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Nam June Paik

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194: 899: 552:(1977), which invokes "the history and memories of World War II in the Pacific." Hanhardt has also concluded that—though "no single story" of Nam June Paik can capture the complexity of who he was and the places that shaped him—as Paik grew in public, transcultural, and global recognition, he held onto the significance of his birthplace in Korea. Similarly, the curator Lee Sook-kyung has called identifying what is Korea, Japanese, American, or German about Nam June Paik to be a "futile" effort, yet she has observed that Paik consistently emphasized his Korean heritage and "Mongolian" lineages. 719:, from 1975, a series of aquariums arranged in a horizontal line contain live fish swimming in front of an equal number of monitors which show video images of other fish. Paik completed an installation in 1993 in the NJN Building in Trenton, NJ. This work was commissioned under the public building arts inclusion act of 1978. The installation's media is neon lights incorporated around video screens. This particular piece is currently non-operational, though there are plans to make necessary upgrades/repairs to restore it to working order. 33: 561: 285: 637:, in which Moorman wore a bra with small TV screens over her breasts. Throughout this period it was Paik's goal to bring music up to speed with art and literature, and make sex an acceptable theme. One of his Fluxus concept works ("Playable Pieces") instructs the performer to "Creep into the Vagina of a living Whale." Of the "Playable Pieces," the only one actually to have been performed was by Fluxus composer 456: 663:"The building of new electronic super highways will become an even huger enterprise. Assuming we connect New York with Los Angeles by means of an electronic telecommunication network that operates in strong transmission ranges, as well as with continental satellites, wave guides, bundled coaxial cable, and later also via laser beam fiber optics: the expenditure would be about the same as for a 4404: 4414: 648:, a cello formed out of three television sets stacked up on top of each other and some cello strings. During Moorman's performance with the object, she drew her bow across the "cello," as images of her and other cellists playing appeared on the screens. Paik and Moorman created another TV Cello in 1976 as a Kaldor Public Art Project in Sydney, Australia. 1417:, an old friend of Paik, said of the archive: "It came in great disorder, which made it all the more complicated. It is not like his space was perfectly organized. I think the archive is like a huge memory machine. A wunderkammer, a wonder cabinet of his life." Hanhardt describes the archives in the catalog for the 2012 Smithsonian show in the book 1410:; and a complete collection of videotapes used in his work, as well as production notes, television work, sketches, notebooks, models and plans for videos. It also covers early-model televisions and video projectors, radios, record players, cameras and musical instruments, toys, games, folk sculptures and the desk where he painted in his SoHo studio. 697: 953:
on July 30, 1992. Although the exhibition lasted merely 34 days, it saw 117,961 paid visitors; the unofficial visitor count reached nearly 200,000. The exhibition involved the participation of major entities of media and business—including the Korea Broadcasting Corporation and Samsung Electronics.
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After nearly 35 years of being exiled from his motherland of Korea, Paik returned to South Korea on June 22, 1984. From the mid-1980s to the mid-1990s, Paik played an integral role in Korea's art scene. As the curator Lee Sooyon has argued, Paik became more than just an illustrious visitor to Korea,
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Beginning with his artistic career in Germany in the 1960s—and on through his immigration to the U.S., later involvement in South Korea's art scene, and broader participation in international artistic currents—Paik's transnational path informed both his identity and his artistic practice in complex
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as the exhibition's starting point. According to Lee Sooyon, Paik carefully tailored the exhibition's works to his audiences. Knowing that Korea's audience was not familiar with international art world conversations of video art, Fluxus, and performance art, Paik selected artworks that appealed to
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As the curator Suh Jinsuk has observed, after returning to Korea in 1984, Nam June Paik increasingly explored symbols of global exchange with Asia, such as the Silk Road and Eurasia. Moreover, as Paik became involved in Korea's art scene, he spearheaded projects that drew upon his connections with
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Michael Mansfield, associate curator of film and media arts at the Smithsonian American Art Museum, supervised the complex installation of several hundred CRT TV sets, the wiring to connect them all, and the software and servers to drive them. He developed an app on his phone to operate every
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in Washington, D.C., in 2012–2013. As a leading expert in Paik's work, art historian John G. Hanhardt was the curator for three landmark exhibitions devoted to the artist, the ones at the Whitney Museum, the Guggenheim Museum, and the Smithsonian American Art Museum.
1679: 622:. Paik used this VTR to record television broadcasts, frequently manipulating the qualities of the broadcast, and the magnetic tape in process. In 1967 Sony introduced the first truly portable VTR, which featured a portable power supply and handheld camera, the Sony 1072: 521:, and Joseph Beuys to Korea's art scene; others brought recent developments in video art and interactivity from Europe and the U.S. to Korea, in ways that bridged similar activities in Korea's art scene. Paik was also involved in bringing the 1993 801:
also contributed to the Korea government's agendas of "the advancement and internationalization of culture" by bringing together video sketches of shaman rituals and Korean drum dancers with Seoul's "economic miracle" and the bustling business of
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Cage suggested Paik look into Zen Buddhism. Though Paik was already well familiar with Buddhism from his childhood in Korea and Japan, Cage's interest in Zen philosophy compelled Paik to re-examine his own intellectual and cultural foundation.
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and people's model of the internet as we know it today with such art pieces as "Send / Receive". The artwork and ideas of Nam June Paik were a major influence on late 20th-century art and continue to inspire a new generation of artists.
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Given its largely antiquated technology, Paik's oeuvre poses a unique conservation challenge. In 2006, Nam June Paik's estate asked a group of museums for proposals on how each would use the archive. Out of a group that included the
545:! C'est moi," in a 1964 pamphlet, a reference to his Asian identity that, as the curators June Yap and Lee Soo-yon have noted, appropriates a xenophobic phrase coined by Kaiser Wilhelm II as Paik referenced his Asian identity. 1671: 1581:
In one of his last interviews, Paik voiced his belief that to be buried in a cemetery would be futile, and expressed a desire for his ashes to be scattered around the world, and for some of his ashes to be buried in Korea.
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During 1963 and 1964 the engineers Hideo Uchida and Shuya Abe showed Paik how to interfere with the flow of electrons in color TV sets, work that led to the Abe-Paik video synthesizer, a key element in his future TV work.
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is a video installation depicting a Buddha statue viewing its own live image on a closed circuit TV. Paik created numerous versions of this work using different statues, the first version is from 1974.
