a joint vision and aesthetic. Cantwell's writing and acting abilities were crucial to the company's early success. Her primary interest was in creating a passionate, funny, excessive style of acting, using characters and
151:
situations drawn with broad strokes and shameless exaggeration. Cantwell's ability to improvise and understanding of theatre inspired and shaped
Epstein's own theatrical vision, which also developed out of her work as a painter, interest in popular film, and background as a working-class
416:
and then became the first full-length public play or performance ever to be presented in P.S. 122, in
October 1980. In 1981, More Fire! participated in the Second Women's One World (WOW) Festival of women's and lesbian theatre, in New York City, where the company performed
344:: "Perhaps Epstein and Schulman's greatest achievement was their ability to crystalize the contradictions at the heart of the theatre/performance world. . . . Along the way Epstein and Schulman knowingly poke fun at themselves and lots of other talented individuals."
387:'s classic within a few minutes. But the gist of the story––that 'hypocrisy is the spice of life' and lesbians will sell out as fast as the next person––made it . . . cynical." The harshest commentary came from Alisa Solomon, also of
155:
New Yorker. More Fire! used the superficial appearance of autobiography––particularly
Epstein's––as a framework for the satirical exploration of a variety of themes and genres, including the confessional style of some East Village
111:
Grotowski's focus on improvisatory expression matched and nurtured a strong interest in movement improvisation in the downtown community of the East
Village in the late 1970s. Open Movement, the weekly participatory event held at
87:
Along with
Epstein and Cantwell, another founding member of More Fire! was Stephanie Doba, who collaborated on and performed in six More Fire! plays. In the mid-1970s, Doba was working at The Kosciuszko Foundation, a
99:
to help facilitate the participation of
Americans in the "Tree of People", a new project of his Polish Laboratory Theatre. Grotowski's work at that time embodied a search for authentic expression through
31:. More Fire! Productions created and produced eight full-length plays between 1980 and 1988, becoming known as "one of the city's leading women's theatre groups" for its contributions to the downtown,
1163:
1406:
1396:
884:
Leondar, Gail. Framing the Mirror/Mirroring the Frame: Feminist Uses of Plays within Plays. Master's Thesis. New York
University Department of Performance Studies, 1991.
160:. The company's style developed through collaborative improvising and writing, with lesbians and straight women working together to create and sustain an avant-garde,
538:
1386:
1391:
19:
was a women's theatre collective active in New York City from 1980 to 1988. It was founded by Robin
Epstein and Dorothy Cantwell and based in the
104:
and interaction among participants, rather than performance for audiences. Cantwell and Doba met as participants in the Tree of People project in
449:
In April 2008, the More Fire! Productions archive, including scripts, photographs, reviews, production notes, and videos, was donated to NYC's
334:, published by Franklin Furnace, an avant-garde art and performance space, noted that "the business is fast and funny, ferociously local." The
367:
wrote: "Obviously, ensembles like More Fire!, which has earned a loyal cult following, are determined to remain outside of the mainstream."
218:
265:
172:
In 1983, Cantwell began to perform with Good
Medicine and Company, founded by Carlos Ricardo Martinez and downtown actor/playwright
408:
Most productions were performed at the University of the Streets, located on Seventh Street and Avenue A in the East Village
1184:
666:
39:
theatre scenes of the 1980s. Epstein and Cantwell co-wrote, produced, and performed in the company's first three plays:
304:
More Fire! Productions developed a following among East Village theatre audiences. East Village, women's, and New York
1093:
31, no. 4 (1979): 460-66; Robert Findlay, "Grotowski's 'Cultural Explorations Bordering on Art, Especially Theatre',"
1401:
1328:
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213:
20:
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113:
931:
Shalson, Lara. "Creating Community, Constructing Criticism: The Women's One World Festival 1980-1981."
413:
79:(1987), was written and produced by Epstein, who was the only person involved in all More Fire! plays.
248:. Other downtown performers appeared with the company, including Stephanie Skura in the title role in
52:
51:(1981), which had numerous runs and became a neighborhood cult classic, "the longest running show on
32:
1002:
Walter, Kate. "Endangered East Village: Gentrification Threatens Lesbian Artists' Last Hold-Out."
1039:
718:
349:
95:
organization having its headquarters in New York City. She was asked by Polish theatre director
63:
joined the company in 1983 and collaborated on the writing and performing of three later plays:
989:
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355:
201:
735:
Findlay, Robert. "Grotowski's 'Cultural Explorations Bordering on Art, Especially Theatre.'"
1153:
1034:
995:
Walter, Carol. "'Whining and Dining' in the Lesbo Ghetto: An Interview with Robin Epstein."
