30:
4267:
2336:
4277:
958:, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:
851:
Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann
Sebastian Bach) it indicates the date of
2564:
Most recordings of the Bach motets have been made since the Second World War. The
Thomanerchor, for example, recorded a set in the 1950s. However, there were several pre-War recordings of the motets. The first recording of a Bach motet was a 1927 version of
927:(BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the
408:. Traditionally, scholars believed that Bach composed it in Leipzig in 1726, while more recent scholarship suggests for stylistic reasons that it was composed during Bach's Weimar period. It has been compared to another motet for double choir,
3263:
Melamed, Daniel R. âThe
Authorship of the Motet âIch Lasse Dich Nichtâ (BWV Anh. 159).â Journal of the American Musicological Society, vol. 41, no. 3, 1988, pp. 491â526. JSTOR, www.jstor.org/stable/831462. Accessed 30 Mar. 2020 (subscription
2572:
A single CD can contain the set of six motets (BWV 225â230) plus other works. One of the decisions which needs to be made is which motets to include. Another decision is how many voices to use per part. The motets have been recorded with
251:. In the early 19th century, six motets (BWV 225, 228, Anh. 159, 229, 227, 226) were among Bach's first printed music, after the second half of the 18th century when the only vocal music by Bach that was printed were collections of
227:. Several of the motets were written for funerals. There is some uncertainty as to the extent that motets would have been called for in normal church servicesâthere is evidence that the form was considered archaic. The text of
3930:
136:
168:
1800:
1750:
3946:
3852:
3825:
1805:
1002:
976:
131:
111:
91:
2052:
2047:
2301:
2296:
2249:
2244:
1759:
1754:
161:
2353:
1687:
1682:
4306:
3831:
1102:
986:
355:
for five vocal parts. It has been suggested that it was composed in 1723 for the funeral of
Johanna Maria KĂ€sin, the wife of the Leipzig postmaster. It takes its title from the hymn "
252:
154:
96:
188:
composed, because some have been lost, and there are some doubtful attributions among the surviving ones associated with him. There is a case for regarding the six motets catalogued
2457:, a pupil of Bach. The interest in Bach motets was sufficient for six of them to be printed for the first time in 1802/1803. They appeared in two volumes from the Leipzig publisher
2165:
2160:
4225:
3859:
1008:
116:
4280:
3845:
1106:
996:
106:
3866:
1014:
970:
121:
79:
3941:
3838:
990:
101:
4219:
3781:
1989:
1953:
1915:
3652:
312:
238:
suggested that the choral writing would have been useful for training Bach's young singers, and
Christoph Wolff has argued that this could apply in particular to
3798:
53:
3936:
3708:
1984:
1948:
1910:
1868:
1863:
317:(The Spirit gives aid to our weakness), BWV 226, a motet in B-flat major scored for two four-part choirs, was performed in Leipzig in 1729 for the funeral of
3873:
3750:
2559:
515:
126:
1563:
701:
668:
228:
3194:
2113:
2108:
1097:), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g.,
3701:
483:
3978:
3536:
3221:
3206:
2400:
1601:
234:(whether or not the piece is attributable to Bach) suggests a performance at Christmas. Another possible use is a pedagogical one. Bach's biographer
4301:
3644:
2372:
687:
266:
239:
36:
1020:
3918:
614:. All that is certain regarding Bach's participation in the work is that its second movement derives from the second movement of Bach's cantata
3692:
2379:
463:
3532:
3202:
4150:
3684:
3616:
434:
193:
3988:
3737:
597:
471:
3217:
585:
451:. Although some scholars have expressed doubts about the attribution to Bach, the work is generally regarded as a surviving motet by Bach.
2386:
3774:
2739:
4240:
3728:
674:
535:
499:
409:
199:
4230:
4068:
3585:
3412:
3377:
2827:
2700:
2419:
2368:
247:
Bach's motets are his only vocal works that stayed in the canon without interruption between his death in 1750 and the 19th-century
3720:
336:
4142:
3900:
1579:
4270:
3767:
3489:
3393:
2357:
694:
288:
3668:
387:
4073:
3911:
3198:
1554:
extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
476:, presented as a separate motet. Whether Bach extracted this motet (which is based on the second movement of the cantata
3563:"Zur Schichtschen Typendruck-Ausgabe der Motetten Johann Sebastian Bachs und zu ihrer Stellung in der WerkĂŒberlieferung"
1562:
extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (
3660:
3456:
3430:
2914:
346:
2393:
4194:
2437:
1587:
681:
577:
2346:
3676:
3609:
2515:
1575:
448:
420:
564:
III (spurious works) to BWV Anh. II (doubtful works) in BWV. The final chorale of the motet is an adaptation of
326:
3541:
2462:
2461:. The editor is not credited on the title page; however, it has been suggested that the person responsible was
1605:
3369:
2458:
4078:
3558:
3552:
3497:
2659:
2547:
1738:
1571:
766:
654:
318:
210:
4184:
4043:
4013:
3807:
3501:
3355:
3173:
3127:
3074:
3028:
2985:
2963:
2941:
2877:
2855:
2790:
2696:
2637:
2454:
2317:
2265:
2213:
2176:
2124:
2072:
2006:
1968:
1932:
1892:
1822:
1779:
1715:
1098:
742:
611:
603:
235:
189:
65:
2711:
4179:
4129:
3815:
3790:
3631:
3251:
1886:
1769:
1583:
1500:
966:
553:
364:
322:
206:
185:
75:
71:
3568:
Musikalische
Quellen, Quellen zur Musikgeschichte: Festschrift fĂŒr Martin Staehelin zum 65. Geburtstag
3148:
3102:
3095:
3049:
4058:
3602:
2586:
1103:
List of chorale harmonisations by Johann
Sebastian Bach#Chorale harmonisations in various collections
664:
568:, but that may also be a later addition to the motet. It draws its text from a verse taken from the
523:. The arrangement is possibly Bach's, and it is possible Bach used it as a separate (funeral) motet.
29:
4163:
4157:
4093:
4028:
4018:
2578:
1567:
1509:
1454:
1360:
870:, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
632:
4053:
4003:
3483:
3387:
2574:
356:
4189:
2543:
480:) from the three-movement motet or the cantata, and/or used it as a separate motet is not known.
