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Perpetuum mobile

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477: 233: 207: 55: 190:), is a term used to describe a rapidly executed and persistently maintained figuration, usually of notes of equal length. Over time it has taken on two distinct applications: first, as describing entire musical compositions or passages within them that are characterised by a continuous stream of notes, usually but not always at a rapid 494: 486: 251: 495: 290:
can be defined as one in which part or most of the piece is intended to be repeated an often unspecified number of times, without the "motion" of the melody being halted when a repeat begins.
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of separate musical compositions was at the height of its popularity by the end of the 19th century. Such pieces would often be performed as virtuoso
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This figuration of rapid triplet quavers (eighth notes) continues for the duration of the movement.
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In some cases the repeats of a "perpetuum mobile" piece are at a different pitch, a
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accompaniment. When scored for wind instruments, it becomes a virtuoso challenge of
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Arranged for soprano saxophone, performed in 2015 by David Hernando Vitores (3:34)
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This article is about the musical term. For other uses, see
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piece based on the whole-tone scale composed by guitarist
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This is most often performed with a rather insignificant
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Die allerersten Vortragsstueckchen des jungen Cellisten
76: 269:. Hans Goldstein (cello) and Mellicia Straaf (piano). 1032:; Charles Scribner's Sons; New York: 1978. p.231 1030:Benjamin Britten, 1913-1976: Pictures From a Life 422:sonatas (although these are not very fast; the 315:occurs during the repeatable part. Some of the 487:NicolĂČ Paganini's Moto perpetuo Op. 11 (N° 6) 401:String Quartet No. 53 in D major ("The Lark") 8: 1043:"Salute to ABC - Start-ups - Transdiffusion" 760:(1950–1951). Also the third movement of his 385:consists almost entirely of sixteenth notes. 324: 81:introducing citations to additional sources 792:(1964) and the penultimate movement of his 414:, and large segments of the finales of his 210:A well-known example as a technique is the 331:are examples of this particular kind of 296:are often intended to be performed in a 205: 71:Relevant discussion may be found on the 994: 956: 781:(1960). Also the third movement of his 1016:"Concerto for Orchestra (BĂ©la BartĂłk)" 590:Perpetuum Mobile: musikalischer Scherz 508: 276: 7: 921:Time Machine 2011: Live in Cleveland 426:and the 22nd sonata are only marked 25: 715:The organ solo (movement 7) from 34:Perpetual motion (disambiguation) 914:'s drum solo "Moto perpetuo" on 908:has some examples of the concept 509:Problems playing this file? See 491: 460:(likewise not very fast, marked 300:fashion, and can thus be called 277:Problems playing this file? See 247: 64:relies largely or entirely on a 53: 833:and included on the 1974 album 650:), a 1905 piano composition by 454:The fourth of Franz Schubert's 981:has performed it on the banjo. 