725:
450:
336:
308:
and lesbian publications commented on the company's energy, inventiveness, broad humor, and
209:
205:
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466:
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296:) also included male actors, such as actor/playwright Paul Walker and comic Jerry Turner.
253:
157:
96:
89:
24:
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Schulman, Sarah. "E. Village Alternative to Therapy: Junk Love and Exorcism." Review of
506:
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60:
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as "savagely witty" and praised the company's "original and daring performers." The
1316:
368:
273:
197:
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25, no. 3 (1981): 67; Daniel E. Cashman, "Grotowski: His Twentieth Anniversary,"
514:
482:
1180:
662:
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117:
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732:, by More Fire! Productions, University of the Streets, New York. January 1982.
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1013:, by Dorothy Cantwell and Robin Epstein, University of the Streets, New York.
568:, by Robin Epstein and Dorothy Cantwell, University of the Streets, New York.
397:
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was also performed at the 1981 Boston Women's Theatre Festival. In 1986, The
955:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
944:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
870:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
859:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
837:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
755:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
687:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
676:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
626:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
606:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
595:, by Robin Epstein and Sarah Schulman, University of the Streets, New York.
433:
hosted a More Fire! Productions retrospective that included performances of
694:
Day, Susie. "NY Dyke Theater: More Fire! makes more sex satire." Review of
143:
explores the making of the collective's first original experimental play,
602:
Benal, Jolanta. "Soul on Trial in Grossinger's Dining Room." Review of
591:
Benal, Jolanta. "Failures: Standups Sit Down and Take Over." Review of
105:
36:
534:
383:
which managed to recreate and mock many of the visual high points of
309:
152:
127:(Svenska Filminstitutet). Willtorp collaborated on and performed in
123:
Another founding member was Marianne Willtorp, now a member of the
909:, by More Fire! Productions, University of the Streets, New York,
184:. She starred with Jeff Weiss in his long-running, episodic show,
1177:
Queer Constellations: Subcultural Space In The Wake Of The City
659:
Queer Constellations: Subcultural Space In The Wake Of The City
528:
379:: "Parts of the show were quite funny––especially a parody of
305:
236:
and three plays written in collaboration with Sarah Schulman:
1255:
Jolanta Benal, "Soul on Trial in Grossinger's Dining Room,"
1164:
Stagestruck: Theater, AIDS, and the Marketing of Gay America
918:
Stagestruck: Theater, AIDS, and the Marketing of Gay America
887:
Mernit, Susan. "Robin Epstein: From Painter to Playwright."
1127:
Susan Mernit, "Robin Epstein: From Painter to Playwright,"
877:
Holden, Stephen. "Avant-Garde Antics for the Adventurous."
648:
Cashman, Daniel E. "Grotowski: His Twentieth Anniversary."
766:, by Robin Epstein, University of the Streets, New York.
698:, by Robin Epstein, University of the Streets, New York.
1321:
On Edge: Performance at the End of the Twentieth Century
951:
Solomon, Alisa. "Bold Whines in New Battles." Review of
635:
On Edge: Performance at the End of the Twentieth Century
478:(Nov. 1981, Feb. 1982, April 1982, May 1985, Sept. 1986)
225:
Epstein, who has been called the "lesbian equivalent of
188:. Cantwell also performed with Weiss and members of the
818:
Harris, William. "How Weiss Pays the Rent." Review of
792:
Gussow, Mel. "New Stars on Stage and Restaurant Row."
1212:
Mel Gussow, "New Stars on Stage and Restaurant Row,"
347:
Performances by More Fire! received mixed reviews in
1052:
Sarah Schulman, "E. Village Alternative to Therapy:
762:
Grubb, Kevin. "Matzohs for the Audience." Review of
564:
Baracks, Barbara. "All You Need Is Junk." Review of
716:Dunning, Jennifer. "What's Doing in Town and Out."
962:Solomon, Alisa. "As the Gender's Bent." Review of
866:Hirshorn, Harriet. "Failures Makes It." Review of
615:Burke, Bonnie. "A Tour of Bohemia's Last Refuge."
186:. . . and That's How the Rent Gets Paid (Part IV)
977:Tarzian, Charles. "Performance Space P.S. 122,"
1109:Charles Tarzian, "Performance Space P.S. 122",
855:Harris, William. "Wurst Case Scenario." Review
683:Dace, Tish. "Mayhem in the Streets." Review of
539:New York Public Library for the Performing Arts
451:Lincoln Center Library for the Performing Arts
232:Epstein's later work with More Fire! includes
1340:Alisa Solomon, "Bold Whines in New Battles,"
584:Baracks, Barbara. "WOW: Funky and Feminist."
