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Nance O'Neil

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not without much natural grace. Her voice is a splendid organ, rich and deep, with plenty of color and sweetness. There are moments when it is expressive of deep feeling. But there are more extended periods when it is pitched in monotonous cadences, during which the actress speaks seem to be delivered without a hint of genuine feeling or understanding, when, in short, she is simply an actress giving voice to words that she has conned and learned by rote and delivered in a sort of phonographic manner without a suggestion of the thought behind them.
183: 575: 49: 217:, she spent the preceding years honing her acting skills by playing in every type of venue, "from barns to first-class theatres", in towns throughout the country's West and Northwest. O'Neil later described that early period of her career as a time when she appeared "in fully a hundred characters, varying from 325:
There is no actress on the stage at present who has a more remarkable gift for emotional expression, nor is there a single one who has been more lavishly endowed by nature with the physical gifts which enter into the equipment of great actresses....Miss O'Neil has a kind of massive beauty, and she is
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reported on that important performance in England, noting that in the early acts of the play O'Neil "gave an intense, imperious and unequal rendering of the part." The newspaper, however, then added that the actress's "nervousness" later eased on stage and she "aroused the big audience to enthusiasm
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Set in 1905, it uses Lizzie's friendship with O'Neil and other theatrical players as a vehicle for a play within a play. The actors recreate scenes from the murder trial in an improv-like setting, coached or criticized by Lizzie and Emma. The play implies that Lizzie was innocent, and the real
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As her celebrity grew, after her success in San Francisco, O'Neil embarked on an around-the-world tour, performing in Hawaii, Australia, Egypt, and in many other locations overseas. Those extensive travels and stage appearances were managed by McKee Rankin—an actor, manager, and producer—who was
154:, was an American stage and film actress who performed in plays in various theaters around the world but worked predominantly in the United States between the 1890s and 1930s. At the height of her career, she was promoted on theater bills and in period 1422: 1412: 426:, although she retired from films after working a few years in the new medium. Some of O'Neil's screen appearances in that period include performances in the 1930 features 963:
In 1899, McKee Rankin and O'Neil were rumored to have married but the announcement was subsequently declared incorrect. Also, the cited September 2, 1902 news report in
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The Actors' Birthday Book: 2d Series. An Authoritative Insight Into the Lives of the Men and Women of the Stage Born Between January First and December Thirty-first
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Nance O'Neil, an actress who starred in dozens of tragic roles in the early part of the century, died yesterday in Englewood, N.J. She was 90 years old. ...
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in the climax of the third act, and obtained a good reception." Unfortunately, two other plays in which O'Neil also starred in London that same month—
