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Nance O'Neil

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not without much natural grace. Her voice is a splendid organ, rich and deep, with plenty of color and sweetness. There are moments when it is expressive of deep feeling. But there are more extended periods when it is pitched in monotonous cadences, during which the actress speaks seem to be delivered without a hint of genuine feeling or understanding, when, in short, she is simply an actress giving voice to words that she has conned and learned by rote and delivered in a sort of phonographic manner without a suggestion of the thought behind them.
172: 564: 38: 206:, she spent the preceding years honing her acting skills by playing in every type of venue, "from barns to first-class theatres", in towns throughout the country's West and Northwest. O'Neil later described that early period of her career as a time when she appeared "in fully a hundred characters, varying from 314:
There is no actress on the stage at present who has a more remarkable gift for emotional expression, nor is there a single one who has been more lavishly endowed by nature with the physical gifts which enter into the equipment of great actresses....Miss O'Neil has a kind of massive beauty, and she is
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reported on that important performance in England, noting that in the early acts of the play O'Neil "gave an intense, imperious and unequal rendering of the part." The newspaper, however, then added that the actress's "nervousness" later eased on stage and she "aroused the big audience to enthusiasm
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Set in 1905, it uses Lizzie's friendship with O'Neil and other theatrical players as a vehicle for a play within a play. The actors recreate scenes from the murder trial in an improv-like setting, coached or criticized by Lizzie and Emma. The play implies that Lizzie was innocent, and the real
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As her celebrity grew, after her success in San Francisco, O'Neil embarked on an around-the-world tour, performing in Hawaii, Australia, Egypt, and in many other locations overseas. Those extensive travels and stage appearances were managed by McKee Rankin—an actor, manager, and producer—who was
143:, was an American stage and film actress who performed in plays in various theaters around the world but worked predominantly in the United States between the 1890s and 1930s. At the height of her career, she was promoted on theater bills and in period 1411: 1401: 415:, although she retired from films after working a few years in the new medium. Some of O'Neil's screen appearances in that period include performances in the 1930 features 952:
In 1899, McKee Rankin and O'Neil were rumored to have married but the announcement was subsequently declared incorrect. Also, the cited September 2, 1902 news report in
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The Actors' Birthday Book: 2d Series. An Authoritative Insight Into the Lives of the Men and Women of the Stage Born Between January First and December Thirty-first
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Nance O'Neil, an actress who starred in dozens of tragic roles in the early part of the century, died yesterday in Englewood, N.J. She was 90 years old. ...
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in the climax of the third act, and obtained a good reception." Unfortunately, two other plays in which O'Neil also starred in London that same month—
