679:. As they were assembling the project, Sahanaja recalled, Wilson began humming the wordless melody from "Fall Breaks ...", after which it was decided to incorporate the same wordless vocals into the new arrangement of "Fire". Wilson left the string arrangement to Sahanaja. "I think that's the part that spooked him the most. I told him I'd deal with it." During the band rehearsals for "Mrs. O'Leary's Cow", the electricity in the building went out mid-performance. Biographer Mark Dillon wrote, "Luckily Brian wasn't around ... It might have convinced him the song was cursed after all."
528:, "It was sick. Weird chords, it wasn't the straight eight and all that. I started thinking, 'Oh God, I'm flipping here.' But I liked it." His 1991 memoir stated that "the instrumental track was one long, eerie whine. ... It created a disturbing picture that mirrored the screams that had filled my head and plagued my sleep for years. ... The weirdest was the crash and crackle of instruments smoldering for the final time. Listening to the playback, I began to feel unnerved by the music, strange and eerie." Journalist
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604:", and subsequently became a much-mythologized part of the album's history. Another story involves Wilson attempting to set fire to the tapes only to find that they refuse to ignite, which further frightens him. Wilson falsely claimed in interviews to have destroyed the tapes and later said that the track was one of the principal reasons that
576:
Within a few days of the "Fire" session, a building across the street from the studio burned down. Wilson was frightened that the recording may have caused the fire, as well as others around Los
Angeles, and decided to keep the track unreleased. Siegel quoted Wilson, "I don’t have to do a big scary
503:
A gigantic fire howled out of the studio speakers in a pounding crush of pictorial music that summoned up visions of roaring, wind-storm flames, falling timbers, mournful sirens and sweating firemen, building into a peak and cackling off into fading embers as a single drum turned into a collapsing
409:
for a week, just 'cause he wanted to get into that, up to the mountains, into the snow, down to the beach, out to the pool, out at night, running around, to water fountains, to a lot of water, the sky, the whole thing was this fantastic amount of awareness of his surroundings. So the obvious thing
559:
so that everybody in the studio could don them during the recording. Wilson also had the studio's janitor, a man named
Brother Julius, bring in a bucket with burning wood so that the room would smell of smoke. The instrumental was recorded in 18 takes, after which he recorded the crackling noises
323:
with 15 session musicians, including three bassists, four flutists, and a string sextet. The track was arranged to evoke images of a conflagration and was recorded under unusual conditions. To help set the mood, Wilson instructed everyone in the studio to don a fire helmet, and had a bucket of
498:, Wilson had recently cancelled a session involving "an enormous string section" because he felt that the "vibrations" were not right. Consequently, Parks said, "I avoided the 'Fire' sessions like the plague. I didn't want to embarrass myself. I thought it was regressive behavior."
581:, "after we all laughed at him, as we normally did in these situations, he went ahead and destroyed the tape. Completely. Eliminated it, never to be heard again. That basically destroyed 'Elements.' ... That was the first sign that we were going to have problems on this album."
563:
With the session completed, Jules Siegel quoted Wilson as saying, "Yeah, I’m going to call this 'Mrs. O’Leary’s Fire' and I think it might just scare a whole lot of people." The next day, Wilson returned to Gold Star with many of the same musicians to produce a rendition of
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Anderle said that Wilson told friends "what fire was going to be, and what water was going to be; we had some idea of air. That was where it stopped. None of us had any ideas as to how it was going to tie together, except that it appeared to us to be an opera."
590:, trying to make witchcraft music. I was stoned on hashish and grass and I got a little too much into this one tape called "Fire". Then, a place burned down the same day we did the song. And I said to myself, "Somehow we must have burned the building down."
422:
recalled that an elemental concept did not come up until later in the project. "Fire" was to be the first part of the suite. Participants on the session tape refer to it as "The
Elements – Part 1", while it was logged as "'The Elements' (Fire)" on the
327:
Within a few days of the session, Wilson was frightened to learn that a nearby building had burned down shortly after the recording was made. He believed that the recording had somehow contributed to the fire and decided to shelve the recording.
