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museum shows at the Museum
Moderner Kunst Stiftung Ludwig in Vienna (1997), Dundee Contemporary Art (2004), the Museo d’Arte Contemporanea Roma (2008), the Kunstmuseum Bochum (2015), Museum Sztuki Łódź (2017) and Museum Villa Stuck, Munich (2017). His work is included in many important museum collections including MOMA, New York, the Philadelphia Museum of Art, Museum Sztuki, Łódź, the Ludwig Foundation, Vienna, the Kaiser Wilhelm Museum, Krefeld, Magasin3, Stockholm, Kunsthalle Mannheim, FRAC Bretagne, the Israel Museum, Jerusalem and the Tel Aviv Museum of Art.
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306:"…We haven't simply left the "Master narratives" behind, but rather continued it in the form "the End of the master narrative"… these speculations are not irrelevant aside, but rather a precondition for understanding the exemplary nature of Tevet sculptures and the reason why it is among the most important art being made today….”
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unlike his mentor, Tevet was not interested in what's going on within the paintings format but rather in the painting as an object, its place and its function within the given space. As early as 1970-71 he stops creating traditional painting and made objects and installations mostly from found materials.
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in
Jerusalem, where he quickly became an influential figure as Professor for the Sculpture at the Art Department. By the summer 2000 Tevet was asked to become head of the Advance studies program and was leading the opening of the Bezalel Branch of Salame Street in Tel Aviv. The program shortly became
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Starting the 1980's Tevet’s work turned reductivism upside-down by using geometrical-abstract vocabulary in large-scale intricate labyrinth-like complex sculptures and installations. Those turned into even more extensive installations in the later years 1990s – to today. Tevet has been the subject of
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1997-2004 is the Magnum Opus of his installations, measuring 9 x 13 meters took 8 years of work to be completed. The work, made out of thousands of constructed and painted single elements. It grew organically without a plan. It takes the whole room leaving a narrow passageway for the viewer- between
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In 1965 he was drafted to the army and after 3 years of obligatory service he returned to his home in the
Kibbutz where he set an art studio and worked as a gardener. He started studying on a private mentoring basis with painter Rafi Lavie (1969). Influenced by Lavie he painted on Plywood, However,
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His work has been part of exhibitions worldwide since 1975, such as numerous solo and group exhibitions in Europe and the United States, among which
Documenta 8 (1987), the Sao Paulo Biennale (1994), the Biennale of Lyon (1997), the Venice Biennale (2003) and the Carnegie International (1999), and
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In this large scale intricate colourful and playful floor (sometimes floor and wall) sculptures, Tevet breaks the distinction between sculpture and painting, while examining both media and the 20s
Century historical, modernist and canonic movements. From this group of works many were shown in few
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while visiting Sara Gilat’s home and got very excited, he purchased five pieces from this series, he then asked to meet Tevet and later sent him a small grant and invited him to come to NYC and meet/work there, Tevet, having no money, arrived in NY only few years later in 1979-1980.
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and created instead furniture's like modules which components were painted in the same way a housepainter would coat his furniture. Within the painterly/sculptural/architectural vectors typical to his artistic project, here the painterly aspect is less present.
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Despite its complexity, there is no clear constructions behind these works, only “things” standing on the floor near/on each other or leaning, like in a storage or a shop. They are mostly arranged following a grid, and yet, without any visible rational code.
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The installation creates a compressed, demanding, morbid situations, similar to a large labyrinth. It’s loaded with a plethora of sculptural events, which offers many narratives for reading and interpretations yet it is constantly causing these to fail.
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the first recognized MFA program in Israel. Tevet was its director 2001-2010 during this time the program quickly gained local importance and international respectful status and success. Nahum Tevet thought at
Bezalel Academy during 1980 -2013.
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Nahum was raised in the
Kibbutz, and while in high school he starts taking art classes at the art teachers’ school of Oranim Collage (1962-3), with teachers like Marcel Janco, Claire Ianiv and Sima Slonim.