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in the atrium of the National Museum of Modern and Contemporary Art, Gwacheon. A giant tower, the work is made of 1003 monitors—a number that references October 3 as the day of Korea was founded by
785:, a tape that mixed live events from Seoul, South Korea; Tokyo, Japan; and New York, USA, demonstrates this new phase in Paik's practice. Broadcast on the occasion of the Asia Games in Seoul, 4252: 1041:
Although Paik's pioneering experimentalism and foresight of the important role media would continue to play in society has been examined across many exhibitions, for a 2019 exhibition, the
4650: 863: 6270: 4276:"ART : This Guy Does Wonders With TVs : Nam June Paik is a cultural terrorist, a high-tech guru and a funny guy to boot. He also happens to be the godfather of video art" 789:'s title referenced a poem by Rudyard Kipling, "East is East, and West is West, and never the twain shall meet," as it fostered collaborations such as between the American artist 548:
Curator John Hanhardt observed that certain works recall Paik's lived experience of transnational immigration from South Korea to Japan, Germany, and on the U.S.; one example is
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Also in the 1970s, Paik imagined a global community of viewers for what he called a Video Common Market which would disseminate videos freely. In 1978, Paik collaborated with
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In 1974 Nam June Paik used the term "super highway" in application to telecommunications, which gave rise to the opinion that he may have been the author of the phrase "
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he described her as "pure genius" from the moment they met. The two met while she was filming fellow students at random with her Sony Portapak as an artistic
4566: 4440: 2184: 1205: 980:(2000) integrating the unique space of the museum into the exhibition itself. This coincided with a downtown gallery showing of video artworks by his wife 1551:
In 1996, Paik had a stroke, which paralyzed his left side. He used a wheelchair the last decade of his life, though he was able to walk with assistance.
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from 10 December 2021 to 27 March 2022, a first time that such an expansive and ambitious presentation of Paik’s oeuvre was presented in Southeast Asia
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In 1961, Paik returned to Tokyo to explore the country's advanced technologies. While living in Japan between 1962 and 1963, Paik first acquired a
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He opened solo exhibitions in Korea and mounted two world-wide broadcast projects for the 1986 Asia Games and the 1988 Olympics, both hosted in
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In 1964, Paik immigrated to the United States of America and began living in New York City, where he began working with classical cellist
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was among the audience (which featured Paik's Global Groove); the screening notably inspired Park Hyunki to first experiment with video.
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Nam June Paik's work was first screened in South Korea on March 20, 1974, at the United States Information Center in Seoul. The artist
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to a wealthy business family, Paik trained as a classical musician, spending time in Japan and West Germany, where he joined the
2639: 324:. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications. 5251: 4467: 4137:. Isik Myeong, Hwasu Mun, 명이식, 문화수, Gungnip Hyeondae Misulgwan, Seoul Kolleksyeon. Gwacheon: Gungnip Hyeondae Misulgwan. 2019. 1399: 1358: 1255: 1000: 898: 868: 595:
in which he scattered televisions everywhere and used magnets to alter or distort their images. In a 1960 piano performance in
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For the German pavilion at the 1993 Venice Biennale, Paik created an array of robot sculptures of historic figures, such as
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Paik's first exhibition, entitled "Exposition of Music – Electronic Television", was held in 1963 at Galerie Parnass in
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into his work, acquiring growing fame. A stroke in 1996 left him partially paralyzed for the last decade of his life.
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and his use of everyday sounds and noises in his music. He made his big debut in 1963 at an exhibition known as
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and in 2004 designed the installation of monitors and video projections Global Groove 2004 for the
851: 403: 348: 108: 4307: 4244: 3720: 3695: 2640:"Electronic Superhighway: Continental U.S., Alaska, Hawaii | Smithsonian American Art Museum" 1958: 1509:
holds the auction record for Paik's work since it achieved $ 646,896 in Hong Kong in 2007 for his
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were displayed at "Watch This! Revelations in Media Art" at the Smithsonian American Art Museum.
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popular subjects of Korean culture and history. The exhibition also featured works from Paik's
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In a notorious 1967 incident, Moorman was arrested for going topless while performing in Paik's
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he became the leader who helped open Korea's art scene to the broader international art world.
2511: 641:("Cut your left forearm a distance of ten centimeters.") in 1964 at UCLA's New Music Workshop. 5926: 5767: 5652: 5300: 5020: 4984: 4934: 4496: 4280: 4148: 4138: 2768: 2283: 2114: 2106: 2087: 2006: 1929: 1866: 1856: 1764: 1754: 1650: 1472: 1306: 1276: 1262: 672: 495: 422: 407: 376: 340: 4054: 2894: 5873: 5808: 5752: 5727: 5672: 5632: 4929: 4756: 4189: 3369: 2680: 2430:"Electronic Arts Intermix: Media Shuttle: Moscow/New York, Dimitri Devyatkin; Nam June Paik" 2362: 1575: 1517: 1179: 1012: 996: 939: 803: 754: 742: 526: 522: 518: 399: 130: 3220: 2912: 2866: 2485: 2055: 1532:. After marrying Kubota and living in the United States for several decades, Paik became a 1369:
2001: Lifetime Achievement in Contemporary Sculpture Award, International Sculpture Center.
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Media Planning for the Postindustrial Society – The 21st Century is now only 26 years away
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TCV-2010, a combination unit that contained the first consumer-market video-tape recorder
560: 534: 530: 499: 441: 344: 297: 3892: 2711: 3671:"Artists | ETC / Experimental Television Center | Rose Goldsen Archive of New Media Art" 3470: 3119: 2795: 455: 367:, the youngest of five children, Paik had two older brothers and two older sisters. His 284: 6189: 6154: 6139: 6074: 6014: 5865: 5787: 5712: 5707: 5552: 5462: 5457: 5452: 5427: 5244: 5180: 5061: 5025: 4961: 4891: 4826: 4821: 4786: 4668: 4457: 3975: 3545: 3419: 2889: 2843: 1533: 1529: 1484: 1312: 1071: 981: 915: 762: 758: 434: 153: 3924:[Video artist Nam June Paik to receive the Geumgwan Order of Cultural Merit]. 3670: 3144: 3038: 2865:. Smithsonian American Art Museum, December 13, 2012 – August 11, 2013. Archived from 2572: 6204: 6109: 6099: 6089: 6079: 5916: 5896: 5747: 5732: 5687: 5662: 5642: 5627: 5622: 5612: 5542: 5522: 5512: 5308: 5148: 4851: 4781: 4776: 3926: 3917: 3595: 3094: 1506: 1480: 1414: 1045:
turned its focus upon Paik as a collaborator. This exhibition later travelled to the
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in the spring of 1982. Major retrospectives of Paik's work have been organized by
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Despite his stroke, in 2000, he created a millennium satellite broadcast entitled
2005:(13). Seoul, South Korea: National Museum of Modern and Contemporary Art, Korea. 320:
artist. He worked with a variety of media and is considered to be the founder of
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Public collections that hold or have exhibited work by Nam June Paik include:
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Many of Paik's early works and writings are collected in a volume edited by
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Paik moved to New York City in 1964. In 1977, he married the video artist
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who never smoked nor drank alcoholic beverages, and never drove a car.
