Knowledge (XXG)

Neck-through-body construction

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146: 126: 36: 316:) used to connect the neck to the body requires significant area to be able to provide sound structural integrity to act against the string's tension and bond body to neck totally stably to ensure tuning stability of the instrument. Heel mass then becomes an obstacle when attempting to reach higher registers of the 350:
construction. As both ends of the guitar string are attached to the same piece of wood that runs the length of the instrument, more of the string's energy runs across the instrument, passing more of the string's harmonic content to the pickups in comparison with a bolt-on instrument.
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However, some opine that a neck-thru guitar sounds different to a bolt-on construction instrument. Many musicians assert that neck-through construction provides greater sustain, richer overtones and increased tuning stability inherent in the design when compared to a
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is the term used to describe the thickened area of the end of the neck and/or body where the neck is attached to the body. Body-neck connection area thickening is required for structural integrity. In violins this area's called the "button", "saddle" or "nose".
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or set-neck by creating a heel and affixing the new neck to the core already in place, rather than to try to repair the neck itself. However, thanks to excellent stability and reaction to string tension and pressure, neck-through guitars tend to be more sturdy.
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in 1941, can be considered as a forerunner of neck-through designed instrument. Les Paul built the model using a recycled 4x4 fence post as the neck and body core, and mounted the disassembled parts of an Epiphone and Gibson archtop guitar onto it.
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are all mounted on this central core. Additional body side components (if any) that fill-out its shape are glued or mechanically attached to this central core. These are referred to as "wings". The construction technique is also used on electric
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Repairs to the neck are usually expensive and tedious. In many cases, it is usually easier to remove the old neck completely, either by taking the wings off and putting an entirely new core in, or by converting the guitar to a
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The area where the neck attaches to the body is naturally a weak zone. There's a lot of pressure exerted on the instrument due to the combined tension of all the strings pulling on the instrument between the
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the neck-body transition area (which would be the heel) to a minimum, sometimes almost relieving the heel entirely. This allows easier, sometimes unhindered, access to the upper registers.
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In 1956 Rickenbacker was one of the first guitar manufacturers to use the modern variant of this technique, although this was originally restricted exclusively to semi-hollowbody guitars.
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style construction methods. However, it's less costly than the very rare and difficult "one-piece" fabrication out of an entire instrument fabricated out of a single piece of material.
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The construction method is also popular with independent guitar builders, who can typically devote more time to such a labour-intensive neck joint than a mass-producing company could.
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Neck-through construction allows easier access to higher frets because there is no need for a bulky heel as there is no neck-to-body connection. In such an instrument, the neck
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This JJ Hucke Antarctica model has neck-thru construction with no discernible heel. This greatly facilitates high fret access. The neck is
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and core of its body into a single unit. This may be made of a solid piece of wood, or two or more laminated together. The strings,
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or solo playing, this benefit is very minimal and will still necessitate increased cost of the production method.
214: 480: 264: 412: 206: 157: 97: 473: 53: 308:. The neck-body connection area is weaker if you have to join a separate neck to a body. The screws ( 125: 305: 291:
The most important benefit for the player of a neck-thru guitar is the reduction of heel mass. The
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model guitars with differing construction methods. On the left is neck-through construction with a
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Studio guitar. Despite its neck-thru construction, it still has a bulky heel with little or no