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In 1972 his first one-person exhibition took place at Sara Gilat
Gallery, Jerusalem, in this show Tevet exhibited few sculptural objects made from plywood, paper, masking tapes etc (pic.) and some of his
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There were few "rules" to the large rooms floor installations Nahum Tevet created between 1993-2006: In these works, Tevet took away the highly painterly surface, which was so present in the former
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In 1975 Tevet had his first show in Europe at the prestigious
Galerie Schmella, in Dusseldorf and by 1976 had his first museum solo show at the Israel Museum, Jerusalem (curated by Yona Fischer).
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in which Tevet introduced the "white partitions" a new element which serves as architectonic device, defining areas within the work while creating breaks in the narratives of the event.
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Reflections, repetitions and mirroring, in these dynamic sculptures there is a gradual development in complexity which remain, as of today, one of the main characteristics of his work.
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The complete group of room's installations was the subject of a large exhibition at the Israel Museum, Jerusalem: "Nahum Tevet-Works, 1993-2006" curated by Sarit
Shapira.
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canon by introducing into his installations everyday domestic objects, metaphors and images like in: Corner (1973-4) and Arrangements of Six Units.
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and Kassel 1987 (pic). The whole series was a subject of a large exhibition at the Tel Aviv Museum of Art in 1991 (curator Yona Fischer, Catalog).
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Nahum Tevet, works, 1994-2006 : [February - July 2007, Judy and Michael Steinhardt Gallery, Helen and Jack Nash Gallery ...]
155:, to his father Mendel Toib and mother Feiga Merin -Toib, both immigrated from Poland in the 1930's. His mother died when he was a baby.
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226:(1983-1990), these formalized Tevet’s thoughts and ideas setting the foundation for the works he will make in the coming decades.
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2013 The EMET Prize for Art, Science and Culture, the AMN Foundation for the Advancement of Science, Art and Culture in Israel
863:"Bezalel Academy of Arts and Design Jerusalem presents Goods to Declare – MFA Internat - Announcements - Art & Education"
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at the Bertha Urdang Gallery NYC which was the starting point of a major series of large sculptural installations titled the
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Toward the late 1970, After his solo show at the Israel Museum Jerusalem, He started to develop his Drawing installations
275:(1979-1984), large, 'drawing in space' like wooden structures serves to investigate questions of memory and perception.
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in 1973 the young family moved from the Kibbutz to Petah Tikva, a city near Tel Aviv, where they lived for few years.
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In 1970 he married Neta Dominiz, they kept living in Messilot, and have their first son Yaal in 1972.
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major survey exhibitions at both the Israel Museum in Jerusalem and the Tel Aviv Museum
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The British critic -philosopher Michael Newman wrote about the painting Lessons in 1986:
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2012 - Tel Aviv University, Walking on The Wall: Nahum Tevet:Small Sculptures, 1980–2012
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2016 - Hunter College, New York, NY. Nahum Tevet: Works on Glass,1972-1975
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In 1980, while still in New York, Nahum Tevet was invited to teach at the
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2017 - Museum Sztuki, Lodz, Poland, Nahum Tevet: Works on glass,1972-1975
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the crowded complex installation and the walls of the room around it.
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610:"Information Center for Israeli Art | The Israel Museum, Jerusalem"
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2007 Life Achievement Award, Ministry of Science, Culture and Sport
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2007 - The Israel Museum, Jerusalem, Nahum Tevet: Works, 1994–2006
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1992 Minister of Education and Culture Prize for an Israeli Artist
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2011 Dizengoff Prize for Painting and Sculpture, Tel Aviv- Jaffa
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1990s the Tel Aviv Museum produced an extensive exhibition of
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2018 - Museum Villa Stuck, Munich, Nahum Tevet / Efrat Natan
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During the ’80 Tevet produced two series of group of works:
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Painting Lesson n°5, 1986, collection of the Israel Museum
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Nahum Tevet (Toib) Was born in 1946 in Kibbutz Messilot,
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Sculpture, Post-minimalism, Constructivism, Installation
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2022 - Kristof De Clercq Gallery, Ghent (October 22).
