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Mrinalini Mukherjee

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the vegetable realm from which her medium is derived, the leading metaphor of Mukherjee's work comes from the organic life of plants. Improvising upon a motif or image that serves as her starting point the work's gradual unfolding itself becomes analogous to the stirring into maturation of a sapling."
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In the context of the pedagogy professed by K G Subramanyan, Mukherjee's decision to work in a material traditionally associated with her craft rather than "high art" reflects her teacher's conscious attempts to overcome what they considered to be a staple polarity in Modernism, not least in view of
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observes: "Perhaps the principal lesson that historians, critics, and viewers acquire with an astounding retrospective like Mukherjee's is how art can resist being viewed as delineated under a methodical Western canon. Her massive oeuvre is not fully representational, neither completely abstract. It
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and independent curator Deepak Ananth also ascribed Mukherjee's predilection for modest, earthly materials to her influence from Subramanyan, and in turn from the history of Indian artisanal craft. In an essay entitled "The Knots are Many But the Thread is One", Ananth wrote, "As if in harmony with
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designs popular at the time. Her first solo exhibition was held at Sridharani Art Gallery in New Delhi in 1972. It featured warped, woven forms in dyed natural fibres—a series of works that brought her recognition. She named her sculptures after deities of fertility and were seen as sensual and
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dubbed Mukherjee as a "unique voice in contemporary Indian art", and remarked "The sculptures knotted painstakingly with hemp ropes in earthy or rich glowing colours evoke a fecund world of burgeoning life, lush vegetation, iconic figures." Acknowledging the note of sexuality manifested in the
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Mukherjee a former student, " use jute, wood, rope, and cow dung to create environments at once magical and mundane. Their inventiveness with visual language and investments in ordinary materials are a legacy of Subramanyan's teaching, writing and art-making."
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later in her career. Her bronze work emerged in the 2000s, "when the artist began casting forms moulded directly in wax using the traditional lost-wax process, whose surfaces she finished with tools obtained from a local dentist".
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who was also a member of the Fine Arts Faculty at the university. Her studies included working Italian Fresco and other conventional techniques. She worked with natural fibres as a medium for murals.
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fibre, an unconventional material for sculpting, she had a career lasting over four decades from the 1970s to the 2000s. Mukherjee's body of work is a part of public collections at, among others, the
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in 1994. The same exhibition further travelled to other cities in the United Kingdom over the course of the next few months. Mukherjee later participated in an international workshop that was held
315:"phallic forms", they added "the mysterious folds and orifices, the intricate curves and drapes. There is a sensuous, tactile quality to her work which exercises a compelling hold on the viewer." 1096: 983: 307:, local crafts and textiles. Knotting was one of her main techniques; she worked intuitively and never worked based on sketches, models or preparatory drawings. 1309: 1304: 278:
hosted a posthumous retrospective of Mukherjee's work called "Phenomenal Nature: Mrinalini Mukherjee". In her review of the exhibition, art critic
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the extreme richness and continuing actuality of traditional artisanal skills in India and the sheer versatility of popular vernacular idioms.
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learns from her native history and tradition, while educating us in new ways to engage with subtleties of her work."
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In the 1960s and 1970s Mukherjee used local hemp and jute to create knotted designs outside the
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Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990
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Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990
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Mukherjee with her fibre creations during the preparation for the Fine Arts Fair, 1969
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Mrinalini Mukherjee was hospitalized before her 2015 retrospective exhibition at the
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While most of Mukherjee's early work was characterised by the use of natural
988: 472: 119: 843:""Exploring Sexuality and Myth Through Fiber and Other Types of Sculpture"" 227:"Rudra" (1982) by Mrinalini Mukherjee exhibited at the 2022 Venice Biennale 295:"Devi" (1982) by Mrinalini Mukherjee exhibited at the 2022 Venice Biennale 193: 105: 192:. The only child of her parents, she was brought up in the hill town of 248: 398: 368: 252: 56: 594:"Secular Deities, Enchanted Plants: Mrinalini Mukherjee at the NGMA" 1122:. New York, New York: The Metropolitan Museum of Art. p. 198. 663:
Mrinalini Mukherjee, RECENT SCULPTURE IN CERAMICS , 'In the Garden'
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in 1996. Around this time she started to experiment with ceramics.