614:: "We thought maybe it was witchcraft or something. We didn't know what we were into. So we decided not to finish the project. ... I was getting too fancy and arty and doing things that were just not Beach Boys at all. They were made for me."
577:
fire like that. I can do a candle and it's still fire. That would have been a really bad vibration to let out on the world, that
Chicago fire. The next one is going to be a candle." Anderle later told journalist
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commented, "You can’t burn tape, that’s just a myth. We tried it once, because of the rumor that Brian has burned the tapes, and I wanted to see if that would work. We were finishing a song for
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486:, session contractor Diane Rovell, and Beach Boys roadie Arnie Geller. Wilson's friends, family, and colleagues later referred to the events surrounding "Fire" as heralding his
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winter scene. We tried to paint a picture of winter and then spring, late summer, and then broke into winter." It was released in
September as the third track on
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and we had some outtakes from the album and I put a match to it, and it wouldn't burn. The tapes weren't burned, and needless to say they do exist for the
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To help set the mood, the track was recorded under unusual conditions. Wilson instructed an acquaintance to purchase several dozen fire helmets at a local
452:. Music historian Bill Tobelman speculated that the track may have been conceived as a musical adaptation of this LSD trip. In the 2004 documentary
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radio program, Dennis recalled how he had recently played the "Fire" tape for Brian, and that a day later, an electrical fire broke out at the
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The 1991 memoir claims that Wilson's second LSD trip occurred in mid-1965, while Wilson's 2016 memoir,
1509:
Inside the Music of Brian Wilson: the Songs, Sounds, and
Influences of the Beach Boys' Founding Genius
304:. Wilson's friends, family, and colleagues later referred to its recording as heralding his period of
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1255:"Al Jardine of the Beach Boys: Everything You Ever Wanted To Know About "SMiLE" (Interview)"
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The Beach Boys: The
Definitive Diary of America's Greatest Band, on Stage and in the Studio
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335:". In 2004, Wilson rerecorded "Fire" under the title "Mrs. O'Leary's Cow" for his album
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featured some previously unreleased music by the band, including an excerpt of "Fire".
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described the track as a "dark, booming, reverb-drenched blur of sound." Biographer
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that crept up on you with the emotional chill of a real fire." Author and musician
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burning wood placed in the recording space so that the area would smell of smoke.
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contract. It was later given the alternate title "Mrs. O'Leary's Cow", named for
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690:. The original Beach Boys recording was later released on the 2011 compilation
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The story of the "Fire" session was first reported in Siegel's 1967 memoir, "
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381:"The Elements" was conceptualized as a four-part movement based on the four
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405:, Wilson "was really into the elements", so much so that he "ran up to
1602:"The Religious Conversion of Brian Wilson: Goodbye Surfing, Hello God"
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in Los
Angeles, destroying the Studio C room. The 1985 documentary
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was to do something that would cover the physical surroundings."
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1435:
Fifty Sides of the Beach Boys: The Songs That Tell Their Story
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349:. In 2011, the original Beach Boys recording was released for
1609:
Back to the Beach: A Brian Wilson and the Beach Boys Reader
1485:"The Last Beach Movie Revisited: The Life of Brian Wilson"
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Benci, Jacopo (January 1995). "Brian Wilson interview".
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made by the burning wood and mixed them into the track.
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Fall Breaks and Back to Winter (W. Woodpecker
Symphony)
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Fall Breaks and Back to Winter (W. Woodpecker
Symphony)
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in Hollywood. Attendees of the session included singer
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Fall Breaks and Back to Winter (W. Woodpecker Symphony)
2242:
Beautiful Dreamer: Brian Wilson and the Story of Smile
455:
Beautiful Dreamer: Brian Wilson and the Story of Smile
280:, the track was originally conceptualized as part of "
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Heroes and Villains: The True Story of The Beach Boys
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wall and the fire engines dissolved and disappeared.