3357:
Bach Werke
Verzeichnis: Kleine Ausgabe â Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
4120:
3581:
3573:
3562:
3408:
3373:
2902:
2823:
2671:
2607:
1370:
1186:
921:
644:
640:
636:
573:
2777:
2746:
3952:
3468:
3460:
2527:
2519:
1878:
1496:
1336:
1086:
1024:
947:
832:
506:
368:
2627:
Johann
Sebastian Bach: His Work and Influence on the Music of Germany, 1685â1750 (Volume 2)
1057:"by" â indicating the composer of the composition (if different from Johann Sebastian Bach)
4245:
4083:
3905:
1523:
1388:
1384:
1380:
1332:
951:
589:
569:
3304:
3286:
2631:
2625:
1350:
468:, originally BWV 231, later renumbered to BWV 28/2a, is the second movement of the motet
363:
on which it is based. The stanzas of the chorale are interspersed with passages from the
209:, appears to be at least partly by J.S. Bach, and if so was probably composed during his
2704:
4063:
4038:
4008:
3438:
3434:
3351:
3322:
2621:
2582:
2062:
1701:
1514:
1483:
1443:
1355:
510:
401:
300:
2819:
2813:
4295:
4250:
4210:
4023:
3998:
3577:
3545:
3452:
2652:
2066:
2001:
1963:
1927:
1882:
1817:
1773:
1291:
1082:
520:
405:
372:
360:
330:
2530:(the second edition of the composer's complete works) came out in 1965. It includes
4136:
4113:
4088:
4048:
4033:
3895:
3509:
3006:
2539:
2450:
2441:
2119:
1328:
1314:
1214:
1121:
1028:
962:
793:
621:
272:
248:
3594:
2534:(which had been included among the cantatas in the Bach-Gesellschaft-Ausgabe) and
3566:
3402:
852:
that person's involvement with the composition as composer, scribe or publisher.
3973:
3442:
3422:
2335:
2307:
2255:
2153:
2101:
2058:
2040:
1997:
1959:
1923:
1874:
1856:
1813:
1765:
1693:
1675:
1473:
1449:
1220:
884:
786:
549:
397:
192:
225â230 as being authenticated, although there is some doubt about one of them,
4215:
3924:
1479:
1458:
1322:
1301:
1224:
1090:
779:
775:
3362:
Bach Works
Catalogue: Small Edition â After Wolfgang Schmieder's 2nd edition
2208:
2171:
1709:
1705:
1697:
1066:
607:
444:
304:
296:
284:
17:
556:, appears to be one of Bach's earlier works, possibly composed during his
4235:
3879:
3426:
2675:
2662:. 1802 (Vol. 1: BWV 225, 228, Anh. 159); 1803 (Vol.2: BWV 229, 227, 226).
1365:
1310:
561:
396:
for a funeral, set for double chorus and unspecified instruments playing
141:
4276:
3759:
3555:. 1802 (Vol. 1: BWV 225, 228, Anh. 159); 1803 (Vol.2: BWV 229, 227, 226)
3464:
2360: in this section. Unsourced material may be challenged and removed.
2311:
2281:
2259:
2229:
2140:
2088:
2027:
1843:
1731:
1662:
1528:
1468:
1375:
1318:
1297:
1281:
1195:
867:
628:
565:
541:
440:
429:
composed in Leipzig, which received its first performance by 1731â1732.
426:
393:
352:
280:
224:
216:
1600:
extant or clearly documented manuscript (copy) by close friend and/or
3473:
2581:. Most recordings deploy more than one singer per part; for example,
2518:, the first edition of the composer's complete works. The editor was
1519:
1340:
615:
557:
489:: originally listed as a cantata, in BWV listed as a (funeral) motet.
477:
220:
3007:
Georg Gottfried Wagner: Motet Lob und Ehre und Weisheit, BWV Anh 162
1789:
chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3)
1107:
List of organ compositions by Johann Sebastian Bach#Chorale Preludes
2465:, who was active in the city as a choral and orchestral conductor.
3365:
1505:
1492:
1306:
1204:
1094:
825:
Chapters of the main catalogue indicated by Arabic numerals (1-13)
804:
552:. The motet, which was formerly attributed to Bach's older cousin
182:
28:
866:
Name of the composition: if the composition is known by a German
367:. The chorale melody on which several movements are based was by
1464:
1345:
1287:
1177:
1137:
800:
581:
545:
292:
276:
3763:
3598:
3011:
2444:
after Bach's death. It is documented that the choir performed
2329:
1060:"in" â indicating the oldest known source for the composition
3178:
3156:
3132:
3110:
3079:
3057:
3033:
2990:
2968:
2946:
2882:
2860:
2795:
1074:"see" â composition renumbered in a later edition of the BWV
223:, between 1708 and 1717, the others having been composed in
3826:
Masses, Mass movements, Magnificats, Passions and Oratorios
1071:" â indicating a composition with parts of different origin
560:
period around 1712. Consequently, the motet was moved from
2680:
2448:
for Mozart in 1789. The director on this occasion was the
2440:, appears to have kept the motets in the repertory of its
1904:
chorale setting "Jesu, meine Freude" (ss. 1, 6)
610:
motet for SATBâSATB attributed to, among others, Bach and
439:(Praise the Lord, all ye heathen), BWV 230, is a motet in
1217:
for unspecified voices or instruments as in some canons)
3733:(BWV Anh. 159, also attributed to Johann Christoph Bach)
271:(Sing unto the Lord a new song), BWV 225, is a motet in
3364:] (in German). Kirsten BeiĂwenger (collaborator). (
2710:
New York: Harcourt, Brace and Howe; London: Constable,
219:
is another motet which appears to have been written at
205:, which was formerly attributed to Bach's older cousin
3243:
3241:
3239:
3237:
3235:
3233:
3231:
3229:
1978:
chorale setting "Jesu, meine Freude" (s. 4)
1942:
chorale setting "Jesu, meine Freude" (s. 2)
631:
for SATB, strings(?) and continuo, by Graun (possibly
540:(I will not let you go ), BWV Anh. 159, is a motet in
2818:. Oxford, England: Oxford University Press. pp.
2769:
2767:
902:
400:. The work in two movements draws its text from the
4203:
4172:
4106:
3987:
3966:
3888:
3806:
3797:
2546:, and again in 2003, seven compositions edited by
693:, for SATB, after movements 2, 4 and 6 of cantata
443:scored for four voices, which draws its text from
287::1â3 for its first movement, the third stanza of "
2514:In 1892 the motets were published as part of the
828:Anh. sections indicated by Roman numerals (IâIII)
822:Section in which the composition appears in BWV:
1081:Provenance of standard texts and tunes, such as
1054:"after" â indicating a model for the composition
905:below for the abbreviations used in this column
771:(Annex; Anh.) numbers are indicated as follows:
4307:Lists of compositions by Johann Sebastian Bach
2706:Johann Sebastian Bach: His Life, Art, and Work
1099:Chorale cantata (Bach)#Bach's chorale cantatas
647:in a three-movement Christmas motet pasticcio.
