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355:... a noticeably fresh and warm chorus sound, tighter and better blended than I’ve heard from the NGSOC before. The choreography (by Mary MacDonagh) is energetic and inventive, and the orchestra, too, sounds smart, full and generally on point. ... onductor Timothy Burke set out as he meant to continue, with considerable energy and finesse. ... Savournin’s eye for comic detail ... it’s a lively, funny show, with heart and voice both exactly where they should be.
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257:, noted, "The music was up to usual high standard, with the orchestra ... giving a superb and sprightly reading of the Overture and score throughout." Another reviewer of that production commented: With a reputation for strong casts energetic delivery, traditionally fresh interpretations are brought to roles. ... Care is always taken with the staging and lighting of these ... productions and, as with
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The company's performances are accompanied by the festival's
National Festival Orchestra. It generally presents four productions each year at the festival, and the festival sells videos of most of its productions. In 2018, in connection with the 25th anniversary of the International G&S Festival,
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and continued: "They are a real find with strong production values, a great orchestra and first class singing. ... It all looks marvellous with picture book settings and eye catching costumes plus a full and energetic cast. ... The chorus work is top notch, and they all come across as individuals."
53:
The company performs full-scale productions of the
Gilbert and Sullivan works, with orchestra, using period settings and costumes. Since 2010, in addition to its performances at the festival, the company has generally performed one or more of its productions in an additional venue either before or
225:
late in August, and all three of its 2013 productions transferred there in late August. The company toured three of its 2014 productions in repertory from June to August 2014, giving seven performances in each of six cities. Since 2015, besides
Harrogate, the company has toured its productions to
74:
continuously, year-round, for over a century, closing in 1982. Until the
Gilbert and Sullivan copyrights expired in 1961, no other professional theatre or opera companies were allowed to present the Savoy Operas in Britain, although professional companies performed the operas in North America,
19:
367:. A 2024 review commented, "There is a delicious sense of Victorian values in this performance. ... The National Festival Orchestra plays with real finesse and lyricism, with Murray Hipkin’s direction bringing out many an eloquent detail of Sullivan’s scoring. In short, a treat."
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reviewed the 2015 tour, stating: "This company is so polished, so well-versed in the eccentricities of
Gilbert and Sullivan operettas, with excellent singing voices coupled with clear diction ... and comedic skill. ... tuneful, jolly, laugh-out-loud evening’s entertainment.
128:
In 1995, the operators of the
International Gilbert and Sullivan Festival formed an opera company to provide festivalgoers with professional productions of the Savoy operas. The company was soon called the Gilbert & Sullivan Opera Company. It engaged such performers as
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pandemic). On most weeknights, the festival features a competition among amateur companies from all over the world. On weekends, however, the festival offers professional performances given by companies such as the
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765:
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Uniquely among professional companies in
Britain, other than D'Oyly Carte, the National Gilbert & Sullivan Opera Company has presented all 13 of the extant Savoy Operas. The company first performed
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in
Britain since the 19th century, which was one of its four productions that year. Since 2013, the company has given up to 16 performances over the course of the festival at its new home in
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was founded by Ian and his son Neil Smith partly to fill the gap left by the closure of D'Oyly Carte, and it has been held every August since then in
England (except 2020, due to the
75:
Australia and elsewhere, and numerous amateur
Gilbert and Sullivan companies performed around the world. After 1961 other professional groups began to perform the operas in Britain.
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in 2011, an opera that has rarely been given a professional staging in Britain over the past century. In 2012 the company mounted the first full-scale professional production of
305:"superb", praising the principal cast, chorus and orchestra, but was disappointed in "the decision to make the Mikado ... a fun figure rather than a scary ruler." The company's
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called the Gilbert & Sullivan Opera Company's performers "some of the UK's finest exponents of musical theatre". A review of the company's 2010 production of
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after the festival. Since 2014, it has toured some of its productions to multiple British cities in repertory, giving up to 42 performances on tour.
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165:, David Steadman or Andrew Nicklin, among others, have served as music directors for the company. In 2014, the festival registered the company with
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Bradley, pp. 49–50; Joseph, p. 358. Between 1988 and 2003, a seasonal company used the name D'Oyly Carte. See Bradley, pp. 54–68
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Buxton Opera House, site of the festival from 1994 to 2013, is still used by the company to premiere its annual productions.