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with studios in New York and New Jersey before moving to California to work in Hollywood productions. Among her early films are the 1915 drama
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shared his opinions regarding O'Neil's acting talents, providing what he viewed as both the strengths and weaknesses of her performances:
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confirms that Rankin was still traveling with O'Neil in 1902 on her world tour. The newspaper states that Rankin was among the cast in
241:—were poorly received by English critics and forced her to terminate early her plans for additional engagements there in October 1902. 1049: 1273: 758: 1295: 1355: 594: 392: 1163: 986:, September 9, 1902, p. 9; "NANCE O'NEIL'S PLAY.: The London Times Criticises Her Revival of 'Elizabeth, Queen of England'", 1360: 864: 1208: 472:, where she was played by Suellen Vance. The women's implied romantic relationship was explored as well in the 2010 play 982:"NANCE O'NEIL CRITICISED.: London Times Says Her Performance in 'Camille' Is Flauntingly, Overwhelmingly Provincial", 660: 1190: 1339: 1074: 822: 798: 688: 532: 524: 441: 195: 1304: 702: 1299: 838: 198:
on October 16, 1893. Before returning to San Francisco in 1898 and 1899 as a star, headlining in the plays
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instrumental in also making her a star in Australia and in overseeing her London debut at the
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NANCE O'NEIL IN 'MAGDA': American Actress's London Debut--The Papers Critical but Friendly",
528:. O'Neil's marriage to Hickman continued for another 14 years, until Alfred's death in 1931. 1070: 872: 830: 814: 616: 267: 243: 306:, and many other productions in the United States and Europe. In 1908 a theater critic for 219: 148: 1327: 1116: 910:"HUNTING 'LOCAL COLOR': Adventures of an American Dramatist in the Gold-Mining Country", 20: 869:
Famous Actors and Actresses on the American Stage: Documents of American Theater History
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The Birth of a Movement: How Birth of a Nation Ignited the Battle for Civil Rights
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O'Neil's first performance in a professional production was in the role of a
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as "flauntingly, overwhelming provincial" and criticized her performance in
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Detecting Gertrude Stein And Other Suspects on the Shadow Side of Modernism
1363: ; University of Washington, Sayre collection (*upgraded to new url) 940: 1077:(IBDB), The Broadway League, New York, N.Y. Retrieved December 27, 2019. 563: 1286: 504:. The same year that Hickman and O'Neil married, they costarred in the 211: 555:, inside the niche that also holds her husband Alfred's cinerary urn. 465:. The two had a close friendship, which incited considerable gossip. 462: 411:. More than a decade later, she made a successful transition to the 871:(volume 2, K-Z), New York: R.R. Bowker Company, 1975, pp. 887-893. 483:
O'Neil was also cited as a character in a play by William Norfolk,
875:, San Francisco. Retrieved and borrowed on line December 26, 2019. 562: 514:. Then they costarred on screen again in 1917, portraying Emperor 358:
For over four decades, O'Neil also performed in a wide variety of
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perpetrator was the maid, who makes a surprise visit at the end.
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In 1906, in her role as the title character in an adaptation of
