Motifs in the James Bond film series

678: 1602: 874: 1550: 1942:, said he was given a formula to work to for the film: "you put in three girls ... Girl number one is pro-Bond. She stays around roughly through the first reel of the picture. Then she is bumped off by the enemy, preferably in Bond's arms." The next girl is anti-Bond and normally captures him, but Bond will save himself by using his charm and sexual potency: she is normally killed midway through the film. Girl number three will survive and end the film in Bond's embrace. 949: 31: 453: 7225: 6637: 1274: 964:(also known as MI6) in his or her office to receive his assignment. In several films, Bond receives the assignment outside the MI6 offices, or at a local secret office. Bond often finds M in a subdued state of agitation over a new threat to world peace. M typically shows confidence in the service's best agent but feels a need to rein in Bond for his risky methods and often chides him for his indiscretions. 1058: 2045:

for the Brosnan films, with Bond admitting between kisses that he "always enjoyed studying a new tongue". Similarly, Moneypenny called Bond a "cunning linguist" after she interrupted his lesson with his Danish-language teacher. Brosnan was not happy with some of the humour in the films, particularly the "stupid one-liners — which I loathed — and I always felt phony doing them".

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the vault, while Alec Trevelyan tied an unconscious Bond to a helicopter that was programmed to fire its own missiles at itself. Francisco Scaramanga gave Bond lunch and then proposed a duel in his "fun room", while Hugo Drax trapped Bond beneath the exhaust of a rocket to burn to death. This convention within the Bond canon has been lampooned in spoof films, including the

1380:, included an ejection passenger seat, operated by a pushbutton concealed in the shift lever; a metal pop-up shield in the rear; rotating licence plates; an on-demand oil slick; rotating blades concealed in each wheel hub that could be extended to shred an enemy's tyres; and a tracking device, with a dash-mounted display, that predated the modern 1891:, a character portraying Bond's love interest or one of his main sex objects. There is always one Bond girl central to the plot, and often one or two others who cross his path, helpful or not. They may be victims rescued by Bond, or else ally agents, villainesses, or henchwomen. Many partner with Bond on the assignment, while others such as 1466:, or his own staff in a secret location. Such characters can also be female, some of whom succumb to Bond's charms. Often these allies will provide Bond either with information to complete his mission, or with additional gadgets from Q. Some allies recur through a number of instalments, such as the Western-friendly KGB chief, 1181:

customary byplay between Q and Bond is Bond's amused reaction to the latest devices and the Quartermaster's indignant response ("I never joke about my work"). There are also sight gags showing prototype equipment. In the field, however, Bond always remembers the details and takes full advantage of the tools supplied.

471:"the trademark motif of the series". As Bond walks across the screen, he is viewed by the audience through the barrel of a gun trained on him by an unknown assailant. Bond wheels around and shoots directly at the gun/viewer, followed by the assassin's blood spilling down the barrel/screen. It was originally filmed in 2193:)—among other variations. Bond usually sabotages the lair and, with time ticking down, dispatches the supervillain, rescues the principal Bond girl and they escape as the place blows up. In some cases, the villain or his primary henchman escapes to launch a final attack on Bond and his lover in the final scene. 1945:

Academic Kimberly A. Neuendorf notes that James Bond promotes stereotypical, sex-typed male attitudes, especially when interacting with women and in doing so demonstrates Western society's patriarchal, individualistic culture. Academic Tricia Jenkins, meanwhile, sees that Bond as "hyperheterosexual",

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Whilst each element has not appeared in every Bond film, they are common threads that run through most of the films. These motifs vary from integral plot points, such as the assignment briefing sessions or the attempts to kill Bond, to enhancements of the dramatic narrative, such as music, or aspects

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Although other recurring characters in the Eon series, such as M, Q and Moneypenny, had continuity within the actors, the character of Leiter has not. In the nine Eon films in which Leiter makes an appearance, there have been seven actors playing the role. Only two actors have played the part twice:

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when he threw the villain, Tee Hee, out of a train, removing his prosthetic arm in the process, Moore commented that he was "Just being disarming, darling". When Timothy Dalton took the role, the humour was downplayed, bringing the character more in line with that of the novels. The humour returned

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During Sean Connery's Bond films, the humour was delivered by Connery to soften a violent situation, such as the electrification, or his shooting a villain with a spear gun and saying "I think he got the point". The humour changed towards innuendo and self-mockery during the Roger Moore films, with

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Keeping with the greater Hollywood tradition, every Bond film features chase scenes, usually more than one per film. Bond and his allies evade their pursuers in a wide variety of vehicles, including custom air- and watercraft, to trucks and even tanks and moon-buggies. Although most chase sequences

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In most of the films, the main villain often captures Bond and, rather than kill him quickly, attempts a slow and protracted death, from which Bond always escapes. This will often also come with a scene of the villain explaining his master plan to Bond. Goldfinger chained Bond to a nuclear bomb in

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was killed when Bond force-fed him a pellet of compressed gas, causing him to inflate and explode whilst Hugo Drax was ejected into outer space. Very few villains actually survive the course of Bond's assignment, and their deaths often come in the final scenes of the film. Lindner has noted that a

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are solely passive participants in the mission. More generally, the degree to which Bond girls are pivotal to propelling the plot forward varies from one film to the next. Five of the Bond girls are "bad" girls (or at least working for the villain) who turn "good" (or switch sides) usually due to

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is Q's continuing disgust at how his equipment is often lost, damaged or destroyed by Bond during missions. Another is how easily distracted Bond is in the lab ("Now pay attention") as Q rattles off details about the use of the equipment which Bond needs to commit to memory. Another part of the

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number of the villains or henchmen have met their deaths through Bond using the technology of the villains against themselves and these include Alec Trevelyan being speared by part of the communications dish, Elliot Carver impaled by his sea-drill and Renard skewered by a nuclear fuel rod.

408:—have changed over time, often to shape or follow the contemporary zeitgeist. These elements are formulaic and the Bond films tend to follow a set pattern with only limited variety, often following within a strict order. A number of the elements were altered or removed in 2006 with the 2385:". This instruction quickly became another catchphrase. It was honoured by the AFI as the 90th most-memorable cinema quotation. In order to distance his version of Bond from Sean Connery's, Roger Moore did not order a martini. The martini was present in the first Ian Fleming novel, 554:, director Sam Mendes had wanted to return the gun barrel to the start of the film but in editing realised that the sequence was similar to his opening shot of the film. Because of this, the sequence was placed at the end of the film fading into a 50th Anniversary logo. In 2342:

that the "signature introduction would become the most famous and loved film line ever". In 2001 it was voted as the "best-loved one-liner in cinema" by British cinema goers. On 21 June 2005, the line was honoured as the 22nd historically greatest cinema quotation by the

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After getting his assignment, Bond is often sent to Q Branch for the technical briefing in which he receives special equipment to be used in his mission. The pre-mission briefings quickly became one of the motifs that ran through the Bond series.

800:" served as an opening theme without sharing a title with the movie. John Barry provided the title song music on ten of the eleven films for which he composed the musical score. Several of the songs produced for the films have been nominated for 2205:, end with Bond embracing, kissing, or making love with the film's Bond girl. Sometimes an embarrassed M catches Bond during these embraces. Most endings feature a double entendre and, in many of the films, the Bond girl purrs, "Oh, James." 2027:

One of the elements used throughout the Bond series is humour, particularly 'one-liners', delivered by Bond, either when killing an enemy, or at the end of the film when with a woman. The humour was present in the first film in the series,

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and the film's success encouraged further espionage equipment from Q Branch to be supplied to Bond, although the increased use of technology led to an accusation that Bond was over-reliant on equipment, particularly in the later films.

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Bond's adventures have taken him to over sixty countries, as well as outer space, in locations mostly described as attractive and exotic. These locations are primarily real places, though on occasion—such as San Monique

1149:, the character of Q was, like Moneypenny, dropped, and although Bond still receives a supply of mission equipment, no technical briefing is shown on screen. The technical briefings resume, under the tutelage of Q, in 6240: 5358:

Barber, Nicholas; Johnson, Andrew (21 September 2008). "We've been expecting you, Mr ... er ...?; The new Bond blockbuster 'Quantum of Solace' drops the catchphrases to return to the spirit of Ian Fleming's books".

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space launch from Cape Canaveral with his atomic-powered radio beam mirrored claims that American rocket testing at Cape Canaveral had problems with rockets going astray. Similarly Bond's anti-heroin mission in

987:; he died on 16 January 1981 and, out of respect, no new actor was hired to assume the role for the film. Instead, the script was re-written so that the character is said to be on leave, letting Chief of Staff 685:

The main title sequences incorporate visual elements that often reflect each film's theme, often showing silhouettes of nude or provocatively clad women set against swirling images. For example, the 1965 film

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The climax of most Bond films is the final confrontation with the villain and his henchmen, sometimes an entire army of cohorts, often in his hard-to-reach lair. The villain's retreat can be a private island

2877: 1373:. The films have used a number of different Aston Martins for filming and publicity, one of which was sold in January 2006 at an auction in the US for $ 2,090,000 to an unnamed European collector. 4618:

Neuendorf, Kimberly A.; Gore, Thomas D.; Dalessandro, Amy; Janstova, Patricie; Snyder-Suhy, Sharon (June 2010). "Shaken and Stirred: A Content Analysis of Women's Portrayals in James Bond Films".

2052:, Roger Moore's final line when caught with a woman, was that he was "Keeping the British end up, Sir!", something that Chapman considered to have "plumbed new depths of banality". Similarly, 396:

of the visual style, such as the title sequences. These motifs may also serve to enhance excitement in the plot, through a chase sequence or for the climax of the film. Some of these—such as "

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the sequence returns to the start of the film and also returns to the classic Binder design. This time the barrel fades into a title card that reads "The Dead Are Alive" (a sentence which

5172: 2289: 2743: 2286: 4390: 1975:, which the American censor refused to allow on promotional materials and for the US market she was subsequently referred to as "Miss Galore" or "Goldfinger's personal pilot"; however 923:, who played opposite Dalton, Brosnan and Craig respectively. The four have arguably divergent interpretations of Moneypenny's personality, as do the six actors who have played Bond. 7100: 7093: 1496:, Leiter was attacked by a shark and lost his right arm and half his left leg and his subsequent appearances were with prosthetics. For the film series the shark attack occurred in 1115:

Q is sometimes shown joining Bond in the field, taking with him a portable workshop and his staff. These workshops are established in unusual locations, such as an Egyptian tomb in

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marks the only occasion in the Eon film series in which Moneypenny was actually shown in a romantic embrace with Bond, although this is only in Q-branch's virtual reality machine.

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In total Leiter appears in nine Eon Bond films: four out of the six Connery films, one film with Moore, both Dalton instalments and none with Brosnan (where Bond's CIA contact is

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his jokes delivered with what media historian James Chapman considered to be a "wink at the audience", with the suggestion that the violence was all a joke. This was shown in

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considered "so dumb that one wonders at what age group the film was really aimed." The music and sound effects are also used for comic effect in the films: the laboratory of

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and left the series. In creating the titles, Brownjohn was inspired by seeing light projecting on people's bodies as they got up and left a cinema; he was also influenced by

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concludes with text reading "James Bond will return..." or "James Bond will be back" followed by the title of the next film to be produced. These were sometimes incorrect:

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One of Bond's closest allies in both the novels and films is CIA operative Felix Leiter. Fleming wrote twelve novels, of which Leiter appears in six; in the second book,

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for Bond and his playful flirting with her. She flirts back, jokes and sometimes pouts, hoping to wrangle a proposal and a wedding ring out of him. A fantasy sequence in

2288: 1531:. Wright's first appearances also made him the first African-American actor to play the part in the Eon series, although Leiter was also played by Afro-American actor 753:, where he retained Brownjohn's concept for the titles. Binder eventually worked on thirteen Bond films and after his death in 1991, the opening credits were done by 1206:, was unavailable for the filming schedule. (Burton's character was not yet called Q, but "the Armourer", Major Boothroyd, who instructed Bond on a new firearm, the 1680:

has noted that there is a geopolitical aspect to the locations used, although this is often a pre-emption of an issue by the film. For example, in the first film,

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As stuntman Bob Simmons played Bond for the first gun barrel sequence, which occurred before the film had started, he is technically the first cinematic Bond.

