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268:(born 1970) is an Australian conceptual artist and filmmaker, who has lived and worked in New York and Melbourne. Johns-Messenger is best known for her large-scale site-determined installations that examine spatial perception and light. Her work is a process of imitation, illusion and trickery, often activated by architectural interventions and optical physics.
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and geometry is also implemented within her practice. Johns-Messenger critically examines the role of the body in space. Her primary concern with altering ordinary "ways of seeing" began during early childhood, where she spent days sketching, conceptualising and photographing shapes from ordinary
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to produce a new experiential sculptural framework. She creates representations or abstractions from the original architecture, using material devices such as, periscopic mirrors, live video projections and architectural mimicry to produce large-scale installations. Her interest in
371:, her final graduate film at Columbia, won numerous awards at the 2012 Columbia University Film Festival, including the Alumni Award for Best Film, National Board of Review Motion Pictures Award and the Adrienne Shelly Foundation Best Director Award.
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Johns-Messenger commenced her art practice as a painter. She earned a
Bachelor of Fine Arts with First Class Honours in 1994, and in 2000 she completed a Masters of Fine Arts (MFA) at the
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Natasha Johns-Messenger, Alterview 2013, Percent for Art, New York City
Department of Cultural Affairs Commission, Hunters Point, New York
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367:, New York, marking a shift into narrative film, where she combines her interest with abstraction and the moving image into real time.
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with her then collaborative group OSW, Open
Spatial Workshop (Bianca Hester, Scott Mitchell and Terri Bird), for their sculpture
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for No Longer Empty, New York at
Governor’s Island. In 2007, she won the Den Haag Sculptuur Rabo Bank Prize presented to her by
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Natasha Johns-Messenger, Automated Logic, NEW 06, Australian Centre for
Contemporary Art (ACCA), 2006. Curated by Juliana Engberg
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Natasha Johns-Messenger, Automated Logic, NEW 06, Australian Centre for
Contemporary Art (ACCA), 2006. Curated by Juliana Engberg
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Natasha Johns-Messenger, Automated Logic, NEW 06, Australian Centre for
Contemporary Art (ACCA), 2006. Curated by Juliana Engberg
505:. Due to run from 28 February to 12 June, the exhibition was cut short by the closure of the Samstag in March 2020 owing to the
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PR Newswire (31 July 2012). "The
Adrienne Shelly Foundation Announces Five New 2012 Grant Recipients".
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Sachs, Bernhard, HERE, Catalogue essay, Gertrude
Contemporary Art Space, Melbourne Australia 2000
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and was featured in 40 film festivals and won numerous awards. Her first film after graduation,
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423:. In 2009/10 Johns-Messenger was commissioned by the New York Public Art Fund, for her work
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Johns-Messenger has been curated into international group exhibitions alongside artists
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303:. Johns-Messenger's mother, Catherine Marie Johns, is a poet and novelist. Her father,
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It may require cleanup to comply with
Knowledge (XXG)'s content policies, particularly
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in collaboration with Johns-Messenger. It had also been Australia's entry in the 2018
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Easton,Craig. Natasha Johns-Messenger:HERE, Eyeline Contemporary Visual Arts, 2001
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Johns-Messenger's practice includes photography, digital painting and sculpture.
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Heart of Glass: Reflection/Perception and the work of Natasha Johns-Messenger
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Strahan, Lucinda. Coming from the Right Angle, The Age Review, 17 January
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Shannon, Julie. A double take in New York Space, Artery Issue 12, 2010
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Turning on Axes of Light: Natasha Johns-Messenger & Leslie Eastman
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Johns-Messenger is the great-granddaughter of Australian rugby legend
819:"Natasha Johns Messenger Wins 2007 Den Haag Sculpture Rabobank Award"
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The Arts Show (October), featured artist, hosted by Bruce Berryman,
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867:"Adelaide//International maps the juncture of art and architecture"
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Frost, Andrew. Super glossy, Australia Style Magazine, Issue 64
344:(RMIT). She has exhibited at major institutions, including the
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527:"Natasha Johns-Messenger - Installation Artist and Filmmaker"
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and the Contemporary Centre for Photography in Melbourne.
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Benedictus, Luke (26 March 2006). "A shot of the New".
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788:"The Hague Sculpture 2008 Freedom- American Sculpture"
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A major contributor to this article appears to have a
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Crafti, Stephen (2004). "Through the looking Glass".