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Smile: The Story of Brian Wilson's Lost Masterpiece
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519:recalling his impression of the "Fire" music, 1967
2236:The Beach Boys' unreleased and bootleg recordings
852:" were recorded as a "rebuilding after the fire".
1003:. Archived from the original on February 1, 2010
669:In 2004, Wilson rerecorded the piece as part of
2256:Good Vibrations: Thirty Years of the Beach Boys
1489:The Dark Stuff: Selected Writings on Rock Music
1216:
1163:: CS1 maint: others in cite AV media (notes) (
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319:Wilson produced "Fire" on November 28, 1966 at
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682:"Mrs. O'Leary's Cow" earned Wilson his first
438:In Wilson's (since-discredited) 1991 memoir,
8:
466:"Fire" was recorded on November 28, 1966 at
377:of 1871, an event on which "Fire" was based
258:") is an instrumental by American musician
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1659:(1995). "A Celebration of Wild Honey". In
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524:Discussing "Fire", Wilson told biographer
284:", a four-part movement based on the four
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617:In 1967, the band reworked the piece as "
568:" and the original piece "Friday Night".
331:In 1967, the band reworked the piece as "
195:"The Elements: Fire (Mrs. O Leary's Cow)"
85: – June 29, 1967
33:"The Elements: Fire (Mrs. O'Leary's Cow)"
2353:Song recordings produced by Brian Wilson
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2010:The Elements: Fire (Mrs. O'Leary's Cow)
1634:Yeah Yeah Yeah: The Story of Modern Pop
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716:– fire sound effects (uncertain credit)
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1885:Do You Like Worms (Roll Plymouth Rock)
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661:Wilson and his band performing at the
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1313:"The Resurrection of Brian Wilson's
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704:Per band archivist Craig Slowinski.
540:of the recording, called it "a mad,
548:felt that "Fire" was a "terrifying
444:, the hallucinations of his second
27:2011 instrumental by the Beach Boys
18:Mrs. O'Leary's Cow (song)
1613:. Helter Skelter. pp. 51–63.
688:Best Rock Instrumental Performance
347:Best Rock Instrumental Performance
25:
1697:Wouldn't It Be Nice: My Own Story
675:with assistance from keyboardist
494:project. According to biographer
482:(who filmed Brian as he worked),
441:Wouldn't It Be Nice: My Own Story
209:
2249:George Fell into His French Horn
647:The Beach Boys: An American Band
448:trip were said to have involved
262:that he originally composed for
2263:Inside Pop: The Rock Revolution
1669:. Last Gasp. pp. 220–241.
848:that "I Wanna Be Around" and "
827:Writing in the liner notes of
401:. According to band associate
1:
2358:Songs written by Brian Wilson
1666:Look, Listen, Vibrate, Smile!
1605:. In Abbott, Kingsley (ed.).
686:, winning in the category of
345:, winning in the category of
1253:Sharp, Ken (April 2, 2013).
608:was never finished. He told
1826:Brian Wilson Presents Smile
1726:I Am Brian Wilson: A Memoir
1465:. New York: Da Capo Press.
1311:Bell, Matt (October 2004).
1217:Williams & Anderle 1995
923:Williams & Anderle 1995
672:Brian Wilson Presents Smile
602:Goodbye Surfing, Hello God!
338:Brian Wilson Presents Smile
77:November 28, 1966
2384:
1953:Child Is Father of the Man
1753:The Elements: Fire Session
1145:(deluxe box set booklet).
983:Wilson & Greenman 2016
490:and the unraveling of the
373:Artist's rendering of the
362:
341:. It earned him his first
62:October 31, 2011
1813:
1581:. Bloomsbury Publishing.
1506:Lambert, Phillip (2007).
1021:: CS1 maint: unfit URL (
773:Leonard Malarsky – violin
240:
210:
192:
183:
2316:Brian Wilson is a genius
1946:Look (Song for Children)
776:Alexander Nelman – viola
1685:(subscription required)
743:, "clanking" percussion
733:Joseph DiTullio – cello
727:Arnold Belnick – violin
266:' never-finished album
2088:You're with Me Tonight
1910:The Old Master Painter
1575:Sanchez, Luis (2014).
