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such clarity and depth of expression can be attributed to two years of hard work by the author-editor, T.K.Sabapathy. His efforts to access first hand photos, articles and various bits of information have resulted in a thorough consideration of the evolution of
Masriadi's art practice. Goenawan Mohamad uncovers the local complexities and richness of contemporary Indonesian society and experience. No writer is better able to lend such elegance to that most difficult of tasks - unlocking the culture, language and voice of artists in Indonesia.
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already been recognized by peers as one of the first contemporary
Balinese artists who eased himself away from an encompassing concern with Balinese life, culture and traditions in his works. He is reputed to have stood in front of the canvas on a cardboard box to restrict himself from any distractions and fidgety behavior; to learn the skill of painting.
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The visual imagery and narratives in his paintings are derived from keen and intelligent observations of social life and behavioural traits. His visual vocabulary is striking, continuously refreshing and contemporaneously relevant. Early works show him sparring with
Western modernism in the guise of
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which featured over 30 works completed in the past decade. It was published on the occasion of the
Masriadi: Black is My Last Weapon exhibition from 22 August to 9 November 2008. Presented by curators Seng Yu Jin and Wang Zineng in four thematic sections, with each theme serving as a weapon, in the
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Masriadi's works are marked by consistent high quality — thoughtful in the messages that transmit from scenes and figures in his pictorial world, and painstakingly detailed in execution and finish. These qualities have led him to receive positive reception from the art collecting world at large. He
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Despite
Masriadi's contribution to and influence on Indonesian art there has not been, until this book, much written discussion of his work. This is long overdue. Nyoman Masriadi- Reconfiguring the Body brings a much needed intellectual discourse to Masriadi's work. That it has come together with
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In Bali, where he was born, there were two traditions of painting - a sacred one and one of words for a
Western audience - but his relationship to these is indirect. Masriadi received his training in art at the Institute Seni Indonesia (ISI) Yogyakarta. From the time he was an art student, he had
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Placed into the social and political context of
Masriadi's home country of Indonesia, it however simultaneously conveys a deeper story as he captures both the spirit and psyche of today's society. The emotions that are demonstrated by the football fans in the background–on the far right, anger;
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Sotheby's (Hong Kong): Final Price HK$ 7,82 million, or US$ 1,000,725. The sale of this work, a triptych conveying the resolve of the human spirit, marked a record for a contemporary
Southeast Asian art piece at auction. It sold for about five times its estimated price.
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is
Southeast Asia's most well-received contemporary artist at auctions; the appreciation of his works is a testimony to his forte and talent as a painter as well as a barometer of the ascendency of Southeast Asian contemporary art.
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cubism but meshing it with caricature, the language of street advertising and graffiti. The way he has overdrawn his finished paintings with a marker can best be seen as a means of inscribing himself in or against that tradition.
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This painstakingly rendered commentary on the art world and art practices of the 21st century sold for US$ 935,844 at
Christie's Hong Kong as a lot in their Asian 20th Century and Contemporary Art (Evening Sale) on May 25, 2013.
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One painting by Indonesian artist Nyoman Masriadi was expected to sell for up to $ 25,000 (in 2007). In the end, a Southeast Asian collector paid SGD$ 360,000 (HK$ 1,854,000) for it, setting a world record price for a Masriadi
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in 2008. The exhibit spanned Masriadi's 10-year career and explored the evolution of his signature black-skinned figures, a motif now widely copied by other Indonesian painters.
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A set of 15 postcards were designed as a commemorative piece for Gajah Gallery's 15th year anniversary celebration. The set is a compilation of work by Ahmad Zakii Anwar,
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723:'Jago Kandang' is ranked No.1 in Sotheby's Top Ten Contemporary Southeast Asian Paintings according to C-Arts Asian Contemporary Arts and Culture Magazine, Vol.03 2008.
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elsewhere, cheering supporters waving the national flag and banners carrying the words "Indonesia"–are indicative of Masriadi's cultural sensitivity and sharp humour.