3775:
3610:
2928:
2842:
2722:
1131:Legend for abbreviations in "Scoring" column
1064:
162:
8:
4148:
4127:
4118:
2560:Motets by Johann Sebastian Bach, discography
928:
919:
764:
740:
595:
533:
469:
461:
432:
425:(Come, Jesus, come), BWV 229, is a motet in
418:
385:
344:
334:
310:
264:
34:
3502:"Johann Sebastian Bach / Motetten / Motets"
2611:, p. 249 (W. W. Norton & Company 2001).
2608:Johann Sebastian Bach: The Learned Musician
748:
709:Motets listed in the second chapter of the
548:âSATB) and unspecified instruments playing
3984:
3803:
3782:
3768:
3760:
3725:(BWV 1149, arrangement attributed to Bach)
3617:
3603:
3595:
2733:
2731:
2522:, who did not accept Bach's authorship of
1613:
1536:
1129:
716:
624:KĂŒndlich groĂ ist das gottselige Geheimnis
169:
155:
44:
3537:International Music Score Library Project
3222:International Music Score Library Project
3207:International Music Score Library Project
2420:Learn how and when to remove this message
2369:"List of motets by Johann Sebastian Bach"
580:), combined with the third stanza of the
351:(Jesus, my joy), BWV 227, is a motet in
3705:(BWV 118, formerly listed as a cantata)
3247:
2898:
2773:
2598:
1446:: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu
52:
3481:
3385:
3205:: documentation and facsimiles at the
1537:
1489:strings: Vl I, Vl II and Va
1130:
1077:"text" â by text author, or, in source
969:grouped by occasion; Vol. 35â40:
717:
392:(Do not fear), BWV 228, is a motet in
137:Printed during the composer's lifetime
4151:Internationale Bachakademie Stuttgart
3654:Der Geist hilft unser Schwachheit auf
3547:Joh. Seb. Bach's Motetten in Partitur
3354:; Kobayashi, Yoshitake, eds. (1998).
2815:Oxford Composer Companions: J.S. Bach
2654:Joh. Seb. Bach's Motetten in Partitur
2508:Der Geist hilft unser Schwachheit auf
1734:Der Geist hilft unser Schwachheit auf
661:Merk auf, mein Herz, und sieh dorthin
313:Der Geist hilft unser Schwachheit auf
7:
3919:Performance practice of Bach's music
3580:. Vandenhoeck & Ruprecht. 2002.
3273:
2647:
2645:
2358:adding citations to reliable sources
4231:Bach Prize (Royal Academy of Music)
3455:(in German). Vol. 48. Berlin:
799:preceded by N: new Anh. numbers in
3459:(published 1962). pp. 35â51.
3427:"Eine Pergolesi-Bearbeitung Bachs"
2651:Johann Gottfried Schicht, editor.
2589:use a chorus of eighteen singers.
1615:Motets listed in Chapter 2 of BWV
663:, BWV Anh. 163, for SATBâSATB, by
653:, BWV Anh. 162, for SATBâSATB, by
651:Lob und Ehre und Weisheit und Dank
25:
3702:O Jesu Christ, meins Lebens Licht
2284:O Jesu Christ, meins Lebens Licht
2232:O Jesu Christ, meins Lebens Licht
1608:, ...), or distant family member
1034:Addenda (approximately 7 volumes)
831:Reconstructions published in the
586:Warum betrĂŒbst du dich, mein Herz
485:O Jesu Christ, meins Lebens Licht
275:scored for two four-part choirs (
4275:
4266:
4265:
3382:. Preface in English and German.
2532:O Jesu Christ, mein Lebens Licht
2334:
337:Komm, Heiliger Geist, Herre Gott
307::2 and 6 for its third movement.
4302:Motets by Johann Sebastian Bach
4143:Johann Sebastian Bach Institute
3646:Singet dem Herrn ein neues Lied
2538:. The motets were published by
2473:Singet dem Herrn ein neues Lied
2345:needs additional citations for
1665:Singet dem Herrn ein neues Lied
1284:(can be part of Bc, see below)
1089:, Latin liturgical texts (e.g.
782:(1950 first edition of the BWV)
303:) for the second movement, and
279:) which was first performed in
267:Singet dem Herrn ein neues Lied
241:Singet dem Herrn ein neues Lied
37:Singet dem Herrn ein neues Lied
3931:Printed during Bach's lifetime
3717:according to Bach's autograph)
3533:Motets by Johan Sebastian Bach
3407:. Cambridge University Press.
3404:J.S. Bach and the German Motet
3305:"Motets / Recordings â Part 1"
3287:"Motets / Recordings â Part 2"
371:(1653). The German text is by
289:Nun lob, mein Seel, den Herren
112:Keyboard and lute compositions
92:Masses, Passions and Oratorios
33:Bach's autograph of the motet
1:
3710:Tilge, Höchster, meine SĂŒnden
3697:(BWV 28/2a, formerly BWV 231)
2019:
1835:
1604:(Kellner, Krebs, Kirnberger,
1482:(/man. = manualiter, without
519:which was likely composed by
505:, a chorale from a pasticcio
376:
333:'s third stanza to the hymn "
321:. The text is taken from the
283:around 1727. This motet uses
230:Jauchzet dem Herrn, alle Welt
3738:Jauchzet dem Herrn alle Welt
3713:(BWV 1083, after Pergolesi:
3686:Lobet den Herrn, alle Heiden
2293:SATB 2Ob Tai Bas 2Hn Str Bc
2143:Lobet den Herrn, alle Heiden
2065:41: 10 (/1), 43: 1 (/2), by
1114:
1041:
937:
909:
891:
874:
856:
841:
813:
730:
598:Jauchzet dem Herrn alle Welt
472:Jauchzet dem Herrn alle Welt
435:Lobet den Herrn, alle Heiden
415:, which is possibly by Bach.
195:Lobet den Herrn, alle Heiden
3694:Sei Lob und Preis mit Ehren
3572:Edited by JĂŒrgen Heidrich,
3457:Evangelische Verlagsanstalt
3401:Melamed, Daniel R. (1995).
2916:Instrumental and Supplement
2526:. The motet volume of the
977:Masses, Passions, Oratorios
464:Sei Lob und Preis mit Ehren
142:Lost, doubtful and spurious
4323:
4195:St. Thomas Church, Leipzig
3912:Bach's choir and orchestra
3488:: CS1 maint: postscript (
3392:: CS1 maint: postscript (
2557:
2438:St. Thomas School, Leipzig
1395:
1230:
1135:
689:Unser Wandel ist im Himmel
682:Johann Christoph Altnickol
606:8:10) is a three-movement
544:scored for double chorus (
4261:
3748:
3741:(BWV Anh. 160 = TWV 8:10)
3640:
3195:Bach-Gesellschaft Ausgabe
2929:DĂŒrr & Kobayashi 1998
2843:DĂŒrr & Kobayashi 1998
2723:DĂŒrr & Kobayashi 1998
2516:Bach-Gesellschaft-Ausgabe
2326:Publication and recording
1889:8: 1â2, 9â11 (even mvts)
1850:
1834:
1831:
1747:2SATB Str Vc 2Ob Tai Bas
1727:
1724:
1645:
1642:
1639:
1636:
1633:
1630:
1627:
1624:
1622:
1619:
1442:
1404:
1219:
1212:
1171:
1168:
1093:) and common tunes (e.g.
