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571:, the rival to the Ballets Russes. Cocteau had originally proposed the project to Auric, but as Auric did not finish rapidly enough to fit into the rehearsal schedule, he then divided the work up among the other members of Les Six. Durey, who was not in Paris at the time, chose not to participate. The première was the occasion of a public scandal rivalling that of
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chose six names absolutely arbitrarily, those of Auric, Durey, Honegger, Poulenc, Tailleferre and me simply because we knew each other and we were pals and appeared on the same musical programmes, no matter if our temperaments and personalities weren't at all the same! Auric and
Poulenc followed
470:, there were six occasions, spread over 36 years, on which at least some members of the group did work together on the same project. On only one of these occasions was the entire Groupe des Six involved; in some others, composers from outside the group also participated.
1387:
Collet, Henri (23 January 1920). "La
Musique chez soi (XIII): "Les 'Six' français – Darius Milhaud, Louis Durey, Georges Auric, Arthur Honegger, Francis Poulenc et Germaine Tailleferre".
418:(The Ox on the Roof) when the establishment moved to larger quarters. As the famous ballet by Milhaud had been conceived at the old premises, the new bar took on the name of
1217:
Henri Collet: "La
Musique chez soi (XIII): "Les 'Six' français – Darius Milhaud, Louis Durey, Georges Auric, Arthur Honegger, Francis Poulenc et Germaine Tailleferre", in:
331:
The diversity of our music, of our tastes and distastes, precluded any common aesthetic. What could be more different than the music of
Honegger and Auric? Milhaud admired
1621:
1076:
1370:
Collet, Henri (16 January 1920). "La
Musique chez soi (XII): Un livre de Rimsky et un livre de Cocteau – Les Cinq russes, les Six français, et Erik Satie".
802:, a suite of songs for baritone or bass and piano on words of Louise Lévêque de Vilmorin in commemoration of the centenary of the death of Frédéric Chopin.
1443:, "Portrait souvenir de Jean Cocteau" (transcript of a French television interview in 1963 by the author and the subject) (Tallandier, 1964), pp. 63–67,
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Auric and
Poulenc were involved in all six of these collaborations, Milhaud in five, Honegger and Tailleferre in three, but Durey in only one.
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In 1927, Auric, Milhaud and
Poulenc, along with seven other composers who were not part of Les Six, jointly composed the children's ballet
290:, Honegger, Auric, and Durey was played. This concert gave Satie the idea of assembling a group of composers around himself to be known as
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less than a year after starting the group, was the "gift from heaven" that made it all come true for
Cocteau: his 1918 publication,
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1210:: "La Musique chez soi (XII): Un livre de Rimsky et un livre de Cocteau – Les Cinq russes, les Six français, et Erik Satie", in:
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In 1952, Auric, Honegger, Poulenc, Tailleferre and three other composers collaborated on an orchestral work called
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In 1956, Auric, Milhaud, Poulenc and five other composers created an orchestral suite in honour of the pianist
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98:) is a name given to a group of six composers, five of them French and one Swiss, who lived and worked in
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270:(1885–1964). For the first of these events, the walls of the studio were decorated with canvases by
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ideas of
Cocteau, Honegger followed German Romanticism, and myself, Mediterranean lyricism!
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But, that is only one reading of how the Groupe des Six originated. Other authors, like
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while
Cocteau and Milhaud played percussion. Among those in attendance were impresario
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In 1949, Auric, Milhaud and Poulenc, along with three other composers, jointly wrote
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by Tailleferre; written in 1929 for the Ballets Russes and unproduced because of
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whose compositions in subsequent years were influenced by members of Les Six.
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In 1921, five of the members jointly composed the music for Cocteau's ballet
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Les Six: The French Composers and their Mentors Jean Cocteau and Erik Satie
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In 1920 the group published an album of piano pieces together, known as
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by Milhaud; premiered 1924 in a production of Count Etienne de Beaumont
1599:
1563:
Carl B. Schmidt, The Music of Francis Poulenc (1899-1963): A Catalogue
1310:
The Composer as Intellectual. Music and Ideology in France, 1914–1940
370:
243:
In 1917, when many theatres and concert halls were closed because of
397:
as their key representatives. The fact that Satie had abandoned the
1519:(New York: Routledge, 2013), p. 631; Virgil Thomson on Google Books
1320:
Music and Ultra-Modernism in France, a Fragile Consensus, 1913–1939
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was in the repertoire of the Ballets suédois throughout the 1920s.