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Dalmia, and Datta, and Sambrini, and Jakimowicz, and Datta (1997)
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Dalmia, and Datta, and Sambrini, and Jakimowicz, and Datta (1997)
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Mukherjee went to study Bachelor of Fine Arts (Painting) at
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Jhaveri, Shanay (2019a). "Phenomenal Forces of Nature". In
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in New Delhi. She died a week later, at the age of 65.
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Mukherjee, Mrinalini (2019). Jhaveri, Shanay (ed.).
1198:. California: University of California Press. 2015. 125: 115: 93: 83: 64: 42: 23: 1072:MoMA Now: Highlights from the Museum of Modern Art 204:, and spent her summer vacations in Santiniketan. 937:"Indian Sculptor Mrinalini Mukherjee Dies at 65" 817:"Indian Sculptor Mrinalini Mukherjee Dies at 65" 683:Women's work: from feminine arts to feminist art 409:India Tourism Development Corporation, New Delhi 1150:(English). New Delhi: Ajanta Offset Ltd. 1997. 1016:"Government Museum and Art Gallery Chandigarh" 984:"Mrinalini Mukherjee – Display at Tate Modern" 16:Indian sculptor and textile artist (1949–2015) 8: 895: 575: 1253:"Mrinalini Mukherjee: Textile to Sculpture" 1234:. New York: The Shoestring Publisher, 2019. 303:and historic European sculpture, folk art, 263:to participate in an exhibition curated by 31: 20: 1148:Indian Contemporary Art Post-Independence 1120:Gifts of Art: The Met's 150th Anniversary 896:Indian Contemporary Art Post-Independence 787:"Mrinalini Mukherjee: Force(s) of Nature" 576:Indian Contemporary Art Post-Independence 312:Indian Contemporary Art Post-Independence 412:India Institute of Immunology, New Delhi 397:Roopankar Museum of Art, Bharat Bhawan, 299:Mukherjee was influenced by traditional 1101:The Metropolitan Museum of Art Bulletin 881: 868: 810: 808: 489: 209:Maharaja Sayajirao University of Baroda 1212: 1201: 1164: 1153: 587: 585: 704: 702: 638:"Mrinalini Mukherjee – Nature as art" 110:West Surrey College of Art and Design 7: 1251:Gardner, Andrew (11 December 2019). 676: 674: 672: 421:Government Museum and Art Gallery, 240:Scholarship for Sculpture in 1971. 636:Ghoshal, Somak (8 November 2013). 14: 1310:20th-century Indian women artists 1305:21st-century Indian women artists 1259:. New York: Museum of Modern Art. 935:Bent, Siobhan (5 February 2015). 924:. Delhi: Lalit Kala Akademi. 200. 815:Bent, Siobhan (5 February 2016). 236:suggestive. Mukherjee received a 1238:Cotter, Holland (11 July 2019). 762:"Mrinalini Mukherjee – Tate Etc" 524:"Mrinalini Mukherjee | Aranyani" 471: 459: 447: 1095:Shanay, Jhaveri (Spring 2021). 499:"Mrinalini Mukherjee 1949–2015" 180:Mukherjee was born in 1949, in 1330:Women artists from Maharashtra 528:The Metropolitan Museum of Art 434:The Metropolitan Museum of Art 386:National Gallery of Modern Art 353:National Gallery of Modern Art 162:The Metropolitan Museum of Art 154:National Gallery of Modern Art 1: 1295:21st-century Indian sculptors 1290:20th-century Indian sculptors 1285:Indian contemporary sculptors 1176:Jhaveri, Shanay, ed. (2019). 