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Recordings of the company's productions are sold by the Festival on DVD. Some of the productions are also available on CD.
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several cities and towns in the UK, including the Festival's previous home, Buxton. After postponing touring during the
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gave the company four out of five stars, admiring its musical and comic polish, dancing and "magnificent" chorus.
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281:, "the performance sparkled; singing, acting, costumes, dramatic flow and orchestral playing were all splendid".
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In August and September 2010, the G&S Opera Company presented its first production outside of the festival,
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995:"Princess Ida, National Gilbert & Sullivan Opera Company review – sparkling comedy, wobbly sets"
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363:, the company earned praise for the direction, conducting and performances in its 2022 revival of
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99:, Charles Court Opera, and the festival's own National Gilbert & Sullivan Opera Company.
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review at Royal Hall, Harrogate – 'rare resuscitation of Arthur Sullivan's pedestrian work'"
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production, commenting: "This is giggle-making, girth-busting comic opera at it's [
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A review of the company's 2014 tour praised the direction, choreography and conducting of
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1310:, National Gilbert & Sullivan Opera Company review – charm where it matters"
341:] very best. Sensational singing with sumptuous scenery." A review of their
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39:
679:, The International Gilbert & Sullivan Festival, accessed 2 July 2018; and
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1126:, 11 June 2014; another review gave the production five stars. Marston, Paul.
1075:. Seen and Heard International, MusicWeb International, accessed 6 August 2010
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reviewer said that the company provided "glorious musical entertainment".
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863:, National Gilbert & Sullivan Opera Company review – bounded rapture"
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991:"The Yeomen of the Guard, National Gilbert & Sullivan Opera Company"
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the company presented six productions in Harrogate, Buxton and on tour.
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968:, The International Gilbert and Sullivan Festival, accessed 8 June 2014
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In 2017, a reviewer praised the principals and chorus of the company's
1118:"Review: The Pirates of Penzance at the Floral Pavilion, New Brighton"
1377:, International Gilbert and Sullivan Festival, accessed 26 June 2014
1358:, International Gilbert and Sullivan Festival, accessed 13 June 2014
1094:, International Gilbert and Sullivan Festival, accessed 13 June 2014
1073:"Buxton International Gilbert and Sullivan Festival 2010 – Iolanthe"
782:"Theatre: Gilbert & Sullivan heading to Harrogate and Newcastle"
755:, International Gilbert and Sullivan Festival, accessed 13 June 2014
658:"Theatre: Gilbert & Sullivan heading to Harrogate and Newcastle"
648:, International Gilbert and Sullivan Festival, accessed 13 June 2014
1395:
Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan
1016:, International Gilbert and Sullivan Festival, accessed 15 May 2017
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liked the cast, costumes and "infectious" humour of the company's
237:
111:
17:
626:, International Gilbert & Sullivan Festival, 11 November 2014
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made a Gilbert and Sullivan fan out of a sceptical reviewer. The
1105:"Buxton Gilbert and Sullivan Festival's remarkable Princess Ida"
942:"ClassicFest, Royal Hall and Harrogate Theatre, August 18 to 31"
351:
earned a rave review that praised the principal cast and noted:
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in 2022, directed by Jeff Clarke and conducted by John Andrews.
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337:
448:"Gilbert and Sullivan are still going strong after a century"
34:) is an English professional repertory company that performs
1416:
D'Oyly Carte Opera Company, 1875–1982: An Unofficial History
563:"Gilbert and Sullivan festival in Harrogate, August 2 to 26"
1051:"Gilbert and Sullivan classics will be on stage at Malvern"
681:" Feast of G and S is heading your way as festival returns"
766:"Review: National Gilbert & Sullivan Opera Company in
555:"Harrogate wins topsy-turvy battle over G&S Festival"
502:"Blow me down! Gilbert & Sullivan bows out of Buxton"
345:
was likewise effusive. The company's 2019 production of
1283:"Review: The National Gilbert & Sullivan Company's
993:, TheArtsDesk.com, 2 August 2016; and Bratby, Richard.
1107:, Bachtrack.com, 22 August 2013, accessed 28 June 2014
491:. Buxton Festivals archive, accessed 19 September 2010
169:
as the National Gilbert & Sullivan Opera Company.
