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we can easily imagine the prehistoric man playing with colored earths on the walls of his cave. There should be considerable scope in
Australia for mural decoration, particularly at the present time, when we are just beginning to develop our own styles in architecture. Architects and artists must, of course, work together in such undertakings, the artist being controlled by the shape of his painting space and its surrounding architectural lines, as well as by the character of the building, its intention, its lighting, and the materials of which it is constructed. Let us remember the perfect cohesion between the painters and architects in Egypt and Assyria. How splendidly the heroic and monumental Phidias endures with the noble Parthenon’s severe beauty; then later, the change of mood producing the graceful Praxiteles and the Erechtheum.
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648:...significant as the creation and home of nationally renowned artists together designed the house and much of its interior decoration and furnishings. Waller also lived there for fifty years. The house and contents are intact. Waller's studios, examples of his art and items connected with his work remain as he left them (Criterion H.1). Architecturally the house design is innovative in its internal use of space, specifically in the organisation of the studio/living room and displays a high degree of artistic creativity in the interior decoration (Criterion F.1).
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561:, who was then enjoying notoriety for his erotic imagery, and rated Waller's works by comparison as "dignified; they have a certain grandeur about them; the figures suggest a statuesque nobility of character; his coloration is rich but low-toned...It pleased me to imagine this young Australian sitting with his Homer on his knee, while he dreamed of that more spacious period when no hunter might roam the woods without Arcadian adventure."
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ordered into a delightfully, well-balanced colour-pattern of pleasing shape; the whole should be a reposeful unity yet containing intensity and crackle. It is well that the artist should have a good knowledge of iconography and traditional symbolism. It affords him an equipment that he may mould into new decorative and architectural shapes without losing their connected meaning.
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608:-born artist and his assistant which was discovered by his wife Christian in 1936 or 1937. Christian consequently left him in 1939, first going to America then returning to live at Ivanhoe though apart from Napier, and sometimes in her Spring Street apartment, tolerating Napier's ongoing relationship with Reyburn, before she died aged 59 of
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Waller died in 1972, in
Melbourne and his widow Lorna arranged for the preservation of the Waller House through her will, which specified that her trustees establish it as a centre for the study of monumental art in Australia and prevent the sale or disposal of any artworks and artefacts kept there.
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Mural decoration should be an architectural embellishment. It should be a complement to and in unity with the order and mood of the building. Decoration is the first essential—the quality that we expect as the initial reason for any painting. And wall decoration is as old as architecture itself; for
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Good stained glass may be summed up as a thought in colour, for to the stained-glass man, white is but another coloured light to set in the darkness. Then on the cartoon, what is needed is the planning of colour, of one colour quantity against others, of countering or repeating until the whole is
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style house was constructed in the
Ivanhoe precinct known as Fairy Hills by builder Phillip Millsom in 1922, through a War Services loan, to the artists' design and specifications, lit by windows high up on a mezzanine 'minstrel gallery' above a large hall in which they entertained their friends
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acoustic tiles in a redecoration of the
Auditorium after a fire in 1925. Given a free hand in devising the artworks he explained that the figures were not intended to be allegorical, but to create rhythm, and that line-work was used because a skin of paint would interfere with the panels'
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where he sustained wounds from an exploding artillery necessitating the amputation of his right arm. Born right-handed, he learned to use his left hand while recuperating, during which time
Christian nursed him and supported them through her commercial
838:(Temple Court foyer, Collins St, Melbourne, feared lost when an arcade put through in c1990, however, during renovations of a front shop in 2003 it was rediscovered, and reported to be displayed once more, but a new wall built in front instead)
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commissioned for ÂŁ1,700 (a 2021 value of A$ 138,340.00) and which are classified by the
National Trust as historically significant at the State level. They were painted directly, as line drawings, onto the newly installed
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807:, Royal Insurance Co, Collins St, Melbourne (the building was demolished in 1969 and the mural was donated to the Architecture School at the University of Melbourne, where it is on display in the architecture library)
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and late-nineteenth century
British painters; his monumental works show an increasingly classical and calmly formal style, using timeless and heroic figure compositions to express ideas and ideals, sometimes with
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c.1920 photograph of
Christian and Napier Waller with fruit tree. Card inscribed "On Our selection" under image, and on front: "Best Wishes to J. B. Trinick". Courtesy University of Melbourne Archives
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in 1893. His parents were
Australians Sarah (née Napier) and William Waller, a contractor. He left the local school aged 14 to work on his father's farm, then in 1913 began studies at the
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designed fixed furniture in a
Moderne style constructed by H. Goldman Manufacturing Co. Meldrum and installed in the 1931, 1934 and 1937 alterations to the Wallers' house and studios.