1118:Bantz, Jennifer, ed. (2020). 592:Gupta, Trisha (23 May 2015). 550:"Mrinalini Mukherjee Archive" 405:Panjab University, Chandigarh 259:Mukherjee was invited to the 102:Maharaja Sayajirao University 1350:21st-century women sculptors 1345:20th-century women sculptors 261:Museum of Modern Art, Oxford 150:Museum of Modern Art, Oxford 1340:Welham Girls' School alumni 1270:Mrinalini Mukherjee Archive 685:. London: Frances Lincoln. 1366: 922:Lalit Kala Contemporary 43 276:Metropolitan Museum of Art 75:15 February 2015 (aged 65) 939:. ArtAsiaPacific Magazine 30: 1050:The Museum of Modern Art 374:Yorkshire Sculpture Park 318:Mukherjee studied under 176:Early life and education 1230:Ananth, Deepak, et al. 1070:"Mrinalini Mukherjee". 841:Shaikh, Nageen (2019). 681:Gipson, Ferren (2022). 186:Benode Behari Mukherjee 134:Benode Behari Mukherjee 1335:Indian LGBTQ sculptors 1300:Indian women sculptors 1180:. Mumbai: Shoestring. 1042:"Mrinalini Mukherjee. 296: 228: 200:), where she attended 735:"Mistress of texture" 294: 247:fibre, she also used 226: 454:Biography portal 428:Museum of Modern Art 324:Worldly Affiliations 202:Welham Girls' School 164:, New York; and the 98:Welham Girls' School 1325:Artists from Mumbai 1232:Mrinalini Mukherjee 1178:Mrinalini Mukherjee 960:Mrinalini Mukherjee 548:Archive, Asia Art. 287:Technique and style 142:Mrinalini Mukherjee 25:Mrinalini Mukherjee 1244:The New York Times 1211:Unknown parameter 1163:Unknown parameter 793:. 25 November 2020 760:D’Mello, Rosalyn. 741:. 10 February 2015 739:The Indian Express 714:artasiapacific.com 403:Fine Arts Museum, 392:Lalit Kala Akademi 359:Public collections 297: 229: 1129:978-1-58839-735-5 1081:978-1-63345-100-1 969:978-81-904720-9-8 692:978-0-7112-6465-6 365:Modern Art Oxford 320:K. G. 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Subramanyan 170:Asia Art Archive 166:Stedelijk Museum 78:New Delhi, India 74: 72: 53: 51: 35: 21: 1365: 1364: 1360: 1359: 1358: 1356: 1355: 1354: 1275: 1274: 1267: 1250: 1237: 1227: 1225:Further reading 1210: 1200: 1194: 1188: 1175: 1162: 1152: 1146: 1143: 1138: 1137: 1130: 1117: 1116: 1112: 1094: 1093: 1089: 1082: 1069: 1068: 1064: 1054: 1052: 1040: 1039: 1035: 1025: 1023: 1014: 1013: 1009: 999: 997: 996:on 26 June 2019 982: 981: 977: 970: 957: 956: 952: 942: 940: 934: 933: 929: 920: 919: 915: 907:Khullar (2015) 906: 902: 892: 888: 880: 876: 866: 865: 861: 851: 849: 840: 839: 835: 825: 823: 814: 813: 806: 796: 794: 785: 784: 780: 770: 768: 759: 758: 754: 744: 742: 733: 732: 728: 718: 716: 708: 707: 700: 693: 680: 679: 670: 661: 660: 656: 646: 644: 635: 634: 630: 617: 616: 612: 602: 600: 591: 590: 583: 572: 568: 558: 556: 547: 546: 542: 532: 530: 522: 521: 517: 507: 505: 496: 495: 491: 486: 470: 460: 458: 448: 446: 443: 361: 349: 340: 310:The authors of 289: 238:British Council 221: 190:Leela Mukherjee 178: 132: 130:Leela Mukherjee 108: 100: 94:Alma mater 79: 76: 70: 68: 60: 54: 49: 47: 38: 26: 17: 12: 11: 5: 1363: 1361: 1353: 1352: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1307: 1302: 1297: 