246:
has received a great deal of appreciation from both film and art critics, with one writing, "The images of
Nainsukh are stunning. The comparisons with the paintings could not be more clear, but what astonishes me most is the ability of Amit Dutta to compose those images, and even more, to light them.
275:
observes that the film pays close attention to the finesse of
Naisukh’s brushwork and his observant images of the patron’s more informal moments like smoking and beard-trimming. He adds that "When the filmmaker reconstructs one of Nainsukh’s more complexly staged scenes—as in the hunting of a tiger
259:
has been widely discussed by critics for its unique formal qualities which evade categorization. The film is said to be balancing between a documentary approach and playful plot, developing its own visual language by interpreting and questioning Indian art history and one of its greatest artists.
267:
also observes the lack of dialogue and calls the film "visually stunning and acoustically stimulating that its beauty can often take the viewer’s breath away". Galina
Stoletneya remarks that "By harmoniously juxtaposing the gorgeous visuals with outstanding sound design, the filmmaker produces a
260:
While deeply rooted in Indian tradition and philosophy, the film is also seen by eminent critic Olaf Moller as a "thought-provoking investigation into the slippery, ever-changing nature of realism, its representation in the arts. A true masterpiece of Indian modernism."
31:
276:
clutching its human prey—his cinematic technique of isolating different elements of a single scene evokes the dynamic register of imagination and realism animating the artist’s deceptively flat pictures."
553:
198:, an 18th-century Indian miniature painter. The film contains meticulous recreations of Nainsukh's paintings through compositions set amidst the ruins and environs of the
568:
263:
With no considerable dialogue, the almost silent film is considered to create "a hypnotic fusion of imagery and sound that conjures up a lost age". George
Heymont of
548:
232:
224:
247:
The lighting is breathtaking. It tells you why
Nainsukh would have taken such care with details, maybe especially with the folds of cloth."
253:
even stated, "I think that this will do more for public interest in Indian painting that all the many scholarly essays."
558:
421:
563:
446:
272:
95:
573:
543:
347:
506:
319:
293:
377:
75:
517:
177:
395:
537:
250:
228:
511:
473:"Swimming in the Deep End of San Francisco International Film Festival | SF360"
191:
44:
30:
528:
264:
195:
523:
500:
199:
472:
268:
unique work of art—a living painting itself—that stands on its own".
231:
as one of top 10 films shown. Its North
American premiere was at the
396:"Nainsukh | San Francisco International Film Festival 2011"
348:"Cinema Scope | Dreams of Light: The Cinema of Amit Dutta"
173:
163:
153:
129:
121:
109:
101:
85:
71:
60:
50:
40:
23:
8:
29:
20:
554:Indian avant-garde and experimental films
233:San Francisco International Film Festival
569:2010s avant-garde and experimental films
285:
225:67th Venice International Film Festival
7:
371:
369:
342:
340:
318:Weissberg, Jay (15 September 2010).
313:
311:
35:Poster from the Venice Film Festival
14:
549:Biographical films about painters
422:"Breathing New Life Into Old Art"
214:Nitin Goel as Raja Balwant Singh
202:where the artist was retained.
194:based on the life and works of
420:Heymont, George (2 May 2011).
376:Möller, Olaf (November 2010).
1:
227:, where it was received by
190:is a 2010 film directed by
590:
273:San Francisco Film Society
223:The film premiered at the
138:8 September 2010
384:. November/December 2010.
