Knowledge (XXG)

Nazi storage sites for art during World War II

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minute by the local mine administration, the repository officers and the miners. On the night of 3–4 May 1945 it was possible to remove the embedded bombs from the mine. To bluff Gauleiter Eigruber and to prevent further access to the treasures the major entrances into the mine were blown up. After the occupation of Altaussee on 8 May 1945 by an American infantry unit, the art depot was seized by the
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and 98 million French francs (equivalent to 11 billion 2021 €). In other areas were 400 tons of artwork, and hundreds of tons of patent and other records, ammunition, library holdings (2 million books), and valises containing the confiscated valuables of the Third Reich's victims. By April 16 the US
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served as a huge repository for art stolen by the Nazis. It also contained holdings from Austrian collections. Initially, in August 1943, art treasures from Austrian churches, monasteries and museums were transferred into the mines for safekeeping, followed by, starting in February 1944, a stock of
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of the US Army captured the town of Merkers. Two days later, some military policemen encountered two local women who they escorted into town. The citizens commented on the use of the mine as they passed by it, and the story was soon confirmed. One entrance to the mine was already under guard, but
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gave orders to blow it up. For this intention he had eight bombs with 500 kg each transported into the tunnels. Hitler countermanded Eigruber's order, but after the "FĂĽhrer's" death the Gauleiter ignored this. Nevertheless, his order was not carried out. The destruction was prevented at the last
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at the main entrance. The gold was protected by a vault, which was eventually blasted. Inside was a room 75 x 150 feet containing 7,000 numbered bags of gold bar and coins, 250 tons in all. The vault stored currencies from across Europe, including 2.7 billion
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in Bavaria was used to store many artworks on the assumption that it was unlikely to sustain damage in war. It housed art confiscated from Parisian Jews—more than 21,000 objects—and about 2,000 works from the
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building in Frankfurt, with a convoy of 30 overloaded ten-ton trucks under heavy protection, including air support. This procedure was repeated for the artwork. General
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there were four more, all of which were ordered guarded. Inside, US officials found 30 miles of galleries, and bags containing almost half a billion
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U.S. and Allied Efforts To Recover and Restore Gold and Other Assets Stolen or Hidden by Germany During World War II
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in the following years, where the difficult process of restitution began, which is still going on today.
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about 4,700 works of stolen art from all over Europe. These artworks were accumulated under the alias
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Altaussee, May 1945 after the removal of the eight 500 kg bombs at the Nazi stolen art repository.
873: 158: 41: 203: 189:). The entrances were opened again and the rescue work began. The artworks were brought to the 922: 906: 671: 639: 570: 566: 458: 416: 275: 102: 404:) contained a large cache of art and artifacts. They included the relics of Charlemagne from 558: 467: 405: 257: 248: 239: 230: 221: 212: 120: 590: 531: 177: 783: 150: 78: 73: 949: 914: 799: 408:, as well as paintings, sculpture, manuscripts, and other objects from German museums. 974: 559: 170: 815: 312: 115: 97: 25: 300: 335: 505: 77:(Special Commission: Linz) by Adolf Hitler and were intended for the planned 444: 423:
where many plundered art works were stored by the Nazis during World War II.
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In April 1945, as the Allied troops approached the salt mine, Gauleiter
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The Safekeepers: A Memoir of the Arts at the End of World War II
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Between 1943 and 1945, the extensive complex of salt mines in
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Monuments, Fine Arts, and Archives program ("Monuments Men")