1292: 1287: 1277: 1276: 1266: 1265:External links 1263: 1262: 1261: 1248: 1235: 1226: 1223: 1222: 1221: 1192: 1186: 1173: 1142: 1139: 1136: 1135: 1128: 1110: 1087: 1080: 1062: 1033: 1022:on 23 May 2017 1007: 992:Archived from 975: 968: 950: 927: 913: 900: 886: 882:Jhaveri (2019) 874: 869:Jhaveri (2019) 859: 833: 821:ArtAsiaPacific 804: 778: 752: 726: 698: 691: 668: 654: 628: 610: 581: 566: 540: 515: 488: 487: 485: 482: 481: 480: 478:Art portal 468: 456: 442: 439: 438: 437: 431: 425: 419: 413: 410: 407: 401: 395: 389: 383: 377: 371: 360: 357: 348: 345: 339: 336: 288: 285: 220: 217: 177: 174: 137: 136: 127: 123: 122: 117: 116:Known for 113: 112: 95: 91: 90: 85: 81: 80: 77: 66: 62: 61: 55: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1362: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1306: 1303: 1301: 1298: 1296: 1293: 1291: 1288: 1286: 1283: 1282: 1280: 1273: 1271: 1264: 1258: 1254: 1249: 1245: 1241: 1236: 1233: 1229: 1228: 1224: 1218: 1213:|people= 1205: 1197: 1193: 1189: 1187:9788190472098 1183: 1179: 1174: 1170: 1165:|people= 1157: 1149: 1145: 1144: 1140: 1131: 1125: 1121: 1114: 1111: 1106: 1102: 1098: 1091: 1088: 1083: 1077: 1073: 1066: 1063: 1051: 1047: 1045: 1037: 1034: 1021: 1017: 1011: 1008: 995: 991: 990: 985: 979: 976: 971: 965: 961: 954: 951: 938: 931: 928: 923: 917: 914: 910: 904: 901: 898: 897: 890: 887: 883: 878: 875: 871:, p. 12. 870: 863: 860: 848: 847:Hyperallergic 844: 837: 834: 822: 818: 811: 809: 805: 792: 788: 782: 779: 767: 763: 756: 753: 740: 736: 730: 727: 715: 711: 705: 703: 699: 694: 688: 684: 677: 675: 673: 669: 664: 658: 655: 643: 639: 632: 629: 624: 620: 614: 611: 599: 595: 588: 586: 582: 578: 577: 570: 567: 555: 551: 544: 541: 529: 525: 519: 516: 504: 500: 493: 490: 483: 479: 474: 469: 467: 457: 455: 445: 444: 440: 435: 432: 429: 426: 424: 420: 417: 414: 411: 408: 406: 402: 400: 396: 393: 390: 387: 384: 381: 378: 375: 372: 370: 366: 363: 362: 358: 356: 354: 346: 344: 337: 335: 332: 331:Art historian 328: 325: 321: 316: 313: 308: 306: 305:modern design 302: 293: 286: 284: 281: 280:Nageen Shaikh 277: 274:In 2019, the 272: 270: 266: 265:David Elliott 262: 257: 254: 250: 246: 241: 239: 234: 225: 218: 216: 214: 210: 205: 203: 199: 195: 191: 187: 183: 182:Mumbai, India 175: 173: 171: 167: 163: 159: 156:, New Delhi; 155: 151: 147: 143: 135: 131: 128: 124: 121: 118: 114: 111: 107: 103: 99: 96: 92: 89: 86: 82: 67: 63: 58: 45: 41: 34: 29: 22: 19: 1268: 1256: 1243: 1231: 1195: 1177: 1147: 1141:Bibliography 1119: 1113: 1104: 1100: 1090: 1071: 1065: 1053:. 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Index


Bombay
Indian
Welham Girls' School
Maharaja Sayajirao University
Vadodara
West Surrey College of Art and Design
Sculpture
Leela Mukherjee
Benode Behari Mukherjee
hemp
Museum of Modern Art, Oxford
National Gallery of Modern Art
Tate Modern
The Metropolitan Museum of Art
Stedelijk Museum
Asia Art Archive
Mumbai, India
Benode Behari Mukherjee
Leela Mukherjee
Dehradun
Uttarakhand
Welham Girls' School
Maharaja Sayajirao University of Baroda
K.G. Subramanyan

macrame
British Council
hemp
ceramic

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