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Academic staff of Bezalel Academy of Arts and Design
713:"Efrat Natan / Nahum Tevet - Announcements - e-flux"
811:Pinkoski, Mary; McTavish, Lianne (24 August 2020),
247:In 2006 the Israel Museum, Jerusalem mounted
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1000:at the Israel Museum. Retrieved January 22, 2012.
768:. Oxford Art Online. Oxford University Press.
561:2008 - Museo d’Arte Contemporanea Roma (MACRO)
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979:: CS1 maint: multiple names: authors list (
455:Glaskasten Sculpture Museum, Marl Collection
792:. Chicago: The Binner publishing co. 1895.
570:2004 - DCA Dundee Contemporary Art, Dundee
558:2008 - Herzliya Museum of Contemporary Art
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889:נחום טבת: שיעורי ציור - פסלים - 1990-1984
774:10.1093/gao/9781884446054.article.t084022
282:The Painting Lessons Sculptures 1983-1990
34:Photograph of Nahum Tevet by Uri Gershuni
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508:1990 America-Israel Cultural Foundation
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207:, a work that drew a lot of attention.
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945:Sarit., Tevet, Nahum. Shapira (2007).
685:"Israeli Art \ Tel Aviv Museum of Art"
244:In the 1990s a retrospective was held
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549:2011 - Galeria Foksal, Warsaw, Poland
199:In 1979 he moved, with his family to
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327:The earlier works of this group is
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817:Feminist Critique and the Museum
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919:Wolf, Leann (29 October 2020).
635:"Nahum Tevet ← Artists ← Artis"
555:2009 - Fondazione VOLUME! Roma
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1030:. Retrieved January 22, 2012
552:2010 - Łódz Biennale, Poland
337:A Page from a Catalogue,1998
819:, BRILL, pp. 267–283,
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235:Painting lessons-Sculptures
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825:10.1163/9789004440180_015
588:1984 - Sao Paolo Biennale
567:2013 - Macro Museum, Rome
251:curated by Sarit Shapira
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905:The Postmodern Labyrinth
902:Newman, Michael (1986).
891:(in Hebrew and English).
762:Turner, Michael (2003).
742:The Museum of Modern Art
317:Painting Lessons Series,
241:curated by Yona Fisher.
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453:Underground Event, 1997
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998:Nahum Tevet collection
887:Fischer, Yona (1991).
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573:2003 - Venice Biennale
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485:Awards and recognition
479:At the Same Time, 2010
393:Tel Aviv Museum of Art
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346:Seven Walks, 1997-2004
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231:Painting Lesson series
224:Painting lesson series
98:Yaal Tevet, Noam Tevet
511:1986 Sandberg Prize,
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311:Room Works, 1993-2006
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738:"Nahum Tevet | MoMA"
529:Selected exhibitions
467:Several Things, 2008
177:The American Artist
174:from the same year.
813:"A Room of Her Own"
689:www.tamuseum.org.il
502:1991 Fondek Prize,
422:Kunsthalle Mannheim
179:Robert Rauschenberg
153:Mandatory Palestine
129:Mandatory Palestine
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1024:Art of Nahum Tevet
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1059:1946 births
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351:Seven Walks
297:Documenta 8
113:Nahum Tevet
81:Israeli art
61:Nationality
22:Nahum Tevet
1038:Categories
1015:22 January
930:2 November
872:2 November
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722:2 November
694:2 November
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644:2 November
619:2 November
596:References
441:Collection
424:Collection
395:Collection
255:Works '70s
237:(1983-1990
133:minimalist
106:Emet Prize
90:Neta Tevet
1028:Europeana
975:cite book
967:315812942
843:162869427
639:artis.art
517:Jerusalem
201:New York
121:נחום טבת
95:Children
77:Movement
365:Gallery
233:titled
64:Israeli
50:Mesilot
47:Kibbutz
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189:After
117:Hebrew
103:Awards
87:Spouse
839:S2CID
271:. In
1017:2012
981:link
963:OCLC
953:ISBN
932:2022
874:2022
850:2022
829:ISBN
749:2022
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696:2022
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181:saw
43:1946
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