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The Arts in Nazi Germany: Continuity, Conformity, Change
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visited the mine sometime in April to examine the find.
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The collection of the Kaiser-Friedrich Museum (now the
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Monuments Men Foundation for the Preservation of Art
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The US Army in the Occupation of Germany, 1944–1946
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The Faustian Bargain: The Art World in Nazi Germany
666:Huener, Jonathan; Nicosia, Francis R. (2006). 869:Washington Principles on Nazi-Confiscated Art 741: 8: 638:. Government Printing Office. pp. 228–230. 167:Fallschirm-Panzer Division 1 Hermann Göring 748: 734: 726: 149:which were to be focal points of Hitler’s 991:Art theft and looting during World War II 821:Art theft and looting during World War II 501:No Looted Art in Hitler's Museum in Linz 333:began moving the gold and currency to a 92:The contents of the repository included 609:United States State Department (1997). 490: 345: 199: 24:and other objects that had been either 295:The Kaiseroda salt mine complex near 7: 526: 524: 522: 28:or moved for safekeeping at various 565:. Oxford University Press. p.  441:Kulturhistorisches Museum Magdeburg 434:Bavarian State Painting Collections 703:The Painter on the Way to Tarascon 367:Eisenhower inspects stolen artwork 355:Nazi gold in the Merkers salt mine 14: 30:storage sites during World War II 795:Reichsleiter Rosenberg Taskforce 498:Lohr, Hanns (20 November 2000), 360: 348: 265: 256: 247: 238: 229: 220: 211: 202: 701:"Vincent van Gogh (1853-1890). 670:. Berghahn Books. p. 140. 958:Republic of Austria v. Altmann 655:Monuments Men Inside the Mines 557:Petropoulos, Jonathan (2000). 1: 902:(1994 book, 2006 documentary) 863:The Spoils of War (symposium) 191:Central Art Collecting Point 538:. Atlas Obscura. 4 May 2022 1007: 626:. Walter de Gruyter. p. 30 451:Notable artworks recovered 311:for safekeeping, and many 810:Degenerate Art Exhibition 777:paintings by Adolf Hitler 279:being recovered from the 157:, and paintings from the 96:-owned treasures such as 790:Reich Chamber of Culture 381:Sign at the site of the 299:stored over 400 million 766:and during World War II 764:In Nazi Germany, before 32:. These sites included 536:Atlas Obscura - Places 424: 389: 320:90th Infantry Division 318:On April 4, 1945, the 63: 20:looted and stole art, 429:Neuschwanstein Castle 421:Neuschwanstein Castle 419: 380: 61: 44:and a copper mine at 757:Art and World War II 622:Walter Ings Farmer, 341:Dwight D. Eisenhower 309:Berlin State Museums 126:Saint Bavo Cathedral 89:(FĂĽhrer's library). 986:20th century in art 773:Art in Nazi Germany 477:In the Conservatory 281:Altaussee salt mine 145:The Art of Painting 52:Altaussee salt mine 918:(2007 documentary) 899:The Rape of Europa 883:In popular culture 874:Gurlitt Collection 831:Nazi storage sites 425: 390: 159:Capodimonte Museum 108:Church of Our Lady 74:Sonderauftrag Linz 64: 968: 967: 923:The Monuments Men 907:Rescuing Da Vinci 826:Looting of Poland 459:Madonna of Bruges 289:Merkers salt mine 276:Madonna of Bruges 103:Madonna of Bruges 998: 836:stolen paintings 750: 743: 736: 727: 720: 719: 717: 715: 697: 691: 688: 682: 681: 663: 657: 652: 646: 633: 627: 620: 614: 607: 601: 600: 598: 597: 587: 581: 580: 564: 554: 548: 547: 545: 543: 528: 517: 516: 515: 513: 504:, archived from 495: 468:Ghent Altarpiece 406:Aachen Cathedral 402:Alte Silberkaute 364: 352: 269: 260: 251: 242: 233: 224: 215: 206: 121:Ghent Altarpiece 106:stolen from the 87:FĂĽhrerbibliothek 1006: 1005: 1001: 1000: 999: 997: 996: 995: 981:Nazi-looted art 971: 970: 969: 964: 937: 878: 842: 804:Entartete Kunst 765: 759: 754: 724: 723: 713: 711: 699: 698: 694: 690:Petropoulos, 41 689: 685: 678: 665: 664: 660: 653: 649: 634: 630: 621: 617: 608: 604: 595: 593: 589: 588: 584: 577: 556: 555: 551: 541: 539: 530: 529: 520: 511: 509: 497: 496: 492: 487: 453: 414: 375: 368: 365: 356: 353: 291: 284: 283: 270: 261: 252: 243: 234: 225: 216: 207: 178:August Eigruber 54: 12: 11: 5: 1004: 1002: 994: 993: 988: 983: 973: 972: 966: 965: 963: 962: 954: 950:Menzel v. 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Index

gold
plundered
salt mines
Altaussee
Merkers
Siegen

Altaussee
Sonderauftrag Linz
FĂĽhrermuseum
Linz
Belgian
Michelangelo
Madonna of Bruges
Church of Our Lady
Bruges
Jan van Eyck
Ghent Altarpiece
Saint Bavo Cathedral
Ghent
Vermeer
The Astronomer
The Art of Painting
FĂĽhrermuseum
Linz
Capodimonte Museum
Naples
Fallschirm-Panzer Division 1 Hermann Göring
Monte Cassino
August Eigruber

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