490:. This was the only work in which all six composers collaborated.
29:
1915:
1603:
1465:(New York: Library of America & Penguin Random House, 2016)
176:
1406:"Jean Cocteau et la musique Ă travers "Le Coq et l'Arlequin""
1594:
Le Groupe des Six - Une évocation par diverses personnalités
1503:
1476:
1911:
1502:, p. 110; Virgil Thomas describes Le Boeuf sur le Toit on
102:. The name has its origins in two 1920 articles by critic
1475:, p. 135–136; Virgil Thomson and Le Boeuf sur le Toit on
466:
Although the group did not exist to work on compositions
454:. Another frequent guest was the young American composer
1145:
Sonate champĂŞtre for Oboe, Clarinet, Bassoon and Piano
1490:
The Rest is Noise. Listening to the Twentieth Century
983:
Variations en forme de Berceuse pour Marguerite Long
1349:
La Gazette des Amis des Musées de Rouen et du Havre
41:. In this painting of eight people, only five of
1202:Le Coq et l'Arlequin: Notes autour de la musique
796:Mouvements du coeur: Un hommage à la mémoire de
1226:Le Groupe des Six et ses amis: 70e anniversaire
1051:Selected music by individual members of Les Six
329:
314:
422:. On the renamed bar's opening night, pianist
1927:
1615:
1280:The Harlequin Years: Music in Paris 1917–1929
1077:Category:Compositions by Germaine Tailleferre
8:
1342:"Jacques-Émile Blanche et le Groupe des Six"
1244:Satie/Cocteau. Les Malentendus d'une entente
299:
292:
168:
1582:, Satie, and Cocteau – by Stéphane Villemin
211:. Unsourced material may be challenged and
120:reaction against both the musical style of
1934:
1920:
1912:
1622:
1608:
1600:
1312:(New York: Oxford University Press, 2005).
1517:Encyclopedia of Music in the 20th Century
231:Learn how and when to remove this message
1073:Category:Compositions by Francis Poulenc
1065:Category:Compositions by Arthur Honegger
967:Variations sur le nom de Marguerite Long
955:Variations sur le nom de Marguerite Long
49:was not present. In the center: pianist
1332:
1069:Category:Compositions by Darius Milhaud
1515:Lee Stacey & Lol Henderson (eds):
1057:Category:Compositions by Georges Auric
1282:(London: Thames & Hudson, 2002),
1204:(Paris: Éditions de la Sirène, 1918).
93:
7:
1533:Virgil Thomson on www.britannica.com
1297:(London/Chicago: Peter Owen, 2011),
1061:Category:Compositions by Louis Durey
209:adding citations to reliable sources
1132:Sonate pour violon seul by Honegger
343:, whom Auric, Milhaud and I adored.
53:. On the left, from bottom to top:
1413:Revue de l’Université de Bruxelles
1340:Bialek, Mireille (December 2012).
1322:(Woodbridge: Boydell Press, 2013).
1246:(Bègles: Le Castor Astral, 1993),
116:). Their music is often seen as a
25:
405:, is said to have kicked it off.
369:group devoted to music, like the
335:, I did not; neither of us liked
113:
1900:
1404:Hurard-Viltard, Eveline (1989).
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350:Lord Berners: The Last Eccentric
255:decided to put on concerts at 6
181:
1264:(London: Phaidon Press, 1996),
361:, stressed the manoeuvrings of
377:groups which had sprung up in
1:
1417:Université Libre de Bruxelles
1221:, 23 January 1920, p. 2.
1214:, 16 January 1920, p. 2.