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He was awarded the prize for Best Painting at the Dies Natalis ISI Yogyakarta in 1997. He has participated in group exhibitions in
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http://files.shareholder.com/downloads/BID/269917403x0x166346/b5ae540e-838f-4fae-8f58-72e41e8f4c0f/166346.pdf%7CSotheby's
62:"Masriadi: Black Is My Last Weapon" was the artist's maiden solo show at the Singapore Art Museum which was co organised by
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era in Indonesia. His works have gained a collectors base which includes prominent collectors in and around the region.
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http://files.shareholder.com/downloads/BID/404267219x0x238915/ee256844-9a9a-4929-9649-c6dca80b44ed/238915.pdf
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Paul Kasmin Gallery catalog, presented in collaboration with Gajah Gallery. Essay by Benjamin Gennochio.
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Kinsella, Eileen, "Nyoman Masriadi's Dark Satire of Indonesian Culture Finds A Global Audience,"
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Masriadi is one of Southeast Asia's most well-received contemporary artists at auction.
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835:, Jumaldi Alfi, M. Irfan, Mangu Putra, Nyoman Masriadi, Teng Nee Cheong and Yunizar.
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971:, Source: (Singapore), Press Release, April 2008, Retrieved January 25, 2011.
899:"Indonesia Artist Masriadi Slays Ogres, Cuts Batman Down to Size - Bloomberg"
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sense of an apparatus for engagement, to the interior world of the artist.
939:"Masriadi Breaks Post-Lehman Stupor at Hong Kong Art Auction - Bloomberg"
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Singapore Art Museum, 'Black is my Last Weapon exhibition Catalogue, 2008
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At Christie's first auction in Shanghai, Masriadi's mixed-media piece
1042:(Singapore), Press Release, April 2008, Retrieved January 25, 2011.
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http://asia.news.yahoo.com/070917/5/singapore300241.html%7CChannel
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presented Masriadi: Black is My Last Weapon in collaboration with
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Jangan Tanya Saya Tanya Presiden (Don't Ask Me, Ask The President)
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News Asia, Monday September 17, 2007, Retrieved January 25, 2011.
982:"Indonesia's Masriadi Leads Singapore Art Rebound as Prices Soar"
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Genocchio, Benjamin, "Is Jakarta the Next Art Market Capital?,"
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22:(born 1973) is a painter and a leading artist of the post-
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Nyoman Masriadi: Recent Paintings, April 7 - May 14, 2011
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Group Exhibition with Mahendra Mangku & Nyoman Sujana
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Hitam Putih + Plus an exhibition of Kelompok Prasidha
845:Barnaby, Martin, "Master of his own mythology,"
714:Sotheby's (Singapore): Final Price US$ 370,668.
620:Kelompok 7 Exhibition - Sanggar Dewata Indonesia
42:. Masriadi received his training in art at the
539:Artoteek Den Haag and Centrum Beekdende Kunst
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44:Indonesian Institute of the Arts, Yogyakarta
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205:
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1013:"I NYOMAN MASRIADI (Indonesian, B. 1973)"
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751:Nyoman Masriadi-Reconfiguring the Body
452:Terumbu Karang, Exhibition and Auction
424:Terumbu Karang, Exhibition and Auction
680:The Man From Bantul (The Final Round)
651:Dies Natalis Indonesian Art Institute
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1171:20th-century Indonesian male artists
1141:I Nyoman Masriadi's Official Website
578:Duet Exhibition with I GAK Murniasih
606:Sanggar Dewata Indonesia Exhibition
307:Museum of Contemporary Art Shanghai
154:Nyoman Masriadi – Recent Paintings