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with studios in New York and New Jersey before moving to California to work in Hollywood productions. Among her early films are the 1915 drama
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shared his opinions regarding O'Neil's acting talents, providing what he viewed as both the strengths and weaknesses of her performances:
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confirms that Rankin was still traveling with O'Neil in 1902 on her world tour. The newspaper states that Rankin was among the cast in
252:—were poorly received by English critics and forced her to terminate early her plans for additional engagements there in October 1902. 1060: 1284: 769: 1306: 1366: 605: 403: 1174: 997:, September 9, 1902, p. 9; "NANCE O'NEIL'S PLAY.: The London Times Criticises Her Revival of 'Elizabeth, Queen of England'", 1371: 875: 1219: 483:, where she was played by Suellen Vance. The women's implied romantic relationship was explored as well in the 2010 play 993:"NANCE O'NEIL CRITICISED.: London Times Says Her Performance in 'Camille' Is Flauntingly, Overwhelmingly Provincial", 671: 1201: 1350: 1085: 833: 809: 699: 543: 535: 452: 206: 1315: 713: 1310: 849: 209:
on October 16, 1893. Before returning to San Francisco in 1898 and 1899 as a star, headlining in the plays
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instrumental in also making her a star in Australia and in overseeing her London debut at the
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NANCE O'NEIL IN 'MAGDA': American Actress's London Debut--The Papers Critical but Friendly",
539:. O'Neil's marriage to Hickman continued for another 14 years, until Alfred's death in 1931. 1081: 883: 841: 825: 627: 278: 254: 317:, and many other productions in the United States and Europe. In 1908 a theater critic for 230: 159: 1338: 1127: 921:"HUNTING 'LOCAL COLOR': Adventures of an American Dramatist in the Gold-Mining Country", 31: 880:
Famous Actors and Actresses on the American Stage: Documents of American Theater History
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The Birth of a Movement: How Birth of a Nation Ignited the Battle for Civil Rights
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O'Neil's first performance in a professional production was in the role of a
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as "flauntingly, overwhelming provincial" and criticized her performance in
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Detecting Gertrude Stein And Other Suspects on the Shadow Side of Modernism
1374: ; University of Washington, Sayre collection (*upgraded to new url) 951: 1088:(IBDB), The Broadway League, New York, N.Y. Retrieved December 27, 2019. 574: 1297: 515:. The same year that Hickman and O'Neil married, they costarred in the 222: 566:, inside the niche that also holds her husband Alfred's cinerary urn. 476:. The two had a close friendship, which incited considerable gossip. 473: 422:. More than a decade later, she made a successful transition to the 882:(volume 2, K-Z), New York: R.R. Bowker Company, 1975, pp. 887-893. 494:
O'Neil was also cited as a character in a play by William Norfolk,
886:, San Francisco. Retrieved and borrowed on line December 26, 2019. 573: 525:. Then they costarred on screen again in 1917, portraying Emperor 369:
For over four decades, O'Neil also performed in a wide variety of
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perpetrator was the maid, who makes a surprise visit at the end.
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In 1906, in her role as the title character in an adaptation of