933:(Preface) of the volume.
722:
335:
181:It is uncertain how many
3542:Johann Gottfried Schicht
2463:Johann Gottfried Schicht
678:, BWV Anh. 164
3429:[An arrangement of
3368: ed.). Wiesbaden:
3220:: documentation at the
2697:Forkel, Johann Nikolaus
1003:Keyboard and Lute Works
796:(spurious works) of BWV
789:(doubtful works) of BWV
456:BWV 28/2a (231) and 118
319:Johann Heinrich Ernesti
4149:
4128:
4119:
3832:Chorale harmonisations
3370:Breitkopf & HĂ€rtel
3203:.../Thematic Catalogue
2812:Boyd, Malcolm (1999).
2738:Gardiner, John Eliot.
2459:Breitkopf & HĂ€rtel
2455:Johann Friedrich Doles
1396:Strings and keyboard (
1087:their chorale melodies
1065:
973:; Vol. 41: Varia)
955:
929:
920:
765:
743:Bach-Werke-Verzeichnis
741:
711:Bach-Werke-Verzeichnis
655:Georg Gottfried Wagner
612:Georg Philipp Telemann
596:
534:
470:
462:
433:
419:
386:
345:
327:Romans 8:26â27
311:
265:
253:his four-part chorales
236:Johann Nikolaus Forkel
97:Chorale harmonisations
42:
35:
4180:Bach House (Eisenach)
4130:Neue Bachgesellschaft
3901:Church music in Latin
3791:Johann Sebastian Bach
3722:Der Gerechte kömmt um
3632:Johann Sebastian Bach
3467:. Digital version at
3309:Bach Cantatas Website
3291:Bach Cantatas Website
2701:Charles Sanford Terry
2558:Further information:
2491:Book II consisted of
1201:soprano (choir part)
696:Mein Odem ist schwach
578:Genesis 32:27
554:Johann Christoph Bach
516:Tristis est anima mea
501:Der Gerechte kömmt um
365:Epistle to the Romans
323:Epistle to the Romans
207:Johann Christoph Bach
186:Johann Sebastian Bach
56:Johann Sebastian Bach
32:
4226:Bach Prize (Hamburg)
4158:J.S. Bach Foundation
3730:Ich lasse dich nicht
3553:Breitkopf und HĂ€rtel
2660:Breitkopf und HĂ€rtel
2587:Bach Collegium Japan
2524:Ich lasse dich nicht
2485:Ich lasse dich nicht
2468:Book I consisted of
2354:improve this article
792:preceded by III: in
758:Bach-works-catalogue
718:Legend to the table
684:, Bach's son-in-law.
676:Nun danket alle Gott
622:Motet movement
572:, from the scene of
536:Ich lasse dich nicht
411:Ich lasse dich nicht
201:Ich lasse dich nicht
4185:Bach House (Köthen)
4164:List of Bach choirs
3588:, pp. 269â286
2605:Wolff, Christoph.
2542:in 1975, edited by
1739:Ernesti, J. H.
1616:
1539:
1538:Background colours
1510:violoncello piccolo
1476:(lute-harpsichord)
1231:Winds and battery (
1210:tenor (choir part)
1132:
887:of the composition
785:preceded by II: in
719:
635:), precedes laudes
633:Carl Heinrich Graun
627:, BWV Anh. 161, in
198:. A seventh motet,
3846:Organ compositions
3670:FĂŒrchte dich nicht
3662:Jesu, meine Freude
3465:10.13141/bjb.v1961
3449:Bach Yearbook 1961
3444:Bach-Jahrbuch 1961
3172:Bach Digital Work
3126:Bach Digital Work
3073:Bach Digital Work
3027:Bach Digital Work
2984:Bach Digital Work
2962:Bach Digital Work
2940:Bach Digital Work
2876:Bach Digital Work
2854:Bach Digital Work
2789:Bach Digital Work
2575:one voice per part
2567:Jesu, meine Freude
2502:Jesu, meine Freude
2479:FĂŒrchte dich nicht
2241:SATB 2Hn Cnt 3Tbn
2030:FĂŒrchte dich nicht
1993:III/2.2: 168
1919:III/2.2: 156
1885:(odd mvts), after
1846:Jesu, meine Freude
1772:8: 26â27 (/1), by
1614:
1580:J. C. F.
1576:C. P. E.
1192:bass (choir part)
1183:alto (choir part)
774:preceded by I: in
388:FĂŒrchte dich nicht
357:Jesu, meine Freude
347:Jesu, meine Freude
107:Organ compositions
43:
4289:
4288:
4121:Bach Gesellschaft
4102:
4101:
3962:
3961:
3853:Keyboard and lute
3757:
3756:
3574:Hans Joachim Marx
3433:by Bach]. In
3218:Neue Bach-Ausgabe
2430:
2429:
2422:
2404:
2323:
2322:
2085:before 1731â1732
2061:(/2); text after
1809:III/2.2: 38
1768:(/2); text after
1696:(/2); text after
1612:
1611:
1586:) or son-in-law (
1584:J. Christian
1564:J. Christoph
1535:
1534:
1531:, violone grosso
1371:tromba da tirarsi
1136:Voices (see also
1128:
1127:
965:(Vol. 1â34:
956:Neue Bach-Ausgabe
922:Bach Gesellschaft
702:Johann Ernst Bach
645:Bach's Magnificat
602:, BWV Anh. 160 (=
375:, and dates from
179:
178:
16:(Redirected from
4314:
4279:
4269:
4268:
4154:
4133:
4124:
3985:
3955:
3953:New Bach Edition
3933:
3921:
3914:
3876:
3869:
3867:Orchestral works
3862:
3855:
3848:
3841:
3834:
3804:
3784:
3777:
3770:
3761:
3678:Komm, Jesu, komm
3635:
3634:
3619:
3612:
3605:
3596:
3591:
3535:: Scores at the
3522:
3520:
3518:
3506:
3493:
3487:
3479:
3477:
3418:
3397:
3391:
3383:
3338:
3337:
3335:
3333:
3319:
3313:
3312:
3301:
3295:
3294:
3283:
3277:
3271:
3265:
3261:
3255:
3245:
3224:
3215:
3209:
3192:
3186:
3185:
3182:
3180:
3170:
3164:
3163:
3160:
3158:
3146:
3140:
3139:
3136:
3134:
3124:
3118:
3117:
3114:
3112:
3105:Mus. ms. 521/2â6
3093:
3087:
3086:
3083:
3081:
3071:
3065:
3064:
3061:
3059:
3052:Ms. II 3902 Mus.