1222:
opera reviews: Polished, zany and 'deliciously camp'"
926:"ClassicFest, Royal Hall, Harrogate, August 21 to 27"
600:"Review: International Gilbert and Sullivan Festival"
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in 2011. A reviewer said of their 2013 production of
22:
National Gilbert & Sullivan Opera Company poster
1699:
1611:
1502:
1287:, Royal Hall, Harrogate: Saturday, August 12, 2017"
801:"Facts and figures of Harrogate’s G&S Festival"
529:, British Sky Broadcasting, accessed 13 August 2010
267:show. ... Throughout, the chorus was outstanding.
1392:
983:, National Gilbert & Sullivan Opera Company"
910:"The Yeoman of the Guard, Oxford Castle, review"
108:Productions at the Gilbert and Sullivan Festival
1190:"Review of Iolanthe – Darlington Civic Theatre"
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523:"Sky arts at the Gilbert and Sullivan Festival"
221:. Two of its 2012 productions were repeated in
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825:"Haddon Hall is a Grundy and Sullivan Rarity"
580:"The Gilbert and Sullivan Opera Company (UK)"
537:
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273:"thoroughly enjoyed spirited production" of
28:National Gilbert & Sullivan Opera Company
8:
408:magazine, 8 March 1982, accessed 7 July 2010
402:1982 "Music: Final Curtain for D'Oyly Carte"
199:since the 19th century. The company revived
1676:People associated with Gilbert and Sullivan
1649:International Gilbert and Sullivan Festival
711:, 22 August 2011, accessed 17 February 2012
442:
440:
80:International Gilbert and Sullivan Festival
44:International Gilbert and Sullivan Festival
1644:Cultural influence of Gilbert and Sullivan
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774:, Royal Hall, Harrogate, August 12 and 13"
1844:1995 establishments in the United Kingdom
549:
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518:
516:
514:
469:
467:
1266:at Windsor – a 'yum-yum' of an operatta"
561:, 5 June 2014; and Hutchinson, Charles.
434:, 2 August 2009, accessed 14 April 2010.
1666:List of compositions by Arthur Sullivan
899:, 19 August 2010, accessed 13 June 2014
634:
632:
384:
230:, the company resumed touring in 2022.
1839:Gilbert and Sullivan performing groups
1085:"2010 G&S Opera Company Boxed Set"
746:"2012 G&S Opera Company Boxed Set"
639:"Professional Shows from the Festival"
1399:. New York: Oxford University Press.
1272:, Newsquest Media Group, 21 July 2017
124:, the company's main venue since 2014
97:New York Gilbert and Sullivan Players
50:, North Yorkshire, and also touring.
42:. Founded in 1995 to perform at the
7:
32:Gilbert & Sullivan Opera Company
1808:
997:, TheArtsDesk.com, 1 September 2017
989:, 10 August 2015; Bratby, Richard.
831:, 4 August 2018; and Hall, George.
589:, GSOpera.com, accessed 8 June 2014
428:"The Magic of Gilbert and Sullivan"
14:
207:Performances outside the festival
153:, Oliver White, Rebecca Bottone,
133:, Simon Butteriss, Bruce Graham,
1807:
1798:
1797:
1681:Works about Gilbert and Sullivan
1174:at Wolverhampton Grand Theatre"
1153:at Wolverhampton Grand Theatre"
1132:at Wolverhampton Grand Theatre"
721:"G&S Co take Festival Lead"
622:on 5 November 2014. See also:
417:Bradley, chapters four and six
1:
1034:at Buxton Opera House review"
301:and called its production of
829:Seen and Heard International
263:last year, they can match a
1349:Recordings available on DVD
1243:, Darlington Civic Theatre"
624:Announcement of name change
325:The Manchester Evening News
145:, Jill Pert, Gareth Jones,
1865:
1654:W. S. Gilbert bibliography
1624:D'Oyly Carte Opera Company
1418:. London: Bunthorne Books.
1368:Recordings available on CD
959:"G&S Opera Co on Tour"
64:D'Oyly Carte Opera Company
1793:
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751:11 November 2014 at the
1834:British opera companies
1581:The Yeomen of the Guard
1539:The Pirates of Penzance
1331:The Pirates of Penzance
1130:The Pirates of Penzance
1038:Manchester Evening News
772:The Yeomen of the Guard
506:Manchester Evening News
287:The Pirates of Penzance
214:The Yeomen of the Guard
103:History and description
89:Carl Rosa Opera Company
1012:24 August 2017 at the
908:Christiansen, Rupert.