1408:Badman, Keith (2004).
1091:Wilson & Gold 1991
971:Wilson & Gold 1991
959:Wilson & Gold 1991
788:– Danelectro fuzz bass
730:Norman Botnick – viola
666:
592:
506:
378:
220:
1693:; Gold, Todd (1991).
1637:. Faber & Faber.
1578:The Beach Boys' Smile
1431:Dillon, Mark (2012).
861:In a 2013 interview,
755:Jesse Ehrlich – cello
660:
542:impressionistic piece
512:Saturday Evening Post
372:
363:Further information:
252:The Elements – Part 1
219:
2363:The Beach Boys songs
1536:. Ballantine Books.
1259:Rock Cellar Magazine
1195:, pp. 163, 165.
365:The Elements (suite)
2120:Can't Wait Too Long
1914:You Are My Sunshine
1878:Heroes and Villains
1382:, pp. 280–281.
1345:. No. 185. UK.
1159:cite AV media notes
973:, pp. 121–123.
949:, pp. 163–164.
663:Royal Festival Hall
639:Special of the Week
595:—Brian Wilson, 1992
2368:Rock instrumentals
2348:Brian Wilson songs
2060:Teeter Totter Love
1892:I'm in Great Shape
1845:The Smile Sessions
1833:The Smile Sessions
1764:Mrs. O Leary's Cow
1416:. Backbeat Books.
1243:, pp. 24, 99.
1143:The Smile Sessions
829:The Smile Sessions
752:Bill Green – flute
693:The Smile Sessions
667:
536:, who was lent an
433:Great Chicago Fire
383:classical elements
379:
375:Great Chicago Fire
352:The Smile Sessions
310:unraveling of the
286:classical elements
278:Great Chicago Fire
256:Mrs. O'Leary's Cow
250:" (also known as "
221:
52:The Smile Sessions
2330:
2329:
2213:The Wrecking Crew
2151:Associated people
2053:He Gives Speeches
2033:
2032:
1978:I Wanna Be Around
1736:978-0-306-82307-7
1729:. Da Capo Press.
1708:978-0-06-018313-4
1701:. HarperCollins.
1644:978-0-571-28198-5
1620:978-1-90092-402-3
1588:978-1-62356-956-3
1543:978-0-345-27398-7
1519:978-0-8264-1876-0
1491:. Da Capo Press.
1446:978-1-77090-198-8
1423:978-0-87930-818-6
815:I Am Brian Wilson
721:Session musicians
566:I Wanna Be Around
468:Gold Star Studios
429:Catherine O'Leary
321:Gold Star Studios
274:Catherine O'Leary
244:
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120:Experimental rock
16:(Redirected from
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2141:Cool, Cool Water
2113:She's Goin' Bald
2098:Derivative songs
2067:Three Blind Mice
2017:Love to Say Dada
1906:My Only Sunshine
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2081:You're Welcome
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2034:
2031:
2030:
2028:
2027:
2020:
2013:
2006:
1999:
1992:
1985:
1973:
1971:
1970:Movement three
1967:
1966:
1964:
1963:
1956:
1949:
1942:
1934:
1932:
1928:
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1924:
1917:
1902:
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1840:
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1793:
1786:
1778:
1772:
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1760:
1747:
1746:External links
1744:
1742:
1741:
1735:
1713:
1707:
1687:
1675:
1657:Anderle, David
1653:Williams, Paul
1649:
1643:
1625:
1619:
1593:
1587:
1572:
1566:
1548:
1542:
1533:The Beach Boys
1524:
1518:
1503:
1497:
1477:
1471:
1455:Gaines, Steven
1451:
1445:
1428:
1422:
1404:
1402:
1399:
1397:
1396:
1394:, p. 282.
1384:
1372:
1370:, p. 374.
1360:
1358:, p. 200.