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Do, Hyung-Teh; Suh, Jin-suk; Lee, Yongwoo; Fargier, Jean-Paul (2016).
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published by the Everson Museum of Art, Syracuse, New York, in 1974.
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Paik was survived by his wife, his brother, Ken Paik, and a nephew,
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The exhibition presented approximately 150 artworks, beginning with
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The lunatics are on the loose – EUROPEAN FLUXUS FESTIVALS 1962–1977
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in New York City, with the commissioned site-specific installation
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During the New Year's Day celebration on January 1, 1984, he aired
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to produce a light hearted comparison of life in two major cities,
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Paik's work also appeared in important group exhibitions such as
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he used a slightly different phrase, "electronic super highway":
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ways. At the outset of his career in Europe, Paik declared, "The
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collective and developed a friendship with experimental composer
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Couple in The Cage: Two Undiscovered Amerindians Visit the West
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from WGBH New Television Workshop archives, features short clip
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Modern and Contemporary Art | Leeum, Samsung Museum of Art
2712:"Paik Nam-june's first NFT-based artwork offered by Christie's" 1753:. Ken Hakuta, Smithsonian American Art Museum. Washington, DC. 1855:. Sook-Kyung Lee, Rudolf Frieling, Tate Modern. London. 2019. 858:, so as to emphasize the connections between Europe and Asia. 487:
From 1962, Paik was a member of the experimental art movement
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Nam June Paik Archive at the Smithsonian American Art Museum
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In 2011, an exhibition centered on Paik's video sculpture
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A final retrospective of his work was held in 2000 at the
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Electronic Superhighway: Continental U.S., Alaska, Hawaii
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Electronic Superhighway: Continental U.S., Alaska, Hawaii
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acquired the right to represent Paik's artistic estate.
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Schleswig-Holstein Museum (Schleswig-Holstein, Germany),
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From April 24, 2015, to September 7, 2015, Paik's works
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Recipients of the Order of Cultural Merit (South Korea)
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Korea, National Museum of Modern and Contemporary Art.
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practice akin to the artist in the studio. This led to
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Charlotte Moorman live at Mills College August 3, 1974
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toy, and who managed Paik's studios in New York City.
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Nam June Paik Art Center at Google Cultural Institute
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Sounding the Gallery: Video and the Rise of Art-Music
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National Museum of Modern and Contemporary Art, Korea
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National Museum of Modern and Contemporary Art, Korea
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Nam June Paik's first major retrospective in Korea,
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includes a biography and description of major works
2983:"Video Portrait | Detroit Institute of Arts Museum" 2668:A video from this installation can be found in the 902:Entrance to the Nam June Paik retrospective at the 277: 259: 245: 229: 213: 208: 188: 172: 147: 137: 121: 104: 94: 75: 46: 23: 4558:, Museum of Contemporary Art, Chicago, 1982 (MP3: 1701:Danzico, Matt; O'Brien, Jane (December 17, 2012). 1094:The National Museum of Modern and Contemporary Art 737:Paris, and South Korea. With the participation of 4100:"Nam June Paik: Preserving the Human Televisions" 2911:. Smithsonian American Art Museum. Archived from 406:in 1956, where he wrote a thesis on the composer 4361:"Nam June Paik's Nephew Gift to Harvard Museums" 3271:"Contemporary positions – Kunstmuseum St.Gallen" 781:business and government circles in South Korea. 