3047:
3041:
3040:
3037:
3035:
3025:
3019:
3018:
3015:
3013:
3004:
2998:
2997:
2994:
2992:
2982:
2976:
2975:
2972:
2970:
2960:
2954:
2953:
2950:
2948:
2938:
2932:
2926:
2920:
2912:
2906:
2896:
2890:
2889:
2886:
2884:
2874:
2868:
2867:
2864:
2862:
2852:
2846:
2840:
2834:
2833:
2809:
2803:
2802:
2799:
2797:
2787:
2781:
2771:
2762:
2761:
2759:
2757:
2751:
2745:. Archived from
2744:
2735:
2726:
2720:
2714:
2699:, translated by
2694:
2688:
2687:
2684:
2682:
2669:
2663:
2649:
2640:
2635:
2632:Novello & Co
2618:
2612:
2603:
2579:Konrad JunghÀnel
2528:New Bach Edition
2496:Komm, Jesu, komm
2446:Singet dem Herrn
2425:
2418:
2414:
2411:
2405:
2403:
2362:
2338:
2330:
2091:Komm, Jesu, komm
2024:
2021:
1990:III/2.1: 22
1954:III/2.1: 28
1916:III/2.1: 27
1840:
1839: 1723â1735
1837:
1806:III/2.1: 18
1643:Additional info
1617:
1597:
1540:
1457:(Hc, Lw, Org or
1337:corno da tirarsi
1223:for unspecified
1213:voice (includes
1133:
1070:
1048:Additional info
1044:
1025:Musical Offering
1015:Orchestral Works
971:secular cantatas
948:New Bach Edition
940:
932:
926:
912:
894:
877:
859:
844:
835:indicated by "R"
816:
778:(lost works) of
770:
763:; BWV) numbers.
762:
759:
756:
753:
750:
746:
733:
720:
680:, for SSATB, by
601:
539:
528:BWV Anh. 159â165
507:passion oratorio
475:
467:
438:
424:
421:Komm, Jesu, komm
391:
381:
378:
350:
340:
339:
316:
270:
171:
164:
157:
122:Orchestral works
83:
45:
40:
21:
4322:
4321:
4317:
4316:
4315:
4313:
4312:
4311:
4292:
4291:
4290:
4285:
4257:
4246:Bach quadrangle
4199:
4190:Café Zimmermann
4168:
4098:
4044:Riemenschneider
3991:
3983:
3958:
3951:
3942:Reconstructions
3929:
3917:
3910:
3884:
3872:
3865:
3858:
3851:
3844:
3839:Songs and arias
3837:
3830:
3793:
3788:
3758:
3753:
3744:
3636:
3630:
3629:
3623:
3589:
3529:
3516:
3514:
3504:
3496:
3480:
3471:
3439:Neumann, Werner
3421:
3415:
3400:
3384:
3380:
3350:
3347:
3342:
3341:
3331:
3329:
3323:"Bach - Motets"
3321:
3320:
3316:
3303:
3302:
3298:
3285:
3284:
3280:
3272:
3268:
3262:
3258:
3246:
3227:
3216:
3212:
3193:
3189:
3177:
3171:
3167:
3155:
3149:HLB Darmstadt,
3147:
3143:
3131:
3125:
3121:
3109:
3103:HLB Darmstadt,
3096:HLB Darmstadt,
3094:
3090:
3078:
3072:
3068:
3056:
3048:
3044:
3032:
3026:
3022:
3010:
3005:
3001:
2989:
2983:
2979:
2967:
2961:
2957:
2945:
2939:
2935:
2927:
2923:
2913:
2909:
2897:
2893:
2881:
2875:
2871:
2859:
2853:
2849:
2841:
2837:
2830:
2811:
2810:
2806:
2794:
2788:
2784:
2772:
2765:
2755:
2753:
2752:on 4 March 2016
2749:
2742:
2737:
2736:
2729:
2721:
2717:
2695:
2691:
2679:
2670:
2666:
2650:
2643:
2622:Spitta, Philipp
2620:
2619:
2615:
2604:
2600:
2595:
2562:
2556:
2544:GĂŒnter Graulich
2536:Lobet den Herrn
2435:
2426:
2415:
2409:
2406:
2363:
2361:
2351:
2339:
2328:
2302:III/1: 171
2250:III/1: 163
2204:
2201:
2198:
2195:
2192:
2189:
2186:
2022:
1992:
1918:
1900:
1838:
1808:
1793:
1700:: 1â3 (/1), by
1658:
1595:
1524:violino piccolo
1389:clarino trumpet
1385:natural trumpet
1333:corno da caccia
1042:
1037:
967:church cantatas
938:
910:
892:
875:
857:
842:
814:
760:
757:
754:
751:
731:
715:
665:Johann Bernhard
590:Erasmus Alberus
570:Book of Genesis
530:
496:
458:
379:
261:
175:
146:
102:Songs and arias
70:
55:
54:Compositions by
23:
22:
15:
12:
11:
5:
4320:
4318:
4310:
4309:
4304:
4294:
4293:
4287:
4286:
4284:
4283:
4273:
4262:
4259:
4258:
4256:
4255:
4254:
4253:
4243:
4238:
4233:
4228:
4223:
4213:
4211:Bach festivals
4207:
4205:
4201:
4200:
4198:
4197:
4192:
4187:
4182:
4176:
4174:
4170:
4169:
4167:
4166:
4161:
4155:
4146:
4140:
4134:
4125:
4116:
4110:
4108:
4104:
4103:
4100:
4099:
4097:
4096:
4091:
4086:
4081:
4076:
4071:
4066:
4061:
4056:
4051:
4046:
4041:
4036:
4031:
4026:
4021:
4016:
4011:
4006:
4001:
3995:
3993:
3982:
3981:
3976:
3970:
3968:
3964:
3963:
3960:
3959:
3957:
3956:
3949:
3947:Transcriptions
3944:
3939:
3934:
3927:
3922:
3915:
3908:
3903:
3898:
3892:
3890:
3886:
3885:
3883:
3882:
3877:
3870:
3863:
3856:
3849:
3842:
3835:
3828:
3823:
3818:
3812:
3810:
3801:
3795:
3794:
3789:
3787:
3786:
3779:
3772:
3764:
3755:
3754:
3749:
3746:
3745:
3743:
3742:
3734:
3726:
3718:
3706:
3698:
3690:
3682:
3674:
3666:
3658:
3650:
3641:
3638:
3637:
3624:
3622:
3621:
3614:
3607:
3599:
3593:
3592:
3556:
3539:
3528:
3527:External links
3525:
3524:
3523:
3500:, ed. (2002).
