208:, considered by many to be the key text of the feminist video art. By taking on the roles of a nun (Angelo) and a deviant (Compton), the two artists reflected on âprototypical or actual lesbian models.â At this time, Angeloâs experiments in performance art coincided with her involvement with local video production. Thus, during the same year, Angelo, Annette Hunt, Candace Compton, and
279:
In 1981, Angelo co-founded another performance group, Sisters of
Survival (SOS) that focused on anti-nuclear issues. The group formed after the dissolution of Feminist Art Workers, when two former FAW members, Gaulke and Angelo, decided to join forces with members of another LA-based group, The
171:
Shortly after enrolling in the FSW, Angelo immersed herself in performance art and in 1976 she co-founded
Feminist Art Workers with Cheri Gaulke, Laurel Klick, and Candace Compton (later replaced by Vanalyne Green). In an attempt to mobilize the strategies of feminist education in the field of
272:(of which Angelo was a member). The project attracted a large number of feminist artists including Leslie Belt, Jerri Allyn, Paula Lumbard, Bia Lowe, Terry Wolverton, Tyaga, Chris Wong, and many others. As a part of her involvement in the project, Angelo produced and exhibited
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Waitresses. The original lineup included Angelo, Gaulke, Jerri Allyn, Anne
Gauldin, and Sue Maberry. As a part of their performance, the members of SOS âdressed in nunâs habits of all colors of the rainbow to represent an image of âglobal sisterhood.ââ
963:, Los Angeles. Accession No. 2017.M.4 The archive consists of papers, photographs, audiovisual and born digital material documenting the performances, exhibitions, and administrative activities of the Feminist Art Workers.
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and she proposed to create
Herstory in an effort to âchronicle the lives of lesbians.â The project opened with ten workshops devoted to teaching performance skills and techniques as well as to exploring issues of
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276:, an interactive multi-monitor video work. Committed to shedding light on violence against women, her project invited open dialogue on the subject of incest at the time when it was not publicly discussed.
196:, which took place in 1978 when 100,000 marched the streets demanding equal rights. It was just one of many efforts, initiated by feminists across the nation, to ensure the ratification of ERA by 1982.
158:. She took an active part in refurbishing the old three-story structure on North Spring Street near Chinatown that housed the Womanâs Building and making it suitable for learning and practicing art.
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established the Los
Angeles Womenâs Video Center, located at the Womanâs Building. LWVC supported the work of prominent feminist video-makers such as Cheri Gaulke,
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Moravec, Michelle (2010). "Feminism, the Public Sphere and The Incest
Awareness Project at the Woman's Building". In Victoria Watts and Robert W. Gehl (ed.).
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performance art, the
Feminist Art Workers used performance to create an empowering network for women in and outside of Los Angeles. In 1978, FAW created
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After leaving
Sisters of Survival and ending her association with the Womanâs Building, Angelo decided to continue her education and obtain a PhD in
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in Los
Angeles. Currently, she lives in the Bay Area and provides organization development services as a part of Angelo + Garnets consulting firm.
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Withers, Josephine (1994). "Feminist
Performance Art: Performing, Discovering, Transforming Ourselves". In Norma Broude and Mary D. Garrard (ed.).
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Meyer, Laura. "The Woman's Building and Los Angeles' Leading Role in the Feminist Art Movement". In Sondra Hale and Terry Wolverton (ed.).
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Ariadne: A Social Art Network and the Women's Resources Program of the Los Angeles Gay and Lesbian Community Services Center
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716:"Fairy Monster piece by Jerri Allyn and Nancy Angelo from "An Oral Herstory of Lesbianism" directed by Terry Wolverton"
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Juhasz, Alexandra (1999). "Bad Girls Come and Go, but a Lying Girl Can Never be Fenced In". In Diane Waldman (ed.).
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and the actual traffic in women between these two cities. In 1980, FAW embarked on an even more ambitious project,
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123:, USA) is an organizational psychologist and formerly a performance and video artist who took part in the
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Raven, Arlene (1989). "A Remarkable Conjunction: Feminism and Performance Art". In Sylvia Moore (ed.).