3930:(in Korean). South Korea: JoongAng Holdings Ltd 2885:"Nam June Paik Archive Goes to the Smithsonian" 2486:"Looking at Buddha Watching TV – Art + Science" 2460:"TV-Buddha (1974) – Stedelijk Museum Amsterdam" 1807: 1805: 1803: 1742: 1740: 1738: 1736: 1734: 1732: 1730: 1728: 1126:Mercedes-Benz Art Collection (Berlin, Germany), 2878: 2876: 1363:2001: Wilhelm Lehmbruck Prize, awarded by the 575:Nam June Paik then began participating in the 502:. From 1979 to 1996 Paik was professor at the 386:, Paik and his family fled from their home in 5973: 5088: 4727: 4588: 4463:Nam June Paik at the Museo Vostell Malpartida 2129:"It's All Baseball: Nam June Paik Starts Out" 1645:Noah Wardrip-Fruin and Nick Montfort (2003). 1434:Nam June Paik: Videa 'n' Videology 1959–1973, 825:appears prominently in Paik's 1988 broadcast 417:in 1957 to study music history with composer 8: 2001:Lee, Sooyon (2021). "Paik Nam June Effect". 1996: 1994: 1992: 1990: 1988: 1471:considered to be influenced by Paik include 882:in Berlin. Global Groove was turned into an 301: 236: 220: 4554:, Nam June Paik with Charlotte Moorman and 3950:"Wilhelm-Lehmbruck-Prize – lehmbruckmuseum" 2936:"This is the buzziest museum exhibit in SF" 2228:Paik, Nam June; Moorman, Charlotte (1970). 1986: 1984: 1982: 1980: 1978: 1976: 1974: 1972: 1970: 1968: 1448:his influence was from a student he met at 633:. Two years later, in 1969, they performed 6271:Academic staff of Kunstakademie Düsseldorf 5980: 5966: 5958: 5095: 5081: 5073: 4734: 4720: 4712: 4595: 4581: 4573: 4446:9/23 Paik-Abe videosynthesizer performance 2542:"Video innovator Nam June Paik dies at 74" 1883:: CS1 maint: location missing publisher ( 1781:: CS1 maint: location missing publisher ( 316:; July 20, 1932 – January 29, 2006) was a 31: 20: 6291:Recipients of the Ho-Am Prize in the Arts 4458:Nam June Paik biography @ MedienKunstNetz 1955:Venice International Performance Art Week 999:Another retrospective was mounted at the 949:, opened at the Gwacheon location of the 589:Exposition of Music-Electronic Television 5237:Mattress Performance (Carry That Weight) 4473:"Father of Video Art Paik Nam-june Dies" 4238: 4236: 4234: 2111:Videokunst der 60er Jahre in Deutschland 1372:2004: Edward MacDowell Medal in the Arts 1070: 928:Musée d'art moderne de la Ville de Paris 6281:Members of the Royal Academy of Belgium 4219:from the original on September 12, 2015 2095:from the original on December 20, 2014. 1951:"Charlotte Moorman & Nam June Paik" 1637: 1607: 1558:, Florida, due to complications from a 6241:Kyoto laureates in Arts and Philosophy 5213:How to Explain Pictures to a Dead Hare 4367:from the original on September 5, 2017 4359:Abrams, Amah-Rose (December 2, 2016). 4288:from the original on December 13, 2023 4158: 3120:"Piano Piece | Buffalo AKG Art Museum" 2603:. Seoul, South Korea: Gallery Hyundai. 2386:from the original on September 3, 2019 2382:, Media Art Net (medienkunstnetz.de), 2236:: Media Art Net (medienkunstnetz.de). 1876: 1774: 1032:9/23/69: Experiment with David Atwood, 769:, and other artists, Paik showed that 115:Ludwig Maximilian University of Munich 6251:Korean emigrants to the United States 4502:Tate: TateShots: Nam June Paik. 2011. 3049:from the original on January 19, 2019 2839:"He Tickled His Funny Bone, and Ours" 2695:Rose Goldsen Archive of New Media Art 2650:from the original on October 10, 2017 2581:from the original on October 24, 2012 2240:from the original on October 12, 2006 1750:Nam June Paik : global visionary 1301:Reynolda House Museum of American Art 1284:Rose Goldsen Archive of New Media Art 1216:Royal Museums of Fine Arts of Belgium 1168:Ludwig Forum für Internationale Kunst 1137:Hirshhorn Museum and Sculpture Garden 793:and the Japan-based fashion designer 583:, which was inspired by the composer 525:to Seoul, as well as in founding the 7: 4699:Nam June Paik: Moon Is the Oldest TV 4567:Variations on a Theme by Saint-Saens 4475:, The Chosun Ilbo, January 30, 2006. 4310:. Voice of America. February 1, 2006 3295:Nordrhein-Westfalen, Kunstsammlung. 3019:from the original on October 4, 2018 2837:Karen Rosenberg (January 11, 2013). 2314:from the original on October 1, 2020 2230:"TV-Bra for Living Sculpture (1969)" 2081:Suzanne Muchnic (January 31, 2006). 1596:. New York: Oxford University Press. 1116:(University of North Carolina, USA), 1015:(1977, 1981, 1983, 1987, and 1989), 886:-based artwork and put up online at 854:and the legendary founder of Korea, 797:. As curator Lee Sooyon has argued, 4552:Concert for TV Cello and Videotapes 4468:Nam June Paik at the museum FLUXUS+ 4255:from the original on April 23, 2021 4243:Smith, Roberta (January 31, 2006). 4098:Anderson, John (February 6, 2013). 4079:from the original on April 23, 2021 3596:"Nam June Paik - Something Pacific" 3075:from the original on March 22, 2017 2601:Nam June Paik: When he was in Seoul 2404:Laura Cumming (December 19, 2010). 2181:"Nam June Paik Starts Making Video" 2161:from the original on March 22, 2017 2062:from the original on April 15, 2017 1713:from the original on April 11, 2017 1682:from the original on August 9, 2017 1670:Judkis, Maura (December 12, 2012). 1206:National Museum of Contemporary Art 498:, to combine his video, music, and 371:, who in 2002 was revealed to be a 4025:Rachel Wolff (December 14, 2012). 2762:Mark Stevens (February 21, 2000). 