750:Prelude no. 2 in A minor from 683:, a 1918 piano composition by 364:pieces of both kinds include: 1: 577:, an interlude for his opera 858:Short Ride in a Fast Machine 1003:Harvard Dictionary of Music 783:Suite for Violin and Piano 681:Trois Mouvements perpĂ©tuels 286:As a distinct composition, 265:, consisting of continuous 27:Type of musical composition 1099: 788:(1935), the finale of his 38: 31: 762:Symphony No. 8 in C minor 728:The last movement of the 565:Op. 11 (No. 6) for violin 836:Starless and Bible Black 611:'s Album Leaf No.3 from 383:Partita for Violin No. 3 667:The second movement of 656:Perpetuum Mobile (from 580:The Tale of Tsar Saltan 574:Flight of the Bumblebee 569:Nikolai Rimsky-Korsakov 261:for cello and piano by 1047:www.transdiffusion.org 906:EinstĂŒrzende Neubauten 872:Penguin Cafe Orchestra 790:first solo cello suite 766:The final movement of 753:24 Preludes and Fugues 745:Concerto for Orchestra 695:, Act III Scene 5, by 555:, for violin and piano 527:Charles-Valentin Alkan 480: 327:Das Musikalische Opfer 325: 236: 226: 821:Wilhelm Middelschulte 739:The last movement of 702:The last movement of 689:The end of the opera 523:'s Piano Sonata No. 1 479: 436:Allegro ma non troppo 235: 209: 674:Piano Concerto No. 2 622:Piano Concerto No. 1 545:, op. 119, for piano 521:Carl Maria von Weber 77:improve this article 1078:Musical terminology 758:Dmitri Shostakovich 709:Violin Sonata No. 2 535:, op. 27, for piano 183:movimiento perpetuo 163:mouvement perpĂ©tuel 1073:Musical techniques 1028:Mitchell, Donald; 1001:Apel, Willi, ed.; 971:circular breathing 481: 237: 227: 221:Piano Sonata No. 2 173:movimento perpĂ©tuo 92:"Perpetuum mobile" 928:Juan MarĂ­a Solare 811:Thames Television 794:third cello suite 586:Johann Strauss II 539:Felix Mendelssohn 496: 412:22nd piano sonata 313:chord progression 252: 142: 141: 127: 16:(Redirected from 1090: 1057: 1056: 1054: 1053: 1039: 1033: 1026: 1020: 1019: 1012: 1006: 999: 982: 961: 897:Perpetuum Mobile 867:Perpetuum Mobile 804:Perpetuum mobile 768:Benjamin Britten 662:Hugo SchlemĂŒller 633:, third movement 624:, third movement 613:Six Album Leaves 553:Perpetuum Mobile 543:Perpetuum mobile 532:Le chemin de fer 498: 497: 478: 457:moments musicaux 390:Classical period 362:Perpetuum mobile 343:Perpetuum mobile 333:perpetuum mobile 330: 288:perpetuum mobile 259:perpetuum mobile 254: 253: 234: 200:perpetuum mobile 147:perpetuum mobile 137: 134: 128: 126: 85: 57: 49: 21: 1098: 1097: 1093: 1092: 1091: 1089: 1088: 1087: 1063: 1062: 1061: 1060: 1051: 1049: 1041: 1040: 1036: 1027: 1023: 1014: 1013: 1009: 1000: 996: 986: 985: 975:double-tonguing 962: 958: 948: 891: 847:Simeon ten Holt 730:Violin Concerto 722:Glagolitic Mass 685:Francis Poulenc 640: 609:Bedƙich Smetana 596:Robert Schumann 559:NicolĂČ Paganini 549:Ottokar Novacek 516: 515: 507: 505: 504: 503: 502: 499: 492: 489: 482: 476: 471: 469:Romantic period 403:, Op. 64, No. 5 392: 370: 359: 337:canon perpetuus 302:canon perpetuus 284: 283: 275: 273: 272: 271: 270: 255: 248: 245: 238: 232: 216:FrĂ©dĂ©ric Chopin 204: 138: 132: 129: 86: 84: 70: 58: 47: 37: 28: 23: 22: 15: 12: 11: 5: 1096: 1094: 1086: 1085: 1080: 1075: 1065: 1064: 1059: 1058: 1034: 1021: 1007: 993: 992: 991: 990: 984: 983: 955: 954: 953: 952: 947: 944: 943: 942: 936:time signature 924: 918:'s 2011 album 909: 900:by the German 890: 887: 886: 885: 878: 875: 862: 850: 843:Canto Ostinato 839: 825:"Fracture", a 823: 817: 815:ABC Weekend TV 807: 802:'s orchestral 797: 764: 748: 737: 726: 713: 700: 687: 678: 665: 654: 652:Claude Debussy 639: 636: 635: 634: 631:Symphony No. 6 625: 616: 606: 593: 583: 566: 556: 546: 536: 524: 519:The finale of 506: 500: 490: 485: 484: 483: 474: 473: 472: 470: 467: 466: 465: 452: 443:Franz Schubert 441:The second of 439: 406:The finale of 404: 395:The finale of 391: 388: 387: 386: 369: 368:Baroque period 366: 358: 355: 274: 256: 246: 241: 240: 239: 230: 229: 228: 203: 196: 140: 139: 75:. Please help 61: 59: 52: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1095: 1084: 1081: 1079: 1076: 1074: 1071: 1070: 1068: 1048: 1044: 1038: 1035: 1031: 1025: 1022: 1017: 1011: 1008: 1004: 998: 995: 988: 987: 980: 976: 972: 968: 967: 960: 957: 950: 949: 945: 940: 937: 933: 930:, piano solo 929: 926:"Nonstop" by 925: 923: 922: 917: 913: 910: 907: 903: 899: 898: 893: 892: 888: 883: 882:Eric Whitacre 879: 876: 873: 869: 868: 863: 860: 859: 854: 851: 848: 