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Nedunalvaadai

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with living with a son named Elango, as well as a daughter, so she returns to her father. Chellaiah, though unhappy about her act of eloping, takes her family in and starts to support them. However, Kombaiah does not like this. Chellaiah loves and supports his daughter's family and takes care of the education of the grandchildren. Elango, while in his study days, falls for a girl in the village named Amudha. Chellaiah advises Elango about how important taking care of the family is and what his responsibilities are. He warns him about the effects of falling in love at this age while he has to be responsible and supportive to the family. Elango is left trying to balance family and love.
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has to go through a lot, internally. These are some of the things I looked into before writing.” Selvakannan says, "The movie deals with two issues. Unlike male offspring who has the right to inherit property, the daughters in the family are not given equal rights and recognition. Secondly, the women are always portrayed in a bad manner and blamed for love failures. It is not so. I have reasoned out their side of reality in the film".
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Selvakannan says that the female character is central theme of the film. Through his film, Selvakannan wanted to question the representation of women in mainstream cinema, “People howl and whistle to scenes that are deeply sexist. It’s easy for men to express their emotions post break-up. But a woman
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Chellaiah is a simple farmer. He cares so much for the family. He has a son named Kombaiah and a daughter named Pechiamma, who elopes to marry the love of her life, but he is a drunkard and does not care about his family. Unfortunately, Pechiamma left her husband, and she faces challenges to carry on
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gave 3.5 out of 5 stars for Nedunalvaadai and wrote, "Debutant director Selvakannan gifts a pleasant surprise With the brilliant performance of Poo Ramu as an ageing farmer and the engaging writing of Selvakannan, Nedunalavadai, starring many newcomers, is definitely a surprise this month. Watch the
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is a crowd funded Tamil film. It's been jointly produced by 50 of his college mates joined to fund and produce this movie. It all started when one of Selvakannan's friends learned that the latter is struggling to get a producer for his directorial venture. He connected all the classmates through
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are the only two celebrities in the film," he laughs, "He didn't charge us a penny for writing the lyrics. One of the songs he has written for us – Karuvatheva Un Kannellam Kanneera – will be a highlight; he was inspired by his own grandfather while penning it". Theater personality
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written by Nakkeerar in Sangam literature, the film, as the title suggest, is about the pain of separation — of a man and woman, and a grandfather and his grandson. The movie was a
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gave the film 3 out of 5 and wrote, "Despite a few shortcomings, the film will work for those who love rural dramas which have ample dose of family bonding and relationships."
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written and directed by debutant director Selvakannan and produced by B-Star Productions. Inspired by the
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are in the supporting cast and several newcomers cast in the film. Selvakannan approached
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wrote, "A strong sense of rootedness prevails over Selvakannan’s crowdfunded movie".
499: 443: 424: 376: 324: 152: 596: 487: 910:"'Nedunalvaadai' movie review: Superlative performances elevate this rural drama" 662: 619: 600: 512: 459: 404: 392: 265: 574: 420: 400: 367: 353: 349: 257: 656: 372: 315: 936: 492: 362: 297: 272: 118: 810:"Nedunalvaadai is an intriguing tale of a grandfather and a grandson" 785:"Nedunalvaadai is an intriguing tale of a grandfather and a grandson" 395:. The shooting of the film took place around the village surrounding 348:
While the film mostly stars newcomers, Selva hired Kaviperarasu
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said, "Superlative performances elevate this rural drama".