2522:from the original on June 30, 2020 2492:from the original on June 29, 2020 2440:from the original on June 28, 2020 2187:from the original on June 30, 2020 2135:from the original on June 29, 2020 1353:Kyoto Prize in Arts and Philosophy 1047:San Francisco Museum of Modern Art 936:San Francisco Museum of Modern Art 904:San Francisco Museum of Modern Art 686:Possibly Paik's most famous work, 569:Museum für Kommunikation Frankfurt 14: 6231:South Korean contemporary artists 4431:Official Website of Nam June Paik 4110:from the original on May 20, 2017 3301:Kunstsammlung Nordrhein-Westfalen 3246:"Sculptures - Kunsthalle zu Kiel" 2863:"Nam June Paik: Global Visionary" 2552:from the original on July 1, 2020 2058:. Media Art Net. March 22, 2017. 1162:Kunstsammlung Nordrhein-Westfalen 6266:South Korean performance artists 4412: 4402: 4211:Palmer, Lauren (July 20, 2015). 3970:International Sculpture Center. 2614:Wells, Dave (October 28, 1988). 2577:, World Visit Guide (insecula), 2030:Nam June Paik: The Future Is Now 1554:He died on January 29, 2006, in 1265:(University of California, USA), 1078:(2005) in the collection of the 283: 198:Geumgwan Order of Cultural Merit 192: 4963:Topographie Anécdotée du Hasard 3424:Εθνικό Μουσείο Σύγχρονης Τέχνης 3297:"Kunstsammlung NRW: Startseite" 1425:electronic artwork on display. 1419:Nam June Paik: Global Visionary 1400:Smithsonian American Art Museum 1359:Order of Cultural Merit (Korea) 1256:Smithsonian American Art Museum 1001:Smithsonian American Art Museum 869:Smithsonian American Art Museum 644:In 1971, Paik and Moorman made 162: 16:Korean video artist (1932–2006) 5937:Survival Research Laboratories 3621:"Nam June Paik - FOUR DECADES" 3145:"Mercedes-Benz Art Collection" 2883:Carol Vogel (April 30, 2009). 2792:pastexhibitions.guggenheim.org 2670:Experimental Television Center 1547:Health deterioration and death 1396:Whitney Museum of American Art 1313:Whitney Museum of American Art 1211:Palazzo Cavour (Turin, Italy), 1152:(University of Kiel, Germany), 932:Whitney Museum of American Art 677:Media Shuttle: New York-Moscow 302: 237: 221: 1: 4330:"Biography for Nam June Paik" 3349:National Gallery of Australia 2788:"The Worlds of Nam June Paik" 2157:. Guggenheim. July 15, 2010. 2155:"The Year Video Art Was Born" 2024:Yap, June (August 28, 2022). 1235:(University of Chicago, USA), 1225:(Amsterdam, The Netherlands), 1187:National Gallery of Australia 1019:6 and 8 (1977 and 1987), and 989:One Candle, Candle Projection 833:. The same year, he unveiled 5834:LaBeouf, Rönkkö & Turner 5031:Fluxus at Rutgers University 4274:Howell, John (May 9, 1993). 4027:"Technological Masterpieces" 3500:smartcollection.uchicago.edu 3149:Mercedes-Benz Art Collection 2934:Dan Gentile (June 3, 2021). 1818:Solomon R. Guggenheim Museum 1392:Solomon R. Guggenheim Museum 1251:, (Annandale-on-Hudson, USA) 1193:National Gallery of Victoria 1100:Leeum, Samsung Museum of Art 4532:In Memoriam George Maciunas 3868:"Previous Laureates - HOAM" 3675:goldsen.library.cornell.edu 3496:"A New Design for TV Chair" 3469:Grrr.nl (August 30, 2020). 2736:Yuna, Park (June 9, 2021). 2710:Yuna, Park (May 28, 2021). 2628:– via Newspapers.com. 1928:. Potsdam: DOWN WITH ART!. 1239:Smith College Museum of Art 635:TV Bra for Living Sculpture 312: 266: 252: 6307: 6261:University of Tokyo alumni 6246:Kyunggi High School alumni 6226:South Korean video artists 5141:Breathing in/breathing out 2963:. ARTSG. December 14, 2021 2699:Cornell University Library 2512:"Arup Barua, Stress, 2012" 2280:Cambridge University Press 1747:Hanhardt, John G. (2012). 1649:. MIT Press. p. 227. 1288:Cornell University Library 1158:(St. Gallen, Switzerland), 1051:National Gallery Singapore 991:(1988–2000) opened at the 591:at the Galerie Parnass in 5839:Los Angeles Urban Rangers 4488:Nam June Paik on Ubu Film 3922:"비디오 아티스트 백남준씨 금관문화훈장 받아" 3725:reynoldahouse.emuseum.com 3600:stuartcollection.ucsd.edu 3370:"Works | NGV | View Work" 3323:"Sammlung – Ludwig Forum" 3175:www.fukuoka-art-museum.jp 1200:Berardo Collection Museum 1121:Albright-Knox Art Gallery 1088:Detroit Institute of Arts 934:in New York City (1982), 614:In 1965, Paik acquired a 567:, statue in front of the 282: 273: 204: 30: 6165:Steina and Woody Vasulka 5932:Performance art in China 5197:Empathy and Prostitution 4627:Good Morning, Mr. Orwell 4452:Electronic Arts Intermix 4389:– via www.pbs.org. 3525:museums.fivecolleges.edu 3445:"Nam June Paik in Turin" 2764:"Surfing the Guggenheim" 2406:"Nam June Paik – review" 1107:Nam June Paik Art Center 947:Video Time – Video Space 841:Contemporary Arts Center 809:In 1988, Paik installed 725:Good Morning, Mr. Orwell 653:Information Superhighway 504:Kunstakademie Düsseldorf 398:. Paik graduated with a 355:Early life and education 6095:Virginia Lee Montgomery 5325:The Death of The Artist 5221:I'm too sad to tell you 4334:Internet Movie Database 2815:National Gallery of Art 2621:The Cincinnati Enquirer 2571:Paik, Nam June (1974), 2376:Paik, Nam June (1974), 2274:Nyman, Michael (1999). 2261:New Directions in Music 2026:"Nam June Paik in Asia" 1924:Petra Stegmann (2012). 