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811:Masriadi: Black Is My Last Weapon
365:Museum of Contemporary Art Taipeh
1166:20th-century Indonesian painters
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170:Nyoman Masriadi – Recent Works
16:Indonesian Contemporary Artist
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827:Group exhibition postcard set
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907:. 2012-11-03. Archived from
710:Jago Kandang (Home Champion)
1181:People from Gianyar Regency
34:Masriadi was born 1973, in
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1027:"NameBright - Coming Soon"
634:Young Artist II Exhibition
202:Selected group exhibitions
833:J. Ariadhitya Pramuhendra
229:(former India Art Summit)
130:Selected solo exhibitions
665:Indonesian Art Institute
361:The Simple Art of Parody
336:Esa Sampoerna Art House
186:Black is my last Weapon
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542:Dordrecht-Netherlands
444:Magelang-Central Java
192:/ Singapore Art Museum
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668:Gampingan-Yogyakarta
514:Dordrecht-Netherland
511:Beeldende Kunst (CBK)
816:Singapore Art Museum
497:Museum of Modern Art
382:Expression of an Era
215:Venue/Represented By
143:Venue/Represented By
74:Awards and accolades
1088:. Indonesianeye.com
1067:. Gajah Gallery.com
689:Attack from Website
158:Paul Kasmin Gallery
522:Figur di Abad Baru
410:Not Just Political
289:Art Paris + Guests
1176:Artists from Bali
1065:"Nyoman Masriadi"
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637:Benteng Vredeburg
609:Benteng Vredeburg
483:Benteng Vredeburg
413:H. Widayat Museum
396:Beauty and Terror
388:Padma Hotel Bali
385:Garis Art Gallery
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20:I Nyoman Masriadi
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508:Seni Rupa Campur
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438:Group Exhibition
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235:New Delhi-India
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1121:. Retrieved
1114:the original
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1090:. Retrieved
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1069:. Retrieved
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1021:
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996:. Retrieved
992:the original
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913:. Retrieved
909:the original
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738:Publications
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553:Purna Budaya
466:Age-hibition
399:Galerie Loft
249:Switzerland
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106:(Magelang),
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68:
61:
57:
53:
33:
19:
18:
1156:1973 births
879:Fendry Ekel
800:Publication
766:Book Launch
654:Yogyakarta
640:Yogyakarta
626:Yogyakarta
612:Yogyakarta
584:Yogyakarta
570:Yogyakarta
556:Yogyakarta
550:Biennale VI
486:Yogyakarta
441:One Gallery
369:MoCA Taipei
125:Exhibitions
84:Netherlands
1150:Categories
1123:2011-12-13
1092:2011-12-13
1071:2011-12-13
998:2023-05-25
955:2023-05-25
915:2023-05-25
885:References
780:Book Cover
480:Kelompok 7
333:In Rainbow
281:Singapore
265:Singapore
212:Exhibition
195:Singapore
178:Singapore
140:Exhibition
116:Yogyakarta
1107:"Yunizar"
733:painting.
536:Masa Kini
416:Magelang
339:Surabaya
273:Art Stage
257:Art Stage
243:Art Basel
162:New York
96:Singapore
88:Indonesia
86:, and in
80:Australia
30:Biography
873:See also
865:Artinfo,
856:Artinfo,
849:5/17/13.
595:Komaneka
528:Jakarta
472:Jakarta
458:Jakarta
430:Jakarta
218:Country
146:Country
112:Surabaya
82:and the
867:3/2/13.
858:5/4/13.
564:Knalpot
374:Taipei
104:Mungkid
100:Jakarta
46:(ISI).
36:Gianyar
24:Suharto
704:Fatman
698:Fatman
402:Paris
311:China
1117:(PDF)
1110:(PDF)
90:: In
659:1994
645:1995
631:1996
617:1997
603:1998
589:1999
575:1999
561:1999
547:1999
533:1999
519:2000
505:2000
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477:2001
463:2002
449:2002
435:2002
421:2002
407:2002
393:2005
379:2006
358:2009
344:2009
330:2009
325:USA
316:2010
300:2010
286:2010
270:2011
254:2012
240:2012
223:2012
209:Year
183:2008
167:2011
151:2011
137:Year
114:and
108:Solo
92:Bali
50:Work
40:Bali
1152::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
