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174:”. In her work, director Iguchi often does not cut the scene until the last second of the act. In addition, Iguchi says, “I understand that the tension of the actor goes up and down when shooting a scene. Sometimes actors’ tension goes down once, but it rises right after. When this happens, it is difficult to make a cut. Although I sometimes hesitate to make a cut, I would like to let the actors’ improvisation flow and see how the scene go in case it gets interesting.” For this reason, her work has a unique style that is more leisurely and relaxed because of her long shots.
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Iguchi raised in
Akihabara・Ueno・Okachi-machi, Tokyo. From early childhood, she had yet to develop her interest in film-making, and simply enjoyed watching movies with cute girl characters. Moreover, during her childhood, she was more interested with professional wrestling and music than movies.
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won the Jury
Special Award, the International Critics Federation Prize, and the Best Screen Play Award at the Torino International Film Festival. In the same year, she received the 2004 Japan Film Director Association Newcomer Director Award.
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There are two versions of
Inuneko. The original version is an independent film and it used 8 mm camera to shoot the entire film. The remake version is a commercial film and it used 35 mm camera with different casts.
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Armendariz
Alejandra (2011). “An alternative representation of sexual difference in contemporary Japanese cinema made by women directors.” Journal of Japanese and Korean Cinema, Volume 3 no. 1: 21-35- via
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born
December 4, 1967) is a Japanese film director, music video director, screen writer, and editor.
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the director did not call any cuts after the main scene, so the improvised ad-lib was difficult
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Shoji Kaori (December 26, 2018) “The top movies of 2008” Kaori shoji, Japan Times.
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In 2003, she won the Japan Movie
Professional Awards Newcomer Director Award.
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215:(ニシノユキヒコの恋と冒険; 2014) - as Film director, Screen writer, Editor
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Schilling Mark (January 18, 2018) “Hito no Sex o Warau na”
229:(シルエット)" by Shione Yukawa in 2004 as Music video director.
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Film director, Music video director, Screen writer, Editor
197:(犬猫; ver. 2004) - as Film director, Screen writer, Editor
191:(犬猫; ver. 2001) - as Film director, Screen writer, Editor
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However, she has said that the
Kawanaka Nobuhiro quote "
209:(人のセックスを笑うな; 2008) - as Film director, Screen writer
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352:Bingham Adam (2010). “Original Visions.”
108:You can make a movie with personal taste
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359:高木和真. “長回し撮影と同時録音から生まれる井口直美映画の「自然体」”
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240:in 2015 as Music video director.
213:Nishino Yukihiko no Koi to Bōken
147:Nishino Yukihiko no Koi to Bōken
320:Edwards, Russell (2008-04-09).
128:In 2004, the remake version of
118:In 2001, she directed the film
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322:"Don't Laugh at My Romance"
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356:Issue 81: 56-61- via FIAF
207:Don't Laugh at My Romance
168:Don’t Laugh at My Romance
162:According to the actress
138:Don't Laugh at My Romance
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276:"Director Iguchi Nami".
383:Japanese film directors
136:Iguchi later directed
278:Nikkei Entertainment
300:Pia Film Festival
284:: 80. March 2008.
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142:Matsuyama Kenichi
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59:Tokyo, Japan
388:1967 births
364:Japan Times
354:Cineaction,
220:Music Video
178:Filmography
140:, starring
91:Nami Iguchi
65:Nationality
20:Nami Iguchi
377:Categories
343:References
331:2018-10-31
305:15 October
238:Group inou
227:Silhouette
101:Early life
49:1967-12-04
258:ポプラビーチ.
68:Japanese
326:Variety
195:Inuneko
189:Inuneko
130:Inuneko
120:Inuneko
158:Styles
114:Career
93:(井口奈己
245:Notes
236:" by
26:井口 奈己
349:FIAF
307:2018
234:BLUE
183:Film
43:Born
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