1347:Ho-Am Prize in the Arts 1258:(Washington D.C., USA), 1195:(Melbourne, Australia), 1139:(Washington D.C., USA), 1080:National Gallery of Art 993:National Gallery of Art 829:which was made for the 819:, according to legend. 705:National Gallery of Art 579:art movement, known as 402:in aesthetics from the 363:in 1932 in present-day 5773:Mierle Laderman Ukeles 5165:Ceci N'est Pas Un Viol 5055:Critics and historians 4407:Quotations related to 4165:: CS1 maint: others ( 4134:Hanguk bidio ateu 7090 3872:www.hoamfoundation.org 3521:"Collections Database" 3250:www.kunsthalle-kiel.de 1189:(Canberra, Australia), 1164:(Düsseldorf, Germany), 1156:Kunstmuseum St. Gallen 1144:Honolulu Museum of Art 1109:(Yongin, South Korea), 1082: 924:Kölnischer Kunstverein 907: 827:Wrap Around the World, 708: 669: 657:Rockefeller Foundation 572: 464: 419:Thrasybulos Georgiades 69:Korea, Empire of Japan 5365:Untitled (Rape Scene) 5317:The Artist Is Present 5127:Amen or The Pederasty 4524:UbuWeb: Nam June Paik 4421:at Wikimedia Commons 3700:worcester.emuseum.com 2798:on February 14, 2015. 2418:on November 26, 2016. 2338:artgallery.nsw.gov.au 1887:) CS1 maint: others ( 1618:, the family name is 1592:Holly Rogers (2013). 1303:(Winston-Salem, USA). 1182:(Wiesbaden, Germany), 1102:(Seoul, South Korea), 1096:(Seoul, South Korea), 1074: 901: 699: 661: 563: 529:and establishing the 458: 427:Karlheinz Stockhausen 394:, but later moved to 6256:Mass media theorists 5508:Guillermo Gómez-Peña 5046:Something Else Press 4635:The More, The Better 4192:on September 5, 2015 4051:"Americanart.si.edu" 3920:(October 17, 2000). 3893:"Arts | Kyoto Prize" 3625:Dayton Art Institute 3225:honolulu.emuseum.com 3171:"Fukuoka Art Museum" 2897:on January 27, 2018. 2776:on February 3, 2014. 2548:. January 30, 2006. 2259:Cope, David (1984). 1647:The New Media Reader 1539:Paik was a lifelong 1469:Contemporary artists 1388:J. Paul Getty Museum 1384:Museum of Modern Art 1295:Worcester Art Museum 1270:Dayton Art Institute 1245:Hessel Museum of Art 1241:(Northhampton, USA), 1218:(Brussels, Belgium), 957:The More, The Better 822:The More, The Better 812:The More, The Better 729:a live link between 382:In 1950, during the 349:video tape recorders 247:Revised Romanization 5563:Natalie Jeremijenko 5205:Food for the Spirit 4032:Wall Street Journal 3998:"Medal Day History" 3796:"» THE MIAMI YEARS" 3721:"Leonardo da Vinci" 3099:ackland.emuseum.com 2869:on January 6, 2013. 2823:on January 2, 2013. 2466:on October 10, 2017 2215:Thames & Hudson 1911:Thames & Hudson 1676:The Washington Post 1338:1993: Golden Lion, 1334:Goslarer Kaiserring 1279:(Minneapolis, USA), 1233:Smart Museum of Art 1202:(Lisbon, Portugal), 1174:Musée d'Art Moderne 880:Deutsche Guggenheim 852:Catherine the Great 703:(1965–2002) at the 550:Guadalcanal Requiem 413:Paik then moved to 404:University of Tokyo 390:, first fleeing to 109:University of Tokyo 6221:Artists from Seoul 6185:Krzysztof Wodiczko 6030:Doris Totten Chase 5942:Viennese Actionism 5819:COUM Transmissions 5738:Carolee Schneemann 5583:Ragnar Kjartansson 5357:Three Weeks in May 5021:Art & Language 4945:Carolee Schneemann 4802:Geoffrey Hendricks 4528:Abschiedssymphonie 4249:The New York Times 4180:Burns, Charlotte. 3575:americanart.si.edu 3546:"Untitled (Scarf)" 3399:en.museuberardo.pt 3374:www.ngv.vic.gov.au 3200:collections.si.edu 2851:on March 31, 2017. 2644:americanart.si.edu 2518:. April 22, 2013. 2365:on March 12, 2009. 2276:Experimental Music 2036:on August 28, 2022 1961:on April 20, 2018. 1826:on March 11, 2014. 1536:American citizen. 1342:(With Hans Haacke) 1327:Honours and awards 1320:Bass Museum of Art 1170:(Aachen, Germany), 1150:Kunsthalle zu Kiel 1130:Fukuoka Art Museum 1114:Ackland Art Museum 1083: 1056:In late 2022, the 1009:São Paulo Biennale 978:Modulation in Sync 908: 861:Paik's 1995 piece 709: 573: 465: 435:conceptual artists 6198: 6197: 5955: 5954: 5927:Participatory art 5768:Melati Suryodarmo 5653:Charlotte Moorman 5301:Seven Easy Pieces 5070: 5069: 4971:Poème symphonique 4935:Charlotte Moorman 4709: 4708: 4662:Associated people 4417:Media related to 4340:on April 21, 2017 4281:Los Angeles Times 4186:The Art Newspaper 4144:978-89-6303-227-6 4073:www.goodreads.com 4039:on June 22, 2018. 3978:on April 27, 2016 2817:, Washington, D.C 2769:New York Magazine 2289:978-0-521-65383-1 2115:Kunsthalle Bremen 2107:Wulf Herzogenrath 2088:Los Angeles Times 1935:978-3-9815579-0-9 1913:. pp. 14–15. 1862:978-1-84976-635-7 1760:978-1-907804-20-5 1473:Christian Marclay 1297:(Worcester, USA), 1277:Walker Art Center 1263:Stuart Collection 1208:(Athens, Greece), 1132:(Fukuoka, Japan), 1023:(1984 and 1993). 974:Guggenheim Museum 777:had not arrived. 673:Dimitri Devyatkin 631:Opera Sextronique 496:Charlotte Moorman 459:Paik Nam June in 423:Munich University 408:Arnold Schoenberg 377:classical pianist 341:Charlotte Moorman 291: 290: 261:McCune–Reischauer 37:Nam June Paik in 6298: 5982: 5975: 5968: 5959: 5874:Kusama: Infinity 5753:Barbara T. Smith 5728:Rachel Rosenthal 5673:Pauline Oliveros 5393:Marina Abramović 5097: 5090: 5083: 5074: 5009:Related articles 4930:Richard Maxfield 4901:Related artists 4757:Genpei Akasegawa 4736: 4729: 4722: 4713: 4597: 4590: 4583: 4574: 4416: 4406: 4391: 4390: 4383: 4377: 4376: 4374: 4372: 4356: 4350: 4349: 4347: 4345: 4336:. Archived from 4326: 4320: 4319: 4317: 4315: 4304: 4298: 4297: 4295: 4293: 4271: 4265: 4264: 4262: 4260: 4240: 4229: 4228: 4226: 4224: 4208: 4202: 4201: 4199: 4197: 4188:. Archived from 4177: 4171: 4170: 4164: 4156: 4129: 4120: 4119: 4117: 4115: 4095: 4089: 4088: 4086: 4084: 4065: 4059: 4058: 4057:on June 6, 2013. 