Knowledge (XXG)

Nadie oyó gritar

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as consequence there are many people severely injured. With not enough room in the ambulance to take the wounded, the police ask Miguel and Elisa to help transporting a seriously injured couple to a nearby hospital. In spite of the close call, the body on the trunk is not discovered. When they arrive at the hospital, Miguel and Elisa are told to wait and provide further information. They are told that the woman they were transporting in the car was already dead. Miguel becomes nervous, but it turns out that it was not his wife in the trunk, but the injured woman from the accident they were talking about. A strange bond starts growing between Elisa and Miguel. She seems willing to co-operate with her abductor. Miguel is attractive and charms her with his personality. He tells her that his dreams of becoming a successful writer never came to fruition and that instead he settled for marriage to a wealthy woman he didn't love.
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noises. She exits her apartment to investigate and finds her next-door neighbor, Miguel, dropping the freshly-killed body of his wife, Nuria, down an elevator shaft. Elisa runs back into her apartment and locks the door, but Miguel manages to cut off her phone line, leaving Elisa unable to call the police. Miguel breaks into Elisa's apartment through a window, brandishing a gun. Instead of killing her, Miguel decides to flip things around and turn Elisa into an accomplice. Unwillingly, Elisa is forced to help Miguel retrieve Nuria’s body from the elevator shaft. They wrap the dead woman up in Elisa’s shower curtain and put the cadaver in the trunk of Elisa’s car.
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the next morning, she finds Miguel in her bed brutally killed. Initially Elisa does not know what had happened, but Nuria explains that she was not the woman whose body was thrown in the lake, that was actually Miguel's lover. Nuria confesses that while Elisa was sound sleep with the help of sleeping pills, she killed her unfaithful husband. As Elisa has now experience disposing of a body, Nuria asks her to help her which Elisa is willing to do.
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Knowing that Elisa has a vacation home and a boat by San Juan’s lake, near Madrid, Miguel decides to go there to dispose of the corpse sinking it in the water. As the two head toward their destination, they are stopped by the police. There has been an accident as a bus has gotten out of the road and
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They finally arrive at the lake and take Elisa's boat to the middle of the lake. Miguel sinks the body in the lake as planned, but Elisa manages to turn the tables on her abductor who falls into the water. She could easily kill him, but decides not to do it in the end. As they enter Elisa's house on
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Elisa and Miguel come back to their apartment building in Madrid. At night, they go out together to a club carrying on an affair. At the club, they see Tony again. Elisa confesses that he is her lover. Nevertheless, attracted to Miguel, back in her apartment, she has sex with him. When she wakes up
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Elisa, a beautiful woman in her late thirties, changing her plans at the last minute, cancels her flight to London where she was going to meet her older lover. She is a professional mistress who finances a comfortable life style as the kept woman of old rich men. Óscar, her wealthy aging lover, has
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The building where Elisa lives in Madrid is almost empty for the weekend since, except for her next door neighbors, there are only offices. The other occupant is the half deaf meddlesome concierge. Alone in her apartment, Elisa takes a shower and wants to relax, but she begins to hear suspicious
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the lake's shore, Miguel meets Tony, Elisa's own younger lover who she supports. A homoerotic tension is apparent between the two half naked men. Tony goes swimming, leaving Miguel and Elisa alone as the sexual attraction between Elisa and her abductor grows.
