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the vegetable realm from which her medium is derived, the leading metaphor of
Mukherjee's work comes from the organic life of plants. Improvising upon a motif or image that serves as her starting point the work's gradual unfolding itself becomes analogous to the stirring into maturation of a sapling."
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In the context of the pedagogy professed by K G Subramanyan, Mukherjee's decision to work in a material traditionally associated with her craft rather than "high art" reflects her teacher's conscious attempts to overcome what they considered to be a staple polarity in
Modernism, not least in view of
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observes: "Perhaps the principal lesson that historians, critics, and viewers acquire with an astounding retrospective like
Mukherjee's is how art can resist being viewed as delineated under a methodical Western canon. Her massive oeuvre is not fully representational, neither completely abstract. It
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and independent curator Deepak Ananth also ascribed
Mukherjee's predilection for modest, earthly materials to her influence from Subramanyan, and in turn from the history of Indian artisanal craft. In an essay entitled "The Knots are Many But the Thread is One", Ananth wrote, "As if in harmony with
235:
designs popular at the time. Her first solo exhibition was held at
Sridharani Art Gallery in New Delhi in 1972. It featured warped, woven forms in dyed natural fibres—a series of works that brought her recognition. She named her sculptures after deities of fertility and were seen as sensual and
314:
dubbed
Mukherjee as a "unique voice in contemporary Indian art", and remarked "The sculptures knotted painstakingly with hemp ropes in earthy or rich glowing colours evoke a fecund world of burgeoning life, lush vegetation, iconic figures." Acknowledging the note of sexuality manifested in the
326:
Mukherjee a former student, " use jute, wood, rope, and cow dung to create environments at once magical and mundane. Their inventiveness with visual language and investments in ordinary materials are a legacy of
Subramanyan's teaching, writing and art-making."
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later in her career. Her bronze work emerged in the 2000s, "when the artist began casting forms moulded directly in wax using the traditional lost-wax process, whose surfaces she finished with tools obtained from a local dentist".
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who was also a member of the Fine Arts
Faculty at the university. Her studies included working Italian Fresco and other conventional techniques. She worked with natural fibres as a medium for murals.
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fibre, an unconventional material for sculpting, she had a career lasting over four decades from the 1970s to the 2000s. Mukherjee's body of work is a part of public collections at, among others, the
267:
in 1994. The same exhibition further travelled to other cities in the United
Kingdom over the course of the next few months. Mukherjee later participated in an international workshop that was held
315:"phallic forms", they added "the mysterious folds and orifices, the intricate curves and drapes. There is a sensuous, tactile quality to her work which exercises a compelling hold on the viewer."
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307:, local crafts and textiles. Knotting was one of her main techniques; she worked intuitively and never worked based on sketches, models or preparatory drawings.
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hosted a posthumous retrospective of
Mukherjee's work called "Phenomenal Nature: Mrinalini Mukherjee". In her review of the exhibition, art critic
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the extreme richness and continuing actuality of traditional artisanal skills in India and the sheer versatility of popular vernacular idioms.
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144:(1949 – 15 February 2015) was an Indian sculptor. Known for her distinctly contemporary style and use of dyed and woven
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learns from her native history and tradition, while educating us in new ways to engage with subtleties of her work."
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In the 1960s and 1970s Mukherjee used local hemp and jute to create knotted designs outside the
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Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990
1097:"Recent Acquisitions: A Selection: 2018–20. Part II: Late Eighteenth Century to Contemporary"
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Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990
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1074:(Ninetieth anniversary ed.). New York: The Museum of Modern Art. 2019. p. 314.
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Mukherjee with her fibre creations during the preparation for the Fine Arts Fair, 1969
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Mrinalini Mukherjee was hospitalized before her 2015 retrospective exhibition at the
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962:. Metropolitan Museum of Art. Mumbai, India: The Shoestring Publisher. p. 12.