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GREAT STARS OF THE AMERICAN STAGE" by Daniel Blum c. 1952
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Burials at Brookside Cemetery (Englewood, New Jersey)
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O'Neil was referenced as a character in the musical
130: 122: 114: 106: 87: 61: 39: 373:productions. She appeared early in her career in 1156:"Lizzie Borden Finds Love (Perhaps) After the Ax" 1032:"Nance O'Neil's Acting and What It Represents", 1413:Burials at Forest Lawn Memorial Park (Glendale) 908: 906: 562:. There, her remains were placed in the park's 414:. Both of those motion pictures were filmed at 323: 258:wholly dismissed her company's presentation of 1353:performed by the St. Louis City Players, 1969 468:In 1904, O'Neil met acquitted murder suspect 8: 1251:, catalog, AFI. Retrieved December 27, 2019. 354:. There were regular productions, including 481:Lizzie Borden: A Musical Tragedy in Two Axe 273:, O'Neil recreated the role made famous by 237:. The next day, back in the United States, 542:In her final years, O'Neil resided at the 47: 36: 709:(1917) - Alma (Greed) & (Seventh Sin) 381:in 1896 and then, late in her career, in 554:containing her ashes was transported to 870: 868: 864: 1329:How Lizzie Borden Got Away With Murder 1099:"Sisters Estranged Over Nance O'Neill" 942: 940: 1001:, September 17, 1902, p. 9. ProQuest. 984:, September 24, 1902, p. 9; ProQuest. 7: 1398:Actresses from Englewood, New Jersey 1154:Rooney, David (September 20, 2010). 845:(1932) - Mrs. von Stael (uncredited) 330:The statuesque O'Neil performed in 174:to George Lamson and Arre Findley. 1403:Actresses from Oakland, California 1200:Bay, Sherman (November 24, 2012). 487:by David Foley and the 2006 novel 233:on September 1, 1902, in the play 25: 1202:"The Lights are Warm and Colored" 615:(1915) - Princess Fedora Romanoff 496:The Lights are Warm and Colored. 456:; and in the 1932 medical drama 158:and newspapers as the "American 1418:20th-century American actresses 1346:The Lights are Warm and Colored 1126:Adams, Cecil (March 13, 2001). 464:Relationship with Lizzie Borden 1408:American vaudeville performers 1115:– via WikiMedia Commons. 377:at the Murray Hill Theatre in 1: 950:, September 2, 1902, page 9. 1271:. Moffat, Yard. p. 229. 813:(1931) - Honora 'Nora' Maury 805:(1931) - Mrs. J.P. Henderson 27:American actress (1874–1965) 1357:Nance O'Neil page at Corbis 1055:. Hachette UK. p. 67. 741:(1930) - Princess Alexandra 609:(1915) - Miriam Friedlander 264:Elizabeth, Queen of England 250:Elizabeth, Queen of England 1439: 1367:"The House of Women"(1927) 1339:Straight Dope staff report 1086:Internet Broadway Database 703:(1917) - Czarina Alexandra 334:, opposite such actors as 29: 1324:on lizzieandrewborden.com 700:The Fall of the Romanoffs 598:The Count of Monte Cristo 556:Forest Lawn Memorial Park 544:Lillian Booth Actors Home 536:The Fall of the Romanoffs 266:as "lacking tenderness". 137:(m. 1916; his death 1931) 46: 1334:http://crimemagazine.com 1307:Nance O'Neil filmography 1265:Johnson Briscoe (1908). 765:(1930) - Mother Superior 733:(1930) - Mrs.John Strong 578:O'Neil as Jane Brett in 491:by Walter Satterthwait. 30:Not to be confused with 1311:American Film Institute 1249:"Those Who Toil (1916)" 821:(1931) - Countess Runyi 797:(1931) - Princess Marya 789:(1931) - Felice Venable 661:(1916) - Sarah Maitland 647:(1916) - Zirah / Marika 639:(1916) - Zora Fernandez 507:O'Neil in 1916 married 444:; in the 1931 releases 397:O'Neil began acting in 281:. She also appeared in 1316:Nance O'Neil biography 1104:The San Francisco Call 1022:(1): 22. October 1920. 