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into the body of such an instrument. When constructing a neck-through guitar the luthier can
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Neck-through-body construction is considerably more expensive than the traditional glued
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constructions and is primarily found on high-end guitars. It is somewhat more common in
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alone, or players that do not reach up to the highest registers of the fretboard in
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The first electric bass guitar, the solid-body "Audiovox 736" created by
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Neck-through construction is significantly harder to mass-produce than
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The 1952-57 Harmony H44 had this construction feature.
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This structure is used by many companies, including
481: 249:circa 1937, had a neck-through construction. 8: 201:construction that combines the instrument's 62:introducing citations to additional sources 488: 474: 466: 456:Rickenbacker International Corporation: 52:Relevant discussion may be found on the 449: 27:Method of electric guitar construction 458:The Modern Era of the Electric Guitar 7: 25: 149:Two headless .strandberg* Boden 73:"Neck-through-body construction" 45:relies largely or entirely on a 34: 1: 438:are also built neck-through. 268:Neck-through construction on 423:, .strandberg*, Dean, Halo, 430:Many configurations of the 561: 504: 334:For players of rhythm or 460:, retrieved 14 June 2012 403:(primarily on basses), 252:"The Log", a prototype 164:wings. On the right is 277: 183: 178:body. Both necks have 142: 137:while the "wings" are 267: 148: 128: 180:carbon reinforcement 58:improve this article 545:Guitar neck joints 496:String instrument 366:than in guitars. 278: 184: 174:Mahogany neck and 143: 532: 531: 519:Neck-through body 427:and many others. 254:solid-body guitar 197:) is a method of 187:Neck-through-body 123: 122: 108: 18:Neck-through-body 16:(Redirected from 552: 490: 483: 476: 467: 461: 454: 118: 115: 109: 107: 66: 38: 30: 21: 560: 559: 555: 554: 553: 551: 550: 549: 535: 534: 533: 528: 500: 494: 464: 455: 451: 447: 432:Gibson Firebird 381: 289: 243: 199:electric guitar 119: 113: 110: 67: 65: 51: 39: 28: 23: 22: 15: 12: 11: 5: 558: 556: 548: 547: 537: 536: 530: 529: 527: 526: 521: 516: 511: 505: 502: 501: 495: 493: 492: 485: 478: 470: 463: 462: 448: 446: 443: 385:Parker Guitars 380: 377: 288: 285: 242: 239: 121: 120: 56:. Please help 42: 40: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 557: 546: 543: 542: 540: 525: 522: 520: 517: 515: 512: 510: 507: 506: 503: 499: 491: 486: 484: 479: 477: 472: 471: 468: 459: 453: 450: 444: 442: 439: 437: 433: 428: 426: 422: 418: 414: 410: 406: 402: 398: 394: 390: 386: 378: 376: 373: 367: 365: 361: 357: 352: 349: 343: 341: 337: 332: 330: 326: 321: 319: 315: 311: 307: 303: 297: 294: 287:Pros and cons 286: 284: 281: 275: 271: 266: 262: 259: 255: 250: 248: 240: 238: 236: 232: 227: 225: 220: 216: 212: 208: 204: 200: 196: 192: 188: 181: 177: 173: 170: 167: 163: 159: 158:Roasted Maple 156: 152: 147: 140: 136: 132: 127: 117: 106: 103: 99: 96: 92: 89: 85: 82: 78: 75: –  74: 70: 69:Find sources: 63: 59: 55: 49: 48: 47:single source 43:This article 41: 37: 32: 31: 19: 518: 452: 440: 429: 425:Rickenbacker 397:Cort Guitars 382: 368: 353: 344: 333: 322: 298: 292: 290: 282: 279: 251: 247:Paul Tutmarc 244: 235:bolt-on neck 228: 224:bass guitars 195:neck-through 194: 190: 186: 185: 131:flamed Maple 111: 101: 94: 87: 80: 68: 44: 524:Set-through 498:neck joints 436:Thunderbird 421:ESP Guitars 360:set-in neck 336:open chords 312:) or glue ( 231:set-in neck 172:quartersawn 155:quartersawn 135:Purpleheart 445:References 274:chamfering 189:(commonly 114:March 2011 84:newspapers 318:fretboard 256:built by 211:fretboard 191:neck-thru 166:chamfered 162:Swamp Ash 160:neck and 54:talk page 539:Category 413:Schecter 314:set-neck 304:and the 258:Les Paul 176:Mahogany 509:Bolt-on 409:Alembic 405:Jackson 389:BC Rich 372:bolt-on 356:bolt-on 348:bolt-on 329:chamfer 310:bolt-on 241:History 215:pickups 182:strips. 169:bolt-on 98:scholar 514:Set-in 417:Carvin 401:Ibanez 393:Yamaha 364:basses 325:morphs 306:bridge 302:tuners 270:Ibanez 219:bridge 139:Poplar 133:& 100:  93:  86:  79:  71:  151:Plini 105:JSTOR 91:books 434:and 340:lead 293:heel 233:and 217:and 203:neck 77:news 379:Use 358:or 207:nut 193:or 60:by 541:: 419:, 415:, 411:, 407:, 399:, 395:, 391:, 387:, 320:. 226:. 213:, 209:, 489:e 482:t 475:v 141:. 116:) 112:( 102:· 95:· 88:· 81:· 64:. 50:. 20:)

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Neck-through-body

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flamed Maple
Purpleheart
Poplar

Plini
quartersawn
Roasted Maple
Swamp Ash
chamfered
bolt-on
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Mahogany
carbon reinforcement
electric guitar
neck
nut
fretboard

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