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Nymph of Fontainebleau

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and transferred to the Sculptures rooms. It was later moved to a landing of the Mollien Staircase above the ground floor of the Denon Wing of the Louvre, where it is currently on display.
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in Paris and was later replaced in Anet by a painted plaster cast. On 23 February 1796, the Conservatoire des Arts decided it should be moved to the small courtyard of the
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Artistes et monuments de la Renaissance en France. Richesses nouvelles et documents inédits / I. - 1re partie.
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Nova 1996, pp. 141–142. Nova states the sculpture was cast before 2 March 1543. For the name
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Pierre Villain and Guillaume Saligot. Originally intended to be placed in the
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in the arch above the entrance of the Porte Dorée ("Golden Gate") at the
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After the sculpture's restoration in 1811 by the father and son founder-
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Long view showing its location above the entrance gate at Anet
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Long view showing its location on the Mollien Stairs of the
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The relief was seized on 23 March 1794, at the time of the
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and Laurent Mailleu, and assembled with the help of
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Paris: Librairie ancienne HonorĂ© Champion. 226:over the Caryatides Balcony in the Salle des 8: 152:, who put it above the entrance gate (built 85:, MR 1706), created by the Italian sculptor 752:Sculptures in the Louvre by Italian artists 571: 557: 549: 163:, where the nymph became identified with 490:The Companion Guide to the Ile de France 394: 392: 390: 388: 386: 384: 300:above the balcony supported by the four 20: 380: 240: 414:see Dunlop 1996, p. 96; for the name 7: 222:, it was installed by the architect 193:, it was initially intended for the 124:The sculpture was commissioned by 14: 327: 312: 289: 277: 265: 250: 727:Sculptures by Benvenuto Cellini 611:Perseus with the Head of Medusa 488:. Originally published 1979 as 361:Perseus with the Head of Medusa 629:Portraits of Benvenuto Cellini 171:, and the stag with her lover 16:Sculpture by Benvenuto Cellini 1: 458:Babelon, Jean-Pierre (1989). 153: 71: 399:"La Nymphe de Fontainebleau" 195:MusĂ©e des Monuments Français 768: 667:The Magnificent Adventurer 499:, vol. 6, pp. 139–150, in 659:The Firebrand of Florence 537:. London: Octopus Books. 495:Nova, Alessandro (1996). 418:see Babelon 1989, p. 423. 533:Wheeler, Daniel (1979). 224:Pierre-François Fontaine 146:Château de Fontainebleau 91:Château de Fontainebleau 480:. Rochester: New York. 48:Nymphe de Fontainebleau 651:The Affairs of Cellini 595:Nymph of Fontainebleau 535:The Chateaux of France 427:Nova 1996, p. 141–143. 296:Long view showing the 244:Nymph of Fontainebleau 67: 57: 47: 39:Nymph of Fontainebleau 33: 32:(H. 2.05 m; L. 4.09 m) 26:Nymph of Fontainebleau 518:Roy, Maurice (1929). 501:The Dictionary of Art 401:, Louvre Collections. 203:gallery of the museum 50:), also known as the 24: 497:"Cellini, Benvenuto" 436:Wheeler 1979, p. 83. 603:Cellini Salt Cellar 368:Cellini Salt Cellar 354:Diana of Versailles 236:Antoine-Louis Barye 150:Philibert de L'Orme 63:Nymph with the Stag 742:Sculptures of deer 737:Sculptures of dogs 173:Henri II of France 34: 732:Reliefs in France 709: 708: 635:Benvenuto Cellini 580:Benvenuto Cellini 513:Oxford Art Online 462:. Paris: Picard. 445:Roy 1929, p. 303. 