1348:
1333:
1321:Sound on Sound
1300:
1298:, p. 282.
1288:
1286:, p. 280.
1271:
1245:
1233:
1221:
1209:
1197:
1185:
1170:
1147:The Beach Boys
1131:
1129:, p. 222.
1119:
1107:
1095:
1093:, p. 156.
1083:
1071:
1069:, p. 172.
1059:
1057:, p. 173.
1040:
1038:, p. 278.
1028:
987:
985:, p. 169.
975:
963:
961:, p. 123.
951:
939:
927:
925:, p. 230.
912:
910:, p. 163.
886:
884:
881:
878:
877:
854:
842:Domenic Priore
833:
820:
804:
803:
801:
798:
796:
795:
794:– upright bass
789:
783:
777:
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734:
731:
728:
724:
718:
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708:The Beach Boys
701:
698:
654:
651:
586:We were doing
583:
573:
570:
500:
484:Marilyn Wilson
474:, illustrator
463:
460:
420:Van Dyke Parks
360:
357:
272:. Named after
264:the Beach Boys
242:
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43:the Beach Boys
35:
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2227:
2226:
2224:
2222:Related media
2220:
2214:
2211:
2209:
2208:Paul Williams
2206:
2204:
2203:Michael Vosse
2201:
2199:
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2194:
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2184:
2181:
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2158:David Anderle
2156:
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2036:
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2018:
2014:
2011:
2007:
2004:
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1997:
1993:
1990:
1986:
1983:
1979:
1975:
1974:
1972:
1968:
1961:
1957:
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1936:
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1933:
1929:
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1849:track listing
1847:
1846:
1841:
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1732:
1728:
1727:
1722:
1721:Greenman, Ben
1718:
1717:Wilson, Brian
1714:
1710:
1704:
1699:
1698:
1692:
1691:Wilson, Brian
1688:
1683:
1678:
1676:0-86719-417-0
1672:
1668:
1667:
1662:
1658:
1654:
1650:
1646:
1640:
1636:
1635:
1630:
1626:
1622:
1616:
1611:
1610:
1603:
1598:
1597:Siegel, Jules
1594:
1590:
1584:
1580:
1579:
1573:
1569:
1563:
1560:. Sanctuary.
1559:
1558:
1553:
1549:
1545:
1539:
1535:
1534:
1529:
1528:Preiss, Byron
1525:
1521:
1515:
1512:. Continuum.
1511:
1510:
1504:
1500:
1498:9780786730742
1494:
1490:
1486:
1482:
1478:
1474:
1468:
1463:
1462:
1456:
1452:
1448:
1442:
1439:. ECW Press.
1437:
1436:
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1419:
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1405:
1400:
1393:
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1357:
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1301:
1297:
1292:
1289:
1285:
1280:
1278:
1276:
1272:
1260:
1256:
1249:
1246:
1242:
1237:
1234:
1231:, p. 53.
1230:
1225:
1222:
1218:
1213:
1210:
1207:, p. 86.
1206:
1201:
1198:
1194:
1189:
1186:
1183:, p. 53.
1182:
1177:
1175:
1171:
1166:
1160:
1152:
1148:
1144:
1138:
1136:
1132:
1128:
1123:
1120:
1117:, p. 62.
1116:
1111:
1108:
1105:, p. 42.
1104:
1099:
1096:
1092:
1087:
1084:
1081:, p. 52.
1080:
1075:
1072:
1068:
1063:
1060:
1056:
1051:
1049:
1047:
1045:
1041:
1037:
1032:
1029:
1024:
1018:
1002:
1000:
999:Out-Of-Sight!