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been supporting her financially (apartment, car, money, plane tickets) in exchange for one weekend a month of her time. When he calls her up to protest, Elisa ends their affair and hangs up the phone.
218:). The plot follows a beautiful woman forced to help her neighbor after she sees him disposing the corpse of his wife on an elevator shaft. The film, daring for its time, was heavily edited by the 229:
is not strictly a horror film, but mixes genres: drama, black comedy, suspense, road movie, character study, psychological thriller and horror, with few jolts and bloody scenes.
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The film explores some of Eloy de la Iglesia’s recurrent themes such as voyeurism, socialism, society's class system, and homoerotic imagery.
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is available in Region 2 DVD. Audio in Spanish. There is no Region 1 DVD available.
284: 269: 209: 68: 214: 189: 193: 311: 151: 200:. The film stars two of the director’s favorite performers: 167: 157: 147: 137: 114: 100: 92: 84: 76: 60: 48: 38: 21: 8: 27: 18: 7: 348:Films directed by Eloy de la Iglesia 14: 1: 338:Spanish horror thriller films 343:1970s Spanish-language films 368:1970s horror thriller films 394: 109:Benito Perojo S.A./Picasa 88:Antonio Ramírez de Loaysa 33:Theatrical release poster 26: 123:27 August 1973 96:Fernando García Morcillo 179:No One Heard the Scream 22:No One Heard the Scream 290:Goyo Lebrero as Porter 212:(from de la Iglesia's 204:(from de la Iglesia's 171:ESP 10,820,846 (Spain) 373:Romantic horror films 56:Gabriel Moreno Burgos 363:Films shot in Madrid 358:Films shot in London 353:Films about adultery 378:1970s Spanish films 275:Tony Isbert as Tony 52:Eloy de la Iglesia 198:Eloy de la Iglesia 43:Eloy de la Iglesia 206:The Glass Ceiling 175: 174: 16:1973 Spanish film 385: 313:Nadie oyó gritar 300:Nadie oyó gritar 227:Nadie oyó gritar 185:Nadie oyó gritar 130: 128: 80:Francisco Fraile 31: 19: 393: 392: 388: 387: 386: 384: 383: 382: 323: 322: 308: 297: 279:María Asquerino 260: 235: 140: 133: 126: 124: 117: 110: 105: 103: 71: 67: 55: 53: 34: 17: 12: 11: 5: 391: 389: 381: 380: 375: 370: 365: 360: 355: 350: 345: 340: 335: 325: 324: 321: 320: 307: 306:External links 304: 296: 293: 292: 291: 288: 282: 276: 273: 267: 264:Carmen Sevilla 259: 256: 234: 231: 202:Carmen Sevilla 173: 172: 169: 165: 164: 159: 155: 154: 149: 145: 144: 141: 138: 135: 134: 132: 131: 120: 118: 115: 112: 111: 108: 106: 101: 98: 97: 94: 90: 89: 86: 82: 81: 78: 77:Cinematography 74: 73: 65:Carmen Sevilla 62: 58: 57: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 390: 379: 376: 374: 371: 369: 366: 364: 361: 359: 356: 354: 351: 349: 346: 344: 341: 339: 336: 334: 331: 330: 328: 319: 315: 314: 310: 309: 305: 303: 301: 294: 289: 286: 285:Antonio Casas 283: 280: 277: 274: 271: 270:Vicente Parra 268: 265: 262: 261: 257: 255: 251: 247: 243: 239: 232: 230: 228: 223: 221: 217: 216: 211: 210:Vicente Parra 207: 203: 199: 195: 191: 187: 186: 181: 180: 170: 166: 163: 160: 156: 153: 150: 146: 142: 136: 122: 121: 119: 113: 107: 99: 95: 91: 87: 83: 79: 75: 70: 69:Vicente Parra 66: 63: 59: 51: 49:Screenplay by 47: 44: 41: 37: 30: 25: 20: 312: 299: 298: 252: 248: 244: 240: 236: 226: 224: 215:Cannibal Man 213: 205: 196:directed by 184: 183: 178: 177: 176: 139:Running time 116:Release date 54:Antonio Fos 295:DVD release 194:horror film 72:Tony Isbert 39:Directed by 333:1973 films 327:Categories 182:(Spanish: 168:Box office 143:88 minutes 127:1973-08-27 102:Production 272:as Miguel 222:censors. 220:Francoist 85:Edited by 287:as Óscar 281:as Nuria 266:as Elisa 192:Spanish 158:Language 93:Music by 61:Starring 188:) is a 162:Spanish 148:Country 125: ( 104:company 208:) and 152:Spain 318:IMDb 258:Cast 233:Plot 190:1973 316:at 329:: 129:)

Index


Eloy de la Iglesia
Carmen Sevilla
Vicente Parra
Spain
Spanish
1973
horror film
Eloy de la Iglesia
Carmen Sevilla
Vicente Parra
Cannibal Man
Francoist
Carmen Sevilla
Vicente Parra
María Asquerino
Antonio Casas
Nadie oyó gritar
IMDb
Categories
1973 films
Spanish horror thriller films
1970s Spanish-language films
Films directed by Eloy de la Iglesia
Films about adultery
Films shot in London
Films shot in Madrid
1970s horror thriller films
Romantic horror films
1970s Spanish films

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