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Nainsukh (film)

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has received a great deal of appreciation from both film and art critics, with one writing, "The images of Nainsukh are stunning. The comparisons with the paintings could not be more clear, but what astonishes me most is the ability of Amit Dutta to compose those images, and even more, to light them.
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observes that the film pays close attention to the finesse of Naisukh’s brushwork and his observant images of the patron’s more informal moments like smoking and beard-trimming. He adds that "When the filmmaker reconstructs one of Nainsukh’s more complexly staged scenes—as in the hunting of a tiger
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has been widely discussed by critics for its unique formal qualities which evade categorization. The film is said to be balancing between a documentary approach and playful plot, developing its own visual language by interpreting and questioning Indian art history and one of its greatest artists.
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also observes the lack of dialogue and calls the film "visually stunning and acoustically stimulating that its beauty can often take the viewer’s breath away". Galina Stoletneya remarks that "By harmoniously juxtaposing the gorgeous visuals with outstanding sound design, the filmmaker produces a
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While deeply rooted in Indian tradition and philosophy, the film is also seen by eminent critic Olaf Moller as a "thought-provoking investigation into the slippery, ever-changing nature of realism, its representation in the arts. A true masterpiece of Indian modernism."
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clutching its human prey—his cinematic technique of isolating different elements of a single scene evokes the dynamic register of imagination and realism animating the artist’s deceptively flat pictures."
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With no considerable dialogue, the almost silent film is considered to create "a hypnotic fusion of imagery and sound that conjures up a lost age". George Heymont of
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The lighting is breathtaking. It tells you why Nainsukh would have taken such care with details, maybe especially with the folds of cloth."
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even stated, "I think that this will do more for public interest in Indian painting that all the many scholarly essays."
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unique work of art—a living painting itself—that stands on its own".
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as one of top 10 films shown. Its North American premiere was at the
396:"Nainsukh | San Francisco International Film Festival 2011" 348:"Cinema Scope | Dreams of Light: The Cinema of Amit Dutta" 173: 163: 153: 129: 121: 109: 101: 85: 71: 60: 50: 40: 23: 8: 29: 20: 554:Indian avant-garde and experimental films 233:San Francisco International Film Festival 569:2010s avant-garde and experimental films 285: 225:67th Venice International Film Festival 7: 371: 369: 342: 340: 318:Weissberg, Jay (15 September 2010). 313: 311: 35:Poster from the Venice Film Festival 14: 549:Biographical films about painters 422:"Breathing New Life Into Old Art" 214:Nitin Goel as Raja Balwant Singh 202:where the artist was retained. 194:based on the life and works of 420:Heymont, George (2 May 2011). 376:Möller, Olaf (November 2010). 1: 227:, where it was received by 190:is a 2010 film directed by 590: 273:San Francisco Film Society 223:The film premiered at the 138:8 September 2010 384:. November/December 2010. 28: 54:Ayswarya Sankarnarayanan 211:Manish Soni as Nainsukh 378:"Venice Film Festival" 447:"Nainsukh Screening" 559:Films shot in India 296:. 