991:
988:
984:
979:
976:
972:
967:
964:
960:
955:
952:
948:
943:
940:
936:
931:
928:
924:
919:
917:
913:
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904:
902:
900:
898:
896:
894:
892:
888:
882:
874:
870:
869:
864:
858:
855:
851:
847:
843:
837:
834:
830:
824:
821:
817:
816:
809:
806:
799:
793:
790:
787:
784:
781:
778:
775:
772:
770:– Fender bass
769:
766:
763:
760:
757:
754:
751:
748:
745:
742:
738:
735:
732:
729:
726:
725:
723:
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715:
712:
711:
710:
709:
705:
699:
697:
695:
694:
689:
685:
680:
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673:
664:
659:
652:
650:
648:
644:
640:
638:
632:
630:
629:
624:
620:
615:
613:
612:
611:Rolling Stone
607:
603:
597:
591:
589:
582:
580:
579:Paul Williams
571:
569:
567:
561:
558:
553:
551:
547:
543:
539:
535:
531:
527:
526:Steven Gaines
521:
518:
514:
513:
505:
499:
497:
496:Steven Gaines
493:
489:
485:
481:
480:Dennis Wilson
477:
473:
469:
461:
459:
457:
456:
451:
447:
443:
442:
436:
434:
430:
426:
421:
417:
411:
408:
404:
403:David Anderle
400:
396:
392:
388:
384:
376:
371:
366:
358:
356:
354:
353:
348:
344:
340:
339:
334:
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225:
224:
204:
201:
197:
191:
186:
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178:
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156:
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132:
128:
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121:
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112:
109:, Los Angeles
108:
104:
101:
99:
95:
76:
72:
61:
57:
54:
53:
44:
40:
31:
19:
2308:Other topics
2298:Smiling Pets
2296:
2289:
2274:
2268:
2261:
2254:
2240:
2228:
2198:Derek Taylor
2193:Jules Siegel
2178:Danny Hutton
2046:I Don't Know
2038:Other tracks
2009:
1931:Movement two
1921:Cabinessence
1856:Movement one
1843:
1831:
1824:
1819:Smiley Smile
1817:
1804:
1725:
1696:
1665:
1633:
1629:Stanley, Bob
1608:
1577:
1556:
1532:
1508:
1488:
1460:
1434:
1411:
1401:Bibliography
1387:
1375:
1363:
1351:
1342:
1336:
1324:. Retrieved
1320:
1314:
1296:Lambert 2007
1291:
1262:. Retrieved
1258:
1248:
1241:Sanchez 2014
1236:
1224:
1212:
1200:
1188:
1142:
1127:Stanley 2013
1122:
1110:
1098:
1086:
1074:
1062:
1031:
1005:. Retrieved
998:
990:
978:
966:
954:
942:
930:
872:
866:
857:
836:
828:
823:
813:
808:
780:Jay Migliori
762:Plas Johnson
720:
719:
714:Brian Wilson
707:
706:
703:
691:
684:Grammy Award
681:
670:
668:
646:
643:Record Plant
635:
633:
628:Smiley Smile
626:
622:
616:
609:
605:
599:
593:
585:
575:
562:
554:
552:cacophony".
538:acetate disc
534:Byron Preiss
523:
517:Jules Siegel
510:
507:
502:
491:
476:Frank Holmes
472:Danny Hutton
465:
453:
439:
437:
415:
412:
380:
350:
343:Grammy Award
336:
330:
326:
318:
311:
282:The Elements
267:
260:Brian Wilson
255:
251:
247:
245:
206:Audio sample
179:Brian Wilson
166:Brian Wilson
50:
39:Instrumental
2168:Lorren Daro
2134:Little Bird
2003:Wind Chimes
1989:Vega-Tables
1392:Dillon 2012
1380:Dillon 2012
1368:Badman 2004
1356:Badman 2004
1284:Dillon 2012
1219:, p. .
1205:Priore 2005
1193:Badman 2004
1181:Siegel 1997
1115:Preiss 1979
1079:Siegel 1997
1067:Gaines 1986
1055:Gaines 1986
1036:Dillon 2012
1007:October 30,
947:Badman 2004
937:, p. .