183: 135:(October 8, 1874 – February 7, 1965), known professionally as 1209:"Nance O'Neil, 90, Tragedienne Of Stage in Early 1900s, Dead" 1164:"Jazz-Age Justice: Lizzie Borden Takes a Swing at Old Boston" 1322: 914:, November 26, 1899, p. 18. ProQuest Historical Newspapers. 885:
GREAT STARS OF THE AMERICAN STAGE" by Daniel Blum c. 1952
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Burials at Brookside Cemetery (Englewood, New Jersey)
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O'Neil was referenced as a character in the musical
119: 111: 103: 95: 76: 50: 28: 362:productions. She appeared early in her career in 1145:"Lizzie Borden Finds Love (Perhaps) After the Ax" 1021:"Nance O'Neil's Acting and What It Represents", 1402:Burials at Forest Lawn Memorial Park (Glendale) 897: 895: 551:. There, her remains were placed in the park's 403:. Both of those motion pictures were filmed at 312: 247:wholly dismissed her company's presentation of 1342:performed by the St. Louis City Players, 1969 457:In 1904, O'Neil met acquitted murder suspect 8: 1240:, catalog, AFI. Retrieved December 27, 2019. 343:. There were regular productions, including 470:Lizzie Borden: A Musical Tragedy in Two Axe 262:, O'Neil recreated the role made famous by 226:. The next day, back in the United States, 531:In her final years, O'Neil resided at the 36: 25: 698:(1917) - Alma (Greed) & (Seventh Sin) 370:in 1896 and then, late in her career, in 543:containing her ashes was transported to 859: 857: 853: 1318:How Lizzie Borden Got Away With Murder 1088:"Sisters Estranged Over Nance O'Neill" 931: 929: 990:, September 17, 1902, p. 9. ProQuest. 973:, September 24, 1902, p. 9; ProQuest. 7: 1387:Actresses from Englewood, New Jersey 1143:Rooney, David (September 20, 2010). 834:(1932) - Mrs. von Stael (uncredited) 319:The statuesque O'Neil performed in 163:to George Lamson and Arre Findley. 1392:Actresses from Oakland, California 1189:Bay, Sherman (November 24, 2012). 476:by David Foley and the 2006 novel 222:on September 1, 1902, in the play 14: 1191:"The Lights are Warm and Colored" 604:(1915) - Princess Fedora Romanoff 485:The Lights are Warm and Colored. 445:; and in the 1932 medical drama 147:and newspapers as the "American 1407:20th-century American actresses 1335:The Lights are Warm and Colored 1115:Adams, Cecil (March 13, 2001). 453:Relationship with Lizzie Borden 1397:American vaudeville performers 1104:– via WikiMedia Commons. 366:at the Murray Hill Theatre in 1: 939:, September 2, 1902, page 9. 1260:. Moffat, Yard. p. 229. 802:(1931) - Honora 'Nora' Maury 794:(1931) - Mrs. J.P. Henderson 16:American actress (1874–1965) 1346:Nance O'Neil page at Corbis 1044:. Hachette UK. p. 67. 730:(1930) - Princess Alexandra 598:(1915) - Miriam Friedlander 253:Elizabeth, Queen of England 239:Elizabeth, Queen of England 1428: 1356:"The House of Women"(1927) 1328:Straight Dope staff report 1075:Internet Broadway Database 692:(1917) - Czarina Alexandra 323:, opposite such actors as 18: 1313:on lizzieandrewborden.com 689:The Fall of the Romanoffs 587:The Count of Monte Cristo 545:Forest Lawn Memorial Park 533:Lillian Booth Actors Home 525:The Fall of the Romanoffs 255:as "lacking tenderness". 126:(m. 1916; his death 1931) 35: 1323:http://crimemagazine.com 1296:Nance O'Neil filmography 1254:Johnson Briscoe (1908). 754:(1930) - Mother Superior 722:(1930) - Mrs.John Strong 567:O'Neil as Jane Brett in 480:by Walter Satterthwait. 19:Not to be confused with 1300:American Film Institute 1238:"Those Who Toil (1916)" 810:(1931) - Countess Runyi 786:(1931) - Princess Marya 778:(1931) - Felice Venable 650:(1916) - Sarah Maitland 636:(1916) - Zirah / Marika 628:(1916) - Zora Fernandez 496:O'Neil in 1916 married 433:; in the 1931 releases 386:O'Neil began acting in 270:. She also appeared in 1305:Nance O'Neil biography 1093:The San Francisco Call 1011:(1): 22. October 1920. 