Knowledge (XXG)

Nut Art

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88:, the idea or underlying concept with Nut Art was paramount. As a result, the creation of the Nut artist was not restricted by style or medium, allowing the movement to embrace emerging formats such as performance, text pieces, and appropriation, in addition to more traditional two and three dimensional mediums such as drawing, photography, and sculpture. Because of the emphasis on 31: 100:
as well as those with advanced technical skill and training. Nut Art also reflected the importance of process over product, which had been a central tenet of the Action painters a generation previous.
77:. As such, Nut Art placed a high degree of emphasis on evolving visions, of which specific artworks were produced as part of the ongoing process of self-definition, or in service to creating new 161:. The show was co-curated by Clayton Bailey (then art faculty) and Gallery Director Irene Keil. The show produced a catalog which included a preface written by De Forest. 30: 212: 345: 263: 196: 158: 335: 291: 238: 70: 330: 81:
and personal mythologies. (Among these personas was that of Ralph "Doggy" Dinsmore, a persona used by De Forest.)
116: 74: 73:. According to De Forest, Nut artists sought to create fantasy worlds reflective of their own quirks and 350: 136: 340: 50: 206: 34:
Nut Art exhibition catalog, California State University, Hayward, 1972. Cover by Roy De Forest.
287: 259: 234: 192: 65:(in conversation with writer David Zack) to describe an approach to art making which embraced 46: 325: 157:
The first major exhibition of Nut Art took place in 1972 at the University Art Gallery of
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Linhares, Diana L. Daniels ; with essays by Philip E.; Frank, Patrick (2011).
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Art in the San Francisco Bay area, 1945-1980 : an illustrated history
78: 17: 139:, Irv Tepper, Chris Unterseher, Peter VandenBerge, Franklin Williams, 93: 66: 29: 233:. Berkeley, Calif.: University of California Press. p. 231. 147: 103:
Besides De Forest, other key practitioners of Nut Art included
53:, that flourished primarily in the late-1960s and early-1970s. 258:. Berkeley: University of California Press. p. 104. 311:
A Short Chronology Of The Artist's Life - Clayton Bailey
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Clayton Bailey : happenings in the circus of life
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A troublesome subject : the art of Robert Arneson
191:. Sacramento, CA: Crocker Art Museum. pp. 8, 24. 286:(1st ed.). Davis, Calif.: John Natsoulas Press. 98:participants without formal artistic backgrounds 111:(as well as Bailey's alter-ego Dr. Gladstone), 8: 211:: CS1 maint: multiple names: authors list ( 154:, reviewed many of the group's exhibitions. 282:DePaoli, G. Joan; Clayton Bailey (2000). 277: 275: 182: 180: 178: 176: 174: 143:(alter-ego Maija Woof), and David Zack. 61:The term "Nut Art" was coined by artist 170: 204: 96:, Nut Art welcomed contributions from 7: 224: 222: 159:California State University, Hayward 135:, Sally Saul, Harold Schlotzhauer, 25: 346:Art in the San Francisco Bay Area 189:Clayton Bailey's world of wonders 1: 131:, Jerry Gooch, Linda Renner, 115:(alter-ego Victor Ceramski), 254:Fineberg, Jonathan (2013). 146:David Zack, who was both a 367: 336:Contemporary art movements 229:Albright, Thomas (1985). 35: 33: 51:Northern California 36: 331:Art in California 265:978-0-520-27383-2 198:978-1-8840-3822-8 47:artistic movement 16:(Redirected from 358: 298: 297: 279: 270: 269: 251: 245: 244: 226: 217: 216: 210: 202: 184: 71:phantasmagorical 21: 366: 365: 361: 360: 359: 357: 356: 355: 316: 315: 307: 302: 301: 294: 281: 280: 273: 266: 253: 252: 248: 241: 228: 227: 220: 203: 199: 186: 185: 172: 167: 125:Betty G. Bailey 113:Victor Cicansky 69:along with the 59: 28: 23: 22: 15: 12: 11: 5: 364: 362: 354: 353: 348: 343: 338: 333: 328: 318: 317: 314: 313: 306: 305:External links 303: 300: 299: 292: 271: 264: 246: 239: 218: 197: 169: 168: 166: 163: 129:David Gilhooly 121:Lowell Darling 117:Robert Cumming 109:Clayton Bailey 105:Robert Arneson 86:Conceptual art 75:eccentricities 58: 55: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 363: 352: 349: 347: 344: 342: 339: 337: 334: 332: 329: 327: 324: 323: 321: 312: 309: 308: 304: 295: 293:1-881572-82-X 289: 285: 278: 276: 272: 267: 261: 257: 250: 247: 242: 240:0-520-05193-9 236: 232: 225: 223: 219: 214: 208: 200: 194: 190: 183: 181: 179: 177: 175: 171: 164: 162: 160: 155: 153: 149: 144: 142: 138: 134: 130: 127:, Jack Ford, 126: 122: 118: 114: 110: 106: 101: 99: 95: 91: 87: 82: 80: 76: 72: 68: 64: 63:Roy De Forest 56: 54: 52: 48: 44: 41: 32: 19: 351:Outsider art 283: 255: 249: 230: 188: 156: 145: 137:Richard Shaw 102: 83: 60: 49:centered in 42: 39: 37: 27:Art movement 341:Modern art 320:Categories 165:References 152:art critic 141:Maija Zack 133:Peter Saul 207:cite book 84:As with 79:personas 43:movement 326:Nut art 150:and an 90:concept 57:History 45:was an 40:Nut Art 18:Nut art 290:  262:  237:  195:  94:satire 67:humor 288:ISBN 260:ISBN 235:ISBN 213:link 193:ISBN 148:poet 92:and 38:The 322:: 274:^ 221:^ 209:}} 205:{{ 173:^ 123:, 119:, 107:, 296:. 268:. 243:. 215:) 201:. 20:)

Index

Nut art

artistic movement
Northern California
Roy De Forest
humor
phantasmagorical
eccentricities
personas
Conceptual art
concept
satire
participants without formal artistic backgrounds
Robert Arneson
Clayton Bailey
Victor Cicansky
Robert Cumming
Lowell Darling
Betty G. Bailey
David Gilhooly
Peter Saul
Richard Shaw
Maija Zack
poet
art critic
California State University, Hayward



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