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Towards the age of forty-five, Morto, unquiet and dissatisfied, abandoned painting and took to soldiering in the service of the
Venetian republic. He was made captain of a troop of two hundred men; and fighting valorously, he is said to have died at Zara in
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during the son's childhood: whether he was termed "Morto" (dead) from his joyless temperament is a disputed point.
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and trained Andrea di Cosimo. Returning to Venice towards 1505, he assisted
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265:. Vol. 10 (11th ed.). Cambridge University Press. p. 247.
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His works were received with much favor in Rome. He afterwards went to
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who worked at the close of the 15th century and beginning of the 16th.
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This article incorporates text from a publication now in the
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Storia dei letterati e degli artisti del
Dipartimento della Piave
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Storia dei letterati e degli artisti del
Dipartimento della Piave
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Freedberg, Sydney J. (1993). Pelican
History of Art (ed.).
108:. It is claimed by Vasari that at an early age he went to
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was his pupil and assistant as a decorative painter.
100:), he may probably have studied painting first in
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104:and surroundings, initially an assistant of
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286:. Bollettino degli Ingegneri, Firenze.
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316:People from the Province of Belluno
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234:. Penguin Books Ltd. p. 675.
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196:or biographies of the artists.
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331:16th-century Italian painters
321:15th-century Italian painters
282:Manescalchi, Roberto (2004).
336:Italian Renaissance painters
232:Painting in Italy, 1500-1600
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88:, Civic Museum of Feltre
284:Le Grottesche del Morto
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216:p. XIII. Belluno, 1813
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159:. He may have met
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