943:Historical Newspapers. 633:The Flames of Johannis 580: 317: 179: 43:Stars of the Photoplay 1361:Nance O'Neil, gallery 1162:Pierce, J. Kingston. 807:A Woman of Experience 770:(1931) - Queen Martha 762:(1930) - Myra Willard 759:The Eyes of the World 676:(1917) - Hedda Gabler 670:(1917) - Mrs. Balfame 620:(1916) - Rosa Brenner 566: 537:Englewood, New Jersey 516:Nicholas II of Russia 345:Ned McCobb's Daughter 174: 88:Englewood, New Jersey 1311:Nance O'Neil gallery 1264:John Herbert Gill – 1001:"The Passion Flower" 848:References and notes 826:(1931) - Mrs. Varney 746:(1930) - Mrs. Vibart 738:(1930) - Lady Trench 612:(1915) - Jane Hawley 549:Glendale, California 409:Fort Lee, New Jersey 405:Fox Film Corporation 321:Louisville, Kentucky 1307:on famousandgay.com 818:(1931) - Grand Mere 735:The Lady of Scandal 642:(1916) - Jane Brett 595:The Kreutzer Sonata 571:from the 1916 film 559:Partial filmography 393:The Kreutzer Sonata 280:The Common Standard 178:, May–October, 1903 161:Oakland, California 159:O'Neil was born in 69:Oakland, California 1217:. February 8, 1965 1170:. Kirkus Media LLC 1149:The New York Times 1025:, 11 October 1908. 1023:The New York Times 988:The New York Times 984:The New York Times 971:The New York Times 954:The New York Times 937:The New York Times 912:The New York Times 863:Young, William C. 842:(1932) - Mrs. Finn 743:The Florodora Girl 711:His Glorious Night 581: 492:Marriage and death 449:, her final film. 372:Night in the House 308:The New York Times 300:The Passion Flower 260:Leah, the Forsaken 229:The New York Times 180: 145:trade publications 1350:Nance O'Neil and 1122:The Straight Dope 791:The Good Bad Girl 751:Call of the Flesh 719:Ladies of Leisure 696:Seven Deadly Sins 681:The Final Payment 602:Princess Romanoff 590:(1913) - Mercedes 520:Empress Alexandra 418:Ladies of Leisure 407:'s facilities in 341:Harriet MacGibbon 333:William Faversham 130: 129: 112:Years active 1419: 1336: 1287:Nance O'Neil 1261: 1241: 1235: 1229: 1228: 1223: 1222: 1205: 1199: 1198: 1186: 1180: 1179: 1177: 1175: 1159: 1153: 1152: 1140: 1134: 1133: 1131: 1129: 1112: 1106: 1105: 1103: 1101: 1084: 1078: 1068: 1062: 1061: 1059: 1058: 1032: 1026: 1019: 1013: 1012: 997: 991: 980: 974: 967: 961: 950: 944: 933: 924: 921: 915: 908: 902: 899: 890: 882: 876: 873:Internet Archive 861: 831:Westward Passage 815:Their Mad Moment 714:(1929) - Eugenie 617:Souls in Bondage 268:Adelaide Ristori 244:The London Times 96:Other names 83: 80:February 7, 1965 64: 62: 40: 26: 1427: 1426: 1422: 1421: 1420: 1418: 1417: 1416: 1367: 1366: 1334: 1330:by John Corrado 1283: 1253: 1250: 1248:Further reading 1245: 1244: 1236: 1232: 1220: 1218: 1207: 1206: 1202: 1188: 1187: 1183: 1173: 1171: 1161: 1160: 1156: 1142: 1141: 1137: 1127: 1125: 1114: 1113: 1109: 1099: 1097: 1086: 1085: 1081: 1069: 1065: 1056: 1054: 1052: 1034: 1033: 1029: 1020: 1016: 999: 998: 994: 981: 977: 968: 964: 951: 947: 934: 927: 922: 918: 909: 905: 900: 893: 883: 879: 862: 855: 850: 845: 661:The Seventh Sin 575:(also known as 561: 494: 455: 384: 220:Adelphi Theatre 192:Alcazar Theatre 176:Sunset Magazine 169: 157: 133:Gertrude Lamson 91: 85: 81: 72: 66: 65:October 8, 1874 60: 58: 57: 56: 55:Gertrude Lamson 46: 31: 24: 17: 12: 11: 5: 1425: 1423: 1415: 1414: 1409: 1404: 1399: 1394: 1389: 1384: 1379: 1369: 1368: 1365: 1364: 1358: 1352:Elsie Ferguson 1348: 1343: 1331: 1325: 1314: 1308: 1302: 1293: 1282: 1281:External links 1279: 1278: 1277: 1262: 1249: 1246: 1243: 1242: 1230: 1214:New York Times 1200: 1181: 1154: 1135: 1107: 1096:. June 7, 1905 1079: 1071:"Nance O'Neil" 1063: 1051:978-1610398244 1050: 1038:(2017-01-11). 