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Withers, Josephine. âFeminist Performance Art: Performing, Discovering, Transforming Ourselves.â In
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Meyer, Laura. âThe Womanâs Building and Los Angelesâ Leading Role in the Feminist Art Movement.â In
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California School of Professional Psychology in Los Angeles (PhD in organizational psychology)
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240:. Apart from Angelo, the event involved many other participants in LA performance art scene:
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in Los Angeles. As an artist, she is best known for co-founding the collaborative
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Co-founded the collaborative performance art group The Feminist Art Workers in 1976
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The Power of Feminist Art: The American Movement of the 1970s, History and Impact
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The Power of Feminist Art: The American Movement of the 1970s, History and Impact
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220:. During the first decade of its existence, some 350 videotapes were produced.
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Raven, Arlene. âA Remarkable Conjunction: Feminism and Performance Art.â In
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at the time. This project emerged on the heels of major demonstration in
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337:, edited by Sondra Hale and Terry Wolverton. Retrieved July 27, 2011 (
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Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007
16:
American organizational psychologist and performance and video artist
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The Amazing Decade: Women and Performance Art in America 1970-1980
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The Amazing Decade: Women and Performance Art in America 1970-1980
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From Site to Vision: The Woman's Building in Contemporary Culture
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From Site to Vision: The Womanâs Building in Contemporary Culture
316:. Berkeley and Los Angeles: University of California Press, 2002.
105:, considered by many to be the key text of the feminist video art
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During the same year, Angelo and Leslie Labowitz initiated the
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Gaulke, Cheri (1980). "Feminist Art Workers: Bill of Rights".
348:, edited by Sylvia Moore. New York: Midmarch Arts Press, 1989.
878:"Doin it in Public: Feminism and Art at the Woman's Building"
852:"Doin it in Public: Feminism and Art at the Woman's Building"
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Art, Women, California 1950-2000: Parallels and Intersections
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Art, Women, California 1950-2000: Parallels and Intersections
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group The Feminist Art Workers in 1976 with Candace Compton,
704:. Berkeley and Los Angeles: University of California Press.
176:(1978), performed at various sites between Los Angeles and
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http://womansbuilding.org/fromsitetovision/pdfs/Meyer.pdf
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Seeing through the Seventies: Essays on Feminism and Art
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Seeing through the Seventies: Essays on Feminism and Art
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Gaulke, Cheri. âFeminist Art Workers: Bill of Rights.â
933:"Qualifications: About Nancy Angelo and Linda Garnets"
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Heresies: A Feminist Publication on Art and Politics
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Insurgent Muse: Life and Art at the Woman's Building
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Insurgent Muse: Life and Art at the Woman's Building
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Insurgent Muse: Life and Art at the Womanâs Building
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677:"Woman's Building History: LA Women's Video Center"
400:"Women's Social Movement Activities in Los Angeles"
362:, edited by Suzanne Lacy. Seattle: Bay Press, 1995.
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880:. Otis College of Art and Design. Archived from
854:. Otis College of Art and Design. Archived from
698:Burgess Fuller, Diana; Daniela Salvioni (2002).
483:Yesterday and Tomorrow: California Women Artists
427:"Woman's Building History: Feminist Art Workers"
346:Yesterday and Tomorrow: California Women Artists
323:11/12, vol. 3, nos. 3 and 4 (Fall/Winter 1980).
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8:
1069:Elizabeth A. Sackler Center for Feminist Art
358:Steinman, Susan Leibovitz. âCompendium.â In
312:Fuller, Diana Burgess and Daniela Salvioni.
294:California School of Professional Psychology
1247:Why Have There Been No Great Women Artists?
1047:New York School of Applied Design for Women
998:Feminist art movement in the United States
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839:Mapping the Terrain: New Genre Public Art.
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823:Mapping the Terrain: New Genre Public Art
769:Cultural Programming in the Public Sphere
360:Mapping the Terrain: New Genre Public Art
1035:American Association of University Women
718:. Otis College of Art and Design Library
957:Feminist Art Workers records, 1976-2013
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1516:21st-century American women scientists
330:. Durham: Duke University Press, 2010.