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1935: stained glass window, Wilson Hall, University of Melbourne (hall gutted by fire 1952, then demolished, but the window survived, and is now the Leckie Window in foyer of the
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Those who knew Waller described him as a modest, self-effacing man of considerable erudition which could be attributed to his love of literature begun as a child, especially of
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Waller's first mural design failed to win a competition in 1921. His first major mural was for the Menzies Hotel in Melbourne, in 1927. In 1927 he completed murals at the
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and in September 1919 exhibited with the Victorian Artists Society in East Melbourne as one of the five soldier artists included, with H. J. Sennett, David Barker,
1681:"Plate Illustraions: Mural Wall Decoration, Main Dining Room The Myer Emporium: Messrs. H. W. and F. B. Tompkins, F.F.R.AI.A., Architects: Murals by Napier Waller"
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A bronze plaque beside Waller Road (Mount Rouse Tourist Road), Mount Rouse overlooking Penshurst was placed, in commemoration of Waller, by Shire President,
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has been described as "a gallery of Napier Waller’s work", as eleven monumental murals by Waller are on display in the central business district and at the
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in 1929. On his return, he worked almost exclusively in mosaic and stained glass. His major pieces during the 1930s were a monumental mosaic for the
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1437:"Stained Glass and Its History (An Address given before the Royal Victorian Institute of Architects on 6th May, 1930, by Mr. Napier Waller)"
1319:"Melbourne Town Hall On Fire: Concert Hall Demolished: City Organ Destroyed: Victoria Coffee Palace In Danger: An Early Morning Outbreak"
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magazine discussed mural decoration with him and its application in Australian buildings, including private dwellings, he responded;
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Waller enlisted in August 1915 in the 22nd Infantry Battalion, later being transferred to the Artillery. and in October married
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sound-absorbing quality. The actual painting on the series of 7 metre high by 4m wide wall sections from Waller's half-scale
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The grounds, building and the collection housed in it have been classified by the National Trust as a World Heritage site;
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1928: stained glass window, south window, Wilson Hall, Melbourne University destroyed in the Wilson Hall fire of 1952)
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A Napier Waller mural in the Melbourne Town Hall Auditorium beside the proscenium arch, photographed in c.1940
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and other media. He is perhaps best known for the mosaics and stained glass for the Hall of Memory at the
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Studio portrait of 20178 Private (later Bombardier (Bdr)) Mervyn Napier Waller, of Hawthorn, Vic
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Art Gallery of N.S.W, M. Napier Waller 1893/1972 29 July/ 28 August 1977. (Exhibition Brochure)
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came to live with them, assisted in the studio and became a significant artist and ceramicist.
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including Percy Meldrum, architect of Newspaper House decorated with Waller's mosaic
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Video of Waller at the Australian War Memorial: construction of Hall of Memory Mosaic
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Better Than to Squander Life’s Gifts is to Conserve Them and Ensure a Fearless Future
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1269:"Five Ways to Compute the Relative Value of Australian Amounts, 1828 to the Present"
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1937: stained glass window, Orchid Window, Botany School, University of Melbourne
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studio was undertaken by H. Oliver and Sons under the artist's supervision. The
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are used as a backdrop to represent Dr Blake's house in the television series
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The Triad: A Journal Devoted to Literacy, Pictorial, Musical and Dramatic Art
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1015:(1st ed.). Australia, North Melbourne: Australian Scholarly Publishing.