15 September 2010 125:Dishari Chakraborty 564:Films set in India 183: 182: 65:Nainsukh of Guler 581: 488: 487: 485: 483: 468: 462: 461: 459: 457: 443: 437: 436: 434: 432: 417: 411: 410: 408: 406: 392: 386: 385: 373: 364: 363: 361: 359: 352:cinema-scope.com 344: 335: 334: 332: 330: 315: 306: 305: 303: 301: 290: 271:Max Goldberg of 145: 143: 76:Eberhard Fischer 33: 21: 18:2010 Indian film 589: 588: 584: 583: 582: 580: 579: 578: 534: 533: 518:Rotten Tomatoes 497: 492: 491: 481: 479: 470: 469: 465: 455: 453: 445: 444: 440: 430: 428: 426:Huffington Post 419: 418: 414: 404: 402: 400:fest11.sffs.org 394: 393: 389: 375: 374: 367: 357: 355: 354:. 20 March 2014 346: 345: 338: 328: 326: 317: 316: 309: 299: 297: 292: 291: 287: 282: 265:Huffington Post 241: 221: 208: 168: 156: 149: 141: 139: 132: 116: 114: 96:Shriniwas Joshi 94: 92: 90: 80: 79:Dhananjai Singh 78: 67:by B.N. Goswamy 55: 36: 19: 12: 11: 5: 587: 585: 577: 576: 574:Dogri language 571: 566: 561: 556: 551: 546: 536: 535: 532: 531: 520: 509: 496: 495:External links 493: 490: 489: 463: 438: 412: 387: 365: 336: 307: 284: 283: 281: 278: 240: 237: 220: 217: 216: 215: 212: 207: 204: 200:Jasrota palace 181: 180: 175: 171: 170: 165: 161: 160: 157: 154: 151: 150: 148: 147: 135: 133: 130: 127: 126: 123: 119: 118: 117:Ujjwal Chandra 111: 107: 106: 103: 102:Cinematography 99: 98: 87: 83: 82: 73: 69: 68: 62: 58: 57: 52: 48: 47: 42: 38: 37: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 586: 575: 572: 570: 567: 565: 562: 560: 557: 555: 552: 550: 547: 545: 542: 541: 539: 530: 526: 525: 521: 519: 515: 514: 510: 508: 504: 503: 499: 498: 494: 478: 477:www.sf360.org 474: 467: 464: 452: 448: 442: 439: 427: 423: 416: 413: 401: 397: 391: 388: 383: 379: 372: 370: 366: 353: 349: 343: 341: 337: 325: 321: 314: 312: 308: 295: 289: 286: 279: 277: 274: 269: 266: 261: 258: 254: 252: 251:Milo C. Beach 248: 245: 238: 236: 234: 230: 226: 218: 213: 210: 209: 205: 203: 201: 197: 193: 189: 188: 179: 176: 172: 166: 162: 158: 152: 146: (Venice) 137: 136: 134: 128: 124: 120: 113:Samarth Dixit 112: 108: 104: 100: 97: 88: 84: 77: 74: 70: 66: 63: 59: 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 16: 522: 512: 501: 480:. Retrieved 476: 471:SpiderEdit. 466: 454:. Retrieved 450: 441: 429:. Retrieved 425: 415: 403:. Retrieved 399: 390: 382:Film Comment 381: 356:. Retrieved 351: 327:. Retrieved 323: 298:. Retrieved 288: 270: 262: 256: 255: 249: 243: 242: 229:Film Comment 222: 186: 185: 184: 155:Running time 131:Release date 105:Mrinal Desai 64: 15: 169:Switzerland 89:Manish Soni 81:Varun Dutta 72:Produced by 41:Directed by 544:2010 films 538:Categories 320:"Nainsukh" 294:"Nainsukh" 280:References 192:Amit Dutta 159:90 minutes 142:2010-09-08 115:Amit Dutta 91:Nitin Goel 56:Amit Dutta 45:Amit Dutta 529:Cineuropa 482:7 January 456:6 January 431:6 January 405:7 January 358:6 January 329:6 January 239:Reception 235:of 2011. 164:Countries 110:Edited by 93:K. Rajesh 524:Nainsukh 513:Nainsukh 502:Nainsukh 257:Nainsukh 244:Nainsukh 196:Nainsukh 187:Nainsukh 174:Language 122:Music by 86:Starring 61:Based on 24:Nainsukh 451:SF Gate 324:Variety 300:26 June 219:Release 140: ( 178:Kangri 167:India 507:IMDb 484:2018 458:2018 433:2018 407:2018 360:2018 331:2018 302:2020 206:Cast 527:on 516:at 505:at 540:: 475:. 449:. 424:. 398:. 380:. 368:^ 350:. 339:^ 322:. 310:^ 486:. 460:. 435:. 409:. 362:. 333:. 304:. 144:)

Index


Amit Dutta
Eberhard Fischer
Shriniwas Joshi
Kangri
Amit Dutta
Nainsukh
Jasrota palace
67th Venice International Film Festival
Film Comment
San Francisco International Film Festival
Milo C. Beach
Huffington Post
San Francisco Film Society
"Nainsukh"


"Nainsukh"


"Cinema Scope | Dreams of Light: The Cinema of Amit Dutta"


"Venice Film Festival"
"Nainsukh | San Francisco International Film Festival 2011"
"Breathing New Life Into Old Art"
"Nainsukh Screening"
"Swimming in the Deep End of San Francisco International Film Festival | SF360"
Nainsukh
IMDb

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