108:Co-founded Sisters of Survival in 1981
1194:WACK! Art and the Feminist Revolution
1041:National Association of Women Artists
204:In 1976, Angelo and Compton directed
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1135:The Women's Building (San Francisco)
1094:National Museum of Women in the Arts
398:UCLA Center for the Study of Women.
174:Traffic in Women: A Feminist Vehicle
819:Suzanne Lacy (1995). "Compendium".
532:Gaulke, Cheri (September 5, 2011).
380:. San Francisco: City Lights, 2002.
1506:American women performance artists
1125:Women's Art Resources of Minnesota
373:. New York: Harry N. Abrams, 1994.
150:in 1975 in order to enroll in the
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1457:Feminist movements and ideologies
628:. University of Minnesota Press.
80:Organization Development Services
355:. Los Angeles: Astro Artz, 1983.
88:Angelo + Garnets consulting firm
1099:New York Feminist Art Institute
794:"The Woman's Building Timeline"
1446:Women in the art history field
1130:Woman's Building (Los Angeles)
911:. San Francisco: City Lights.
745:. San Francisco: City Lights.
230:An Oral Herstory of Lesbianism
138:After studying photography in
1:
1114:Washington Women's Art Center
369:, edited by Norma Broude and
228:In 1979, Angelo took part in
1511:American performance artists
1496:Organizational psychologists
1481:American women video artists
1154:Exhibitions or installations
772:. Cambridge Scholars Press.
309:. New York: Routledge, 2003.
1279:Women Artists in Revolution
1119:Women Artists in Revolution
144:San Francisco Art Institute
67:San Francisco Art Institute
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649:Cottingham, Laura (2003).
268:, a collaboration between
1501:American feminist artists
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903:Wolverton, Terry (2002).
737:Wolverton, Terry (2002).
601:"The Nun and the Deviant"
290:organizational psychology
119:(born October 8, 1953 in
1441:List of feminist artists
1239:The Feminist Art Journal
961:Getty Research Institute
625:Feminism and Documentary
266:Incest Awareness Project
152:Feminist Studio Workshop
1145:Women's Studio Workshop
1140:Women's Interart Center
1057:Venues or organizations
655:. New York: Routledge.
486:. Midmarch Arts Press.
1486:American video artists
1284:Women's Caucus for Art
1205:Films or documentaries
1079:Feminist Art Coalition
827:. Seattle: Bay Press.
534:"Feminist Art Workers"
274:Equal Time/Equal Space
190:Equal Rights Amendment
1213:!Women Art Revolution
1014:Feminist art movement
236:and performed at the
125:feminist art movement
800:on November 25, 2011
554:Roth, Moira (1983).
167:Feminist Art Workers
135:, and Laurel Klick.
1345:Helen Frankenthaler
1089:Lesbian Art Project
511:. Harry N. Abrams.
406:on December 3, 2013
305:Cottingham, Laura.
121:Carson City, Nevada
1410:Carolee Schneemann
1170:Three Weeks in May
376:Wolverton, Terry.
224:Collaborative work
146:, Angelo moved to
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1335:Mary Beth Edelson
1330:Elaine de Kooning
1178:The Sister Chapel
779:978-1-4438-1694-6
603:. Video Data Bank
469:on July 19, 2011.
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1491:1953 births
1420:Alma Thomas
1375:Lee Krasner
1365:Lila Katzen
1340:Suzi Ferrer
1289:Where We At
1242:(1972â1977)
1234:(1977â1992)
1181:(1974â1978)
246:Jerri Allyn
210:Jerri Allyn
148:Los Angeles
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46:Carson City
1470:Categories
1425:June Wayne
1162:Womanhouse
1028:Precursors
385:References
259:lesbianism
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1360:Eva Hesse
938:August 1,
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292:from the
200:Video art
178:Las Vegas
62:Education
1395:Yoko Ono
1249:" (1971)
492:19785380
85:Employer
57:American
48:, Nevada
1264:subRosa
432:YouTube
154:at the
140:Denmark
1257:Groups
1197:(2007)
1189:(1979)
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162:Career
1434:Lists
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467:(PDF)
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