28:
54:Ayswarya Sankarnarayanan
211:Manish Soni as Nainsukh
378:"Venice Film Festival"
447:"Nainsukh Screening"
559:Films shot in India
296:. 15 September 2010
125:Dishari Chakraborty
564:Films set in India
183:
182:
65:Nainsukh of Guler
581:
488:
487:
485:
483:
468:
462:
461:
459:
457:
443:
437:
436:
434:
432:
417:
411:
410:
408:
406:
392:
386:
385:
373:
364:
363:
361:
359:
352:cinema-scope.com
344:
335:
334:
332:
330:
315:
306:
305:
303:
301:
290:
271:Max Goldberg of
145:
143:
76:Eberhard Fischer
33:
21:
18:2010 Indian film
589:
588:
584:
583:
582:
580:
579:
578:
534:
533:
518:Rotten Tomatoes
497:
492:
491:
481:
479:
470:
469:
465:
455:
453:
445:
444:
440:
430:
428:
426:Huffington Post
419:
418:
414:
404:
402:
400:fest11.sffs.org
394:
393:
389:
375:
374:
367:
357:
355:
354:. 20 March 2014
346:
345:
338:
328:
326:
317:
316:
309:
299:
297:
292:
291:
287:
282:
265:Huffington Post
241:
221:
208:
168:
156:
149:
141:
139:
132:
116:
114:
96:Shriniwas Joshi
94:
92:
90:
80:
79:Dhananjai Singh
78:
67:by B.N. Goswamy
55:
36:
19:
12:
11:
5:
587:
585:
577:
576:
574:Dogri language
571:
566:
561:
556:
551:
546:
536:
535:
532:
531:
520:
509:
496:
495:External links
493:
490:
489:
463:
438:
412:
387:
365:
336:
307:
284:
283:
281:
278:
240:
237:
220:
217:
216:
215:
212:
207:
204:
200:Jasrota palace
181:
180:
175:
171:
170:
165:
161:
160:
157:
154:
151:
150:
148:
147:
135:
133:
130:
127:
126:
123:
119:
118:
117:Ujjwal Chandra
111:
107:
106:
103:
102:Cinematography
99:
98:
87:
83:
82:
73:
69:
68:
62:
58:
57:
52:
48:
47:
42:
38:
37:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
586:
575:
572:
570:
567:
565:
562:
560:
557:
555:
552:
550:
547:
545:
542:
541:
539:
530:
526:
525:
521:
519:
515:
514:
510:
508:
504:
503:
499:
498:
494:
478:
477:www.sf360.org
474:
467:
464:
452:
448:
442:
439:
427:
423:
416:
413:
401:
397:
391:
388:
383:
379:
372:
370:
366:
353:
349:
343:
341:
337:
325:
321:
314:
312:
308:
295:
289:
286:
279:
277:
274:
269:
266:
261:
258:
254:
252:
251:Milo C. Beach
248:
245:
238:
236:
234:
230:
226:
218:
213:
210:
209:
205:
203:
201:
197:
193:
189:
188:
179:
176:
172:
166:
162:
158:
152:
146: (Venice)
137:
136:
134:
128:
124:
120:
113:Samarth Dixit
112:
108:
104:
100:
97:
88:
84:
77:
74:
70:
66:
63:
59:
53:
51:Screenplay by
49:
46:
43:
39:
32:
27:
22:
16:
522:
512:
501:
480:. Retrieved
476:
471:SpiderEdit.
466:
454:. Retrieved
450:
441:
429:. Retrieved
425:
415:
403:. Retrieved
399:
390:
382:Film Comment
381:
356:. Retrieved
351:
327:. Retrieved
323:
298:. Retrieved
288:
270:
262:
256:
255:
249:
243:
242:
229:Film Comment
222:
186:
185:
184:
155:Running time
131:Release date
105:Mrinal Desai
64:
15:
169:Switzerland
89:Manish Soni
81:Varun Dutta
72:Produced by
41:Directed by
544:2010 films
538:Categories
320:"Nainsukh"
294:"Nainsukh"
280:References
192:Amit Dutta
159:90 minutes
142:2010-09-08
115:Amit Dutta
91:Nitin Goel
56:Amit Dutta
45:Amit Dutta
529:Cineuropa
482:7 January
456:6 January
431:6 January
405:7 January
358:6 January
329:6 January
239:Reception
235:of 2011.
164:Countries
110:Edited by
93:K. Rajesh
524:Nainsukh
513:Nainsukh
502:Nainsukh
257:Nainsukh
244:Nainsukh
196:Nainsukh
187:Nainsukh
174:Language
122:Music by
86:Starring
61:Based on
24:Nainsukh
451:SF Gate
324:Variety
300:26 June
219:Release
140: (
178:Kangri
167:India
507:IMDb
484:2018
458:2018
433:2018
407:2018
360:2018
331:2018
302:2020
206:Cast
527:on
516:at
505:at
540::
475:.
449:.
424:.
398:.
380:.
368:^
350:.
339:^
322:.
310:^
486:.
460:.
435:.
409:.
362:.
333:.
304:.
144:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.