935:Priore 2005
908:Badman 2004
840:Journalist
786:Bill Pitman
546:Bob Stanley
188:Music video
174:Producer(s)
160:Composer(s)
124:avant-garde
2343:2011 songs
2337:Categories
2284:Rio Grande
2270:Pet Sounds
1864:Our Prayer
1567:1860746276
1481:Kent, Nick
1472:0306806479
883:References
875:sessions."
863:Al Jardine
846:Andy Paley
768:Carol Kaye
747:Jim Gordon
737:Gene Estes
634:On a 1978
588:witchcraft
359:Background
107:Beach Boys
89:1967-06-29
81:1966-11-28
66:2011-10-31
2291:Surf's Up
2183:Tom Nolan
2127:Mama Says
1960:Surf's Up
1939:Wonderful
1599:(1997) .
1229:Kent 2009
1103:Kent 2009
868:Surf’s Up
792:Lyle Ritz
700:Personnel
572:Aftermath
557:toy store
530:Nick Kent
515:reporter
488:psychosis
462:Recording
418:lyricist
306:psychosis
103:Gold Star
2276:Sessions
1996:Holidays
1982:Workshop
1899:Barnyard
1723:(2016).
1631:(2013).
1554:(2005).
1530:(1979).
1483:(2009).
1457:(1986).
1326:July 16,
1017:cite web
850:Workshop
741:triangle
431:and the
308:and the
276:and the
74:Recorded
59:Released
1769:YouTube
1758:YouTube
1663:(ed.).
1153:. 2011.
782:– flute
764:– flute
749:– drums
653:Release
407:Big Sur
314:project
254:" and "
200:YouTube
152:Capitol
87: (
79: (
64: (
2074:Tune X
1733:
1705:
1682:Mirror
1673:
1641:
1617:
1585:
1564:
1540:
1516:
1495:
1469:
1443:
1420:
1264:2 July
550:atonal
397:, and
300:, and
130:Length
98:Studio
2230:20/20
1806:Smile
1315:Smile
873:Smile
800:Notes
606:Smile
492:Smile
416:Smile
399:Water
395:Earth
312:Smile
302:Water
298:Earth
269:Smile
147:Label
115:Genre
1731:ISBN
1703:ISBN
1671:ISBN
1639:ISBN
1615:ISBN
1583:ISBN
1562:ISBN
1538:ISBN
1514:ISBN
1493:ISBN
1467:ISBN
1441:ISBN
1418:ISBN
1328:2013
1266:2014
1165:link
1023:link
1009:2011
623:cold
391:Fire
294:Fire
248:Fire
232:help
227:file
105:and
1871:Gee
1767:on
1756:on
446:LSD
425:AFM
387:Air
290:Air
198:on
41:by
2339::
1980:/
1916:)"
1912:/
1719:;
1655:;
1487:.
1319:.
1303:^
1274:^
1257:.
1173:^
1161:}}
1157:{{
1149:.
1134:^
1043:^
1019:}}
1015:{{
915:^
890:^
739:–
631:.
478:,
435:.
393:,
389:,
385::
355:.
316:.
296:,
292:,
288::
139:27
122:,
2318:"
2314:"
2286:"
2282:"
2279:)
2273:(
2251:"
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2139:"
2136:"
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2069:"
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2062:"
2058:"
2055:"
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2048:"
2044:"
2026:"
2022:"
2019:"
2015:"
2012:"
2008:"
2005:"
2001:"
1998:"
1994:"
1991:"
1987:"
1984:"
1976:"
1962:"
1958:"
1955:"
1951:"
1948:"
1944:"
1941:"
1937:"
1923:"
1919:"
1908:(
1904:"
1901:"
1897:"
1894:"
1890:"
1887:"
1883:"
1880:"
1876:"
1873:"
1869:"
1866:"
1862:"
1797:e
1790:t
1783:v
1739:.
1711:.
1679:.
1647:.
1623:.
1591:.
1570:.
1546:.
1522:.
1501:.
1475:.
1449:.
1426:.
1330:.
1317:"
1268:.
1167:)
1025:)
1011:.
997:"
564:"
509:—
246:"
137::
135:2
91:)
83:)
68:)
20:)
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