4053:. Archived from 4047: 4041: 4040: 4035:. Archived from 4022: 4013: 4012: 4010: 4008: 3994: 3988: 3987: 3985: 3983: 3974:. 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Archived from 1809: 1798: 1793: 1787: 1786: 1780: 1772: 1744: 1723: 1722: 1720: 1718: 1698: 1692: 1691: 1689: 1687: 1667: 1661: 1660: 1642: 1625: 1612: 1597: 1576:Wacky WallWalker 1518:Gagosian Gallery 1444:As a pioneer of 1365:City of Duisburg 1290:, (Ithaca, USA), 1223:Stedelijk Museum 1180:Museum Wiesbaden 1176:(Paris, France), 1146:(Honolulu, USA), 1013:Whitney Biennial 997:Washington, D.C. 940:Kunsthalle Basel 938:(1989), and the 804:Namdaemun Market 755:Merce Cunningham 527:Gwangju Biennale 523:Whitney Biennial 519:Merce Cunningham 315: 305: 304: 287: 269: 255: 240: 239: 224: 223: 196: 166: 164: 133: 131:installation art 117: 100: 99:Korean, American 82: 79:January 29, 2006 56: 54: 35: 21: 6306: 6305: 6301: 6300: 6299: 6297: 6296: 6295: 6286:Suwon Baek clan 6201: 6200: 6199: 6194: 6145:Mika Rottenberg 6010:John Baldessari 5991: 5986: 5956: 5951: 5880: 5853: 5797: 5533:Newton Harrison 5473:James Lee Byars 5433:Rebecca Belmore 5408:Laurie Anderson 5379: 5373:Untitled , 2008 5245:One & Other 5106: 5104:Performance art 5101: 5071: 5066: 5050: 5004: 4949: 4902: 4896: 4887:Emmett Williams 4832:George Maciunas 4745: 4740: 4710: 4705: 4686: 4657: 4606: 4601: 4483:Video Data Bank 4400: 4395: 4394: 4385: 4384: 4380: 4370: 4368: 4363:. Artnet News. 4358: 4357: 4353: 4343: 4341: 4328: 4327: 4323: 4313: 4311: 4306: 4305: 4301: 4291: 4289: 4273: 4272: 4268: 4258: 4256: 4242: 4241: 4232: 4222: 4220: 4210: 4209: 4205: 4195: 4193: 4179: 4178: 4174: 4157: 4145: 4131: 4130: 4123: 4113: 4111: 4097: 4096: 4092: 4082: 4080: 4069:"Nam June Paik" 4067: 4066: 4062: 4049: 4048: 4044: 4024: 4023: 4016: 4006: 4004: 3996: 3995: 3991: 3981: 3979: 3969: 3968: 3964: 3954: 3952: 3948: 3947: 3943: 3933: 3931: 3916: 3915: 3911: 3901: 3899: 3891: 3890: 3886: 3876: 3874: 3866: 3865: 3861: 3851: 3849: 3841: 3840: 3836: 3826: 3824: 3819: 3818: 3814: 3804: 3802: 3794: 3793: 3789: 3779: 3777: 3771:"Nam June Paik" 3769: 3768: 3764: 3754: 3752: 3746:"Nam June Paik" 3744: 3743: 3739: 3729: 3727: 3719: 3718: 3714: 3704: 3702: 3694: 3693: 3689: 3679: 3677: 3669: 3668: 3664: 3654: 3652: 3646:"Nam June Paik" 3644: 3643: 3639: 3629: 3627: 3619: 3618: 3614: 3604: 3602: 3594: 3593: 3589: 3579: 3577: 3569: 3568: 3564: 3554: 3552: 3544: 3543: 3539: 3529: 3527: 3519: 3518: 3514: 3504: 3502: 3494: 3493: 3489: 3479: 3477: 3471:"Nam June Paik" 3468: 3467: 3463: 3453: 3451: 3449:www.domusweb.it 3443: 3442: 3438: 3428: 3426: 3420:"Global Groove" 3418: 3417: 3413: 3403: 3401: 3393: 3392: 3388: 3378: 3376: 3368: 3367: 3363: 3353: 3351: 3343: 3342: 3338: 3328: 3326: 3321: 3320: 3316: 3306: 3304: 3294: 3293: 3289: 3279: 3277: 3269: 3268: 3264: 3254: 3252: 3244: 3243: 3239: 3229: 3227: 3221:"Warez Academy" 3219: 3218: 3214: 3204: 3202: 3194: 3193: 3189: 3179: 3177: 3169: 3168: 3164: 3154: 3152: 3143: 3142: 3138: 3128: 3126: 3118: 3117: 3113: 3103: 3101: 3093: 3092: 3088: 3078: 3076: 3069:"NJP ARTCENTER" 3067: 3066: 3062: 3052: 3050: 3037: 3036: 3032: 3022: 3020: 3006: 3005: 3001: 2991: 2989: 2981: 2980: 2976: 2966: 2964: 2959: 2958: 2954: 2944: 2942: 2933: 2932: 2928: 2918: 2916: 2915:on July 3, 2015 2907: 2906: 2902: 2882: 2881: 2874: 2861: 2860: 2856: 2836: 2835: 2828: 2808: 2807: 2803: 2786: 2785: 2781: 2761: 2760: 2756: 2746: 2744: 2735: 2734: 2730: 2720: 2718: 2709: 2708: 2704: 2691:on May 17, 2020 2673: 2667: 2663: 2653: 2651: 2638: 2637: 2633: 2624:. pp. D-1– 2613: 2612: 2608: 2598: 2597: 2593: 2584: 2582: 2570: 2569: 2565: 2555: 2553: 2540: 2539: 2535: 2525: 2523: 2510: 2509: 2505: 2495: 2493: 2484: 2483: 2479: 2469: 2467: 2458: 2457: 2453: 2443: 2441: 2428: 2427: 2423: 2403: 2402: 2398: 2389: 2387: 2375: 2374: 2370: 2357: 2356: 2352: 2342: 2340: 2334:"TV Cello 1976" 2332: 2331: 2327: 2317: 2315: 2302: 2301: 2297: 2290: 2273: 2272: 2268: 2258: 2257: 2253: 2243: 2241: 2227: 2226: 2222: 2207:Christiane Paul 2205: 2204: 2200: 2190: 2188: 2179: 2178: 2174: 2164: 2162: 2153: 2152: 2148: 2138: 2136: 2127: 2126: 2122: 2105: 2104: 2100: 2080: 2079: 2075: 2065: 2063: 2054: 2053: 2049: 2039: 2037: 2023: 2022: 2018: 2000: 1999: 1966: 1949: 1948: 1944: 1936: 1923: 1922: 1918: 1903:Christiane Paul 1901: 1900: 1896: 1875: 1863: 1849: 1848: 1831: 1813:"Nam June Paik" 1811: 1810: 1801: 1794: 1790: 1773: 1761: 1746: 1745: 1726: 1716: 1714: 1707:BBC News online 1700: 1699: 1695: 1685: 1683: 1669: 1668: 1664: 1657: 1644: 1643: 1639: 1634: 1629: 1628: 1613: 1609: 1604: 1591: 1588: 1572:Ken Paik Hakuta 1568: 1549: 1526: 1511:Wright Brothers 1504: 1442: 1430:Judson Rosebush 1404:George Maciunas 1398:, it chose the 1379: 1340:Venice Biennale 1329: 