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Napier Waller mural (1933) Women in Literature, Dining Room, Myer Emporium
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Conservation in Action: Preserving and Cleaning the Queen's Hall Murals
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Reconstructing the body: classicism, modernism, and the First World War
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McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily (2006).
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1703:"Australian War Memorial: construction of Hall of Memory Mosaics"
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1955: stained glass window, St Mark's Anglican Church, Camberwell
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1935: stained glass window, Wesley Church, Lonsdale St, Melbourne
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On return to Melbourne in 1918 Waller illustrated Leo C. Galli's
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341:'s painting classes, winning ten prizes and exhibiting in 1915.
251:(19 June 1893 – 30 March 1972) was an Australian
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Australian Companions of the Order of St Michael and St George
845:(Monash House foyer, William St, Melbourne, recently restored)
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1958: mosaics and stained glass for the Hall of Memory at the
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for the dining hall in the Myer Emporium, Bourke St, Melbourne
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He became senior art teacher in the Applied Art School of the
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External shots of his former house and studio in Crown Road,
414:, being the first to make and exhibit linocuts in Australia.
16:
Australian mural, mosaic and stained glass artist (1893–1972)
753:, T&G Life Building, Collins and Russell Sts, Melbourne
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in May 1955. In 1958 Waller subsequently married Reyburn.
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Nicholas Draffin, author of a monograph on Waller, in the
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Live Performance Australia Hall of Fame: Loudon Sainthill
1345:"Mural Beauty: Artist Explains Work on Town Hall Panels"
1294:"Melbourne Town Hall - Organ & Napier Waller Murals"
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Australian Officers of the Order of the British Empire
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Journal of the Royal Victorian Institute of Architects
1479:"J. B. Trinick | AustLit: Discover Australian Stories"
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Journal of the Royal Victorian Institute of Architects
719:(a self-portrait, showing him with both arms intact)
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Napier Waller was appointed an Officer (OBE) of the
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and David Walker. In 1923 he exhibited a series of
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Waller's signature (with left hand after war injury)
1564:"Waller House, 9 Crown Rd, Ivanhoe, VIC, Australia"
361:in the 111th Howitzer battery of the 4th Division,
288:, writes that his work "was strongly influenced by
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1795:Mural may see the light after 21 years in darkness
948:The New McCulloch's Encyclopedia of Australian art
848:portrait in oils of his friend and near-neighbour
710:Detail of the dome from inside the Hall of Memory.
1013:Christian Waller Stained Glass: Towards The Light
1784:Draffin, Nicholas, “The Art of M. Napier Waller”
1132:Atkinson, E. J. Rupert; Waller, Napier (1919).
89:Glass stained windows (Australian War Memorial)
1885:National Gallery of Victoria Art School alumni
1050:. Oxford: Oxford University Press. p. 1.
378:recovering from influenza acquired during the
985:"M. Napier Waller: Australian Soldier Artist"
8:
1860:Australian military personnel of World War I
1267:Hutchinson, Diane; Ploeckl, Florian (2023).
652:The house is under the custodianship of the
365:serving there from 1916 then in May 1917 at
577:The Wallers' Ivanhoe half-timbered English
1415:"Napier Waller Discusses Mural Decoration"
898:. Canberra: National Centre of Biography,
31:
20:
1880:Military personnel from Victoria (state)
1752:Peter Barrett, "Melbourne's mural man",
1630:"The Man in Black, 1925, colour linocut"
824:War Memorial Assembly Hall, Armidale NSW
770:, Newspaper House, Collins St, Melbourne
584:I'll put a girdle round about the earth,
557:considered him the 'very antithesis' of
162: 1915; death 1955)
1870:Stained glass artists and manufacturers
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827:1962: mural "Pioneer Chapel Memorial",
530:Royal Victorian Institute of Architects
504:Royal Melbourne Institute of Technology
121:Mosaic murals and stained glass windows
1079:Galli, Leo C.; Waller, Napier (1918).