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168:, Amsterdam. The artist's personal archive is digitised and freely accessible on
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While most of Mukherjee's early work was characterised by the use of natural
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843:""Exploring Sexuality and Myth Through Fiber and Other Types of Sculpture""
227:"Rudra" (1982) by Mrinalini Mukherjee exhibited at the 2022 Venice Biennale
295:"Devi" (1982) by Mrinalini Mukherjee exhibited at the 2022 Venice Biennale
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192:. The only child of her parents, she was brought up in the hill town of
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594:"Secular Deities, Enchanted Plants: Mrinalini Mukherjee at the NGMA"
1122:. New York, New York: The Metropolitan Museum of Art. p. 198.
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Mrinalini Mukherjee, RECENT SCULPTURE IN CERAMICS , 'In the Garden'
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in 1996. Around this time she started to experiment with ceramics.
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Dalmia, and Datta, and Sambrini, and Jakimowicz, and Datta (1997)
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Dalmia, and Datta, and Sambrini, and Jakimowicz, and Datta (1997)
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710:"ArtAsiaPacific: Indian Sculptor Mrinalini Mukherjee Dies At65"
1240:"Sculpture, Both Botanical and Bestial, Awe at the Met Breuer"
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Mukherjee went to study Bachelor of Fine Arts (Painting) at
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Jhaveri, Shanay (2019a). "Phenomenal Forces of Nature". In
665:. Defence Colony, New Delhi: Vadhera Art Gallery. 1997.
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in New Delhi. She died a week later, at the age of 65.
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Mukherjee, Mrinalini (2019). Jhaveri, Shanay (ed.).
1198:. California: University of California Press. 2015.
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1072:MoMA Now: Highlights from the Museum of Modern Art
204:, and spent her summer vacations in Santiniketan.
937:"Indian Sculptor Mrinalini Mukherjee Dies at 65"
817:"Indian Sculptor Mrinalini Mukherjee Dies at 65"
683:Women's work: from feminine arts to feminist art
409:India Tourism Development Corporation, New Delhi
1150:(English). New Delhi: Ajanta Offset Ltd. 1997.
1016:"Government Museum and Art Gallery Chandigarh"
984:"Mrinalini Mukherjee – Display at Tate Modern"
16:Indian sculptor and textile artist (1949–2015)
8:
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1253:"Mrinalini Mukherjee: Textile to Sculpture"
1234:. New York: The Shoestring Publisher, 2019.
303:and historic European sculpture, folk art,
263:to participate in an exhibition curated by
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1148:Indian Contemporary Art Post-Independence
1120:Gifts of Art: The Met's 150th Anniversary
896:Indian Contemporary Art Post-Independence
787:"Mrinalini Mukherjee: Force(s) of Nature"
576:Indian Contemporary Art Post-Independence
312:Indian Contemporary Art Post-Independence
412:India Institute of Immunology, New Delhi
397:Roopankar Museum of Art, Bharat Bhawan,
299:Mukherjee was influenced by traditional
1101:The Metropolitan Museum of Art Bulletin
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638:"Mrinalini Mukherjee – Nature as art"
110:West Surrey College of Art and Design
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1251:Gardner, Andrew (11 December 2019).
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421:Government Museum and Art Gallery,
240:Scholarship for Sculpture in 1971.
636:Ghoshal, Somak (8 November 2013).
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1310:20th-century Indian women artists
1305:21st-century Indian women artists
1259:. New York: Museum of Modern Art.
935:Bent, Siobhan (5 February 2015).
924:. Delhi: Lalit Kala Akademi. 200.
815:Bent, Siobhan (5 February 2016).
236:suggestive. Mukherjee received a
1238:Cotter, Holland (11 July 2019).
762:"Mrinalini Mukherjee – Tate Etc"
524:"Mrinalini Mukherjee | Aranyani"
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459:
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1095:Shanay, Jhaveri (Spring 2021).