844: 840: 838: 837: 832: 828: 827:moto perpetuo 824: 822: 818: 816: 812: 808: 805: 801: 798: 795: 791: 787: 786: 780: 778: 774: 769: 765: 763: 759: 755: 754: 749: 746: 742: 738: 735: 734:Samuel Barber 731: 727: 724: 723: 718: 714: 711: 710: 705: 704:Maurice Ravel 701: 698: 694: 693: 688: 686: 682: 679: 676: 675: 670: 666: 663: 659: 655: 653: 649: 648:Images, Set 1 645: 642: 641: 637: 632: 629: 628:Tchaikovsky's 626: 623: 620: 619:Tchaikovsky's 617: 614: 610: 607: 605: 601: 597: 594: 592:for orchestra 591: 587: 584: 582: 581: 576: 575: 570: 567: 564: 563:Moto perpetuo 560: 557: 554: 550: 547: 544: 540: 537: 534: 533: 528: 525: 522: 518: 517: 514: 512: 488: 468: 463: 459: 458: 453: 451: 449: 444: 440: 437: 433: 429: 425: 421: 417: 413: 409: 405: 402: 398: 394: 393: 389: 384: 380: 376: 372: 371: 367: 365: 363: 356: 354: 352: 348: 344: 340: 338: 334: 329: 328: 322: 318: 317:riddle canons 314: 310: 305: 303: 299: 298:moto perpetuo 295: 291: 289: 282: 280: 268: 264: 260: 244: 224: 222: 217: 213: 208: 201: 197: 195: 193: 189: 185: 184: 179: 175: 174: 169: 165: 164: 159: 155: 154: 153:moto perpetuo 149: 148: 136: 125: 122: 118: 115: 111: 108: 104: 101: 97: 94: â€“  93: 89: 88:Find sources: 82: 78: 74: 68: 67: 66:single source 62:This article 60: 56: 51: 50: 46: 45:Canon (music) 42: 41:Round (music) 35: 30: 19: 18:Moto perpetuo 1083:Music genres 1050:. Retrieved 1046: 1037: 1029: 1024: 1010: 1002: 997: 964: 959: 919: 895: 889:21st century 866: 856: 834: 831:Robert Fripp 826: 813:and earlier 803: 782: 773:Cello Sonata 771: 751: 720: 707: 690: 680: 673: 657: 647: 643: 638:20th century 612: 604:Kinderszenen 599: 589: 578: 572: 562: 552: 542: 530: 461: 456: 447: 435: 432:Appassionata 431: 427: 423: 420:Appassionata 374: 361: 360: 342: 341: 336: 332: 316: 306: 301: 297: 292: 287: 285: 266: 263:David Popper 258: 219: 211: 199: 182: 181: 172: 171: 162: 161: 152: 151: 146: 145: 143: 130: 120: 113: 106: 99: 87: 63: 29: 902:avant garde 880:"Equus" by 741:BĂ©la BartĂłk 712:(1923–1927) 699:(1914–1924) 677:(1912–1913) 600:Hasche-Mann 243:"Elfentanz" 202:composition 1067:Categories 1052:2018-02-13 989:References 979:BĂ©la Fleck 946:References 912:Neil Peart 894:The album 853:John Adams 697:Alban Berg 660:Op.19) by 511:media help 448:Impromptus 434:is marked 430:, and the 428:Allegretto 309:modulation 279:media help 214:finale of 178:Portuguese 144:In music, 133:March 2020 103:newspapers 39:See also: 966:obbligato 932:invention 800:Arvo PĂ€rt 669:Prokofiev 644:Mouvement 408:Beethoven 198:Types of 73:talk page 462:Moderato 450:, D. 899 375:Preludio 357:Examples 267:spiccato 941:(2020). 934:in the 777:C Major 717:Janáček 692:Wozzeck 424:Tempest 416:Tempest 351:encores 188:Spanish 158:Italian 117:scholar 904:group 884:(2000) 874:(1987) 861:(1986) 849:(1976) 806:(1963) 796:(1972) 779:Op. 65 747:(1943) 736:(1939) 725:(1926) 664:(1912) 646:(from 294:Canons 212:presto 168:French 119:  112:  105:  98:  90:  951:Notes 870:" by 845:" by 785:Op. 6 615:Op. 2 602:from 397:Haydn 377:from 347:genre 345:as a 311:or a 192:tempo 124:JSTOR 110:books 973:and 916:Rush 418:and 379:Bach 373:The 321:Bach 96:news 43:and 939:5/8 855:'s 775:in 770:'s 756:by 743:'s 732:by 719:'s 706:'s 671:'s 598:'s 588:'s 571:'s 561:'s 551:'s 541:'s 529:'s 445:'s 410:'s 399:'s 381:'s 323:'s 319:of 218:'s 170:), 160:), 79:by 1069:: 1045:. 977:. 339:. 304:. 257:A 180:) 1055:. 1018:. 864:" 841:" 513:. 464:) 438:) 335:/ 281:. 223:: 186:( 176:( 166:( 156:( 135:) 131:( 121:· 114:· 107:· 100:· 83:. 69:. 36:. 20:)

Index

Moto perpetuo
Perpetual motion (disambiguation)
Round (music)
Canon (music)

single source
talk page
improve this article
introducing citations to additional sources
"Perpetuum mobile"
news
newspapers
books
scholar
JSTOR
Italian
French
Portuguese
Spanish
tempo

Frédéric Chopin
Piano Sonata No. 2
"Elfentanz"
David Popper
media help
Canons
modulation
chord progression
Bach

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