950:. Fitzroy BC, Vic.: AUS Art Editions.
820:1960: three stained glass windows for
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890:"Waller, Mervyn Napier (1893 - 1972)"
675:in 1953 and a Companion (CMG) of the
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1659:Argus (Melbourne, Vic.: 1848 - 1957)
1375:MacDonald, J.S. (15 December 1933).
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478:He took no major commissions during
1655:"Decoration For Insurance Building"
1530:"Waller, Mervyn Napier (1893–1972)"
1298:Heritage Victoria National Database
1248:Moore, William (1 September 1927).
836:The Eight Aboriginal Tribal Headmen
722:1927: mural for the Menzies Hotel,
528:On 6 May 1930 Waller addressed the
895:Australian Dictionary of Biography
768:I’ll Put a Girdle Around the Earth
285:Australian Dictionary of Biography
14:
1221:Moore, William (1 October 1932).
677:Order of St Michael and St George
214:Order of St Michael and St George
1855:20th-century Australian painters
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105:Melbourne National School of Art
852:held by University of Melbourne
762:University of Western Australia
506:). His students there included
469:University of Western Australia
333:in Melbourne in drawing, under
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1458:Ashton, Julian (1 June 1925).
1136:. Melbourne: Edward A Vidler.
900:Australian National University
663:T. D. Hutton in August, 1991.
271:, completed in 1958. However,
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1865:People from Ivanhoe, Victoria
1830:Artists from Victoria (state)
1805:Napier Waller’s Leckie Window
1728:"WALLER HOUSE AND COLLECTION"
1504:"Waller House And Collection"
1419:The Australian Home Beautiful
1083:. Melbourne: Advocate Press.
760:, Great Gate, Winthrop Hall,
596:In the 1930s Waller began an
534:Stained Glass and Its History
1661:. 2 November 1928. p. 5
1634:National Gallery of Victoria
1568:Australian Heritage Database
1508:Heritage Council of Victoria
1413:Knight, Hattie (July 1927).
1403:; Retrieved 3 September 2013
1351:. 11 August 1927. p. 14
1325:. 2 February 1925. p. 9
829:St Andrew's Church, Brighton
1732:Victorian Heritage Database
1466:. Third Series (12): 49–50.
1383:. Third Series (53): 29–30.
805:Australian Symbolic Figures
758:The Five Lamps of Knowledge
673:Order of the British Empire
654:National Trust of Australia
219:Order of the British Empire
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1691:(5): 9, 33. November 1933.
1528:Draffin, Nicholas (1990).
1210:(2065). 11 September 1919.
1188:(10): 30. 10 October 1919.
1166:(2060): 40. 7 August 1919.
1044:Carden-Coyne, Ana (2009).
888:Draffin, Nicholas (1990).
868:The Doctor Blake Mysteries
610:hypertensive heart disease
589:In 1925 Christian's niece
459:Waller studied mosaics in
325:Napier Waller was born in
1113:(2039): 26. 13 March 1919
741:State Library of Victoria
627:and in the 1920s he read
455:Mosaics and stained glass
445:State Library of Victoria
374:, and they spent time in
363:Australian Imperial Force
231:
30:
1582:"Napier Waller monument"
1256:. Third series (21): 10.
1011:Miley, Caroline (2022).
995:(1): 33. 1 January 1919.
785:Ian Potter Museum of Art
1771:. Retrieved 28 May 2016
1759:. Retrieved 28 May 2016
812:Australian War Memorial
700:Australian War Memorial
484:Australian War Memorial
331:National Gallery school
277:University of Melbourne
265:Australian War Memorial
197:William Waller (father)
133:Australian War Memorial
1447:(3): 59–63. July 1930.