520:. Chapman has suggested that the sequence is a significant part of the James Bond mythos because it "foregrounds the motif of looking" that is central to the 7142: 5549: 3949: 2873: 6357: 3209: 3175: 3141: 3107: 570:, as remarked by the next subtitle/title card, but can be later explicated by the presence of the seemingly deceased character of Franz Oberhauser, alias " 5222: 6673: 2651: 2447:

It is a misconception that this is Bond's introductory line, when in fact he has the following exchange with Sylvia Trench over a game of Chemin de Fer:

2304:, included the introduction of the character of James Bond. Bond was introduced in an exchange near the beginning of the film with Sylvia Trench. It was 778:, Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. 2276:, the film still concludes with the declaration that "James Bond will return", confirming that the character will return with a new actor in the role. 1871:(the henchman to the main villainess Elektra) survived being shot in the head, which progressively killed off his senses and his ability to feel pain. 7208: 6788: 6595: 2261: 1096:, the briefings with Q branch involve various gadgets and technology, although Boothroyd is not referred to in the credits as Q until the third film, 851: 780: 631: 4337: 1519:'s sole Bond film. In the Eon series, there were no Leiter film appearances between 1973 and 1987 and no Leiter appearances between 1989 and 2006. 835: 606:

or "teaser". The contents of the sequence can relate to the main plot of the film in a number of ways, including being not at all related (as in

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features scenes of deep-sea diving and this is reflected in the associated opening sequence; similarly the opening sequence for the 1964 film

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Bond seemed less heroic: this tradition of strong literary villain was brought across to the screen in the Eon series. The third Bond film,

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suggested that the vulgarity of Bond's sexual innuendos contradicting with his stoic, gentlemanly position offers a way to understand

1928:. Both Tracy and Vesper die early in their relationships with Bond, and this reoccurring tragic outcome was used to create tension in 768:

A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a

651:, the gun barrel sequence segues into the pre-title sequence by having the opening shot be sighted through the barrel. Beginning with 614: 2395:", after Vesper Lynd. The same recipe was then used for the 2006 film of the novel, with the martini ordered by Daniel Craig's Bond. 1574:. As the Eon series has progressed, the chases have repeated themselves with some variations and have all increased in extravagance. 7187: 6410: 4584: 3722: 1874:

Many of Bond's adversaries meet their deaths at the hands of Bond who often uses his environment or equipment to kill his opponent.

1613: 1605: 785: 4420: 1749:, fellow scholar Kerstin Jütting has identified a path of development of villains, all of whom adapt to a contemporary zeitgeist: 5501: 1251:, saw M ordering Bond to leave his Beretta behind and take up the Walther PPK, which the film Bond used in eighteen films. From 6716: 6531: 6473: 6395: 6362: 6019: 5588: 4823: 1734:, set a pattern for having a main villain with a loyal and dangerous henchman, a model which was followed in subsequent films. 468: 421:

Some of the elements involved are a result of the production crew used in the earliest films in the series, with the work of

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Stock, Paul (2009). "Dial 'M' for metonym: Universal Exports, M's office space and empire". In Lindner, Christoph (ed.).

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played Q in seventeen Bond films, appearing in more Bond films than any other actor, where he worked with the first five

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with "I think he's attempting re-entry, sir"; a line described by Barnes and Hearn as "sheer magnificence". Philosopher

1859:. In addition to these weapons, many of the henchmen are physically different; the over-large Tee Hee had an iron claw, 1710: 1080:

was used. Industrial designer Andy Davey observed that the first ever onscreen spy-gadget was the attaché case shown in

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Once in the field, Bond frequently meets up with a local ally upon arrival. These can be his foreign counterparts like

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subverts this motif by concluding with Bond's wife Tracy being killed immediately following their wedding. Other than

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onward, these messages no longer included the title of the upcoming film. Despite the death of Daniel Craig's 007 in

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heterosexual than the others around him". Bond girls became a major theme in many Bond film posters, beginning with

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The locations used for filming have often altered because of the effects of Bond's presence: Scaramanga's hideout on

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closes with a distracted Q answering M's question of "What's he doing?" as they are a live broadcast of Bond having

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taking control. However, Kleinman returned to direct the title sequences for the following three Craig films.

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Judi Dench has played M seven times, the only woman in a role previously played by two men in the Eon films.

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used to promote Bond films, including as a familiarising element on the introduction of Timothy Dalton for

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Leach, Jim (2009). ""The world has changed":Bond in the 1990s—and beyond?". In Lindner, Christoph (ed.).

1851:, Auric Goldfinger's enforcer, carries a bowler hat with a razor-sharp blade concealed in the rim, while 7031: 7018: 6341: 5941: 2419: 2387: 1537: 1263: 981:

in 1979. With Lee's illness from stomach cancer in 1980–1981, he was unable to appear in his scenes for

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projecting light on to clouds in the 1920s. Brownjohn also used the effect in the poster he created for

498: 430: 388: 152: 1084:, which he described as "a classic 007 product". The gadgets assumed a higher profile in the 1964 film 700:: the titles have been described by Bond scholars Smith and Lavington as "Gorgeous, iconic, seminal." 6878: 6054: 5663: 5507: 4986: 4828: 2061: 1759: 1753: 1746: 1655: 1307: 843: 722: 571: 2552: 1601: 1029:" (later "Transworld Corporation") serves as a cover for the British Secret Service. In the films, " 7152: 6968: 6908: 6640: 6611: 6515: 6425: 6296: 4620: 4385: 4228:

Dodds, Klaus (2005). "Screening Geopolitics: James Bond and the Early Cold War films (1962–1967)".

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followed in 1981; similarly, the very first film to contain such a message ended with "The end of '

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The films often include a one-liner, often of a sexual nature, at the dénouement. At the close of

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Jenkins, Tricia (September 2005). "James Bond's "Pussy" and Anglo-American Cold War Sexuality".

2874:"No Time To Die Might Have The Longest Pre-Title Sequence Of Any James Bond Movie | Cinemablend" 2370:

interrupts Bond's introduction with: "Names is for tombstones, baby... waste him!" Likewise, in

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Desmond Llewelyn played Q seventeen times, the only actor to play opposite five different Bonds.

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took delight in embarrassing interviewers by repeatedly mentioning her character's name. Other

657:, the teasers emphasised not only action sequences but stunts, a practice that prevailed until 6948: 6758: 6605: 6583: 6230: 6205: 6182: 6143: 6118: 6083: 6058: 6023: 5998: 5975: 5945: 5919: 5897: 5866: 5841: 5818: 5795: 5764: 5743: 5720: 5693: 5667: 5625: 5600: 5574: 5539: 5511: 5483: 5460: 5437: 4991: 2952: 2392: 2257: 2000: 1860: 1828:, causing his tear ducts to weep blood. Not all of the villains have unusual physical traits; 1586: 1331: 991:

take over the role as acting head of MI6 and briefing Bond alongside the Minister of Defence.

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Bennett, Tony; Woollacott, Janet (2009). "The Moments of Bond". In Lindner, Christoph (ed.).

7173: 6868: 6838: 6420: 6133: 6073: 6013: 5856: 5758: 5615: 5283: 5169:"No Time To Die ending explained: How Daniel Craig's last James Bond movie concludes – CNET" 4629: 4237: 3472: 2404: 2374:

Tilly Masterson cuts him off as he is offering his name by asking him to carry her luggage.

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The films also contain elements of visual humour: when Jaws is dropped into a shark pool in

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Many of Bond's adversaries are characterised by an unusual physical deformity; for example,

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for England, whilst he sees M as being an iconic representative of England and Englishness.

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has an entirely instrumental credit sequence, though the film features an alternate theme, "

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James Bond title sequences feature striking images often of women in provocative situations.

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All of the Eon Bond films feature the unique gun barrel sequence, created by graphic artist

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Whether on foot or by car or on cello case, Bond is generally involved in a chase sequence.

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The sequence was traditionally placed at the start of each film until the 2006 instalment

505: 400:" or megalomaniac villains—have been present in all of the stories, whilst others—such as 363: 213: 180: 4580: 3714: 2036:, Bond electrocutes a man in a bath, before commenting, "Shocking, positively shocking". 1737:

Whilst Bond scholar Glenn Yeffeth argues that there are only three Bond villains of note—

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was the first to portray Moneypenny and did so for fourteen Eon-produced Bond films from

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contains a technical briefing of some kind, usually given by Q, with the exception of

7246: 6738: 5933: 5911: 5739: 4833: 4249: 4188:(DVD). The Man with the Golden Gun Ultimate Edition, Disc 2: MGM/UA Home Video. 2000. 3476: 3060: 2971: 2186: 2008: 1863:, an assassin with steel teeth, was played by 2.18-metre (7 ft 2 in) actor 1852: 1783: 1771: 1706: 1694: 1639: 1581:, which leaves the canals of Venice to continue on land, and the cello case chase in 1524: 1467: 1425: 1045:. Academic Paul Stock argues that M's office—and Universal Exports by extension—is a 1019: 920: 916: 831: 801: 797: 774: 357: 160: 79: 6288: 5213:"'No Time to Die': What That Post-Credits Moment Means for the Future of James Bond" 1388:, in which M (Judi Dench) says to Bond, "Oh, go on, then, eject me. See if I care." 6178: 6139: 5814: 5716: 4641: 3663: 2500: 2331: 2305: 2293: 2102: 2057: 1972: 1864: 1789: 1698: 1532: 1463: 1455: 1326:. He has, however, also needed to drive a number of other vehicles, ranging from a 1311: 1303: 1296: 1223: 1203: 1057: 927: 898: 494: 156: 148: 132: 112: 5709: 2967: 2338:

of Western popular culture: writers Cork and Scivally said of the introduction in

2221:, the 25th film in the series, was the first to end with the death of James Bond. 696:

shows clips from Bond films projected onto the gold-painted silhouette of actress

5316: 2495: 2215:, none of the Daniel Craig Bond films feature this traditional Bond girl ending. 6319: 6171: 6114: 5959: 5596: 3443: 2363: 1992: 1962:; the suggestiveness of the images used had to be toned down in some countries. 1905: 1892: 1825: 1810: 1795: 1677: 1260: 1231: 1215: 988: 968: 873: 817: 563: 525: 120: 51: 3201: 3167: 3133: 3099: 1022:, takes over as M at the end of the film after the death of Dench's character. 677: 6683: 6588: 6373: 6324: 4633: 4241: 2084: 1935: 1897: 1837: 1821: 1806: 1671: 1659: 1409: 1397: 1207: 999: 472: 45: 4995: 2264:'", which was replaced with the now-correct "but James Bond will be back in ' 1558:

feature Bond getting chased by the villains, such as the Aston-Martin DB5 in

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surpassed this in 2021 with a pre-title sequence that runs twenty minutes.