3494:
3419:
3413:
3398:
3378:
3346:
3343:
3340:
3339:
3314:
3296:
3278:
3266:
3256:
3225:
3210:
3187:
3165:
3141:
3119:
3098:Mus. ms. 521/1
3088:
3066:
3042:
3020:
3014:.bach-cantatas
2999:
2977:
2955:
2933:
2931:, p. 459.
2921:
2907:
2891:
2869:
2847:
2845:, p. 233.
2835:
2828:
2804:
2782:
2763:
2727:
2725:, p. 228.
2715:
2689:
2664:
2641:
2613:
2597:
2596:
2594:
2591:
2583:Masaaki Suzuki
2555:
2552:
2512:
2511:
2505:
2499:
2489:
2488:
2487:(BWV Anh. 159)
2482:
2476:
2434:
2431:
2428:
2427:
2342:
2340:
2333:
2327:
2324:
2321:
2320:
2315:
2304:
2299:
2294:
2291:
2288:
2279:
2276:
2273:
2269:
2268:
2263:
2252:
2247:
2242:
2239:
2236:
2227:
2224:
2221:
2217:
2216:
2211:
2205:
2202:
2199:
2196:
2193:
2190:
2187:
2184:
2180:
2179:
2174:
2168:
2163:
2158:
2149:
2146:
2138:
2135:
2132:
2128:
2127:
2122:
2116:
2111:
2106:
2097:
2094:
2086:
2083:
2080:
2076:
2075:
2070:
2055:
2050:
2045:
2036:
2033:
2025:
2017:
2014:
2010:
2009:
2004:
1994:
1987:
1982:
1979:
1976:
1972:
1971:
1966:
1956:
1951:
1946:
1943:
1940:
1936:
1935:
1930:
1920:
1913:
1908:
1905:
1902:
1896:
1895:
1890:
1871:
1866:
1861:
1852:
1849:
1841:
1833:
1830:
1826:
1825:
1820:
1810:
1803:
1798:
1795:
1790:
1787:
1783:
1782:
1777:
1762:
1757:
1748:
1745:
1742:
1729:
1726:
1723:
1719:
1718:
1713:
1690:
1685:
1680:
1671:
1668:
1660:
1655:
1652:
1648:
1647:
1644:
1641:
1638:
1635:
1632:
1629:
1626:
1623:
1621:
1610:
1609:
1598:
1592:
1591:
1560:
1556:
1555:
1552:
1548:
1547:
1544:
1533:
1532:
1526:
1517:
1515:viola da gamba
1512:
1503:
1490:
1487:
1477:
1471:
1462:
1452:
1447:
1444:basso continuo
1440:
1439:
1436:
1433:
1430:
1427:
1424:
1421:
1418:
1415:
1412:
1409:
1406:
1402:
1401:
1393:
1392:
1378:
1373:
1368:
1363:
1358:
1356:oboe da caccia
1353:
1348:
1343:
1326:
1304:
1295:
1285:
1278:
1277:
1274:
1271:
1268:
1265:
1262:
1259:
1256:
1253:
1250:
1247:
1244:
1241:
1237:
1236:
1228:
1227:
1218:
1211:
1208:
1202:
1199:
1193:
1190:
1184:
1181:
1174:
1173:
1170:
1167:
1164:
1161:
1158:
1155:
1152:
1149:
1146:
1142:
1141:
1126:
1125:
1119:
1116:
1112:
1111:
1083:Lutheran hymns
1079:
1078:
1075:
1072:
1061:
1058:
1055:
1049:
1046:
1039:
1038:
1036:
1035:
1032:
1018:
1012:
1006:
1000:
994:
980:
974:
959:
945:
942:
935:
934:
917:
914:
907:
906:
899:
896:
889:
888:
882:
879:
872:
871:
864:
861:
854:
853:
849:
846:
839:
838:
837:
836:
829:
826:
820:
818:
811:
810:
809:
808:
803:(1990) and/or
797:
790:
783:
738:
735:
728:
727:
724:
714:
707:
706:
705:
691:, BWV Anh. 165
685:
672:
658:
648:
619:
593:
574:Jacob's Ladder
529:
526:
525:
524:
495:
492:
491:
490:
481:
457:
454:
453:
452:
430:
416:
413:, BWV Anh. 159
404:and a hymn by
402:Book of Isaiah
383:
342:
308:
301:Johann Gramann
260:
257:
232:, BWV Anh. 160
203:, BWV Anh. 159
177:
176:
174:
173:
166:
159:
151:
148:
147:
145:
144:
139:
134:
132:Transcriptions
129:
124:
119:
114:
109:
104:
99:
94:
89:
84:
68:
62:
59:
58:
50:
49:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4319:
4308:
4305:
4303:
4300:
4299:
4297:
4282:
4278:
4274:
4272:
4264:
4263:
4260:
4252:
4249:
4248:
4247:
4244:
4242:
4239:
4237:
4234:
4232:
4229:
4227:
4224:
4221:
4217:
4214:
4212:
4209:
4208:
4206:
4202:
4196:
4193:
4191:
4188:
4186:
4183:
4181:
4178:
4177:
4175:
4171:
4165:
4162:
4159:
4156:
4153:
4152:
4147:
4144:
4141:
4138:
4135:
4132:
4131:
4126:
4123:
4122:
4117:
4115:
4112:
4111:
4109:
4107:Organizations
4105:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4077:
4075:
4072:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4032:
4030:
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4000:
3997:
3996:
3994:
3990:
3986:
3980:
3977:
3975:
3972:
3971:
3969:
3965:
3954:
3950:
3948:
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3860:Chamber music
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3597:
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3586:9783525278208
3583:
3579:
3578:Ulrich Konrad
3575:
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3499:
3495:
3491:
3485:
3475:
3470:
3466:
3462:
3458:
3454:
3453:Bach-Jahrbuch
3450:
3446:
3445:
3440:
3436:
3432:
3428:
3424:
3420:
3416:
3414:0-52-141864-X
3410:
3406:
3405:
3399:
3395:
3389:
3381:
3379:9783765102493
3375:
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3328:
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3208:
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3196:
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3145:
3142:
3138:
3129:
3123:
3120:
3116:
3107:
3106:
3100:
3099:
3092:
3089:
3085:
3076:
3070:
3067:
3063:
3054:
3053:
3050:BR Bruxelles
3046:
3043:
3039:
3030:
3024:
3021:
3017:
3008:
3003:
3000:
2996:
2987:
2981:
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2829:0-19-866208-4
2825:
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2816:
2808:
2805:
2801:
2792:
2786:
2783:
2779:
2775:
2770:
2768:
2764:
2748:
2741:
2740:"Bach Motets"
2734:
2732:
2728:
2724:
2719:
2716:
2713:
2709:
2707:
2702:
2698:
2693:
2690:
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2570:
2568:
2561:
2553:
2551:
2549:
2545:
2541:
2537:
2533:
2529:
2525:
2521:
2520:Franz WĂŒllner
2517:
2509:
2506:
2503:
2500:
2497:
2494:
2493:
2492:
2486:
2483:
2480:
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2421:
2413:
2402:
2399:
2395:
2392:
2388:
2385:
2381:
2378:
2374:
2371: â
2370:
2366:
2365:Find sources:
2359:
2355:
2349:
2348:
2343:This section
2341:
2337:
2332:
2331:
2325:
2319:
2316:
2313:
2309:
2305:
2303:
2300:
2298:
2295:
2292:
2290:Bâ maj.