780:, 17 August 2016; and
699:Christiansen, Rupert.
677:"What's On Guide 2018"
474:Festival history pages
454:6 October 2008 at the
357:
243:
125:
23:
1716:The Sapphire Necklace
1414:Joseph, Tony (1994).
1391:Bradley, Ian (2005).
1337:Theatre Reviews North
1195:8 August 2014 at the
1090:8 August 2014 at the
806:26 March 2018 at the
726:7 August 2012 at the
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241:
161:. John Owen Edwards,
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1639:Bridget D'Oyly Carte
1494:Richard D'Oyly Carte
1473:Gilbert and Sullivan
1373:18 July 2014 at the
1354:18 July 2014 at the
1281:Mogridge, Geoffrey.
964:3 March 2014 at the
891:14 July 2014 at the
812:Harrogate Advertiser
644:18 July 2014 at the
616:Company No. 09297497
585:14 July 2014 at the
68:Gilbert and Sullivan
36:Gilbert and Sullivan
1634:Rupert D'Oyly Carte
1251:, 16 September 2015
1212:Hartston, William.
1071:Walker, Raymond J.
884:Yeomen of the Guard
459:Sheffield Telegraph
270:The Daily Telegraph
163:David Russell Hulme
1772:The Rose of Persia
1724:The Contrabandista
916:, 2 September 2010
823:Walker, Ramond J.
598:Cockroft, Robert.
553:Chalmers, Graham.
489:"Buxton Festivals"
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1691:Performing groups
1304:Bratby, Richard.
1248:The Northern Echo
1007:"2017 Tour Dates"
977:Bratby, Richard.
857:Bratby, Richard.
787:The Northern Echo
733:Buxton Advertiser
685:Buxton Advertiser
663:The Northern Echo
361:COVID-19 pandemic
318:The Northern Echo
228:COVID-19 pandemic
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1518:Trial by Jury
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1484:W. S. Gilbert
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1560:Princess Ida
1558:
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1525:The Sorcerer
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1307:
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1285:Princess Ida
1284:
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1240:
1237:Heath, Sue.
1233:
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1220:HMS Pinafore
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675:Smith, Ian.
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72:Savoy Operas
61:
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40:Savoy operas
31:
27:
25:
15:
1813:WikiProject
1748:Haddon Hall
1708:Cox and Box
1686:Adaptations
1671:Grim's Dyke
1629:Helen Carte
1619:Savoy opera
835:Haddon Hall
618:filed with
196:Haddon Hall
159:Opera Babes
139:Barry Clark
1828:Categories
1783:(1901) w/
1567:The Mikado
1385:References
1264:The Mikado
1241:The Mikado
1216:The Mikado
1172:The Mikado
703:Utopia Ltd
371:Recordings
303:The Mikado
155:Ian Belsey
118:Royal Hall
66:performed
58:Background
1574:Ruddigore
1170:"Review:
1149:"Review:
1128:"Review:
946:The Press
930:The Press
842:The Stage
778:The Press
567:The Press
234:Reception
223:Harrogate
191:Harrogate
122:Harrogate
48:Harrogate
1803:Category
1553:Iolanthe
1546:Patience
1371:Archived
1352:Archived
1193:Archived
1151:Iolanthe
1088:Archived
1010:Archived
962:Archived
889:Archived
804:Archived
749:Archived
724:Archived
642:Archived
583:Archived
527:Sky Arts
452:Archived
307:Iolanthe
299:Iolanthe
265:West End
254:Iolanthe
248:Sky Arts
157:and the
84:COVID-19
1740:Ivanhoe
1732:The Zoo
1612:Related
1511:Thespis
1785:German
1775:(1899)
1767:(1898)
1759:(1894)
1751:(1892)
1743:(1891)
1735:(1875)
1727:(1867)
1719:(1867)
1711:(1866)
1503:Operas
1423:
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333:Mikado
95:, the
379:Notes
359:Post-
217:, at
1421:ISBN
1401:ISBN
1218:and
770:and
406:Time
291:The
116:The
62:The
26:The
338:sic
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