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featured Connery as Bond. This is accompanied by the opening bars of the "

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The Bond Files: The Unofficial Guide to the World's Greatest Secret Agent

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Among the more unusual chase sequences include the gondola sequence from

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playing the part of Bond. The remake of the sequence for the wide-screen

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Many of the henchmen employed by the villains may have unique weapons;

1635: 1033:" or variations thereof are used, such as the abbreviation "UnivEx" in 1010: 1566:, some feature Bond chasing the villains, such as the tank pursuit in 1549: 1176:

There are several running jokes throughout the series. Established in

433:, composer, continually updated and adapted as the series progressed. 6651: 5760:"Grow Up, 007!" - James Bond Over the Decades: Formula Vs. Innovation 1848: 1836:

was depicted without such characteristics, instead being inspired by

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Lois Maxwell (twice), Samantha Bond and Caroline Bliss as Moneypenny

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The Politics of James Bond: from Fleming's Novel to the Big Screen

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in 1985 opposite Connery, Lazenby, and Moore. She was followed by

872: 839: 676: 574:"). The gun barrel remains at the opening for Craig's final film, 451: 6273: 2950:

Osmond, Andrew; Morrison, Richard (August 2008). "Title Recall".

2201:

The first twenty films of the Bond series, with the exception of

998:

who had previously appeared in the series as Admiral Hargreaves.

6268: 1814: 762: 513: 508:

was responsible for the gun barrel sequence up to and including

6655: 6292: 5453:

Kiss Kiss Bang! Bang!: the Unofficial James Bond Film Companion

3245: 3243: 2296:

introduces Bond to the cinematic world with "Bond, James Bond."

1504:, Leiter did not appear until the reboot of the franchise with 1162:

If it hadn't been for Q Branch, you'd have been dead long ago!

665:

is two to three times the length of most others in the series.

5198: 4881:"The Unconscious with Bond and Lacan: Definition by Deviation" 1384:

tracker. Some features are referenced in later films, such as

1381: 889:, every Bond film has a sequence in which Bond interacts with 362:

in 1962. The series consists of twenty five films produced by

5792:

Robert Brownjohn: Sex and Typography: 1925–1970 Life and Work

5593:

Licence to Thrill: A Cultural History of the James Bond Films

5266: 5264: 3323: 3321: 1774:(1989)—the first villain with the already fulfilled operation 1726:

For the series of Bond novels, Fleming realised that without

772:

during the film, which repeats in various moods. Writing for

2358:, for example and in others it is often mocked by others—in 524:

genre. The gun barrel imagery sometimes carried over to the

35:

The current official logo of the James Bond (007) Eon series

4007: 4005: 4003: 3810: 3808: 3806: 3769: 3767: 3754: 3752: 352:

series of films contain a number of repeating, distinctive

6279:

Overview of Bond films and DVD review of Ultimate Editions

5617:

Ian Fleming & James Bond: the cultural politics of 007

5614:

Comentale, Edward P; Watt, Stephen; Willman, Skip (2005).

4943: 4941: 4939: 4764: 4762: 4749: 4747: 4381:"Sebastian Faulks' James Bond apes Ian Fleming's creation" 1855:

is known to crush victims to death with her thighs during

1194:. Llewelyn's first film was the second in the Eon series, 994:

Lee was replaced for four films between 1983 and 1989, by

602:

and in all subsequent films, the titles are preceded by a

4926: 4924: 4911: 4909: 4896: 4894: 4562: 4560: 4558: 4285: 4283: 3441:

Davey, Andy (3 October 2002). "Left to his own devices".

1965:

Bond girls often have highly suggestive names, including

1654:

both by locals and in tourist guidebooks. Similarly, the

1112:

in which Q does not brief 007 but is demonstrating to M.

4060:

Caro, David (16 November 2008). "Film Wright for role".

2897: 2895: 2703:

CUREJ: College Undergraduate Research Electronic Journal

1141:, Q takes active roles in Bond's missions. For the 2006 881:

With the exception of the first two Daniel Craig films,

479:

inside an actual .38 calibre gun barrel, with stunt man

5139: 5137: 4984:

Gleiberman, Owen (9 May 1997). "A wild and crazy spy".

3661:

Barker, Dennis (20 December 1999). "Desmond Llewelyn".

2529: 2527: 1887:

At some point on the mission, Bond meets the principal

562:

to be explained by the fact that the picture starts in

6263: 4223: 4221: 3715:"Ben Whishaw cast as Q in new James Bond film Skyfall" 3512: 3510: 3308: 3306: 2075:, it is Jaws who bites the shark. The following film, 6222:

James Bond in the 21st century: why we still need 007

3134:"The 50th Academy Awards (1978) Nominees and Winners" 3100:"The 46th Academy Awards (1974) Nominees and Winners" 1756:(1963–2021)—Model megalomaniac facing 007 eight times 543:

and is incorporated into the plot; in the 2008 film,

5056: 4690: 2699:"An Analysis of the Opening Credit Sequence in Film" 2457:: Trench. Sylvia Trench. I admire your luck, Mr...? 2366:

mocks him by saying it to him while with Mr. Big in

1896:

Bond's influence. Bond has fallen in love with only

1500:, the fifteenth instalment in the series. Following 7117: 7078: 7030: 6990: 6727: 6576: 6555: 6524: 6498: 6450: 6434: 6383: 6350: 467:, which has been called by British media historian 332: 318: 308: 298: 228: 168: 144: 108: 57: 40: 23: 6170: 5963: 5708: 5655: 1809:as first villainess already in 1963, portrayed by 624:) or fully related to the plot (as can be seen in 1684:, the title villain's disruption of the American 1376:The features of the original DB5, as featured in 1295:Bond has driven a number of cars, including the 5255: 5092: 5068: 5044: 5032: 4678: 3648: 3612: 3356: 2968:"Robert Brownjohn Graphic Designer (1925–1970)" 2546: 2544: 2542: 2311: 1515:), but returned for Craig's; he is also not in 1160: 6015:Secret agents: popular icons beyond James Bond 5311: 5309: 4809: 4726: 4172: 3689: 3552: 3540: 3501: 2925: 2913: 2824: 2800: 2095:is opened by touchtones that play the tune of 703:The concept for the titles came from designer 6667: 6304: 1218:appeared as Q in Pierce Brosnan's last film, 971:, who appeared in all eleven Bond films from 956:Early in most plots Bond is called in to see 661:. At over fourteen minutes, the sequence for 592:, the gun barrel sequence is followed by the 8: 6198:The James Bond Phenomenon: a Critical Reader 5896:. New York: Sterling & Ross Publishers. 5858:The James Bond Phenomenon: a Critical Reader 5834:The James Bond Phenomenon: a Critical Reader 5476:The James Bond Phenomenon: a Critical Reader 5270: 5195:For Your Eyes Only Special Edition, Region 2 3086: 2937: 2354:Not all the films contain the introduction, 2330:, the quote "Bond ... James Bond", became a 1076:provided no spy-related gadgets, although a 5243: 4866: 4047: 3327: 3210:Academy of Motion Picture Arts and Sciences 3176:Academy of Motion Picture Arts and Sciences 3142:Academy of Motion Picture Arts and Sciences 3108:Academy of Motion Picture Arts and Sciences 2764: 2609: 930:throughout the film series is Moneypenny's 356:which date from the series' inception with 6674: 6660: 6652: 6311: 6297: 6289: 6111:The Complete James Bond Movie Encyclopedia 5428:Barber, Hoyt L.; Barber, Harry L. (1999). 2079:, sees Bond in a comic chase scene with a 1396:Bond also shows his taste for aircraft: a 1337:Bond's most famous car is the silver grey 29: 20: 7101:Considerations for the role of James Bond 4513: 4501: 4489: 4023: 4011: 3994: 3982: 3928: 3916: 3904: 3892: 3850: 3838: 3826: 3814: 3797: 3785: 3773: 3758: 3564: 3285: 3249: 2621: 1198:, after the actor who played the part in 737:, who had worked on the first Bond film, 497:, orchestrated by trumpeter and composer 4666: 4654: 4212: 3458: 3456: 3454: 2996: 2684: 2318:Bond to numerous people; first heard in 2260:'," and "but James Bond will return in ' 1631:)—the destinations have been fictional. 1600: 1230:, the character was re-introduced, with 6169:Smith, Jim; Lavington, Stephen (2002). 5411: 5399: 5387: 5375: 5104: 5020: 5008: 4959: 4947: 4930: 4780: 4768: 4753: 4738: 4702: 4605: 4566: 4525: 4477: 4465: 4453: 4313: 4301: 4289: 4274: 4262: 4124: 4100: 4035: 3701: 3677: 3624: 3600: 3489: 3428: 3380: 3261: 3008: 2901: 2860: 2848: 2776: 2672: 2578: 2533: 2481: 2474: 2431: 1210:.) After appearing as Q's assistant in 4915: 4900: 4191: 3404: 2734:"15 James Bond facts you need to know" 2105:are seen walking across the desert in 1145:reboot and the subsequent instalment, 504:After Maurice Binder's death in 1991, 386:, released in 1967, and the 1983 film 6049:Pfeiffer, Lee; Worrall, Dave (1998). 5116: 5080: 4971: 4854: 4714: 4587:from the original on 17 November 2011 4441: 4160: 3743: 3576: 3528: 3416: 3392: 3368: 3273: 3234: 2713:from the original on 19 December 2011 2654:from the original on 2 September 2012 1100:. Each Bond film thereafter up until 539:, where it appears at the end of the 374:agent. The most recent instalment is 304:5 October 1962 – present (Eon series) 7: 6243:from the original on 25 January 2021 6096:from the original on 7 November 2021 6036:from the original on 7 November 2021 5790:King, Emily; Fletcher, Alan (2005). 5451:Barnes, Alan; Hearn, Marcus (2001). 5225:from the original on 10 October 2021 5175:from the original on 10 October 2021 5155: 5143: 5128: 4549: 4537: 4423:from the original on 27 January 2008 4148: 4136: 4112: 4088: 4076: 3970: 3636: 3588: 3516: 3312: 3297: 3216:from the original on 14 October 2014 3041: 3020: 2880:from the original on 10 October 2021 2836: 2812: 2788: 2238:promised James Bond would return in 1762:(1974)—the first "freelance" villain 1002:took over the role of M from 1995's 792:. Until the Daniel Craig era, only " 741:, had been unable to work on either 425:, the original production designer, 24:Motifs in the James Bond film series 6156:from the original on 15 August 2021 5777:from the original on 9 October 2021 5638:from the original on 9 October 2021 3952:from the original on 8 January 2016 3725:from the original on 14 August 2018 3068:from the original on 28 August 2017 3056:"The Top 10 James Bond Theme Songs" 1987:, Mary Goodnight and Chew Mee from 1983:names included Holly Goodhead from 1813:, who also is considered the first 1805:The list ignores the appearance of 717:, before he fell out with producer 6482:Fleming: The Man Who Would Be Bond 5809:Lane, Andy; Simpson, Paul (2002). 5339:from the original on 13 March 2011 5317:"100 Years Series: "Movie Quotes"" 5057:Comentale, Watt & Willman 2005 4691:Comentale, Watt & Willman 2005 4413:"New Bond film title is confirmed" 3864:"James Bond car sold for over £1m" 3182:from the original on 21 March 2016 3148:from the original on 21 March 2016 3114:from the original on 21 March 2016 2746:from the original on 18 April 2012 2634:Desowitz, Bill (16 January 2009). 2452:: I admire your courage, Miss...? 2415:Production of the James Bond films 2391:, where Bond eventually named it " 2098:Close Encounters of the Third Kind 2087:, a continuation that Bond author 1817:-Character of the series by some. 1270:, Bond returned to using the PPK. 14: 5567:James Bond: The Man and His World 5294:from the original on 5 March 2007 4336:. London, England. Archived from 2978:from the original on 23 June 2011 2512:from the original on 7 April 2019 1614:List of James Bond film locations 1310:during the 2000s, as well as the 1108:, in which Q does not appear and 967:The first actor to portray M was 786:We Have All the Time in the World 588:In the first film of the series, 195:Les Productions Artistes Associés 7224: 7223: 6636: 6635: 5894:The Ultimate James Bond Fan Book 5879:from the original on 21 May 2021 5503:The James Bond Bedside Companion 3874:from the original on 18 May 2008 3477:10.1111/j.1542-734X.2005.00215.x 3202:"The 85th Academy Awards (2013)" 3168:"The 54th Academy Awards (1982)" 2248:, the producers decided to make 1674:since filming took place there. 1606:Countries James Bond has visited 860:) eventually winning the award. 6789:On Her Majesty's Secret Service 6269:Pinewood Studios – home of Bond 5707:Feeney Callan, Michael (2002). 5552:from the original on 8 May 2021 4822:Rich, Joshua (19 August 2005). 4393:from the original on 5 May 2011 4326:Plant, Brendan (1 April 2008). 3465:The Journal of American Culture 3054:Greene, Andy (5 October 2012). 2593:Dr. No (Ultimate Edition, 2006) 2262:On Her Majesty's Secret Service 2207:On Her Majesty's Secret Service 2203:On Her Majesty's Secret Service 2159:On Her Majesty's Secret Service 2124:Protracted attempt to kill Bond 1902:On Her Majesty's Secret Service 1705:played against the backdrop of 1668:On Her Majesty's Secret Service 1564:On Her Majesty's Secret Service 1110:On Her Majesty's Secret Service 1039:On Her Majesty's Secret Service 808:and become pop hits, including 781:On Her Majesty's Secret Service 633:On Her Majesty's Secret Service 370:character, a fictional British 136: 7160:White bikini of Ursula Andress 6601:Concept of a "Licence to kill" 4824:"Gentlemen Don't Prefer Bonds" 4799:(Special, Issues 22–25). 1998. 3346:. 19 January 1981. p. 12. 2732:Caro, Mark (9 November 2008). 2551:Graydon, Danny (9 June 2007). 2268:'" for foreign releases. From 1786:(1997)—the modern megalomaniac 612:), loosely connected (as with 1: 6284:George Lazenby interview 2008 6135:The Rough Guide to James Bond 4793:"007 versus Rupert Murdoch". 4379:Nikkhah, Roya (24 May 2008). 3942:"The Airplanes of James Bond" 2697:Inceer, Melis (30 May 2007). 2687:, pp. 114, 163, 202–203. 2591:"Inside Dr. No Documentary". 1535:in one of the non-Eon films, 1259:, Bond's main weapon was the 249:United International Pictures 6219:Yeffeth, Glenn, ed. (2006). 5536:University of Nebraska Press 5284:"James Bond tops motto poll" 4990:. No. 378. p. 56. 3340:"Obituary: Mr Bernard Lee". 2377:Bond's preferred drink is a 2308:'s second line in the film. 1780:(1995)—the first MI6 villain 1711:Strategic Defense Initiative 1650:is often now referred to as 1018:, Gareth Mallory, played by 893:, the personal assistant to 516:supervised the graphics for 6819:The Man with the Golden Gun 6264:James Bond Official Website 6202:Manchester University Press 5863:Manchester University Press 5855:Lindner, Christoph (2009). 