2289:
2286:
2285:
2280:
2277:
2274:
2271:
2270:
2267:
2264:
2261:
2257:
2253:
2251:
2248:
2246:
2243:
2240:
2238:Bâ maj.
2237:
2234:
2233:
2228:
2225:
2222:
2219:
2218:
2215:
2212:
2210:
2206:
2203:
2200:
2197:
2194:
2191:
2188:
2185:
2182:
2181:
2178:
2175:
2173:
2169:
2167:
2164:
2162:
2159:
2156:
2155:
2150:
2147:
2145:
2144:
2139:
2136:
2133:
2130:
2129:
2126:
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2115:
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2110:
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2103:
2098:
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2054:
2051:
2049:
2046:
2043:
2042:
2037:
2034:
2032:
2031:
2026:
2018:
2015:
2012:
2011:
2008:
2005:
2003:
1999:
1995:
1991:
1988:
1986:
1983:
1980:
1977:
1974:
1973:
1970:
1967:
1965:
1961:
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1955:
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1947:
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1744:Bâ maj.
1743:
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1721:
1720:
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1711:
1707:
1703:
1699:
1695:
1691:
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1686:
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1678:
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1672:
1670:Bâ maj.
1669:
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1661:
1656:
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1618:
1607:
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1530:
1527:
1525:
1521:
1518:
1516:
1513:
1511:
1507:
1504:
1502:
1498:
1497:viola d'amore
1494:
1491:
1488:
1485:
1481:
1478:
1475:
1472:
1470:
1466:
1463:
1460:
1456:
1453:
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1448:
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1437:
1434:
1431:
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1394:
1390:
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1379:
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1369:
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1364:
1362:
1359:
1357:
1354:
1352:
1349:
1347:
1344:
1342:
1338:
1334:
1330:
1327:
1324:
1320:
1316:
1312:
1308:
1305:
1303:
1299:
1296:
1293:
1292:musical bells
1289:
1286:
1283:
1280:
1279:
1275:
1272:
1269:
1266:
1263:
1260:
1257:
1254:
1251:
1248:
1245:
1242:
1239:
1238:
1234:
1229:
1226:
1222:
1216:
1209:
1206:
1203:
1200:
1197:
1194:
1191:
1188:
1185:
1182:
1179:
1176:
1175:
1165:
1162:
1159:
1156:
1153:
1150:
1147:
1144:
1143:
1139:
1134:
1123:
1120:
1117:
1113:
1110:
1108:
1104:
1100:
1096:
1092:
1088:
1084:
1076:
1073:
1069:
1068:
1062:
1059:
1056:
1053:
1052:
1051:may include:
1050:
1047:
1040:
1033:
1030:
1026:
1022:
1019:
1016:
1013:
1010:
1009:Chamber Music
1007:
1004:
1001:
998:
995:
992:
988:
984:
981:
978:
975:
972:
968:
964:
961:
960:
957:
953:
949:
946:
943:
936:
931:
925:
923:
918:
915:
908:
904:
903:scoring table
900:
897:
890:
886:
883:
880:
873:
869:
865:
862:
855:
850:
847:
840:
834:
830:
827:
824:
823:
821:
819:
812:
806:
802:
798:
795:
794:Anh. III
791:
788:
784:
781:
777:
773:
772:
769:
768:
745:
744:
739:
736:
729:
725:
721:
712:
708:
703:
699:
697:
692:
690:
686:
683:
679:
677:
673:
670:
666:
662:
659:
656:
652:
649:
646:
642:
638:
634:
630:
626:
625:
620:
617:
613:
609:
605:
600:
599:
594:
591:
587:
583:
579:
575:
571:
567:
563:
559:
555:
551:
547:
543:
538:
537:
532:
531:
527:
522:
521:Johann Kuhnau
518:
517:
513:of the motet
512:
508:
504:
502:
498:
497:
493:
488:
486:
482:
479:
474:
473:
466:
465:
460:
459:
455:
450:
446:
442:
437:
436:
431:
428:
423:
422:
417:
414:
412:
407:
406:Paul Gerhardt
403:
399:
395:
390:
389:
384:
374:
373:Johann Franck
370:
369:Johann CrĂŒger
366:
362:
361:Johann Franck
358:
354:
349:
348:
343:
338:
332:
331:Martin Luther
328:
324:
320:
315:
314:
309:
306:
302:
298:
294:
290:
286:
282:
278:
274:
269:
268:
263:
262:
258:
256:
254:
250:
245:
243:
242:
237:
233:
231:
226:
222:
218:
214:
212:
211:Weimar period
208:
204:
202:
197:
196:
191:
187:
184:
172:
167:
165:
160:
158:
153:
152:
150:
149:
143:
140:
138:
135:
133:
130:
128:
125:
123:
120:
118:
117:Chamber music
115:
113:
110:
108:
105:
103:
100:
98:
95:
93:
90:
88:
85:
81:
77:
73:
69:
67:
64:
63:
61:
60:
57:
51:
47:
46:
39:
38:
31:
27:
19:
4204:Other topics
4160:(St. Gallen)
4137:Bach Archive
4114:Bach Society
3992:and scholars
3896:Bach cantata
3820:
3799:Compositions
3736:
3729:
3721:
3714:
3709:
3700:
3693:
3685:
3677:
3669:
3661:
3653:
3645:
3625:
3567:
3546:
3515:. Retrieved
3510:Carus-Verlag
3508:
3448:
3443:
3435:DĂŒrr, Alfred
3423:Platen, Emil
3403:
3361:
3356:
3352:DĂŒrr, Alfred
3330:. Retrieved
3326:
3317:
3308:
3299:
3290:
3281:
3276:, p. I.