954:Historical Newspapers. 644:The Flames of Johannis 591: 328: 190: 54:Stars of the Photoplay 1372:Nance O'Neil, gallery 1173:Pierce, J. Kingston. 818:A Woman of Experience 781:(1931) - Queen Martha 773:(1930) - Myra Willard 770:The Eyes of the World 687:(1917) - Hedda Gabler 681:(1917) - Mrs. Balfame 631:(1916) - Rosa Brenner 577: 548:Englewood, New Jersey 527:Nicholas II of Russia 356:Ned McCobb's Daughter 185: 99:Englewood, New Jersey 1322:Nance O'Neil gallery 1275:John Herbert Gill – 1012:"The Passion Flower" 859:References and notes 837:(1931) - Mrs. Varney 757:(1930) - Mrs. Vibart 749:(1930) - Lady Trench 623:(1915) - Jane Hawley 560:Glendale, California 420:Fort Lee, New Jersey 416:Fox Film Corporation 332:Louisville, Kentucky 1318:on famousandgay.com 829:(1931) - Grand Mere 746:The Lady of Scandal 653:(1916) - Jane Brett 606:The Kreutzer Sonata 582:from the 1916 film 570:Partial filmography 404:The Kreutzer Sonata 291:The Common Standard 189:, May–October, 1903 172:Oakland, California 170:O'Neil was born in 80:Oakland, California 1228:. February 8, 1965 1181:. Kirkus Media LLC 1160:The New York Times 1036:, 11 October 1908. 1034:The New York Times 999:The New York Times 995:The New York Times 982:The New York Times 965:The New York Times 948:The New York Times 923:The New York Times 874:Young, William C. 853:(1932) - Mrs. Finn 754:The Florodora Girl 722:His Glorious Night 592: 503:Marriage and death 460:, her final film. 383:Night in the House 319:The New York Times 311:The Passion Flower 271:Leah, the Forsaken 240:The New York Times 191: 156:trade publications 18:Nance O'Neill 1361:Nance O'Neil and 1133:The Straight Dope 802:The Good Bad Girl 762:Call of the Flesh 730:Ladies of Leisure 707:Seven Deadly Sins 692:The Final Payment 613:Princess Romanoff 601:(1913) - Mercedes 531:Empress Alexandra 429:Ladies of Leisure 418:'s facilities in 352:Harriet MacGibbon 344:William Faversham 141: 140: 123:Years active 16:(Redirected from 1430: 1347: 1298:Nance O'Neil 1272: 1252: 1246: 1240: 1239: 1234: 1233: 1216: 1210: 1209: 1197: 1191: 1190: 1188: 1186: 1170: 1164: 1163: 1151: 1145: 1144: 1142: 1140: 1123: 1117: 1116: 1114: 1112: 1095: 1089: 1079: 1073: 1072: 1070: 1069: 1043: 1037: 1030: 1024: 1023: 1008: 1002: 991: 985: 978: 972: 961: 955: 944: 935: 932: 926: 919: 913: 910: 901: 893: 887: 884:Internet Archive 872: 842:Westward Passage 826:Their Mad Moment 725:(1929) - Eugenie 628:Souls in Bondage 279:Adelaide Ristori 255:The London Times 107:Other names 94: 91:February 7, 1965 75: 73: 51: 37: 21: 1438: 1437: 1433: 1432: 1431: 1429: 1428: 1427: 1378: 1377: 1345: 1341:by John Corrado 1294: 1264: 1261: 1259:Further reading 1256: 1255: 1247: 1243: 1231: 1229: 1218: 1217: 1213: 1199: 1198: 1194: 1184: 1182: 1172: 1171: 1167: 1153: 1152: 1148: 1138: 1136: 1125: 1124: 1120: 1110: 1108: 1097: 1096: 1092: 1080: 1076: 1067: 1065: 1063: 1045: 1044: 1040: 1031: 1027: 1010: 1009: 1005: 992: 988: 979: 975: 962: 958: 945: 938: 933: 929: 920: 916: 911: 904: 894: 890: 873: 866: 861: 856: 672:The Seventh Sin 586:(also known as 572: 505: 466: 395: 231:Adelphi Theatre 203:Alcazar Theatre 187:Sunset Magazine 180: 168: 144:Gertrude Lamson 102: 96: 92: 83: 77: 76:October 8, 1874 71: 69: 68: 67: 66:Gertrude Lamson 57: 42: 35: 28: 23: 22: 15: 12: 11: 5: 1436: 1434: 1426: 1425: 1420: 1415: 1410: 1405: 1400: 1395: 1390: 1380: 1379: 1376: 1375: 1369: 1363:Elsie Ferguson 1359: 1354: 1342: 1336: 1325: 1319: 1313: 1304: 1293: 1292:External links 1290: 1289: 1288: 1273: 1260: 1257: 1254: 1253: 1241: 1225:New York Times 1211: 1192: 1165: 1146: 1118: 1107:. June 7, 1905 1090: 1082:"Nance O'Neil" 1074: 1062:978-1610398244 1061: 1049:(2017-01-11). 