5838:Manchester University Press 5480:Manchester University Press 5256:Pfeiffer & Worrall 1998 5093:Pfeiffer & Worrall 1998 5069:Pfeiffer & Worrall 1998 5045:Pfeiffer & Worrall 1998 5033:Pfeiffer & Worrall 1998 4679:Pfeiffer & Worrall 1998 3649:Pfeiffer & Worrall 1998 3613:Pfeiffer & Worrall 1998 3357:Pfeiffer & Worrall 1998 2362:, the villainous character 2242:, but after the success of 2151:The Man with the Golden Gun 2015:, and Christmas Jones from 1989:The Man with the Golden Gun 1798:(2012)—the first attack on 1792:(1999)—the first villainess 1768:(1981)—the first false ally 1648:The Man with the Golden Gun 1291:List of James Bond vehicles 1041:, and Bond's helicopter in 962:Secret Intelligence Service 944:Receiving assignment from M 615:The Man with the Golden Gun 7274: 6623:James Bond (ornithologist) 6109:Rubin, Steven Jay (2003). 5654:; Scivally, Bruce (2002). 5565:Chancellor, Henry (2005). 4885:Bright Lights Film Journal 4810:Smith & Lavington 2002 4727:Smith & Lavington 2002 4173:Smith & Lavington 2002 3690:Smith & Lavington 2002 3553:Smith & Lavington 2002 3541:Smith & Lavington 2002 3502:Smith & Lavington 2002 2926:Smith & Lavington 2002 2914:Smith & Lavington 2002 2825:Smith & Lavington 2002 2801:Smith & Lavington 2002 2707:University of Pennsylvania 1611: 1447: 1288: 1067:List of James Bond gadgets 1064: 445: 404:'s gadgets or the role of 7218: 6692: 6631: 6332: 5794:. London: Laurence King. 5757:Jütting, Kerstin (2007). 5362:The Independent on Sunday 4879:Holmberg, Rafael (2023). 4634:10.1007/s11199-009-9644-2 4242:10.1080/14650040590946584 2326:Following the release of 1722:Larger-than-life villains 1643: 1450:List of James Bond allies 1127:. On three occasions, in 1053:Technical briefing with Q 28: 6618:Ian Fleming Publications 6596:Parodies and spin - offs 5991:James Bond Movie Posters 5684:; Stutz, Collin (2007). 5622:Indiana University Press 5430:Book of Bond, James Bond 5271:Cork & Scivally 2002 4198:: CS1 maint: location ( 3946:Air & Space Magazine 3087:Barber & Barber 1999 2938:King & Fletcher 2005 2410:List of James Bond films 2169:), or underground base ( 2157:), mountaintop retreat ( 1932:regarding Swann's fate. 1562:and the ski sequence in 1037:, a brass name plate in 869:Flirting with Moneypenny 287:United Artists Releasing 6919:The World Is Not Enough 6078:. Milnthorpe, Cumbria: 6012:Packer, Jeremy (2009). 5989:Nourmand, Tony (2002). 5686:James Bond Encyclopedia 5330:American Film Institute 5325:AFI 100 Years... series 5244:Barnes & Hearn 2001 4867:Barnes & Hearn 2001 4048:Barnes & Hearn 2001 3328:Barnes & Hearn 2001 2765:Barnes & Hearn 2001 2648:Animation World Network 2636:"MK12 Has a Blast with 2610:Barnes & Hearn 2001 2381:, which he asks to be " 2345:American Film Institute 2101:, whilst when Bond and 2066:Lacanian psychoanalysis 2017:The World Is Not Enough 1597:International locations 1345:; it later featured in 1238:Guns, cars and aircraft 1212:The World Is Not Enough 960:, the head of the UK's 663:The World Is Not Enough 621:The World Is Not Enough 269:Sony Pictures Releasing 7209:Parodies and spin-offs 6489:007: Road to a Million 6132:Simpson, Paul (2002). 6072:Reynolds, Kev (2005). 5892:Lipp, Deborah (2006). 5658:James Bond: The Legacy 4328:"Top 10 Bond villains" 2506:British Film Institute 2315: 2297: 1697:1972 declaration of a 1670:has retained the name 1609: 1554: 1302:during the 1980s, the 1281: 1164: 1062: 953: 878: 682: 460: 429:, title designer, and 7019:Never Say Never Again 6749:From Russia with Love 6274:The Bond Encyclopedia 5942:Bloomsbury Publishing 5734:Fleming, Ian (2006). 4514:Cork & Stutz 2007 4502:Cork & Stutz 2007 4490:Cork & Stutz 2007 4024:Cork & Stutz 2007 4012:Cork & Stutz 2007 3995:Cork & Stutz 2007 3983:Cork & Stutz 2007 3929:Cork & Stutz 2007 3917:Cork & Stutz 2007 3905:Cork & Stutz 2007 3893:Cork & Stutz 2007 3851:Cork & Stutz 2007 3839:Cork & Stutz 2007 3827:Cork & Stutz 2007 3815:Cork & Stutz 2007 3798:Cork & Stutz 2007 3786:Cork & Stutz 2007 3774:Cork & Stutz 2007 3759:Cork & Stutz 2007 3565:Cork & Stutz 2007 3286:Cork & Stutz 2007 3250:Cork & Stutz 2007 2622:Cork & Stutz 2007 2420:Outline of James Bond 2300:The first Bond film, 2292: 2224:Every Bond film from 1604: 1570:and all sequences in 1552: 1538:Never Say Never Again 1334:bus, amongst others. 1276: 1264:semi-automatic pistol 1247:The first Bond film, 1196:From Russia with Love 1119:and a South American 1094:From Russia with Love 1082:From Russia with Love 1060: 1035:From Russia with Love 951: 876: 852:Writing's on the Wall 822:Nobody Does It Better 794:Nobody Does It Better 743:From Russia with Love 710:From Russia with Love 680: 599:From Russia with Love 455: 389:Never Say Never Again 338:Total (24 Eon films): 324:Total (24 Eon films): 7087:Recurring characters 6879:The Living Daylights 6829:The Spy Who Loved Me 6799:Diamonds Are Forever 5972:Michael O'Mara Books 4987:Entertainment Weekly 4829:Entertainment Weekly 4583:. Talking Pictures. 3721:. 25 November 2011. 2876:. 21 February 2020. 2236:The Spy Who Loved Me 2183:Diamonds Are Forever 2155:The Spy Who Loved Me 2107:The Spy Who Loved Me 2073:The Spy Who Loved Me 2050:The Spy Who Loved Me 2005:Diamonds Are Forever 1954:sexually desirable, 1938:, a screenwriter of 1760:Francisco Scaramanga 1754:Ernst Stavro Blofeld 1747:Ernst Stavro Blofeld 1728:threatening villains 1662:near the village of 1656:revolving restaurant 1583:The Living Daylights 1117:The Spy Who Loved Me 827:The Spy Who Loved Me 654:The Spy Who Loved Me 596:, but starting with 572:Ernst Stavro Blofeld 530:The Living Daylights 254:13－19, international 7153:Gun barrel sequence 6909:Tomorrow Never Dies 6779:You Only Live Twice 6612:Shaken, not stirred 6426:Gun barrel sequence 5918:. London: Phoenix. 4628:(11–12): 747–761 . 4419:. 24 January 2008. 4386:The Daily Telegraph 4368:. 23 December 2014. 3870:. 21 January 2006. 2597:Metro-Goldwyn-Mayer 2462:: Bond. James Bond. 2383:shaken, not stirred 2313:"Bond, James Bond" 2179:Tomorrow Never Dies 2167:You Only Live Twice 1940:You Only Live Twice 1766:Aristotle Kristatos 1658:, located atop the 1476:Minister of Defence 1438:Tomorrow Never Dies 1406:You Only Live Twice 1355:Tomorrow Never Dies 1253:Tomorrow Never Dies 897:, Bond's superior. 757:. This changed for 749:, but returned for 458:gun barrel sequence 448:Gun barrel sequence 442:Gun barrel sequence 240:Metro-Goldwyn-Mayer 199:Metro-Goldwyn-Mayer 7253:James Bond in film 6849:For Your Eyes Only 6051:The Essential Bond 5938:For Your Eyes Only 5690:Dorling Kindersley 5221:. 8 October 2021. 4091:, p. 167-168. 3985:, p. 144-145. 3895:, p. 200-201. 3853:, p. 180-181. 3276:, p. 281-282. 3264:, p. 202-214. 3252:, p. 158-159. 3089:, p. 240-242. 2298: 2254:For Your Eyes Only 2240:For Your Eyes Only 2163:For Your Eyes Only 2112:Lawrence of Arabia 1610: 1555: 1472:Sir Frederick Gray 1434:Aero L-39 Albatros 1282: 1266:, and starting in 1234:playing the part. 1063: 1043:For Your Eyes Only 984:For Your Eyes Only 954: 879: 836:For Your Eyes Only 761:, with the studio 727:László Moholy-Nagy 683: 604:pre-title sequence 584:Pre-title sequence 461: 282:25－, international 278:Universal Pictures 219:Universal Pictures 71:Albert R. Broccoli 7238: 7237: 6949:Quantum of Solace 6649: 6648: 6458:"Casino Royale" ( 6236:978-1-933771-02-1 6225:. Dallas, Texas: 6211:978-0-7190-6541-5 6188:978-0-7535-0709-4 6149:978-1-84353-142-5 6124:978-0-07-141246-9 6089:978-1-85284-451-6 6064:978-0-7522-2477-0 6029:978-0-8204-8669-7 6004:978-0-8118-3625-8 5993:. San Francisco: 5981:978-1-84317-861-3 5951:978-0-7475-9527-4 5925:978-1-85799-783-5 5903:978-0-9766372-8-8 5872:978-0-7190-6541-5 5847:978-0-7190-6541-5 5824:978-0-7535-0712-4 5801:978-1-85669-464-3 5770:978-3-638-85372-9 5749:978-0-14-102830-9 5726:978-1-85227-992-9 5699:978-1-4053-3427-3 5673:978-0-7522-6498-1 5631:978-0-253-21743-1 5606:978-1-84511-515-9 5580:978-0-7195-6815-2 5545:978-0-8032-6240-9 5517:978-1-85283-233-9 5489:978-0-7190-6541-5 5466:978-0-7134-8182-2 5443:978-1-890723-20-0 4139:, p. 298-99. 2356:Quantum of Solace 2334:that entered the 2290: 2109:, the theme from 1695:President Nixon's 1652:James Bond Island 1587:double-decker bus 1332:AEC Regent III RT 1268:Quantum of Solace 1147:Quantum of Solace 1031:Universal Exports 887:Quantum of Solace 759:Quantum of Solace 545:Quantum of Solace 518:Quantum of Solace 501:and Burt Rhodes. 437:Opening sequences 346: 345: 264:20, international 209:Babelsberg Studio 204:Columbia Pictures 138:(Full list below) 89:Michael G. Wilson 18:1962 British film 7265: 7231: 7227: 7226: 7211: 7204: 7197: 7190: 7183: 7176: 7169: 7162: 7155: 7146: 7137: 7128: 7110: 7103: 7096: 7094:Recurring actors 7089: 7071: 7064: 7057: 7050: 7043: 7023: 7013: 7003: 6983: 6973: 6963: 6953: 6943: 6933: 6923: 6913: 6903: 6893: 6883: 6873: 6869:A View to a Kill 6863: 6853: 6843: 6833: 6823: 6813: 6809:Live and Let Die 6803: 6793: 6783: 6773: 6763: 6753: 6743: 6720: 6711: 6702: 6676: 6669: 6662: 6653: 6639: 6638: 6313: 6306: 6299: 6290: 6252: 6250: 6248: 6215: 6192: 6176: 6165: 6163: 6161: 6128: 6105: 6103: 6101: 6075:The Bernese Alps 6068: 6045: 6043: 6041: 6008: 5985: 5969: 5955: 5929: 5907: 5888: 5886: 5884: 5851: 5828: 5805: 5786: 5784: 5782: 5753: 5730: 5714: 5703: 5677: 5661: 5647: 5645: 5643: 5610: 5584: 5561: 5559: 5557: 5521: 5493: 5470: 5447: 5415: 5409: 5403: 5397: 5391: 5385: 5379: 5373: 5367: 5366: 5355: 5349: 5348: 5346: 5344: 5338: 5321: 5313: 5304: 5303: 5301: 5299: 5290:. 