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Her work is visually driven and often collaborative with other art forms, with a focus on opera, contemporary dance, moving image, installations, staged performances, and instrumental music. Her practice involves the use of both electronic and acoustic mediums. Her music is concerned with intonation,
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Zisser was raised in an ultra-orthodox background. The fourth of five siblings, she began her classical music education at the age of six, playing piano. She went on to study composition at the
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354:(2021) - chamber ensemble composition for Contemporary Dance (choreographer: Yoshito Sakuraba, Abarukas Dance) (commissioned by the Rozsa Centre and Rabbit Island Foundation)
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in the 2018 season. The newly commissioned opera was the first to feature and reference
Orthodox-Jewish Cantorial music with a role written for a Cantor. Directed by
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textures, intimacy, and nostalgia, and has been described as ‘free of cliches’ (The
Guardian) and ‘hauntingly melodic’ (The Stage). She is the first to introduce
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Soundhub residency, where she composed a piece for chamber ensemble, live visuals and karaoke singers. Her work has been supported by the
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360:(2020) - six channel surround-sound installation 5.1 (Artist: Ursula Mayer) (commissioned by Ujazdowski Centre for Contemporary Art)
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1697:"The Rozsa Center for the Performing Arts and Rabbit Island Foundation present a world premiere inspired by the Keweenaw"
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253:(2016) for chamber ensemble, live visuals and karaoke singers (commissioned by London Symphony Orchestra Soundhub)
247:(2015) for chamber ensemble, live visuals and karaoke singers (commissioned by London Symphony Orchestra Soundhub)
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Na’ama Zisser has been commissioned by and worked with such ensembles and organisations as:
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205:. Zisser's music has been performed internationally across Europe, America and Israel.
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854:"BBC Radio 3 - Hear and Now, Open Ear - cutting-edge new music performed in the round"
328:(2020) for solo Baritone and piano quartet (commissioned by Manchester Jewish Museaum)
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She has held residencies and fellowships with Sound & Music, East London Dance,
266:(2019) for symphonic orchestra (commissioned by the Jerusalem Symphony Orchestra)
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Between 2015 and 2018, Na'ama Zisser was the doctoral composer in residence at the
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where she won the
Hurlston & Cobbett Prize. She completed her doctorate at the
493:"Mamzer Bastard review – haunting Hasidic opera illuminates '77 New York blackout"
366:(2022) - music for the audio horror anthology series (commissioned by BBC radio 4)
341: (2017) for solo guitar (commissioned by the International Guitar Foundation)
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1569:"12:40 - Twelve new opera arias for the National Opera Studio's 40th Anniversary"
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825:"12:40 - Twelve new opera arias for the National Opera Studio's 40th Anniversary"
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297:(2016) for six countertenors and chamber ensemble (commissioned by Tete a Tete)
272:(2022) for chamber orchestra (commissioned by the Israel contemporary Players)
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1748:"Ursula Mayer - What Will Survive of Us: Modelle einer fluiden Zukunft"
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241:(2015) for chamber ensemble (commissioned by the London Sinfonietta)
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Empty
Orchestra (kara-oke) - Na'ama Zisser LSO Soundhub @ St. Luke's
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624:"'We've got to open minds': meet the composers reshaping opera"
518:"Classical:Next 2017: Na'ama Zisser – PRS for Music Foundation"
413:"'We've got to open minds': meet the composers reshaping opera"
1160:"Ursula Mayer – Ujazdowski Castle Centre for Contemporary Art"
597:"Interview with Na'ama Zisser, Doctoral Composer-in-Residence"
1621:"Songs of Arrival stories of Jewish refugees in Manchester"
955:"Street Stories: Dance Collaborations | East London Dance"
1186:"San Antonio Symphony Announces 2020-21 Classical Season"
1135:"S K Y A P N E A w/ Oliver Coates 28th February 2015"
439:"Mamzer Bastard review, Hackney Empire, London, 2018"
1672:"Young Artist Platform • Contemporary • Kings Place"
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1493:"Time to say goodbye: Moonlight /The Last Seed"
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800:"Time to say goodbye: Moonlight /The Last Seed"
123:and made her debut with the opera company with
303:(2018) (commissioned by the Royal Opera House)
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984:"Na'ama Zisser: International Showcase Fund"
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572:"Na'ama Zisser – People – Royal Opera House"
388:"Na'ama Zisser — People — Royal Opera House"
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291:(2013) (Tete a Tete and Grimeborn festivals)
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674:"London Symphony Orchestra - Na'ama Zisser"
544:"London Symphony Orchestra – Na'ama Zisser"
208:In 2022, Zisser scored the first season of
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1544:"Songs About "The Song of Songs" at YIVO"
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1109:"BBC Radio 4 - Lusus, 1. Doppelgänger"
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1364:"Beethoven's "Emperor" Concerto"
1342:Na'ama Zisser - Kara-oke Vol II
1290:"Empty Orchestra (kara – oke)"
1085:"Na'ama Zisser – Jerwood Arts"
622:Willson, Flora (8 June 2018).
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1727:Michigan Tech Events Calendar
148:London Contemporary Orchestra
135:, the opera premiered at the
491:Ashley, Tim (15 June 2018).
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358:What Will Survive of Us
1647:"IGF Commissions List"
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139:to sold-out shows.
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1752:www.artmagazine.cc
1519:"Mamzer | Bastard"
649:"Mamzer | Bastard"
603:. 15 February 2019
152:London Sinfonietta
84:into contemporary
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730:. 11 January 2015
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1575:. 8 August 2018
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1447:. 24 April 2014
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1473:. 23 July 2013
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1781:. Retrieved
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