1038: 1025: 1003: 986: 973: 956: 936: 927: 914: 912:Young, p. 890. 902: 888: 876:"Nance O'Neil" 863: 862: 860: 857: 855: 854: 846: 838: 834:Secret Service 830: 822: 814: 806: 798: 790: 782: 774: 766: 758: 750: 742: 738:The Rogue Song 734: 726: 718: 710: 704: 696: 688: 682: 676: 668: 662: 658:The Iron Woman 654: 648: 640: 632: 624: 620:A Woman's Past 616: 610: 602: 593: 588:Those Who Toil 571: 568: 509:Alfred Hickman 504: 501: 465: 462: 441:The Rogue Song 394: 391: 360:The Front Page 348:Thomas A. Wise 336:Wilton Lackaye 179: 176: 167: 164: 139: 138: 135:Alfred Hickman 132: 128: 127: 124: 120: 119: 116: 112: 111: 108: 104: 103: 97: 95:(aged 90) 89: 85: 84: 78: 65: 63: 59: 58: 52: 44: 43: 40: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1435: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1385: 1383: 1373: 1370: 1368: 1364: 1360: 1358: 1355: 1352: 1348: 1343: 1340: 1337: 1335: 1331: 1330: 1326: 1323: 1320: 1317: 1314: 1312: 1308: 1305: 1303: 1299: 1296: 1295: 1291: 1286: 1285:0-9727091-0-X 1282: 1278: 1274: 1270: 1269: 1263: 1262: 1258: 1250: 1245: 1242: 1238: 1227: 1226: 1221: 1215: 1212: 1207: 1203: 1196: 1193: 1180: 1179:Kirkus Review 1176: 1169: 1166: 1161: 1157: 1150: 1147: 1135: 1134: 1129: 1122: 1119: 1106: 1105: 1100: 1094: 1091: 1087: 1083: 1078: 1075: 1064: 1058: 1054: 1053: 1048: 1042: 1039: 1035: 1029: 1026: 1021: 1017: 1013: 1007: 1004: 1000: 996: 990: 987: 983: 977: 974: 970: 966: 960: 957: 953: 949: 943: 941: 937: 934:Young, p.891. 931: 928: 924: 918: 915: 909: 907: 903: 900: 897: 892: 889: 885: 881: 877: 871: 869: 865: 858: 852: 851: 847: 844: 843: 839: 836: 835: 831: 828: 827: 823: 820: 819: 815: 812: 811: 810:Transgression 807: 804: 803: 799: 796: 795: 791: 788: 787: 783: 780: 779: 778:The Royal Bed 775: 772: 771: 767: 764: 763: 759: 756: 755: 751: 748: 747: 743: 740: 739: 735: 732: 731: 727: 724: 723: 719: 716: 715: 711: 708: 705: 702: 701: 697: 695:(1917) - Nina 694: 693: 689: 686: 683: 680: 677: 675:(1917) - Alma 674: 673: 669: 667:(1917) - Alma 666: 663: 660: 659: 655: 652: 649: 646: 645: 641: 638: 637: 633: 630: 629: 625: 622: 621: 617: 614: 611: 608: 607: 603: 600: 599: 595: 594: 589: 585: 581: 576: 569: 567: 565: 561: 557: 553: 549: 545: 540: 538: 537: 532: 528: 524: 523: 518: 514: 513:Blanche Walsh 510: 502: 500: 497: 492: 490: 486: 482: 477: 475: 471: 470:Lizzie Borden 463: 461: 459: 455: 454: 453:Transgression 449: 448: 443: 442: 437: 436: 435:The Royal Bed 431: 430: 425: 421: 417: 413: 410: 407:and the 1916 406: 405: 400: 392: 390: 388: 387:Booth Theatre 384: 380: 376: 372: 367: 365: 364:The Big Fight 361: 357: 353: 349: 345: 341: 340:Edmund Breese 337: 333: 327: 322: 320: 316: 312: 308: 304: 300: 296: 292: 288: 284: 280: 276: 272: 267: 265: 261: 257: 256: 251: 247: 242: 241: 236: 232: 226: 224: 220: 216: 212: 208: 207:San Francisco 204: 200: 196: 188: 184: 177: 175: 173: 165: 163: 161: 157: 153: 149: 145: 136: 133: 129: 125: 121: 117: 113: 109: 105: 100: 90: 86: 81: 64: 60: 55: 50: 45: 38: 33: 19: 1327: 1276: 1267: 1244: 1236: 1230:. 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Index

Nance O'Neill
Nancy O'Neil

Oakland, California
Englewood, New Jersey
Alfred Hickman
trade publications
Bernhardt
Oakland, California

nun
Alcazar Theatre
San Francisco
soubrettes
heavies
Adelphi Theatre
The New York Times
The London Times
Italian
Adelaide Ristori
Louisville, Kentucky
Wilton Lackaye
Edmund Breese
William Faversham
Thomas A. Wise
Harriet MacGibbon
Broadway
Manhattan
Booth Theatre
silent films

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