11 June 2001. 5280: 5274: 5268: 5259: 5253: 5247: 5241: 5235: 5234: 5232: 5230: 5209: 5203: 5202: 5191: 5185: 5184: 5182: 5180: 5165: 5159: 5153: 5147: 5141: 5132: 5126: 5120: 5114: 5108: 5102: 5096: 5090: 5084: 5078: 5072: 5066: 5060: 5054: 5048: 5042: 5036: 5030: 5024: 5018: 5012: 5006: 5000: 4999: 4981: 4975: 4969: 4963: 4957: 4951: 4945: 4934: 4928: 4919: 4913: 4904: 4898: 4889: 4888: 4876: 4870: 4864: 4858: 4852: 4846: 4845: 4843: 4841: 4832:. Archived from 4819: 4813: 4807: 4801: 4800: 4790: 4784: 4778: 4772: 4766: 4757: 4751: 4742: 4736: 4730: 4724: 4718: 4712: 4706: 4700: 4694: 4688: 4682: 4676: 4670: 4664: 4658: 4652: 4646: 4645: 4615: 4609: 4603: 4597: 4596: 4594: 4592: 4576: 4570: 4564: 4553: 4547: 4541: 4535: 4529: 4523: 4517: 4511: 4505: 4499: 4493: 4487: 4481: 4475: 4469: 4463: 4457: 4451: 4445: 4439: 4433: 4432: 4430: 4428: 4409: 4403: 4402: 4400: 4398: 4376: 4370: 4369: 4356: 4350: 4349: 4347: 4345: 4323: 4317: 4316:, p. 70-81. 4311: 4305: 4299: 4293: 4287: 4278: 4272: 4266: 4260: 4254: 4253: 4225: 4216: 4210: 4204: 4203: 4197: 4189: 4186:Exotic Locations 4182: 4176: 4170: 4164: 4158: 4152: 4146: 4140: 4134: 4128: 4122: 4116: 4110: 4104: 4098: 4092: 4086: 4080: 4074: 4068: 4067: 4057: 4051: 4045: 4039: 4033: 4027: 4021: 4015: 4009: 3998: 3992: 3986: 3980: 3974: 3968: 3962: 3961: 3959: 3957: 3938: 3932: 3926: 3920: 3914: 3908: 3902: 3896: 3890: 3884: 3883: 3881: 3879: 3860: 3854: 3848: 3842: 3836: 3830: 3824: 3818: 3812: 3801: 3795: 3789: 3783: 3777: 3771: 3762: 3756: 3747: 3741: 3735: 3734: 3732: 3730: 3711: 3705: 3699: 3693: 3687: 3681: 3675: 3669: 3668: 3658: 3652: 3646: 3640: 3634: 3628: 3622: 3616: 3610: 3604: 3598: 3592: 3586: 3580: 3574: 3568: 3562: 3556: 3550: 3544: 3538: 3532: 3526: 3520: 3514: 3505: 3499: 3493: 3487: 3481: 3480: 3460: 3449: 3448: 3438: 3432: 3426: 3420: 3414: 3408: 3402: 3396: 3390: 3384: 3378: 3372: 3366: 3360: 3354: 3348: 3347: 3337: 3331: 3325: 3316: 3310: 3301: 3295: 3289: 3283: 3277: 3271: 3265: 3259: 3253: 3247: 3238: 3232: 3226: 3225: 3223: 3221: 3198: 3192: 3191: 3189: 3187: 3164: 3158: 3157: 3155: 3153: 3130: 3124: 3123: 3121: 3119: 3096: 3090: 3084: 3078: 3077: 3075: 3073: 3051: 3045: 3039: 3033: 3030: 3024: 3018: 3012: 3006: 3000: 2994: 2988: 2987: 2985: 2983: 2964: 2958: 2957: 2947: 2941: 2940:, p. 66-68. 2935: 2929: 2923: 2917: 2911: 2905: 2899: 2890: 2889: 2887: 2885: 2870: 2864: 2858: 2852: 2846: 2840: 2834: 2828: 2822: 2816: 2810: 2804: 2798: 2792: 2786: 2780: 2774: 2768: 2762: 2756: 2755: 2753: 2751: 2729: 2723: 2722: 2720: 2718: 2694: 2688: 2682: 2676: 2670: 2664: 2663: 2661: 2659: 2631: 2625: 2619: 2613: 2607: 2601: 2600: 2588: 2582: 2576: 2570: 2569: 2567: 2565: 2548: 2537: 2531: 2522: 2521: 2519: 2517: 2491: 2485: 2484:, p. 26-28. 2479: 2463: 2445: 2439: 2436: 2405:James Bond music 2368:Live and Let Die 2349:100 Years Series 2322: 2291: 2270:A View to a Kill 2171:Live and Let Die 2042:Live and Let Die 1971: 1898:Tracy di Vicenzo 1743:Auric Goldfinger 1691:Live and Let Die 1645: 1622:Live and Let Die 1591:Live and Let Die 1493:Live and Let Die 1462:operatives like 1341:, first seen in 1339:Aston Martin DB5 1279:Aston Martin DB5 1185:Desmond Llewelyn 1172: 1106:Live and Let Die 1027:Universal Export 908:A View to a Kill 824:" (for the film 814:Live and Let Die 707:, who worked on 705:Robert Brownjohn 491:James Bond Theme 340: 326: 259:20th Century Fox 244:13－20, U.S. only 98:Barbara Broccoli 33: 21: 7273: 7272: 7268: 7267: 7266: 7264: 7263: 7262: 7243: 7242: 7239: 7234: 7222: 7214: 7207: 7200: 7193: 7186: 7179: 7172: 7165: 7158: 7151: 7140: 7131: 7124: 7113: 7106: 7099: 7092: 7085: 7079:Cast/characters 7074: 7067: 7060: 7053: 7046: 7039: 7026: 7016: 7006: 6997: 6986: 6976: 6966: 6956: 6946: 6936: 6929:Die Another Day 6926: 6916: 6906: 6896: 6889:Licence to Kill 6886: 6876: 6866: 6856: 6846: 6836: 6826: 6816: 6806: 6796: 6786: 6776: 6766: 6756: 6746: 6736: 6729:Eon Productions 6723: 6714: 6705: 6696: 6688: 6680: 6650: 6645: 6627: 6606:Vesper cocktail 6572: 6551: 6520: 6494: 6446: 6430: 6379: 6363:Title character 6346: 6328: 6317: 6260: 6255: 6246: 6244: 6237: 6218: 6212: 6195: 6189: 6168: 6159: 6157: 6150: 6131: 6125: 6108: 6099: 6097: 6090: 6071: 6065: 6048: 6039: 6037: 6030: 6011: 6005: 5995:Chronicle Books 5988: 5982: 5958: 5952: 5932: 5926: 5910: 5904: 5891: 5882: 5880: 5873: 5854: 5848: 5831: 5825: 5808: 5802: 5789: 5780: 5778: 5771: 5763:. GRIN Verlag. 5756: 5750: 5733: 5727: 5706: 5700: 5680: 5674: 5650: 5641: 5639: 5632: 5613: 5607: 5587: 5581: 5564: 5555: 5553: 5546: 5524: 5518: 5498:Benson, Raymond 5496: 5490: 5473: 5467: 5450: 5444: 5427: 5423: 5418: 5410: 5406: 5398: 5394: 5386: 5382: 5374: 5370: 5357: 5356: 5352: 5342: 5340: 5336: 5319: 5315: 5314: 5307: 5297: 5295: 5288:BBC News Online 5282: 5281: 5277: 5269: 5262: 5254: 5250: 5242: 5238: 5228: 5226: 5211: 5210: 5206: 5193: 5192: 5188: 5178: 5176: 5167: 5166: 5162: 5154: 5150: 5142: 5135: 5127: 5123: 5115: 5111: 5103: 5099: 5091: 5087: 5079: 5075: 5067: 5063: 5055: 5051: 5043: 5039: 5031: 5027: 5019: 5015: 5007: 5003: 4983: 4982: 4978: 4970: 4966: 4958: 4954: 4946: 4937: 4929: 4922: 4914: 4907: 4899: 4892: 4878: 4877: 4873: 4865: 4861: 4853: 4849: 4839: 4837: 4821: 4820: 4816: 4808: 4804: 4792: 4791: 4787: 4779: 4775: 4767: 4760: 4752: 4745: 4737: 4733: 4725: 4721: 4713: 4709: 4701: 4697: 4689: 4685: 4677: 4673: 4669:, p. 9,34. 4665: 4661: 4657:, p. 9,11. 4653: 4649: 4617: 4616: 4612: 4604: 4600: 4590: 4588: 4579:Watson, Nigel. 4578: 4577: 4573: 4565: 4556: 4548: 4544: 4536: 4532: 4524: 4520: 4512: 4508: 4500: 4496: 4488: 4484: 4476: 4472: 4464: 4460: 4452: 4448: 4440: 4436: 4426: 4424: 4417:BBC News Online 4411: 4410: 4406: 4396: 4394: 4378: 4377: 4373: 4365:TheGuardian.com 4358: 4357: 4353: 4343: 4341: 4325: 4324: 4320: 4312: 4308: 4300: 4296: 4288: 4281: 4273: 4269: 4261: 4257: 4227: 4226: 4219: 4211: 4207: 4190: 4184: 4183: 4179: 4171: 4167: 4159: 4155: 4147: 4143: 4135: 4131: 4123: 4119: 4111: 4107: 4099: 4095: 4087: 4083: 4075: 4071: 4059: 4058: 4054: 4046: 4042: 4034: 4030: 4022: 4018: 4010: 4001: 3993: 3989: 3981: 3977: 3969: 3965: 3955: 3953: 3940: 3939: 3935: 3927: 3923: 3915: 3911: 3903: 3899: 3891: 3887: 3877: 3875: 3868:BBC News Online 3862: 3861: 3857: 3849: 3845: 3837: 3833: 3825: 3821: 3813: 3804: 3796: 3792: 3784: 3780: 3772: 3765: 3757: 3750: 3742: 3738: 3728: 3726: 3719:BBC News Online 3713: 3712: 3708: 3700: 3696: 3688: 3684: 3676: 3672: 3660: 3659: 3655: 3647: 3643: 3635: 3631: 3623: 3619: 3611: 3607: 3599: 3595: 3587: 3583: 3575: 3571: 3563: 3559: 3551: 3547: 3539: 3535: 3527: 3523: 3515: 3508: 3500: 3496: 3488: 3484: 3462: 3461: 3452: 3440: 3439: 3435: 3427: 3423: 3415: 3411: 3403: 3399: 3391: 3387: 3379: 3375: 3367: 3363: 3355: 3351: 3339: 3338: 3334: 3326: 3319: 3311: 3304: 3296: 3292: 3284: 3280: 3272: 3268: 3260: 3256: 3248: 3241: 3233: 3229: 3219: 3217: 3200: 3199: 3195: 3185: 3183: 3166: 3165: 3161: 3151: 3149: 3132: 3131: 3127: 3117: 3115: 3098: 3097: 3093: 3085: 3081: 3071: 3069: 3053: 3052: 3048: 3040: 3036: 3031: 3027: 3019: 3015: 3007: 3003: 2995: 2991: 2981: 2979: 2966: 2965: 2961: 2949: 2948: 2944: 2936: 2932: 2924: 2920: 2912: 2908: 2900: 2893: 2883: 2881: 2872: 2871: 2867: 2859: 2855: 2847: 2843: 2835: 2831: 2823: 2819: 2811: 2807: 2799: 2795: 2787: 2783: 2775: 2771: 2763: 2759: 2749: 2747: 2739:Chicago Tribune 2731: 2730: 2726: 2716: 2714: 2696: 2695: 2691: 2683: 2679: 2671: 2667: 2657: 2655: 2633: 2632: 2628: 2620: 2616: 2608: 2604: 2590: 2589: 2585: 2577: 2573: 2563: 2561: 2550: 2549: 2540: 2532: 2525: 2515: 2513: 2493: 2492: 2488: 2480: 2476: 2472: 2467: 2466: 2458: 2453: 2448: 2446: 2442: 2437: 2433: 2428: 2401: 2324: 2317: 2284: 2282: 2199: 2181:), an oil rig ( 2153:), underwater ( 2142: 2126: 2121: 2083:that becomes a 2062:Rafael Holmberg 2025: 1981:double entendre 1969: 1914:Madeleine Swann 1885: 1842:Nicolas Sarkozy 1830:Mathieu Amalric 1724: 1719: 1693:coincided with 1686:Project Mercury 1628:Licence to Kill 1625:) and Isthmus ( 1616: 1599: 1585:, as well as a 1547: 1502:Licence to Kill 1498:Licence to Kill 1488: 1452: 1446: 1414:Licence to Kill 1293: 1240: 1226:'s third film, 1220:Die Another Day 1174: 1170:Licence to Kill 1168: 1166: 1135:Licence to Kill 1102:Die Another Day 1069: 1055: 1025:In the books, " 946: 937:Die Another Day 932:unrequited love 891:Miss Moneypenny 871: 866: 790:Louis Armstrong 755:Daniel Kleinman 675: 648:Die Another Day 627:Licence to Kill 586: 568:Day of the Dead 512:. Design house 506:Daniel Kleinman 493:", composed by 450: 444: 439: 412:of the series, 364:Eon Productions 342:$ 6,838,530,927 341: 336: 328:$ 1,400,000,000 327: 322: 313: 301: 289: 285: 279: 277: 271: 267: 261: 257: 251: 247: 241: 239: 233: 224: 223: 214:Stillking Films 181:Eon Productions 173: 171: 163: 159: 155: 151: 135: 131: 127: 123: 119: 115: 96: 87: 78: 69: 49: 36: 19: 12: 11: 5: 7271: 7269: 7261: 7260: 7255: 7245: 7244: 7236: 7235: 7233: 7232: 7219: 7216: 7215: 7213: 7212: 7205: 7198: 7191: 7184: 7177: 7170: 7163: 7156: 7149: 7148: 7147: 7143:No Time to Die 7138: 7121: 7119: 7115: 7114: 