499:"Mrinalini Mukherjee 1949–2015"
180:Mukherjee was born in 1949, in
1330:Women artists from Maharashtra
528:The Metropolitan Museum of Art
434:The Metropolitan Museum of Art
386:National Gallery of Modern Art
353:National Gallery of Modern Art
162:The Metropolitan Museum of Art
154:National Gallery of Modern Art
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1295:21st-century Indian sculptors
1290:20th-century Indian sculptors
1285:Indian contemporary sculptors
1176:Jhaveri, Shanay, ed. (2019).
1118:Bantz, Jennifer, ed. (2020).
592:Gupta, Trisha (23 May 2015).
550:"Mrinalini Mukherjee Archive"
405:Panjab University, Chandigarh
259:Mukherjee was invited to the
102:Maharaja Sayajirao University
1350:21st-century women sculptors
1345:20th-century women sculptors
261:Museum of Modern Art, Oxford
150:Museum of Modern Art, Oxford
1340:Welham Girls' School alumni
1270:Mrinalini Mukherjee Archive
685:. London: Frances Lincoln.
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922:Lalit Kala Contemporary 43
276:Metropolitan Museum of Art
75:15 February 2015 (aged 65)
939:. ArtAsiaPacific Magazine
30:
1050:The Museum of Modern Art
374:Yorkshire Sculpture Park
318:Mukherjee studied under
176:Early life and education
1230:Ananth, Deepak, et al.
1070:"Mrinalini Mukherjee".
841:Shaikh, Nageen (2019).
681:Gipson, Ferren (2022).
186:Benode Behari Mukherjee
134:Benode Behari Mukherjee
1335:Indian LGBTQ sculptors
1300:Indian women sculptors
1180:. Mumbai: Shoestring.
1042:"Mrinalini Mukherjee.
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228:
200:), where she attended
735:"Mistress of texture"
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247:fibre, she also used
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454:Biography portal
428:Museum of Modern Art
324:Worldly Affiliations
202:Welham Girls' School
164:, New York; and the
98:Welham Girls' School
1325:Artists from Mumbai
1232:Mrinalini Mukherjee
1178:Mrinalini Mukherjee
960:Mrinalini Mukherjee
548:Archive, Asia Art.
287:Technique and style
142:Mrinalini Mukherjee
25:Mrinalini Mukherjee
1244:The New York Times
1211:Unknown parameter
1163:Unknown parameter
793:. 25 November 2020
760:D’Mello, Rosalyn.
741:. 10 February 2015
739:The Indian Express
714:artasiapacific.com
403:Fine Arts Museum,
392:Lalit Kala Akademi
359:Public collections
297:
229:
1129:978-1-58839-735-5
1081:978-1-63345-100-1
969:978-81-904720-9-8
692:978-0-7112-6465-6
365:Modern Art Oxford
320:K. G. Subramanyan
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196:(in present
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141:
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18:
1320:2015 deaths
1315:1949 births
797:25 November
619:"Education"
416:Tate Modern
394:, New Delhi
388:, New Delhi
382:, Amsterdam
376:, Yorkshire
269:Netherlands
198:Uttarakhand
184:to artists
158:Tate Modern
84:Nationality
1279:Categories
719:4 February
559:1 November
554:aaa.org.hk
484:References
436:, New York
430:, New York
423:Chandigarh
338:Influences
160:, London;
71:2015-02-15
1215:ignored (
1204:cite book
1167:ignored (
1156:cite book
989:Tate Etc.
943:22 August
791:ocula.com
771:25 August
642:Live Mint
533:25 August
508:25 August
126:Parent(s)
120:Sculpture
1107:(4): 43.
1055:17 April
598:The Wire
441:See also
418:, London
194:Dehradun
106:Vadodara
1046:. 1984"
1026:9 April
1000:26 June
911:. p.134
826:9 April
647:26 June
603:25 June
579:. p.206
249:ceramic
233:macrame
59:, India
48: (
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1044:Yakshi
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497:Tate.
399:Bhopal
369:Oxford
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854:2020
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799:2020
773:2023
766:Tate
747:2017
721:2019
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535:2023
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