1027: 1014: 992: 975: 962: 945: 925: 916: 903: 901:Young, p. 890. 891: 877: 865:"Nance O'Neil" 852: 851: 849: 846: 844: 843: 835: 827: 823:Secret Service 819: 811: 803: 795: 787: 779: 771: 763: 755: 747: 739: 731: 727:The Rogue Song 723: 715: 707: 699: 693: 685: 677: 671: 665: 657: 651: 647:The Iron Woman 643: 637: 629: 621: 613: 609:A Woman's Past 605: 599: 591: 582: 577:Those Who Toil 560: 557: 498:Alfred Hickman 493: 490: 454: 451: 430:The Rogue Song 383: 380: 349:The Front Page 337:Thomas A. Wise 325:Wilton Lackaye 168: 165: 156: 153: 128: 127: 124:Alfred Hickman 121: 117: 116: 113: 109: 108: 105: 101: 100: 97: 93: 92: 86: 84:(aged 90) 78: 74: 73: 67: 54: 52: 48: 47: 41: 33: 32: 29: 15: 13: 10: 9: 6: 4: 3: 2: 1424: 1413: 1410: 1408: 1405: 1403: 1400: 1398: 1395: 1393: 1390: 1388: 1385: 1383: 1380: 1378: 1375: 1374: 1372: 1362: 1359: 1357: 1353: 1349: 1347: 1344: 1341: 1337: 1332: 1329: 1326: 1324: 1320: 1319: 1315: 1312: 1309: 1306: 1303: 1301: 1297: 1294: 1292: 1288: 1285: 1284: 1280: 1275: 1274:0-9727091-0-X 1271: 1267: 1263: 1259: 1258: 1252: 1251: 1247: 1239: 1234: 1231: 1227: 1216: 1215: 1210: 1204: 1201: 1196: 1192: 1185: 1182: 1169: 1168:Kirkus Review 1165: 1158: 1155: 1150: 1146: 1139: 1136: 1124: 1123: 1118: 1111: 1108: 1095: 1094: 1089: 1083: 1080: 1076: 1072: 1067: 1064: 1053: 1047: 1043: 1042: 1037: 1031: 1028: 1024: 1018: 1015: 1010: 1006: 1002: 996: 993: 989: 985: 979: 976: 972: 966: 963: 959: 955: 949: 946: 942: 938: 932: 930: 926: 923:Young, p.891. 920: 917: 913: 907: 904: 898: 896: 892: 889: 886: 881: 878: 874: 870: 866: 860: 858: 854: 847: 841: 840: 836: 833: 832: 828: 825: 824: 820: 817: 816: 812: 809: 808: 804: 801: 800: 799:Transgression 796: 793: 792: 788: 785: 784: 780: 777: 776: 772: 769: 768: 767:The Royal Bed 764: 761: 760: 756: 753: 752: 748: 745: 744: 740: 737: 736: 732: 729: 728: 724: 721: 720: 716: 713: 712: 708: 705: 704: 700: 697: 694: 691: 690: 686: 684:(1917) - Nina 683: 682: 678: 675: 672: 669: 666: 664:(1917) - Alma 663: 662: 658: 656:(1917) - Alma 655: 652: 649: 648: 644: 641: 638: 635: 634: 630: 627: 626: 622: 619: 618: 614: 611: 610: 606: 603: 600: 597: 596: 592: 589: 588: 584: 583: 578: 574: 570: 565: 558: 556: 554: 550: 546: 542: 538: 534: 529: 527: 526: 521: 517: 513: 512: 507: 503: 502:Blanche Walsh 499: 491: 489: 486: 481: 479: 475: 471: 466: 464: 460: 459:Lizzie Borden 452: 450: 448: 444: 443: 442:Transgression 438: 437: 432: 431: 426: 425: 424:The Royal Bed 420: 419: 414: 410: 406: 402: 399: 396:and the 1916 395: 394: 389: 381: 379: 377: 376:Booth Theatre 373: 369: 365: 361: 356: 354: 353:The Big Fight 350: 346: 342: 338: 334: 330: 329:Edmund Breese 326: 322: 316: 311: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 265: 261: 256: 254: 250: 246: 245: 240: 236: 231: 230: 225: 221: 215: 213: 209: 205: 201: 197: 196:San Francisco 193: 189: 185: 177: 173: 166: 164: 162: 154: 152: 150: 146: 142: 138: 134: 125: 122: 118: 114: 110: 106: 102: 98: 94: 89: 79: 75: 70: 53: 49: 44: 39: 34: 27: 22: 1316: 1265: 1256: 1233: 1225: 1219:. 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Index

Nancy O'Neil

Oakland, California
Englewood, New Jersey
Alfred Hickman
trade publications
Bernhardt
Oakland, California

nun
Alcazar Theatre
San Francisco
soubrettes
heavies
Adelphi Theatre
The New York Times
The London Times
Italian
Adelaide Ristori
Louisville, Kentucky
Wilton Lackaye
Edmund Breese
William Faversham
Thomas A. Wise
Harriet MacGibbon
Broadway
Manhattan
Booth Theatre
silent films
The Kreutzer Sonata

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