7112: 7111: 7104: 7097: 7090: 7082: 7080: 7076: 7075: 7073: 7072: 7065: 7058: 7051: 7044: 7036: 7034: 7028: 7027: 7025: 7024: 7014: 7004: 6994: 6992: 6988: 6987: 6985: 6984: 6979:No Time to Die 6974: 6964: 6954: 6944: 6934: 6924: 6914: 6904: 6894: 6884: 6874: 6864: 6854: 6844: 6834: 6824: 6814: 6804: 6794: 6784: 6774: 6764: 6754: 6744: 6733: 6731: 6725: 6724: 6722: 6721: 6712: 6703: 6693: 6690: 6689: 6681: 6679: 6678: 6671: 6664: 6656: 6647: 6646: 6644: 6643: 6632: 6629: 6628: 6626: 6625: 6620: 6615: 6608: 6603: 6598: 6593: 6592: 6591: 6580: 6578: 6574: 6573: 6571: 6570: 6565: 6559: 6557: 6553: 6552: 6550: 6549: 6544: 6539: 6534: 6528: 6526: 6522: 6521: 6519: 6518: 6513: 6508: 6502: 6500: 6496: 6495: 6493: 6492: 6485: 6478: 6477: 6476: 6468:James Bond Jr. 6464: 6454: 6452: 6448: 6447: 6445: 6444: 6438: 6436: 6432: 6431: 6429: 6428: 6423: 6418: 6413: 6408: 6403: 6398: 6393: 6387: 6385: 6381: 6380: 6378: 6377: 6370: 6365: 6360: 6354: 6352: 6348: 6347: 6345: 6344: 6339: 6333: 6330: 6329: 6318: 6316: 6315: 6308: 6301: 6293: 6287: 6286: 6281: 6276: 6271: 6266: 6259: 6258:External links 6256: 6254: 6253: 6235: 6227:BenBella Books 6216: 6210: 6200:. Manchester: 6193: 6187: 6166: 6148: 6129: 6123: 6106: 6088: 6080:Cicerone Press 6069: 6063: 6046: 6028: 6009: 6003: 5986: 5980: 5956: 5950: 5934:Macintyre, Ben 5930: 5924: 5912:Lycett, Andrew 5908: 5902: 5889: 5871: 5852: 5846: 5836:. Manchester: 5829: 5823: 5806: 5800: 5787: 5769: 5754: 5748: 5731: 5725: 5704: 5698: 5678: 5672: 5648: 5630: 5611: 5605: 5589:Chapman, James 5585: 5579: 5562: 5544: 5522: 5516: 5494: 5488: 5471: 5465: 5457:Batsford Books 5448: 5442: 5434:Atlantic Books 5424: 5422: 5419: 5417: 5416: 5414:, p. 245. 5404: 5402:, p. 139. 5392: 5390:, p. 288. 5380: 5378:, p. 290. 5368: 5350: 5305: 5275: 5260: 5248: 5236: 5204: 5186: 5160: 5158:, p. 283. 5148: 5146:, p. 282. 5133: 5131:, p. 183. 5121: 5119:, p. 139. 5109: 5097: 5095:, p. 187. 5085: 5083:, p. 122. 5073: 5061: 5059:, p. 230. 5049: 5037: 5035:, p. 107. 5025: 5023:, p. 103. 5013: 5001: 4976: 4964: 4962:, p. 118. 4952: 4950:, p. 140. 4935: 4920: 4918:, p. 224. 4905: 4903:, p. 218. 4890: 4871: 4869:, p. 133. 4859: 4857:, p. 137. 4847: 4836:on 24 May 2013 4814: 4812:, p. 261. 4802: 4785: 4783:, p. 198. 4773: 4771:, p. 125. 4758: 4756:, p. 124. 4743: 4731: 4719: 4717:, p. 308. 4707: 4695: 4693:, p. 134. 4683: 4671: 4659: 4647: 4610: 4598: 4581:"Bond Age Man" 4571: 4554: 4542: 4530: 4528:, p. 176. 4518: 4506: 4494: 4482: 4470: 4458: 4456:, p. 146. 4446: 4444:, p. 117. 4434: 4404: 4371: 4351: 4340:on 6 July 2008 4318: 4306: 4294: 4279: 4267: 4255: 4236:(2): 266–289. 4217: 4205: 4177: 4175:, p. 235. 4165: 4163:, p. 134. 4153: 4151:, p. 297. 4141: 4129: 4117: 4115:, p. 168. 4105: 4103:, p. 130. 4093: 4081: 4079:, p. 167. 4069: 4052: 4050:, p. 178. 4040: 4038:, p. 108. 4028: 4026:, p. 153. 4016: 4014:, p. 152. 3999: 3997:, p. 156. 3987: 3975: 3963: 3933: 3931:, p. 205. 3921: 3919:, p. 176. 3909: 3907:, p. 189. 3897: 3885: 3855: 3843: 3841:, p. 180. 3831: 3829:, p. 175. 3819: 3817:, p. 186. 3802: 3800:, p. 202. 3790: 3788:, p. 182. 3778: 3776:, p. 183. 3763: 3761:, p. 265. 3748: 3736: 3706: 3694: 3682: 3670: 3653: 3641: 3639:, p. 151. 3629: 3627:, p. 101. 3617: 3615:, p. 169. 3605: 3593: 3591:, p. 453. 3581: 3569: 3567:, p. 163. 3557: 3555:, p. 157. 3545: 3543:, p. 145. 3533: 3521: 3519:, p. 186. 3506: 3494: 3492:, p. 169. 3482: 3471:(3): 309–317. 3450: 3433: 3431:, p. 112. 3421: 3419:, p. 251. 3409: 3407:, p. 227. 3397: 3395:, p. 430. 3385: 3373: 3361: 3349: 3332: 3330:, p. 138. 3317: 3315:, p. 263. 3302: 3300:, p. 262. 3290: 3288:, p. 159. 3278: 3266: 3254: 3239: 3237:, p. 281. 3227: 3193: 3159: 3125: 3091: 3079: 3046: 3034: 3025: 3013: 3001: 2989: 2959: 2942: 2930: 2918: 2906: 2891: 2865: 2863:, p. 152. 2853: 2851:, p. 250. 2841: 2839:, p. 318. 2829: 2817: 2815:, p. 325. 2805: 2803:, p. 268. 2793: 2781: 2779:, p. 119. 2769: 2757: 2724: 2689: 2677: 2665: 2626: 2624:, p. 307. 2614: 2602: 2583: 2571: 2538: 2523: 2494:Sutton, Mike. 2486: 2473: 2471: 2468: 2465: 2464: 2440: 2430: 2429: 2427: 2424: 2423: 2422: 2417: 2412: 2407: 2400: 2397: 2310: 2281: 2278: 2274:No Time to Die 2218:No Time to Die 2198: 2195: 2141: 2138: 2125: 2122: 2120: 2117: 2089:Raymond Benson 2024: 2021: 2001:Plenty O'Toole 1977:Honor Blackman 1930:No Time to Die 1925:No Time to Die 1884: 1881: 1834:Dominic Greene 1803: 1802: 1793: 1787: 1781: 1778:Alec Trevelyan 1775: 1769: 1763: 1757: 1723: 1720: 1718: 1715: 1612:Main article: 1598: 1595: 1546: 1543: 1529:Jeffrey Wright 1517:George Lazenby 1487: 1484: 1448:Main article: 1445: 1444:Meeting allies 1442: 1424:, the titular 1394: 1393: 1371:No Time to Die 1289:Main article: 1287: 1286: 1245: 1244: 1239: 1236: 1159: 1092:Starting with 1078:Geiger counter 1054: 1051: 945: 942: 913:Caroline Bliss 870: 867: 865: 862: 810:Paul McCartney 802:Academy Awards 735:Maurice Binder 723:constructivist 719:Harry Saltzman 698:Margaret Nolan 674: 673:Title sequence 671: 667:No Time to Die 585: 582: 577:No Time to Die 477:pinhole camera 465:Maurice Binder 446:Main article: 443: 440: 438: 435: 427:Maurice Binder 377:No Time to Die 372:Secret Service 366:featuring the 344: 343: 334: 330: 329: 320: 316: 315: 312:United Kingdom 310: 306: 305: 302: 299: 296: 295: 292:25－, U.S. only 232:United Artists 230: 229:Distributed by 226: 225: 222: 221: 216: 211: 206: 201: 196: 193: 188: 186:United Artists 183: 177: 176: 174: 169: 166: 165: 146: 142: 141: 129:Pierce Brosnan 125:Timothy Dalton 117:George Lazenby 110: 106: 105: 62:Harry Saltzman 59: 55: 54: 42: 38: 37: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 7270: 7259: 7258:Visual motifs 7256: 7254: 7251: 7250: 7248: 7241: 7230: 7221: 7220: 7217: 7210: 7206: 7203: 7199: 7196: 7192: 7189: 7185: 7182: 7178: 7175: 7171: 7168: 7164: 7161: 7157: 7154: 7150: 7145: 7144: 7139: 7136: 7135: 7130: 7129: 7127: 7123: 7122: 7120: 7116: 7109: 7105: 7102: 7098: 7095: 7091: 7088: 7084: 7083: 7081: 7077: 7070: 7066: 7063: 7059: 7056: 7052: 7049: 7045: 7042: 7038: 7037: 7035: 7033: 7029: 7021: 7020: 7015: 7011: 7010: 7009:Casino Royale 7005: 7001: 7000:Casino Royale 6996: 6995: 6993: 6991:Non-Eon films 6989: 6981: 6980: 6975: 6971: 6970: 6965: 6961: 6960: 6955: 6951: 6950: 6945: 6941: 6940: 6939:Casino Royale 6935: 6931: 6930: 6925: 6921: 6920: 6915: 6911: 6910: 6905: 6901: 6900: 6895: 6891: 6890: 6885: 6881: 6880: 6875: 6871: 6870: 6865: 6861: 6860: 6855: 6851: 6850: 6845: 6841: 6840: 6835: 6831: 6830: 6825: 6821: 6820: 6815: 6811: 6810: 6805: 6801: 6800: 6795: 6791: 6790: 6785: 6781: 6780: 6775: 6771: 6770: 6765: 6761: 6760: 6755: 6751: 6750: 6745: 6741: 6740: 6735: 6734: 6732: 6730: 6726: 6719: 6718: 6713: 6710: 6709: 6704: 6701: 6700: 6695: 6694: 6691: 6686: 6685: 6677: 6672: 6670: 6665: 6663: 6658: 6657: 6654: 6642: 6634: 6633: 6630: 6624: 6621: 6619: 6616: 6613: 6609: 6607: 6604: 6602: 6599: 6597: 6594: 6590: 6587: 6586: 6585: 6582: 6581: 6579: 6575: 6569: 6566: 6564: 6561: 6560: 6558: 6554: 6548: 6545: 6543: 6540: 6538: 6535: 6533: 6530: 6529: 6527: 6523: 6517: 6514: 6512: 6509: 6507: 6504: 6503: 6501: 6497: 6491: 6490: 6486: 6484: 6483: 6479: 6475: 6472: 6471: 6470: 6469: 6465: 6463: 6461: 6456: 6455: 6453: 6449: 6443: 6440: 6439: 6437: 6433: 6427: 6424: 6422: 6419: 6417: 6414: 6412: 6409: 6407: 6404: 6402: 6399: 6397: 6394: 6392: 6389: 6388: 6386: 6382: 6376: 6375: 6371: 6369: 6366: 6364: 6361: 6359: 6356: 6355: 6353: 6349: 6343: 6340: 6338: 6335: 6334: 6331: 6327: 6326: 6321: 6314: 6309: 6307: 6302: 6300: 6295: 6294: 6291: 6285: 6282: 6280: 6277: 6275: 6272: 6270: 6267: 6265: 6262: 6261: 6257: 6242: 6238: 6232: 6228: 6224: 6223: 6217: 6213: 6207: 6203: 6199: 6194: 6190: 6184: 6180: 6175: 6174: 6167: 6155: 6151: 6145: 6141: 6137: 6136: 6130: 6126: 6120: 6116: 6112: 6107: 6095: 6091: 6085: 6081: 6077: 6076: 6070: 6066: 6060: 6056: 6052: 6047: 6035: 6031: 6025: 6021: 6017: 6016: 6010: 6006: 6000: 5996: 5992: 5987: 5983: 5977: 5973: 5968: 5967: 5961: 5957: 5953: 5947: 5943: 5939: 5935: 5931: 5927: 5921: 5917: 5913: 5909: 5905: 5899: 5895: 5890: 5878: 5874: 5868: 5864: 5860: 5859: 5853: 5849: 5843: 5839: 5835: 5830: 5826: 5820: 5816: 5812: 5807: 5803: 5797: 5793: 5788: 5776: 5772: 5766: 5762: 5761: 5755: 5751: 5745: 5741: 5740:Penguin Books 5737: 5736:Casino Royale 5732: 5728: 5722: 5718: 5713: 5712: 5705: 5701: 5695: 5691: 5687: 5683: 5679: 5675: 5669: 5665: 5660: 5659: 5653: 5649: 5637: 5633: 5627: 5623: 5619: 5618: 5612: 5608: 5602: 5598: 5594: 5590: 5586: 5582: 5576: 5572: 5568: 5563: 5551: 5547: 5541: 5537: 5533: 5532: 5527: 5526:Black, Jeremy 5523: 5519: 5513: 5509: 5505: 5504: 5499: 5495: 5491: 5485: 5481: 5477: 5472: 5468: 5462: 5458: 5454: 5449: 5445: 5439: 5435: 5431: 5426: 5425: 5420: 5413: 5408: 5405: 5401: 5396: 5393: 5389: 5384: 5381: 5377: 5372: 5369: 5365:. p. 18. 5364: 5363: 5354: 5351: 5335: 5331: 5327: 5326: 5318: 5312: 5310: 5306: 5293: 5289: 5285: 5279: 5276: 5272: 5267: 5265: 5261: 5258:, p. 15. 5257: 5252: 5249: 5246:, p. 11. 5245: 5240: 5237: 5224: 5220: 5219: 5214: 5208: 5205: 5200: 5196: 5190: 5187: 5174: 5170: 5164: 5161: 5157: 5152: 5149: 5145: 5140: 5138: 5134: 5130: 5125: 5122: 5118: 5113: 5110: 5107:, p. 97. 5106: 5101: 5098: 5094: 5089: 5086: 5082: 5077: 5074: 5071:, p. 92. 