792:Women through the ages
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1755:Sydney Morning Herald
1178:"Melbourne Art Shows"
775:Florentino Restaurant
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553:writing on Waller in
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500:Working Men's College
490:, completed in 1958.
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200:Sarah Waller (mother)
37:Napier Waller in 1919
1825:Australian muralists
1250:"At Home and Abroad"
1081:Scattered War Leaves
773:1934: murals at the
729:1927: murals at the
661:Shire of Mount Rouse
392:Scattered War Leaves
380:Spanish Flu epidemic
243:Mervyn Napier Waller
47:Mervyn Napier Waller
1875:Australian amputees
1617:It's an Honour: CMG
1606:It's an Honour: OBE
1156:"Melbourne Chatter"
822:The Armidale School
737:Peace After Victory
731:Melbourne Town Hall
449:Peace After Victory
447:accepted his mural
424:Melbourne Town Hall
327:Penshurst, Victoria
1734:. 19 December 2019
1586:Monument Australia
1483:www.austlit.edu.au
1460:"M. Napier Waller"
1399:2019-03-05 at the
1103:"Satchel of Books"
857:In popular culture
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335:Frederick McCubbin
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1223:"Art and Artists"
1057:978-0-19-954646-6
909:978-0-522-84459-7
351:Christian Yandell
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25:Napier Waller
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1779:Bibliography
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1736:. Retrieved
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1710:. Retrieved
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1229:. p. 18
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1204:The Bulletin
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1115:. Retrieved
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1107:The Bulletin
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929:. Retrieved
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372:illustration
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339:Bernard Hall
324:
301:overtones".
295:theosophical
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127:Notable work
73:(1972-03-30)
57:19 June 1893
18:
1840:1972 deaths
1835:1893 births
831:, Melbourne
683:Major works
606:New Zealand
591:Klytie Pate
355:Castlemaine
94:Nationality
1819:Categories
1349:The Herald
1134:A nocturne
1089:1057930264
1031:1342128719
875:References
843:Prometheus
400:A Nocturne
367:Bullecourt
359:bombardier
305:Early life
97:Australian
53:1893-06-19
1477:Austlit.
1066:318585642
966:608565596
931:7 October
918:1833-7538
724:Melbourne
679:in 1959.
549:In 1925,
545:Reception
451:in 1928.
394:and poet
345:War years
273:Melbourne
257:mosaicist
102:Education
86:Monuments
79:Melbourne
61:Penshurst
1397:Archived
926:70677943
816:Canberra
494:Teaching
488:Canberra
475:(1935).
437:cartoons
429:asbestos
418:Muralist
412:linocuts
376:Tasmania
269:Canberra
253:muralist
1712:9 April
1639:9 April
1591:9 April
1539:29 June
1513:9 April
1488:9 April
1355:7 April
1329:7 April
1323:The Age
1303:7 April
1278:7 April
1233:7 April
1142:9257724
1117:8 April
863:Ivanhoe
667:Honours
461:Ravenna
441:Darebin
432:Celotex
353:, from
299:gnostic
191:Parents
182:
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139:Spouses
1769:Flickr
1738:14 May
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743:(1928)
639:Legacy
633:Virgil
598:affair
465:Venice
386:Career
208:Awards
1665:1 May
629:Homer
600:with
176:(
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158:(
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1740:2020
1714:2023
1667:2020
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1593:2023
1541:2019
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1331:2023
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1235:2023
1138:OCLC
1119:2023
1085:OCLC
1062:OCLC
1052:ISBN
1027:OCLC
1017:ISBN
962:OCLC
952:ISBN
933:2008
922:OCLC
914:ISSN
904:ISBN
631:and
619:and
463:and
68:Died
43:Born
532:on
398:'s
297:or
249:OBE
246:CMG
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