1315:(New York, USA) 1309:(Madrid, Spain) 1123:(Buffalo, USA), 1090:(Detroit, USA), 1066: 1021:Venice Biennale 896: 799:Bye Bye Kipling 787:Bye Bye Kipling 783:Bye Bye Kipling 767:George Plimpton 747:Laurie Anderson 735:Centre Pompidou 711:Another piece, 558: 535:Venice Biennale 470: 442:George Maciunas 357: 345:performance art 241: 225: 182:Ken Paik Hakuta 180: 168: 165: 1977) 160: 156: 129:, performance, 125: 113: 112: 98: 90: 89:, Florida, U.S. 84: 80: 71: 58: 52: 50: 42: 26: 17: 12: 11: 5: 6304: 6302: 6294: 6293: 6288: 6283: 6278: 6273: 6268: 6263: 6258: 6253: 6248: 6243: 6238: 6233: 6228: 6223: 6218: 6213: 6203: 6202: 6196: 6195: 6193: 6192: 6190:Jordan Wolfson 6187: 6182: 6177: 6172: 6167: 6162: 6157: 6155:Ryan Trecartin 6152: 6147: 6142: 6140:Pipilotti Rist 6137: 6132: 6127: 6122: 6117: 6112: 6107: 6102: 6097: 6092: 6087: 6082: 6077: 6075:Shigeko Kubota 6072: 6067: 6062: 6057: 6052: 6047: 6042: 6037: 6032: 6027: 6022: 6017: 6015:Matthew Barney 6012: 6007: 6001: 5999: 5993: 5992: 5987: 5985: 5984: 5977: 5970: 5962: 5953: 5952: 5950: 5949: 5944: 5939: 5934: 5929: 5924: 5919: 5914: 5909: 5904: 5899: 5894: 5888: 5886: 5882: 5881: 5879: 5878: 5870: 5866:Mondo New York 5861: 5859: 5855: 5854: 5852: 5851: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5805: 5803: 5799: 5798: 5796: 5795: 5790: 5788:Robert Whitman 5785: 5780: 5775: 5770: 5765: 5760: 5755: 5750: 5745: 5740: 5735: 5730: 5725: 5720: 5715: 5713:Dorothy Podber 5710: 5708:Petr Pavlensky 5705: 5700: 5695: 5690: 5685: 5680: 5675: 5670: 5665: 5660: 5655: 5650: 5645: 5640: 5635: 5630: 5625: 5620: 5615: 5610: 5605: 5600: 5595: 5590: 5585: 5580: 5575: 5570: 5565: 5560: 5555: 5553:Tehching Hsieh 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4819: 4814: 4809: 4804: 4799: 4794: 4789: 4787:Robert Filliou 4784: 4779: 4774: 4769: 4764: 4759: 4753: 4751: 4750:Fluxus artists 4747: 4746: 4741: 4739: 4738: 4731: 4724: 4716: 4707: 4706: 4704: 4703: 4694: 4692: 4688: 4687: 4685: 4684: 4678: 4672: 4669:Shigeko Kubota 4665: 4663: 4659: 4658: 4656: 4655: 4647: 4639: 4631: 4623: 4614: 4612: 4608: 4607: 4602: 4600: 4599: 4592: 4585: 4577: 4571: 4570: 4563: 4549: 4535: 4520: 4519: 4515: 4514: 4504: 4499: 4490: 4485: 4476: 4470: 4465: 4460: 4455: 4449: 4443: 4438: 4433: 4428: 4399: 4398:External links 4396: 4393: 4392: 4378: 4351: 4321: 4299: 4266: 4230: 4203: 4172: 4143: 4121: 4104:Art in America 4090: 4060: 4042: 4014: 3989: 3962: 3941: 3909: 3884: 3859: 3834: 3812: 3787: 3762: 3750:Colección Solo 3737: 3712: 3687: 3662: 3637: 3612: 3587: 3562: 3537: 3512: 3487: 3461: 3436: 3411: 3386: 3361: 3336: 3314: 3287: 3262: 3237: 3212: 3187: 3162: 3136: 3124:buffaloakg.org 3111: 3086: 3060: 3030: 3013:www.mmca.go.kr 2999: 2974: 2952: 2926: 2900: 2890:New York Times 2872: 2854: 2844:New York Times 2826: 2801: 2779: 2754: 2728: 2702: 2676:its Repository 2661: 2631: 2606: 2591: 2563: 2533: 2503: 2477: 2451: 2421: 2396: 2368: 2350: 2325: 2295: 2288: 2266: 2251: 2220: 2198: 2172: 2146: 2120: 2098: 2073: 2047: 2016: 1964: 1942: 1934: 1916: 1894: 1861: 1829: 1799: 1788: 1759: 1724: 1693: 1662: 1655: 1636: 1635: 1633: 1630: 1627: 1626: 1606: 1605: 1603: 1600: 1599: 1598: 1587: 1584: 1567: 1564: 1548: 1545: 1530:Shigeko Kubota 1525: 1522: 1503: 1500: 1485:Ryan Trecartin 1441: 1438: 1378: 1375: 1374: 1373: 1370: 1367: 1361: 1355: 1349: 1343: 1336: 1328: 1325: 1324: 1323: 1316: 1310: 1307:Colección SOLO 1304: 1298: 1291: 1280: 1273: 1266: 1259: 1252: 1242: 1236: 1229: 1226: 1219: 1212: 1209: 1203: 1196: 1190: 1183: 1177: 1171: 1165: 1159: 1153: 1147: 1140: 1133: 1127: 1124: 1117: 1110: 1103: 1097: 1091: 1065: 1062: 982:Shigeko Kubota 916:Whitney Museum 895: 892: 876:Tiger is Alive 831:Seoul Olympics 763:Peter Orlovsky 759:Allen Ginsberg 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5689: 5686: 5684: 5681: 5679: 5676: 5674: 5671: 5669: 5666: 5664: 5663:Shirin Neshat 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5643:Linda Montano 5641: 5639: 5636: 5634: 5633:Marta Minujín 5631: 5629: 5628:Eric Millikin 5626: 5624: 5621: 5619: 5616: 5614: 5613:Phoebe Legere 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5589: 5586: 5584: 5581: 5579: 5576: 5574: 5571: 5569: 5566: 5564: 5561: 5559: 5556: 5554: 5551: 5549: 5546: 5544: 5543:Lynn Hershman 5541: 5539: 5536: 5534: 5531: 5529: 5526: 5524: 5523:David Hammons 5521: 5519: 5516: 5514: 5513:Cai Guo-Qiang 5511: 5509: 5506: 5504: 5501: 5499: 5496: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5459: 5456: 5454: 5451: 5449: 5446: 5444: 5441: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5390: 5388: 5386: 5382: 5375: 5374: 5370: 5367: 5366: 5362: 5359: 5358: 5354: 5351: 5350: 5346: 5343: 5342: 5338: 5335: 5334: 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Index


New York City
Keijō
Keiki-dō
Korea, Empire of Japan
Miami
University of Tokyo
Ludwig Maximilian University of Munich
Video art
installation art
Fluxus
Shigeko Kubota
Jinu
Ken Paik Hakuta

Geumgwan Order of Cultural Merit
Hangul
Hanja
Revised Romanization
McCune–Reischauer

Korean
RR
Korean
video art
Seoul
Fluxus
John Cage
Charlotte Moorman
performance art

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