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" 337:Development and crew 271:This film features 973:Indian drama films 914:New Indian Express 676:New Indian Express 670:The Times Of India 590:"Yedho Aagippochu" 531:Yen Peyar Anandhan 134:Vinoth Rathinasamy 110:B-Star Productions 650:Critical response 646: 645: 543: 542: 539: 538: 239: 238: 78: 77: 70: 980: 925: 924: 922: 920: 906: 900: 899: 897: 895: 881: 875: 874: 872: 870: 856: 850: 849: 847: 845: 831: 825: 824: 822: 820: 814:Deccan Chronicle 806: 800: 799: 797: 795: 781: 772: 771: 769: 767: 761:Deccan Chronicle 753: 744: 743: 741: 739: 725: 714: 713: 711: 709: 695: 551: 546: 508: 507: 454:6 September 2017 439:Soundtrack album 430: 381:Kasi Viswanathan 358:Kasi Viswanathan 252: 249: 234: 232: 228: 217: 215: 174: 172: 143:Kasi Viswanathan 83: 80:2019 Indian film 73: 66: 62: 59: 53: 48:this article by 39:inline citations 26: 25: 18: 988: 987: 983: 982: 981: 979: 978: 977: 948: 947: 933: 928: 918: 916: 908: 907: 903: 893: 891: 883: 882: 878: 868: 866: 858: 857: 853: 843: 841: 833: 832: 828: 818: 816: 808: 807: 803: 793: 791: 783: 782: 775: 765: 763: 755: 754: 747: 737: 735: 727: 726: 717: 707: 705: 697: 696: 689: 685: 652: 647: 633:"Thanga Kavadi" 534: 525: 516: 446: 417: 389: 356:sir and editor 339: 334: 294: 285: 250: 230: 229: 213: 212: 185: 178: 170: 168: 161: 123: 122:Elvis Alexander 121: 81: 74: 63: 57: 54: 44:Please help to 43: 27: 23: 12: 11: 5: 986: 984: 976: 975: 970: 965: 960: 950: 949: 946: 945: 932: 931:External links 929: 927: 926: 901: 889:Times of India 876: 851: 826: 801: 789:Times of India 773: 745: 733:Times Of India 715: 686: 684: 681: 651: 648: 644: 643: 640: 637: 634: 631: 627: 626: 623: 617: 614: 611: 607: 606: 603: 594: 591: 588: 584: 583: 580: 577: 572: 569: 565: 564: 561: 558: 555: 552: 544: 541: 540: 537: 536: 527: 518: 504: 503: 496: 495: 490: 484: 483: 480: 476: 475: 472: 468: 467: 462: 456: 455: 452: 448: 447: 442: 435: 434: 416: 413: 397:Vasudevanallur 388: 385: 338: 335: 333: 330: 329: 328: 322: 319: 313: 310: 304: 301: 293: 290: 284: 281: 255:Tamil language 237: 236: 224: 220: 219: 210: 206: 205: 202: 198: 197: 194: 190: 189: 186: 183: 180: 179: 177: 176: 164: 162: 159: 156: 155: 150: 146: 145: 140: 136: 135: 132: 131:Cinematography 128: 127: 116: 112: 111: 108: 104: 103: 100: 96: 95: 92: 88: 87: 79: 76: 75: 58:September 2017 30: 28: 21: 13: 10: 9: 6: 4: 3: 2: 985: 974: 971: 969: 966: 964: 961: 959: 956: 955: 953: 944: 940: 939: 938:Nedunalvaadai 935: 934: 930: 915: 911: 905: 902: 890: 886: 880: 877: 865: 861: 855: 852: 840: 836: 830: 827: 815: 811: 805: 802: 790: 786: 780: 778: 774: 762: 758: 752: 750: 746: 734: 730: 724: 722: 720: 716: 704: 700: 694: 692: 688: 682: 680: 678: 677: 672: 671: 665: 664: 659: 658: 654:Srivatsan of 649: 641: 638: 635: 632: 628: 624: 621: 618: 615: 612: 608: 604: 602: 598: 595: 592: 589: 585: 581: 578: 576: 573: 571:"Karuvatheva" 570: 566: 547: 533: 532: 528: 524: 523: 522:Nedunalvaadai 