3269:
3259:
3248:Melamed 1995
3213:
3199:.../Prefaces
3190:
3181:.bachdigital
3168:
3159:.bachdigital
3151:Mus. ms. 528
3150:
3144:
3135:.bachdigital
3122:
3113:.bachdigital
3104:
3097:
3091:
3082:.bachdigital
3069:
3060:.bachdigital
3051:
3045:
3036:.bachdigital
3023:
3002:
2993:.bachdigital
2980:
2971:.bachdigital
2958:
2949:.bachdigital
2936:
2924:
2915:
2910:
2899:Melamed 1995
2894:
2885:.bachdigital
2872:
2863:.bachdigital
2850:
2838:
2814:
2807:
2798:.bachdigital
2785:
2774:Melamed 1995
2754:. Retrieved
2747:the original
2718:
2705:
2692:
2667:
2653:
2626:
2616:
2606:
2601:
2571:
2566:
2563:
2540:Carus-Verlag
2535:
2531:
2523:
2513:
2507:
2501:
2495:
2490:
2484:
2478:
2472:
2467:
2451:Thomaskantor
2449:
2445:
2442:Thomanerchor
2436:
2433:Publications
2416:
2407:
2397:
2390:
2383:
2376:
2364:
2352:Please help
2347:verification
2344:
2283:
2245:24: 185
2231:
2152:
2148:C maj.
2142:
2100:
2096:G min.
2090:
2039:
2035:A maj.
2029:
1855:
1851:E min.
1845:
1792:Bâ maj.
1737:(funeral of
1733:
1712:: 2, 6 (/3)
1708:(/2), after
1674:
1664:
1596:orange-brown
1397:
1351:oboe d'amore
1329:natural horn
1323:flauto basso
1315:flauto dolce
1232:
1207:(solo part)
1198:(solo part)
1189:(solo part)
1180:(solo part)
1122:Bach Digital
1080:
1029:Art of Fugue
1005:(14 volumes)
999:(11 volumes)
982:
979:(12 volumes)
787:Anh. II
710:
695:
688:
675:
669:Johann Ernst
660:
650:
623:
514:
500:
484:
410:
273:B-flat major
249:Bach Revival
246:
240:
229:
215:
200:
194:
180:
86:
26:
18:Motet (Bach)
4220:Competition
4145:(Göttingen)
3989:Biographers
3874:Fugal works
3751:Discography
3590:(in German)
3513:. p. V
3472: [
2919:bach333.com
2901:, pp.
2776:, pp.
2756:9 September
2297:NBG 17
2170:text after
2154:colla parte
2137:1723â1739?
2102:colla parte
2041:colla parte
2023: 1715
1881:); text by
1857:colla parte
1728:1729-10-20
1676:colla parte
1506:violoncello
1474:Lautenwerck
1450:harpsichord
1400:= soloist)
1235:= soloist)
1221:vocal music
1031:(3 volumes)
1017:(7 volumes)
1011:(5 volumes)
997:Organ Works
993:(4 volumes)
776:Anh. I
550:colla parte
398:colla parte
380: 1650
259:BWV 225â230
127:Fugal works
4296:Categories
4216:Bach Medal
3925:BACH motif
3544:, editor.
3264:required).
3250:, p.
2630:. London:
2593:References
2554:Recordings
2410:March 2020
2380:newspapers
2287:(funeral)
2278:1746â1747
2235:(funeral)
2226:1736â1737
2166:III/1: 147
2151:SATB Bc (+
2114:III/1: 125
2053:III/1: 105
2002:Franck, J.
2000:; text by
1964:Franck, J.
1962:; text by
1928:Franck, J.
1926:; text by
1883:Franck, J.
1816:; text by
1659:New Year?
1572:W. F.
1568:A. M.
1459:clavichord
1302:cornettino
1225:voice type
1124:Work page
1091:Magnificat
503:, BWV 1149
291:" (a 1530
4241:Portraits
4222:(Leipzig)
4139:(Leipzig)
4054:Schmieder
3937:Reception
3889:More info
3689:(BWV 230)
3681:(BWV 229)
3673:(BWV 228)
3665:(BWV 227)
3657:(BWV 226)
3649:(BWV 225)
3551:Leipzig:
3498:Wolf, Uwe
3484:cite book
3431:Pergolesi
3388:cite book
3274:Wolf 2002
2683:.worldcat
2658:Leipzig:
2510:(BWV 228)
2504:(BWV 227)
2498:(BWV 229)
2481:(BWV 228)
2475:(BWV 225)
2209:BWV 28/2a
2157:instr.?)
2044:instr.?)
1869:III/1: 75
1860:instr.?)
1760:III/1: 37
1679:instr.?)
1657:1726â1727
1588:Altnickol
1566:), wife (
1067:pasticcio
698:, BWV 222
608:pasticcio
487:, BWV 118
445:Psalm 117
341:" (1524).
305:Psalm 150
297:Psalm 103
285:Psalm 149
41:, BWV 225
4271:Category
4236:Three Bs
4074:Williams
4019:Glöckner
4004:Dadelsen
3979:Students
3906:Passions
3816:Cantatas
3559:Uwe Wolf
3517:24 March
3441:(eds.).
3425:(1961).
2703:(1920).
2676:18856743
2624:(1899).
2585:and his
2548:Uwe Wolf
2310:; after
2306:text by
2254:text by
2118:text by
2105:instr.)
2099:2SATB (+
2067:Gerhardt
2038:2SATB (+
1854:SSATB (+
1688:III/1: 1
1673:2SATB (+
1634:Scoring
1570:), son (
1546:Meaning
1501:violetta
1455:keyboard
1366:trombone
1311:traverso
987:Chorales
963:Cantatas
924:-Ausgabe
898:Scoring
726:content
562:BWV Anh.
494:Parodies
72:Cantatas
48:Lists of
4094:Zehnder
4059:Schulze
4039:Neumann
4024:Hofmann
3715:motetto
3451:].
3345:Sources
3332:6 April
2903:148â149
2712:p. xvii
2394:scholar
2312:BWV 118
2260:BWV 118
2172:Ps. 117
2161:39: 127
2120:Thymich
2109:39: 107
1901:227/11
1814:Z 7445a
1794:G maj.
1766:Z 7445a
1710:Ps. 150
1706:Ps. 103
1702:Gramann
1698:Ps. 149
1606:Walther
1559:yellow
1543:Colour
1529:violone
1469:theorbo
1376:timpani
1319:piccolo
1298:cornett
1282:bassoon
1196:soprano
930:Vorwort
868:incipit
752:
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2396:
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2230:Motet
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2028:Motet
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1975:227/7
1960:Z 8032
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1949:39: 66
1939:227/3
1924:Z 8032
1922:after
1911:39: 61
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87:Motets
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1945:SATB
1933:11200
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1101:,
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860:4
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817:2
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