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Mother Night (film)

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The neo-Nazis shelter Campbell, along with Kraft and Resi, in their Manhattan hideout. Wirtanen reappears, warning Campbell of Kraft's true identity and explaining that Kraft and Resi have put Campbell in an awkward position with the neo-Nazis to ensure his transfer to Moscow. Campbell returns to the
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raids the hideout but, again, Wirtanen uses his influence to ensure Campbell walks free. Upon his release, he freezes in the middle of a footpath having lost all meaning to his life, until a police officer finally tells him to move along. Campbell returns to his wrecked apartment and decides to turn
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operative Frank Wirtanen. Wirtanen asks Campbell to work as a spy for the U.S. in the approaching war, though he promises no reward or recognition. Campbell rejects the offer, but Wirtanen adds that he wants Campbell to take some time to consider, telling him that Campbell's answer will come in the
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survivor living in Campbell's building, is the only person who suspects his true identity; he seems to avoid her suspicions by feigning ignorance of German. Campbell's only friend is George Kraft, an elderly painter who, through an extraordinary coincidence, happens to be a
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wrote, "It is a tribute to Nolte's performance that while we are confused about the meaning of the story, we never doubt the presentation of his character." He acknowledged, that the ambiguity and the discordant tone are faithful to Vonnegut's novel.
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is not without pleasures (high among these are the performances of Arkin, Goodman, and Henry Gibson as the voice of Adolph Eichmann, and the walk-on cameo of Vonnegut himself in a street scene); it just never finds a comfortable stride."
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organization. Representatives of this group meet Campbell and present him with a woman who seems to be Helga. However, it is not long before Campbell discovers that Helga is actually Resi, who had taken Helga's identity to escape from
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Over many games of chess, Campbell reveals his secret past to Kraft, who tries to use this information to improve his standing with his handlers by forcing Campbell into a position where he must flee to
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Eventually, Campbell is captured when an American infantryman recognizes his voice. Before he can be executed, Wirtanen arranges for Campbell's discreet release and helps his relocation to
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In New York City, Campbell lives a lonely existence for fifteen years, sustained only by memories of Helga and an indifferent curiosity about his eventual fate. Mrs. Epstein, a
431:. Although that means that Campbell is doomed to be a pariah, Wirtanen is unsympathetic, reasoning that Campbell would not have wanted the truth known had Germany won the war. 400:). Unknown to the Nazis, all of the idiosyncrasies of his speech – deliberate pauses, coughing, etc. – form a secret code that covertly transmits information to 1986: 1482: 1891: 1228: 2026: 1906: 619:
the film has a 64% rating based on 28 reviews. Many reviewers commended Nick Nolte's performance, but criticized the ambiguity of the film's message.
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Marjorie Baumgarten praised the film's ambition and other elements, but called the overall experience "disappointing": "Though disappointing,
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observed that the confused message is exacerbated by the outsize emphasis placed on the propagandist speeches delivered by the main character.
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hideout to confront the pair; in light of her exposure, Resi commits suicide. Moments later, the
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intelligence agencies. Late in the war, after his wife, Helga, is reportedly killed on the
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arrives. Helga's younger sister, Resi, confesses that she is in love with him.
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form of how he acts and what positions he assumes once the war begins.
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In the initial stages of the war, Campbell works his way up through
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jail, Howard W. Campbell, Jr. writes a memoir about his career in
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and goes on to become a successful German-language playwright. As
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at American citizens (a parallel to the real broadcaster, Dr.
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containing hidden messages that can only be decoded by
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We Are What We Pretend to Be: The First and Last Works
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looms, Campbell meets a man who claims to be from the
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techniques that America may continue to need for the
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Campbell, Jr., an 7: 864:Baumgarten, Marjorie (1996-12-06). 669:British Board of Film Classification 2027:English-language independent films 1907:Films scored by Michael Convertino 14: 1422:Kurt Vonnegut: The Last Interview 1662:Kurt Vonnegut Museum and Library 1412:Conversations with Kurt Vonnegut 1270:Wampeters, Foma and Granfalloons 311:United States Department of War 1902:Films based on American novels 1887:Films directed by Keith Gordon 275:film produced and directed by 1: 1573:2BR02B: To Be or Naught to Be 356:in a scene in New York City. 297:who moves with his family to 1957:Films about Jews and Judaism 1872:1990s English-language films 1523:Kurt Vonnegut's Monkey House 1148:God Bless You, Dr. Kevorkian 1027:God Bless You, Mr. Rosewater 2017:American multilingual films 1967:American World War II films 1877:1990s German-language films 1402:Like Shaking Hands with God 1189:Welcome to the Monkey House 496:as Howard W. Campbell, Jr. 2043: 1952:American independent films 1927:Films set in New York City 1443:Happy Birthday, Wanda June 1371:Happy Birthday, Wanda June 201:November 1, 1996 2002:Films set in East Germany 1786: 1669:Vonnegut (Mercury crater) 1493:Slapstick of Another Kind 1463:Between Time and Timbuktu 1381:Between Time and Timbuktu 968: 737:Jewish Telegraphic Agency 712:Jewish Telegraphic Agency 536:as Robert Sterling Wilson 186:August 14, 1996 26: 1962:Films about Nazi Germany 1867:American war drama films 1862:American satirical films 1310:Armageddon in Retrospect 1209:Armageddon in Retrospect 873:. Retrieved 2019-01-02. 855:. Retrieved 2019-01-02. 834:. Retrieved 2019-01-02. 585:as Lt. Bernard B. O'Hare 579:as Mr. and Mrs. Campbell 545:as Father Patrick Keeley 510:as Helga Noth/Resi Noth 372:. During the buildup to 2012:1996 multilingual films 1300:A Man Without a Country 1170:Collected short fiction 572:as Major Frank Wirtanen 482:crimes against humanity 2007:Films about propaganda 1947:Films shot in Montreal 1942:Films set in the 1960s 1937:Films set in the 1940s 1932:Films set in the 1930s 1882:Yiddish-language films 1852:1996 independent films 1553:Breakfast of Champions 1320:Kurt Vonnegut: Letters 1290:Fates Worse Than Death 1047:Breakfast of Champions 606:) as Sad man on street 530:as Dr. Abraham Epstein 285:novel of the same name 1977:New Line Cinema films 1912:Films about atonement 1857:1990s war drama films 1824:The Singing Detective 1340:Vonnegut by the Dozen 1261:Collected non-fiction 1179:Canary in a Cat House 472:Campbell is taken to 2022:1990s American films 1917:Films set in Germany 1727:Bernard Vonnegut Sr. 870:The Austin Chronicle 551:as August Krapptauer 398:Edward Vieth Sittler 332:The film also stars 162:Whyaduck Productions 1922:Films set in Israel 1897:Films about writers 1737:(great-grandfather) 1503:Who Am I This Time? 1453:Slaughterhouse-Five 1229:While Mortals Sleep 1037:Slaughterhouse-Five 997:The Sirens of Titan 441:Soviet intelligence 390:Propaganda Ministry 352:. 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Index


Keith Gordon
Robert B. Weide
Mother Night
Kurt Vonnegut
Mark Ordesky
Nick Nolte
Sheryl Lee
Alan Arkin
Kirsten Dunst
Frankie Faison
John Goodman
Tom Richmond
Jay Rabinowitz
Michael Convertino
New Line Cinema
Fine Line Features
Montreal
romantic
war drama
Keith Gordon
Kurt Vonnegut
novel of the same name
Nick Nolte
American
Germany
World War I
World War II
United States Department of War
Nazi propaganda

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