347:Fountain of Diana 180:French Revolution 169:Diane de Poitiers 87:Benvenuto Cellini 759: 722:1540s sculptures 573: 566: 559: 550: 446: 443: 437: 434: 428: 425: 419: 408: 402: 396: 331: 316: 293: 281: 269: 254: 246:and its replicas 192: 158: 155: 73: 767: 766: 762: 761: 760: 758: 757: 756: 712: 711: 710: 705: 689: 662:(1945 operetta) 617: 582: 577: 455: 450: 449: 444: 440: 435: 431: 426: 422: 409: 405: 397: 382: 377: 342: 335: 332: 323: 317: 308: 294: 285: 282: 273: 270: 261: 257:Replica at the 255: 186: 156: 134:Pierre Bontemps 122: 17: 12: 11: 5: 765: 763: 755: 754: 749: 744: 739: 734: 729: 724: 714: 713: 707: 706: 704: 703: 701:Cellini's halo 697: 695: 691: 690: 688: 687: 679: 675:A Violent Life 671: 663: 655: 647: 639: 631: 625: 623: 619: 618: 616: 615: 607: 599: 590: 588: 584: 583: 578: 576: 575: 568: 561: 553: 547: 546: 531: 516: 493: 471: 454: 451: 448: 447: 438: 429: 420: 416:Nymphe au cerf 403: 379: 378: 376: 373: 372: 371: 364: 357: 350: 341: 338: 337: 336: 333: 326: 324: 318: 311: 309: 295: 288: 286: 283: 276: 274: 271: 264: 262: 259:Château d'Anet 256: 249: 247: 161:Château d'Anet 121: 118: 114:bronze casting 68:Nymphe au cerf 15: 13: 10: 9: 6: 4: 3: 2: 764: 753: 750: 748: 745: 743: 740: 738: 735: 733: 730: 728: 725: 723: 720: 719: 717: 702: 699: 698: 696: 692: 685: 684: 680: 677: 676: 672: 669: 668: 664: 661: 660: 656: 653: 652: 648: 645: 644: 640: 637: 636: 632: 630: 627: 626: 624: 620: 613: 612: 608: 605: 604: 600: 597: 596: 592: 591: 589: 585: 581: 574: 569: 567: 562: 560: 555: 554: 551: 544: 540: 536: 532: 529: 525: 521: 517: 514: 510: 509:9781884446009 506: 502: 498: 494: 491: 487: 483: 479: 475: 472: 469: 465: 461: 457: 456: 452: 442: 439: 433: 430: 424: 421: 417: 413: 412:Nymphe d'Anet 407: 404: 400: 395: 393: 391: 389: 387: 385: 381: 374: 370: 369: 365: 363: 362: 358: 356: 355: 351: 349: 348: 344: 343: 339: 330: 325: 322: 315: 310: 307: 303: 299: 292: 287: 280: 275: 268: 263: 260: 253: 248: 245: 241: 239: 237: 233: 229: 225: 221: 217: 216: 211: 206: 204: 200: 196: 190: 185: 181: 176: 174: 170: 166: 162: 151: 147: 143: 139: 135: 131: 130:Tour de Nesle 127: 119: 117: 115: 111: 107: 103: 99: 96: 92: 88: 84: 80: 77: 74:‑1543 69: 65: 64: 59: 58:Nymphe d'Anet 55: 54: 53:Nymph of Anet 49: 45: 41: 40: 31: 27: 23: 19: 681: 673: 665: 657: 649: 646:(1890 opera) 641: 638:(1838 opera) 633: 609: 601: 594: 593: 534: 519: 500: 489: 477: 459: 453:Bibliography 441: 432: 423: 415: 411: 406: 366: 359: 352: 345: 304:sculpted by 297: 243: 220:Delafontaine 213: 207: 177: 123: 98:female nymph 62: 61: 52: 51: 38: 37: 35: 25: 18: 747:Pigs in art 686:(2001 play) 678:(1990 film) 670:(1963 film) 654:(1934 film) 614:(1545–1554) 474:Dunlop, Ian 306:Jean Goujon 232:Lescot Wing 187: [ 184:Maurice Roy 157: 1552 716:Categories 622:Portrayals 587:Sculptures 543:0706412605 511:. Also at 486:1900639009 468:2708403877 228:Caryatides 138:foundrymen 126:François I 106:wild boars 598:(c. 1543) 528:742870725 302:caryatids 215:ciseleurs 212:(French: 159:) of the 66:(French: 60:) or the 56:(French: 476:(1996). 340:See also 142:tympanum 89:for the 81:(Paris, 70:), is a 694:Related 683:Cellini 643:Ascanio 230:of the 210:chasers 120:History 100:with a 28:at the 606:(1543) 541:  526:  507:  484:  466:  321:Louvre 199:Louvre 83:Louvre 79:relief 76:bronze 44:French 30:Louvre 375:Notes 298:Nymph 191:] 165:Diana 539:ISBN 524:OCLC 505:ISBN 482:ISBN 464:ISBN 242:The 110:dogs 102:stag 95:nude 36:The 718:: 383:^ 218:) 205:. 189:fr 175:. 154:c. 116:. 108:, 104:, 72:c. 46:: 572:e 565:t 558:v 545:. 530:. 515:. 470:. 42:(

Index


Louvre
French
bronze
relief
Louvre
Benvenuto Cellini
Château de Fontainebleau
nude
female nymph
stag
wild boars
dogs
bronze casting
François I
Tour de Nesle
Pierre Bontemps
foundrymen
tympanum
Château de Fontainebleau
Philibert de L'Orme
Château d'Anet
Diana
Diane de Poitiers
Henri II of France
French Revolution
Maurice Roy
fr
Musée des Monuments Français
Louvre

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