1109:, ballet (1922/23) by Poulenc
1545:Cocteau, Satie & Les Six
1224:Fondation Erik Satie (ed.):
579:Les mariés de la tour Eiffel
567:, which was produced by the
564:Les mariés de la tour Eiffel
556:Les mariés de la tour Eiffel
266:, the studio of the painter
1753:Grupo de renovaciĂłn musical
577:in 1913. In spite of this,
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365:to become the leader of an
2016:
1141:for solo flute by Honegger
1054:
994:("The Crown of Daisies"),
992:La Couronne de Marguerites
327:And according to Poulenc:
1949:
1898:
1637:
1492:(New York: Picador, 2007)
613:La Baigneuse de Trouville
69:. On the right, standing
27:Group of French composers
1504:https://books.google.com
1477:https://books.google.com
1351:. No. 15. p. 7
1228:(Paris: Placard, 1990),
1565:. Retrieved 17 May 2016
1531:Encyclopedia Britannica
996:Valse en forme de rondo
450:, and actor and singer
286:, and others. Music by
1858:Viennese preclassicism
1166:Classical music portal
1027:Jean-Yves Daniel-Lesur
902:Jean-Yves Daniel-Lesur
898:Sarabande et farandole
881:La guirlande de Campra
873:La guirlande de Campra
355:
348:Quoted in Mark Amory,
325:
312:According to Milhaud:
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708:Pierre-Octave Ferroud
631:La Valse des Depeches
574:Le sacre du printemps
391:Guillaume Apollinaire
385:shortly before, with
39:Jacques-Émile Blanche
33:
1979:Germaine Tailleferre
1179:The Five (composers)
1041:ML (Allegro: Finale)
911:Alexis Roland-Manuel
726:Alexis Roland-Manuel
687:L'Ă©ventail de Jeanne
679:L'Ă©ventail de Jeanne
622:La Fugue du Massacre
504:Romance sans paroles
403:Le Coq et l'Arlequin
205:improve this section
161:Germaine Tailleferre
55:Germaine Tailleferre
37:, 1922, painting by
1748:Grupo de los cuatro
1713:English Virginalist
1631:Composition schools
1139:(Dance of the Goat)
1126:Le bœuf sur le toit
1089:La nouvelle Cythère
925:Matelote provençale
861:Postlude: Polonaise
789:Mouvements du coeur
604:Discours du General
415:Le BĹ“uf sur le Toit
294:Les nouveaux jeunes
170:Les nouveaux jeunes
126:Impressionist music
18:Mouvements du coeur
1763:Khrennikov's Seven
1587:2005-02-06 at the
1550:2010-09-29 at the
1137:Danse de la chèvre
506:, Op. 21 (1919) –
83:
1987:
1986:
1909:
1908:
1743:Grupo de los ocho
1733:GeneraciĂłn del 51
1728:Ears Open Society
1500:978-0-312-42771-9
1473:978-1-59853-476-4
1308:Jane F. Fulcher:
1303:978-0-7206-1293-6
1185:Grupo de los Ocho
834:Scherzo impromptu
667:Sortie de la Noce
544:Pastorale, Enjoué
452:Maurice Chevalier
298:, forerunners of
241:
240:
233:
159:(1899–1963), and
139:The members were
45:are represented;
35:Le Groupe des six
16:(Redirected from
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1845:The Turkish Five
1840:Sonic Arts Union
1798:Neue Einfachheit
1758:Grupo renovaciĂłn
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487:L'Album des Six
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1343:
1336:
1333:
1326:
1321:
1317:
1314:
1311:
1307:
1304:
1300:
1296:
1292:
1289:
1288:0-500-51095-4
1285:
1281:
1277:
1276:Roger Nichols
1274:
1271:
1270:0-7148-3503-X
1267:
1263:
1259:
1258:Benjamin Ivry
1256:
1253:
1252:2-85920-208-0
1249:
1245:
1241:
1240:Ornella Volta
1238:
1235:
1234:2-907523-01-5
1231:
1227:
1223:
1220:
1216:
1213:
1209:
1206:
1203:
1199:
1196:
1195:
1191:
1187:
1186:
1182:
1180:
1177:
1175:
1174:American Five
1172:
1171:
1167:
1156:
1151:
1146:
1143:
1140:
1138:
1134:
1131:
1128:
1127:
1123:
1120:
1117:
1114:
1113:Le Bal Masqué
1111:
1108:
1107:
1103:
1100:
1097:
1094:
1090:
1087:
1084:
1081:
1080:
1078:
1074:
1070:
1066:
1062:
1058:
1050:
1046:
1042:
1039:
1037:
1033:
1030:
1028:
1024:
1021:
1019:
1015:
1012:
1010:
1006:
1003:
1001:
997:
993:
990:
988:
987:Henri Sauguet
984:
981:
979:
978:Jean Françaix
975:
972:
971:
970:
969:
968:
963:
956:
952:
948:
944:
941:
939:
938:Henri Sauguet
935:
932:
930:
926:
923:
921:
917:
914:
912:
908:
905:
903:
899:
896:
894:
890:
887:
886:
885:
883:
882:
874:
870:
866:
865:Henri Sauguet
862:
859:
857:
853:
850:
848:
844:
841:
839:
838:Jean Françaix
835:
832:
830:
826:
823:
821:
817:
814:
812:
811:Henri Sauguet
808:
805:
804:
803:
801:
799:
790:
786:
782:
778:
774:
772:
768:
765:
763:
759:
756:
754:
750:
747:
745:
741:
738:
736:
732:
729:
727:
723:
720:
718:
717:Jacques Ibert
714:
711:
709:
705:
702:
700:
699:Maurice Ravel
696:
693:
692:
691:
689:
688:
680:
672:
668:
665:
663:
659:
656:
654:
650:
647:
645:
641:
638:
636:
632:
629:
627:
623:
620:
618:
614:
611:
609:
605:
602:
600:
596:
593:
591:
587:
584:
583:
582:
580:
576:
575:
570:
566:
565:
557:
553:
549:
545:
542:
540:
536:
532:
529:
527:
523:
520:
518:
514:
511:
509:
505:
502:
500:
496:
493:
492:
491:
489:
488:
480:
474:
471:
469:
461:
459:
457:
453:
449:
445:
441:
440:Pablo Picasso
437:
433:
429:
425:
421:
417:
416:
411:
406:
404:
400:
396:
392:
388:
387:Pablo Picasso
384:
380:
376:
372:
368:
364:
360:
359:Ornella Volta
351:
344:
342:
338:
334:
328:
318:
313:
307:
305:
302:
297:
295:
289:
285:
281:
277:
273:
269:
268:Émile Lejeune
263:
258:
254:
253:MoĂŻse Kisling
250:
246:
235:
232:
224:
214:
210:
206:
200:
199:
195:
190:This section
188:
184:
179:
178:
173:
171:
166:
164:
163:(1892–1983).
162:
158:
155:(1892–1974),
154:
151:(1892–1955),
150:
147:(1888–1979),
146:
143:(1899–1983),
142:
141:Georges Auric
137:
135:
134:Maurice Ravel
131:
127:
123:
119:
115:
111:
110:
105:
101:
96:
88:
80:
79:Georges Auric
77:; and seated
76:
72:
68:
64:
60:
56:
52:
48:
44:
40:
36:
32:
19:
1942:
1887:Wandelweiser
1834:
1660:
1653:
1646:
1579:
1558:
1540:
1530:
1525:
1516:
1510:
1489:
1483:
1462:
1456:
1436:
1424:. Retrieved
1420:
1412:
1399:
1393:. p. 2.
1388:
1382:
1376:. p. 2.
1371:
1365:
1353:. Retrieved
1348:
1335:
1319:
1309:
1294:
1279:
1261:
1243:
1225:
1218:
1211:
1208:Henri Collet
1201:
1198:Jean Cocteau
1192:Bibliography
1183:
1135:
1124:
1118:
1112:
1104:
1098:
1088:
1082:
1044:
1040:
1035:
1034:, FP. 160 –
1031:
1022:
1013:
1004:
999:
995:
991:
982:
973:
965:
959:
954:
946:
942:
933:
928:
924:
919:
915:
906:
897:
892:
888:
879:
877:
872:
860:
855:
851:
842:
833:
828:
824:
819:
815:
806:
795:
793:
788:
776:
770:
766:
761:
757:
752:
748:
739:
730:
721:
712:
703:
694:
685:
683:
678:
670:
666:
661:
658:Ritournelles
657:
652:
648:
643:
639:
634:
630:
625:
621:
616:
612:
607:
603:
598:
594:
589:
588:(14 July) –
585:
578:
572:
562:
560:
555:
547:
543:
538:
530:
525:
521:
516:
512:
507:
503:
498:
494:
485:
483:
478:
472:
465:
448:Jane Bathori
442:, filmmaker
413:
407:
402:
398:
395:André Breton
363:Jean Cocteau