176:. She performed in carlos ricardo martinez's
8:
1303:, "Avant-Garde Antics for the Adventurous,"
1068:, "Avant-Garde Antics for the Adventurous,"
1151:William Harris, "How Weiss Pays the Rent,"
820:And That's How the Rent Gets Paid (Part IV)
779:And That's How the Rent Gets Paid (Part IV)
537:, held by the Billy Rose Theatre Division,
1407:Defunct theatre companies in New York City
1397:1988 disestablishments in New York (state)
1366:Mel Gussow, "Junk Love, Modern Romance,"
1270:Barbara Baracks, "All You Need Is Junk,"
1105:
1103:
940:Shewey, Don. "Art from Trash." Review of
807:, by Robin Epstein and Dorothy Cantwell,
672:Dace, Tish. "Failures of Sex." Review of
622:Carr, C. "The Queer Frontier." Review of
535:More Fire! Productions records, 1980-2006
1123:
1121:
1119:
1027:
988:, by Robin Epstein and Sarah Schulman,
966:, by Robin Epstein and Sarah Schulman,
848:, by Robin Epstein and Sarah Schulman.
742:Grimes, Ron. "The Theatre of Sources."
709:, by Robin Epstein and Sarah Schulman.
1225:Leslie Gevirtz, "Whining and Dining,"
1081:Ron Grimes, "The Theatre of Sources,"
894:Miller, Rosalie J. "Lesbian Theater."
1387:Performing groups established in 1980
992:, New York. WNYC, September 27, 1986.
555:Austin, Gayle. "Women/Text/Theater."
7:
1392:1980 establishments in New York City
937:15, no. 2 (September 2005): 221-239
139:. Willtorp's 1981 documentary film
55:." Epstein then wrote and produced
1037:, "What's Doing in Town and Out,"
654:31, no. 4 (December 1979): 460-66.
219:The Musical Comedy Murders of 1940
14:
1199:, "Jeff Weiss's Rent Gets Paid,"
1129:New Women's Times Feminist Review
889:New Women's Times Feminist Review
739:32, no. 3 (October 1980): 349-56.
108:, Poland, in the winter of 1979.
1175:, 1998, 57-61; Dianne Chisholm,
1141:Peter Rose - performance history
981:29, no. 1 (Spring 1985): 84-91.
748:25, no. 3 (Autumn 1981): 67-74.
216:'s production of John Bishop's
204:. In 1987, Cantwell debuted on
974:31, no. 37, 16 September 1986.
575:Baracks, Barbara. "Deja WOW."
120:, experimental theatre style.
1:
1353:Barbara Baracks, "Deja WOW,"
1185:University of Minnesota Press
891:(November/December 1984): 7+.
803:, Modern Romance." Review of
705:Deutsch, Nicholas. Review of
667:University of Minnesota Press
1229:12, no. 27, 26 January 1985.
1131:(November/December 1984): 7.
999:, December–January 1984: 13.
759:12, no. 27, 26 January 1985.
713:13, no. 21, 7 December 1985.
702:14, no. 44, 31 May 1987: 6+.
470:(April–June 1980; Feb. 1982)
312:of the downtown arts scene.
284:, and a guest appearance in
59:(1983). Novelist and writer
1283:William Harris, "Review of
984:Tierney, Regina. Review of
844:Harris, William. Review of
833:Harris, William. Review of
773:Gussow, Mel. "Jeff Weiss's
751:Gevirtz, Leslie. Review of
561:9, no. 2/3 (1985): 185-190.
396:seriously engage issues of
276:contributed monologues for
178:Teddy and the Social Worker
1423:
1064:(February 1982). See also
1329:Wesleyan University Press
1097:32, no. 3 (1980): 349-56.
1009:Winer, Laurie. Review of
1006:, 4 February 1986: 36-38.
874:5, no. 2 (February 1984).
643:Wesleyan University Press
1238:Laurie Winer, Review of
881:, 5 September 1986, C1+.
852:, December/January 1986.
581:, 14 October 1981: 103+.
412:previewed at P.S. 122's
214:Circle Repertory Company
75:(1985). The final play,
1307:, 5 September 1986: C5.
1072:, 5 September 1986: C5.
558:Performing Arts Journal
510:(Nov. 1985, Sept. 1986)
494:(Dec. 1983, April 1984)
330:"theater as carnival."
272:. Writer and performer
922:Durham, North Carolina
907:The Exorcism of Cheryl
730:The Exorcism of Cheryl
619:, 25 June 1981: 21-23.
599:, 14 January 1984: 14.
467:The Exorcism of Cheryl
427:The Exorcism of Cheryl
419:The Exorcism of Cheryl
410:. As the Burger Broils
129:The Exorcism of Cheryl
125:Swedish Film Institute
45:The Exorcism of Cheryl
17:More Fire! Productions
1357:14 October 1981: 103.