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In 2012 Johns-Messenger completed an MFA in Film at
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1047:, The Age, The Culture, Visual Arts, 3 October 2002
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Los Angeles International Underground Film Festival
821:. Australia Council for the Arts. 31 October 2007
767:. Los Angeles International Underground Film Fest
383:, won Best Student Film and Best Actress at the
841:"Melbourne Prize Trust » Urban Sculpture"
1157:Columbia University School of the Arts alumni
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53:Learn how and when to remove these messages
962:The Tyranny of distance for Australian Art
706:Museum of Contemporary Primavera Catalogue
319:Johns-Messenger employs the principles of
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751:The Adrienne Shelly Foundation Newsletter
251:Learn how and when to remove this message
233:Learn how and when to remove this message
176:Learn how and when to remove this message
110:Learn how and when to remove this message
1001:, Australian Centre for Contemporary Art
950:, The Age, The Culture, 27 November 2002
73:This article includes a list of general
1019:, No Longer Empty Catalogue Essay, 2011
1010:, LIKE Art Magazine, No 12- Winter 2000
987:, LIKE Art Magazine, No 11- Autumn 2000
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342:Royal Melbourne Institute of Technology
590:"Inside the fantasy world of the edgy"
493:centred around an installation called
452:Australian Centre for Contemporary Art
435:, and in 2005 Johns-Messenger won the
354:Australian Centre for Contemporary Art
137:contains content that is written like
1162:21st-century Australian women artists
704:Kahn, Jeff (2004). "Primavera 2004".
573:Wise, Kit (March 2005). "Pointform".
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765:"2011 Winter Winners and Selections"
670:Strahan, Lucinda (17 January 2004).
346:Museum of Contemporary Art Australia
1040:, The Age Review, 28 September 2005
973:, Sydney Morning Herald, 2 May 2010
719:Contemporary Centre for Photography
437:Melbourne Prize for Urban Sculpture
309:Australian civil celebrant movement
79:it lacks sufficient corresponding
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1152:21st-century Australian sculptors
980:Indesign Magazine, Issue 43, 2010
865:Llewellyn, Jane (17 March 2020).
34:This article has multiple issues.
1064:, LIKE Art Magazine, No 16, 2001
955:Inside the fantasy world of edgy
588:Colless, Edward (3 April 2006).
433:Queen Beatrix of the Netherlands
358:Gertrude Contemporary Art Spaces
213:. Please discuss further on the
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1137:Australian installation artists
1033:, The Age Review, 12 April 2006
924:. University of South Australia
898:. University of South Australia
458:, "Freedom-American Sculpture"
42:or discuss these issues on the
957:, The Australian, 3 April 2006
730:Crafti, Stephen (2 May 2010).
551:Crafti, Stephen (2 May 2010).
507:COVID-19 pandemic in Australia
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1117:Australian conceptual artists
672:"Coming from the Right Angle"
462:(Den Haag), The Netherlands;
1003:, Melbourne, Australia, 2011
948:Making Gertrude’s Walls Talk
503:Venice Architecture Biennale
1038:Experimenta Vanishing Point
732:"If they can make it there"
691:SDQ- Scene Design Quarterly
553:"If they Can Make it There"
375:went on to premiere at the
16:Australian sculptor, artist
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1024:New Coat of Paint, The Age
446:Other exhibitions include
1031:Breathing life into Space
970:If they can make it there
628:(Spring vol.48): 542–550.
620:Johns, Catherine (1989).
557:The Sydney Morning Herald
1147:Australian photographers
1122:Women conceptual artists
654:The Age Preview Magazine
483:Adelaide//International
266:Natasha Johns-Messenger
94:more precise citations.
1127:RMIT University alumni
1045:Artfair hits high mark
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960:Coslovich, Gabriella.
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736:Sydney Morning Herald
642:Retrieved 29 May 2018
610:Retrieved 29 May 2018
468:Gallery of Modern Art
450:, 2011, at ACCA, The
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299:and sister of singer
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211:neutral point of view
158:neutral point of view
427:and in 2010 created
377:Warsaw Film Festival
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999:Power to the People
871:The Adelaide Review
802:"The Sixth Borough"
365:Columbia University
305:Dally Messenger III
150:promotional content
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485:exhibition at the
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1107:1970 births
892:"What's on"
640:About Dally
575:UN Magazine
536:3 September
399:Exhibitions
325:visual arts
100:August 2014
92:introducing
1101:Categories
850:15 January
786:VCU Arts.
513:References
441:groundings
425:ThisSideIn
413:Dan Graham
291:Background
146:improve it
75:references
39:improve it
918:"COVID19"
825:29 August
771:29 August
693:(14): 12.
481:The 2020
460:The Hague
373:Blackwood
369:Blackwood
337:objects.
334:seriality
215:talk page
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1008:Sense of
577:: 28–29.
491:Adelaide
472:Brisbane
470:(GOMA),
466:, 2008,
464:Of Water
381:Off-Ramp
223:May 2024
166:May 2024
1075:3RRR-FM
928:4 April
922:Samstag
902:4 April
896:Samstag
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676:The Age
626:Meanjin
88:improve
1077:, 2002
1052:Fixate
448:Yellow
352:, the
350:Sydney
315:Career
77:, but
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