356:
349:
330:
326:
315:
311:
291:
257:rue Huyghens
242:
227:
218:
203:Please help
191:
167:
138:
114:Bibliography
107:
104:Henri Collet
100:Montparnasse
86:
84:
75:Jean Cocteau
42:
34:
1959:Louis Durey
1861: [
1803:Ny Enkelhed
1648:Ars antiqua
1488:Alex Ross:
1119:Scaramouche
1009:Jean Rivier
920:Tailleferre
800:, 1849–1949
758:Pastourelle
653:Tailleferre
635:Tailleferre
548:Tailleferre
424:Jean Wiéner
410:World War I
379:visual arts
367:avant-garde
260: [
245:World War I
145:Louis Durey
67:Jean Wiener
47:Louis Durey
1892:West Coast
1815:Notre Dame
1793:New Jewish
1788:New German
1783:Neapolitan
1768:Manchester
1683:Burgundian
1678:Boston Six
1596:on YouTube
1327:References
1129:by Milhaud
1121:by Milhaud
1106:Les biches
1055:See also:
1023:Intermezzo
847:LĂ©o Preger
606:(Polka) –
531:Valse in C
444:René Clair
383:literature
375:surrealist
288:Erik Satie
284:Modigliani
118:neoclassic
1854:Viennese
1698:Darmstadt
1093:Diaghilev
1032:Bucolique
1014:Sérénades
964:, called
943:Écossaise
934:Variation
916:Sarabande
740:Sarabande
649:Quadrille
546:(1919) –
537:(1919) –
524:(1914) –
513:Sarabande
497:(1919) –
446:, singer
438:, artist
322:Ivry 1996
221:July 2021
192:does not
1994:Category
1850:Venetian
1810:New York
1773:Mannheim
1693:Colorist
1655:Ars nova
1585:Archived
1548:Archived
1355:July 18,
1152:See also
1101:by Auric
1005:Nocturne
893:Honegger
775:Finale:
644:Honegger
586:Overture
517:Honegger
346:—
320:—
124:and the
2000:Les Six
1943:Les Six
1835:Les Six
1688:Cologne
1668:Bologna
1580:Les Six
1426:18 July
1390:Comœdia
1373:Comœdia
1219:Comœdia
1212:Comœdia
1036:Poulenc
1000:Milhaud
929:Poulenc
907:Canarie
889:Toccata
856:Milhaud
820:Poulenc
816:Mazurka
807:Prélude
767:Rondeau
762:Poulenc
753:Milhaud
731:Bourrée
722:Canarie
695:Fanfare
671:Milhaud
626:Milhaud
617:Poulenc
608:Poulenc
599:Milhaud
539:Poulenc
526:Milhaud
522:Mazurka
495:Prélude
333:Magnard
308:Les Six
301:Les Six
276:Matisse
272:Picasso
213:removed
198:sources
109:Comœdia
91:French:
87:Les Six
43:Les Six
1875:Second
1673:Boston
1498:
1471:
1447:
1301:
1286:
1268:
1250:
1232:
1083:Salade
1075:, and
953:1956:
871:1952:
787:1949:
704:Marche
677:1927:
554:1921:
477:1920:
408:After
393:, and
371:cubist
1870:First
1865:]
1825:Roman
1409:(PDF)
1345:(PDF)
1045:Auric
947:Auric
843:Étude
829:Auric
825:Valse
771:Auric
749:Polka
713:Valse
662:Auric
590:Auric
535:FP 17
508:Durey
499:Auric
341:Satie
280:LĂ©ger
264:]
112:(see
1496:ISBN
1469:ISBN
1445:ISBN
1428:2021
1357:2021
1299:ISBN
1284:ISBN
1266:ISBN
1248:ISBN
1230:ISBN
430:and
381:and
373:and
196:any
194:cite
132:and
207:by
128:of
106:in
89:" (
1996::
1863:de
1494:,
1467:,
1421:ff
1415:.
1411:.
1347:.
1318::
1278::
1260::
1242::
1200::
1071:,
1067:,
1063:,
1059:,
1043:–
1025:–
1016:–
1007:–
998:–
985:–
976:–
945:–
936:–
927:–
918:–
909:–
900:–
891:–
884:.
863:–
854:–
845:–
836:–
827:–
818:–
809:–
779:–
769:–
760:–
751:–
742:–
733:–
724:–
715:–
706:–
697:–
690:.
669:–
660:–
651:–
642:–
633:–
624:–
615:–
597:–
533:,
389:,
304:.
282:,
278:,
274:,
262:fr
247:,
136:.
73:,
65:,
61:,
57:,
1935:e
1928:t
1921:v
1623:e
1616:t
1609:v
1535:.
1451:.
1430:.
1359:.
1305:.
1290:.
1272:.
1254:.
1236:.
234:)
228:(
223:)
219:(
215:.
201:.
85:"
81:.
20:)
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