1173:Duke University Press
1113:29, no. 1 (1985): 86.
926:Duke University Press
799:Gussow, Mel. "Stage:
728:, unsigned review of
588:, 7 October 1981: 93.
502:(Dec. 1984-Jan. 1985)
114:Performance Space 122
1370:, 18 September 1986.
986:Epstein on the Beach
964:Epstein on the Beach
948:, 25 April 1984: 25.
846:Epstein on the Beach
815:, 18 September 1986.
707:Epstein on the Beach
685:Epstein on the Beach
624:Epstein on the Beach
507:Epstein on the Beach
459:As the Burger Broils
439:Epstein on the Beach
421:and an excerpt from
377:Epstein on the Beach
300:Audience and critics
294:Epstein on the Beach
288:. Some productions (
262:Epstein on the Beach
246:Epstein on the Beach
145:As the Burger Broils
73:Epstein on the Beach
41:As the Burger Broils
33:experimental theatre
1344:, 21 December 1983.
1246:, 22 April 1982: 5.
1043:, 24 May 1985: C22.
1017:, 22 April 1982: 5.
959:, 21 December 1983.
722:, 24 May 1985: C1+.
531:– Founder's website
162:alternative theatre
1368:The New York Times
1305:The New York Times
1274:2:3 (1982): 24-27.
1261:, 14 January 1985.
1227:Gay Community News
1214:The New York Times
1201:The New York Times
1070:The New York Times
1040:The New York Times
879:The New York Times
813:The New York Times
794:The New York Times
787:The New York Times
757:Gay Community News
753:Whining and Dining
719:The New York Times
711:Gay Community News
700:Gay Community News
691:, 2 December 1985.
657:Chisholm, Dianne.
612:, 14 January 1985.
604:Whining and Dining
597:Gay Community News
572:2:3 (1982): 24-27.
499:Whining and Dining
404:Performance venues
365:The New York Times
350:The New York Times
328:Whining and Dining
270:Whining and Dining
258:Whining and Dining
242:Whining and Dining
69:Whining and Dining
35:, and women's and
1355:The Village Voice
1342:The Village Voice
1203:, 30 August 1984.
1157:, February 1984;
990:Performing Garage
972:The Village Voice
968:Performing Garage
957:The Village Voice
916:Schulman, Sarah.
824:Performing Garage
822:, by Jeff Weiss,
809:Performing Garage
789:, 30 August 1984.
783:Performing Garage
781:, by Jeff Weiss,
770:, 4 May 1987: 33.
680:, 2 January 1984.
628:The Village Voice
586:The Village Voice
578:The Village Voice
529:Robin Epstein.com
431:Performing Garage
414:Avant-Garde-Arama
389:The Village Voice
373:The Village Voice
356:The Village Voice
202:Performing Garage
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828:East Village Eye
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745:The Drama Review
726:East Village Eye
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518:(April–May 1987)
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210:Longacre Theatre
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47:(1981), and
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21:East Village
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1325:Hanover, NH
1181:Minneapolis
663:Minneapolis
645:, 1993: 87.
639:Hanover, NH
462:(Oct. 1980)
227:Woody Allen
182:Art the Rat
118:avant-garde
23:section of
1381:Categories
1197:Mel Gussow
1169:Durham, NC
545:References
398:capitalist
316:described
194:Ron Vawter
174:Jeff Weiss
141:More Fire!
93:non-profit
1240:Junk Love
1054:Junk Love
1011:Junk Love
924:|Durham:
903:Junk Love
805:Junk Love
801:Junk Love
633:Carr, C.
566:Junk Love
475:Junk Love
435:Junk Love
423:Junk Love
375:wrote of
340:wrote of
318:Junk Love
290:Junk Love
286:Junk Love
200:, at the
164:company.
133:Junk Love
49:Junk Love
1272:The Flue
1062:Womanews
1058:Exorcism
1004:Advocate
997:Womanews
911:Womanews
872:Womanews
617:Advocate
570:The Flue
332:The Flue
208:(at the
206:Broadway
67:(1983),
53:Avenue A
43:(1980),
1317:C. Carr
928:, 1998.
669:, 2005.
550:Sources
369:C. Carr
326:called
106:Wroclaw
37:lesbian
381:Quarry
310:satire
264:, and
244:, and
153:Jewish
135:, and
1022:Notes
445:Plays
212:) in
1056:and
905:and
437:and
353:and
292:and
280:and
260:and
196:and
180:and
1287:,"
1060:,"
453:.
371:of
363:of
306:gay
268:in
256:in
1383::
1327::
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1242:,
1183::
1171::
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1118:^
1102:^
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441:.
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359:.
252:,
240:,
222:.
131:,
27:,
1323:(
1179:(
1166:.
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