5070: 5065: 5062: 5058: 5053: 5050: 5047:, p. 69. 5046: 5041: 5038: 5034: 5029: 5026: 5022: 5017: 5014: 5011:, p. 80. 5010: 5005: 5002: 4997: 4993: 4989: 4988: 4980: 4977: 4974:, p. 99. 4973: 4968: 4965: 4961: 4956: 4953: 4949: 4944: 4942: 4940: 4936: 4933:, p. 28. 4932: 4927: 4925: 4921: 4917: 4912: 4910: 4906: 4902: 4897: 4895: 4891: 4886: 4882: 4875: 4872: 4868: 4863: 4860: 4856: 4851: 4848: 4835: 4831: 4830: 4825: 4818: 4815: 4811: 4806: 4803: 4798: 4797: 4789: 4786: 4782: 4777: 4774: 4770: 4765: 4763: 4759: 4755: 4750: 4748: 4744: 4741:, p. 18. 4740: 4735: 4732: 4729:, p. 17. 4728: 4723: 4720: 4716: 4711: 4708: 4705:, p. 59. 4704: 4699: 4696: 4692: 4687: 4684: 4681:, p. 43. 4680: 4675: 4672: 4668: 4667:Nourmand 2002 4663: 4660: 4656: 4655:Nourmand 2002 4651: 4648: 4643: 4639: 4635: 4631: 4627: 4623: 4622: 4614: 4611: 4608:, p. 53. 4607: 4602: 4599: 4586: 4582: 4575: 4572: 4569:, p. 30. 4568: 4563: 4561: 4559: 4555: 4552:, p. 39. 4551: 4546: 4543: 4540:, p. 34. 4539: 4534: 4531: 4527: 4522: 4519: 4516:, p. 36. 4515: 4510: 4507: 4504:, p. 51. 4503: 4498: 4495: 4492:, p. 63. 4491: 4486: 4483: 4480:, p. 84. 4479: 4474: 4471: 4468:, p. 84. 4467: 4462: 4459: 4455: 4450: 4447: 4443: 4438: 4435: 4422: 4418: 4414: 4408: 4405: 4392: 4388: 4387: 4382: 4375: 4372: 4367: 4366: 4361: 4355: 4352: 4339: 4335: 4334: 4329: 4322: 4319: 4315: 4310: 4307: 4304:, p. 94. 4303: 4298: 4295: 4292:, p. 83. 4291: 4286: 4284: 4280: 4277:, p. 19. 4276: 4271: 4268: 4265:, p. 30. 4264: 4259: 4256: 4251: 4247: 4243: 4239: 4235: 4231: 4224: 4222: 4218: 4215:, p. 16. 4214: 4213:Reynolds 2005 4209: 4206: 4201: 4195: 4194:cite AV media 4187: 4181: 4178: 4174: 4169: 4166: 4162: 4157: 4154: 4150: 4145: 4142: 4138: 4133: 4130: 4127:, p. 43. 4126: 4121: 4118: 4114: 4109: 4106: 4102: 4097: 4094: 4090: 4085: 4082: 4078: 4073: 4070: 4066:. p. 94. 4065: 4064: 4056: 4053: 4049: 4044: 4041: 4037: 4032: 4029: 4025: 4020: 4017: 4013: 4008: 4006: 4004: 4000: 3996: 3991: 3988: 3984: 3979: 3976: 3973:, p. 37. 3972: 3967: 3964: 3951: 3947: 3943: 3937: 3934: 3930: 3925: 3922: 3918: 3913: 3910: 3906: 3901: 3898: 3894: 3889: 3886: 3873: 3869: 3865: 3859: 3856: 3852: 3847: 3844: 3840: 3835: 3832: 3828: 3823: 3820: 3816: 3811: 3809: 3807: 3803: 3799: 3794: 3791: 3787: 3782: 3779: 3775: 3770: 3768: 3764: 3760: 3755: 3753: 3749: 3746:, p. 94. 3745: 3740: 3737: 3724: 3720: 3716: 3710: 3707: 3704:, p. 21. 3703: 3698: 3695: 3692:, p. 11. 3691: 3686: 3683: 3680:, p. 83. 3679: 3674: 3671: 3666: 3665: 3657: 3654: 3651:, p. 29. 3650: 3645: 3642: 3638: 3633: 3630: 3626: 3621: 3618: 3614: 3609: 3606: 3603:, p. 99. 3602: 3597: 3594: 3590: 3585: 3582: 3579:, p. 46. 3578: 3573: 3570: 3566: 3561: 3558: 3554: 3549: 3546: 3542: 3537: 3534: 3531:, p. 45. 3530: 3525: 3522: 3518: 3513: 3511: 3507: 3504:, p. 15. 3503: 3498: 3495: 3491: 3486: 3483: 3478: 3474: 3470: 3466: 3459: 3457: 3455: 3451: 3446: 3445: 3437: 3434: 3430: 3425: 3422: 3418: 3413: 3410: 3406: 3401: 3398: 3394: 3389: 3386: 3383:, p. 82. 3382: 3377: 3374: 3371:, p. 59. 3370: 3365: 3362: 3359:, p. 98. 3358: 3353: 3350: 3345: 3344: 3336: 3333: 3329: 3324: 3322: 3318: 3314: 3309: 3307: 3303: 3299: 3294: 3291: 3287: 3282: 3279: 3275: 3270: 3267: 3263: 3258: 3255: 3251: 3246: 3244: 3240: 3236: 3231: 3228: 3215: 3211: 3207: 3203: 3197: 3194: 3181: 3177: 3173: 3169: 3163: 3160: 3147: 3143: 3139: 3135: 3129: 3126: 3113: 3109: 3105: 3101: 3095: 3092: 3088: 3083: 3080: 3067: 3063: 3062: 3061:Rolling Stone 3057: 3050: 3047: 3044:, p. 28. 3043: 3038: 3035: 3029: 3026: 3023:, p. 32. 3022: 3017: 3014: 3011:, p. 13. 3010: 3005: 3002: 2999:, p. 33. 2998: 2997:Nourmand 2002 2993: 2990: 2977: 2973: 2972:Design Museum 2969: 2963: 2960: 2956:. p. 84. 2955: 2954: 2946: 2943: 2939: 2934: 2931: 2928:, p. 39. 2927: 2922: 2919: 2916:, p. 97. 2915: 2910: 2907: 2904:, p. 27. 2903: 2898: 2896: 2892: 2879: 2875: 2869: 2866: 2862: 2857: 2854: 2850: 2845: 2842: 2838: 2833: 2830: 2827:, p. 90. 2826: 2821: 2818: 2814: 2809: 2806: 2802: 2797: 2794: 2791:, p. 89. 2790: 2785: 2782: 2778: 2773: 2770: 2767:, p. 25. 2766: 2761: 2758: 2745: 2741: 2740: 2735: 2728: 2725: 2712: 2708: 2704: 2700: 2693: 2690: 2686: 2685:Nourmand 2002 2681: 2678: 2675:, p. 61. 2674: 2669: 2666: 2653: 2649: 2645: 2641: 2639: 2630: 2627: 2623: 2618: 2615: 2612:, p. 17. 2611: 2606: 2603: 2598: 2594: 2587: 2584: 2581:, p. 63. 2580: 2575: 2572: 2560: 2559: 2554: 2547: 2545: 2543: 2539: 2536:, p. 26. 2535: 2530: 2528: 2524: 2511: 2507: 2503: 2502: 2497: 2490: 2487: 2483: 2478: 2475: 2469: 2461: 2456: 2455:Sylvia Trench 2451: 2444: 2441: 2435: 2432: 2425: 2421: 2418: 2416: 2413: 2411: 2408: 2406: 2403: 2402: 2398: 2396: 2394: 2390: 2389: 2388:Casino Royale 2384: 2380: 2379:vodka martini 2375: 2373: 2369: 2365: 2361: 2357: 2352: 2350: 2346: 2341: 2337: 2333: 2329: 2323: 2321: 2314: 2309: 2307: 2303: 2295: 2279: 2277: 2275: 2271: 2267: 2263: 2259: 2255: 2251: 2247: 2246: 2241: 2237: 2233: 2232: 2227: 2222: 2220: 2219: 2214: 2213: 2208: 2204: 2196: 2194: 2192: 2188: 2187:space station 2184: 2180: 2176: 2172: 2168: 2164: 2160: 2156: 2152: 2148: 2139: 2137: 2135: 2133: 2132:Austin Powers 2123: 2118: 2116: 2114: 2113: 2108: 2104: 2100: 2099: 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1539: 1534: 1530: 1526: 1525:David Hedison 1520: 1518: 1514: 1509: 1507: 1506:Casino Royale 1503: 1499: 1495: 1494: 1485: 1483: 1481: 1477: 1473: 1469: 1468:General Gogol 1465: 1461: 1457: 1451: 1443: 1441: 1439: 1435: 1431: 1427: 1426:Space Shuttle 1423: 1419: 1415: 1411: 1407: 1404:—features in 1403: 1402:Little Nellie 1399: 1391: 1390: 1389: 1387: 1383: 1379: 1374: 1372: 1368: 1364: 1360: 1359:Casino Royale 1356: 1352: 1348: 1344: 1340: 1335: 1333: 1329: 1325: 1321: 1317: 1313: 1309: 1305: 1301: 1298: 1292: 1284: 1283: 1280: 1275: 1271: 1269: 1265: 1262: 1258: 1257:Casino Royale 1254: 1250: 1242: 1241: 1237: 1235: 1233: 1229: 1225: 1221: 1217: 1213: 1209: 1205: 1201: 1197: 1193: 1191: 1186: 1182: 1179: 1173: 1171: 1163: 1158: 1156: 1152: 1148: 1144: 1143:Casino Royale 1140: 1136: 1132: 1131: 1126: 1122: 1118: 1113: 1111: 1107: 1103: 1099: 1095: 1090: 1087: 1083: 1079: 1075: 1068: 1059: 1052: 1050: 1048: 1044: 1040: 1036: 1032: 1028: 1023: 1021: 1020:Ralph Fiennes 1017: 1013: 1012: 1008:until 2012's 1007: 1006: 1001: 997: 992: 990: 986: 985: 980: 979: 974: 970: 965: 963: 959: 950: 943: 941: 939: 938: 933: 929: 924: 922: 921:Naomie Harris 918: 917:Samantha Bond 914: 910: 909: 904: 900: 896: 892: 888: 884: 883:Casino Royale 875: 868: 864:Plot elements 863: 861: 859: 858: 853: 849: 845: 841: 837: 833: 832:Sheena Easton 829: 828: 823: 819: 815: 811: 807: 806:Original Song 803: 799: 798:All Time High 795: 791: 787: 783: 782: 777: 776: 775:Rolling Stone 771: 766: 764: 760: 756: 752: 748: 744: 740: 736: 732: 728: 724: 720: 716: 712: 711: 706: 701: 699: 695: 691: 690: 679: 672: 670: 668: 664: 660: 659:Casino Royale 656: 655: 650: 649: 644: 643: 637: 635: 634: 629: 628: 623: 622: 617: 616: 611: 610: 605: 601: 600: 595: 591: 583: 581: 579: 578: 573: 569: 565: 561: 557: 553: 548: 546: 542: 538: 537:Casino Royale 533: 531: 527: 523: 519: 515: 511: 510:Casino Royale 507: 502: 500: 496: 492: 488: 487: 482: 478: 475:by putting a 474: 470: 469:James Chapman 466: 459: 454: 449: 441: 436: 434: 432: 428: 424: 419: 417: 416: 415:Casino Royale 411: 407: 403: 399: 393: 391: 390: 385: 384: 383:Casino Royale 379: 378: 373: 369: 365: 361: 360: 355: 351: 339: 335: 331: 325: 321: 317: 314:United States 311: 307: 303: 297: 293: 288: 283: 275: 270: 265: 260: 255: 250: 245: 237: 231: 227: 220: 217: 215: 212: 210: 207: 205: 202: 200: 197: 194: 192: 189: 187: 184: 182: 179: 178: 175: 167: 162: 161:Thomas Newman 158: 154: 150: 147: 143: 140: 139: 134: 130: 126: 122: 118: 114: 111: 107: 103: 99: 94: 90: 85: 81: 80:Kevin McClory 76: 72: 67: 63: 60: 56: 53: 48: 47: 43: 39: 32: 27: 22: 16: 7240: 7166: 7141: 7132: 7017: 7007: 6977: 6967: 6957: 6947: 6937: 6927: 6917: 6907: 6897: 6887: 6877: 6867: 6857: 6847: 6837: 6827: 6817: 6807: 6797: 6787: 6777: 6767: 6757: 6747: 6737: 6715: 6706: 6697: 6682: 6487: 6480: 6466: 6459: 6415: 6372: 6368:Inspirations 6337:Bibliography 6323: 6245:. Retrieved 6221: 6197: 6179:Virgin Books 6172: 6158:. Retrieved 6140:Rough Guides 6134: 6113:. New York: 6110: 6098:. Retrieved 6074: 6050: 6038:. Retrieved 6014: 5990: 5966:Bond on Bond 5965: 5960:Moore, Roger 5937: 5915: 5893: 5881:. Retrieved 5857: 5833: 5815:Virgin Books 5810: 5791: 5779:. Retrieved 5759: 5735: 5717:Virgin Books 5711:Sean Connery 5710: 5685: 5657: 5640:. Retrieved 5616: 5595:. New York: 5592: 5566: 5554:. Retrieved 5530: 5502: 5475: 5452: 5429: 5421:Bibliography 5412:Chapman 2009 5407: 5400:Simpson 2002 5395: 5388:Simpson 2002 5383: 5376:Lindner 2009 5371: 5360: 5353: 5341:. Retrieved 5323: 5296:. Retrieved 5278: 5273:, p. 6. 5251: 5239: 5227:. Retrieved 5216: 5207: 5194: 5189: 5177:. Retrieved 5163: 5151: 5124: 5112: 5105:Simpson 2002 5100: 5088: 5076: 5064: 5052: 5040: 5028: 5021:Simpson 2002 5016: 5009:Simpson 2002 5004: 4985: 4979: 4967: 4960:Jütting 2007 4955: 4948:Yeffeth 2006 4931:Jütting 2007 4884: 4874: 4862: 4850: 4838:. 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Motifs in the James Bond film series

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