519: 515: 514: 510: 509: 505: 501: 500:Jose Franklin 497: 494: 491: 489: 485: 481: 477: 473: 469: 466: 463: 461: 457: 453: 449: 445: 444:Jose Franklin 440: 436: 433:Nedunalvaadai 431: 428: 426: 425:Jose Franklin 422: 414: 412: 408: 406: 402: 399:and the town 398: 394: 386: 384: 382: 378: 374: 370: 369: 364: 359: 355: 351: 346: 343: 342:Nedunalvaadai 336: 331: 326: 325:Senthi Kumari 323: 320: 317: 314: 311: 308: 305: 302: 299: 296: 295: 291: 289: 282: 280: 278: 274: 269: 267: 263: 259: 256: 245: 244: 243:Nedunalvaadai 235:(US$ 600,000) 225: 221: 218:(US$ 120,000) 211: 207: 203: 199: 195: 191: 187: 181: 166: 165: 163: 157: 154: 153:Jose Franklin 151: 147: 144: 141: 137: 133: 129: 126: 120: 117: 113: 109: 105: 101: 97: 93: 89: 86:Nedunalvaadai 84: 72: 69: 61: 51: 47: 41: 40: 34: 29: 20: 19: 16: 937: 917:. 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Retrieved 702: 674: 668: 661: 655: 653: 597:Shweta Mohan 529: 521: 520: 511: 418: 409: 390: 377:Senthikumari 366: 347: 341: 340: 327:as Pechiamma 286: 270: 253:) is a 2019 242: 241: 240: 184:Running time 175: (India) 160:Release date 64: 55: 36: 15: 864:India Today 663:India Today 620:Yazin Nizar 601:Yazin Nizar 513:Seemathurai 405:Tirunelveli 393:Tirunelveli 307:Anjali Nair 277:Anjali Nair 266:sleeper hit 188:122 Minutes 125:Anjali Nair 107:Produced by 102:Selvakannan 94:Selvakannan 91:Directed by 50:introducing 958:2019 films 952:Categories 683:References 636:Vairamuthu 616:Vairamuthu 593:Vairamuthu 575:Vairamuthu 502:chronology 421:Vairamuthu 415:Soundtrack 401:Puliangudi 354:Vairamuthu 350:Vairamuthu 332:Production 318:as Kombiah 258:drama film 223:Box office 171:2019-03-15 99:Written by 33:references 839:The Hindu 766:6 January 738:9 January 708:4 January 703:The Hindu 657:The Hindu 560:Singer(s) 373:Mime Gopi 316:Mime Gopi 309:as Amudha 139:Edited by 919:16 March 894:15 March 869:15 March 844:15 March 493:Saregama 479:Language 451:Released 441: by 363:Poo Ramu 298:Poo Ramu 273:Poo Ramu 201:Language 149:Music by 119:Poo Ramu 115:Starring 819:30 July 794:30 July 535:(2020) 526:(2017) 517:(2018) 387:Filming 248:transl. 233:5 crore 216:1 crore 193:Country 169: ( 46:improve 599:& 579:Deepak 563:Length 557:Lyrics 474:20.37 471:Length 209:Budget 35:, but 554:Title 488:Label 482:Tamil 460:Genre 204:Tamil 196:India 943:IMDb 921:2019 896:2019 871:2019 846:2019 821:2017 796:2017 768:2019 740:2019 710:2019 642:4.12 625:5.39 605:5.40 582:5:12 292:Cast 283:Plot 262:poem 227:est. 941:at 550:No. 423:. 368:Poo 954:: 912:. 887:. 862:. 837:. 812:. 787:. 776:^ 759:. 748:^ 731:. 718:^ 701:. 690:^ 630:4. 610:3. 587:2. 568:1. 279:. 268:. 923:. 898:. 873:. 848:. 823:. 798:. 770:. 742:. 712:. 246:( 231:₹ 214:₹ 173:) 71:) 65:( 60:) 56:( 42:.

Index

references
inline citations
improve
introducing
Learn how and when to remove this message
Poo Ramu
Anjali Nair
Kasi Viswanathan
Jose Franklin
Tamil language
drama film
poem
sleeper hit
Poo Ramu
Anjali Nair
Poo Ramu
Anjali Nair
Mime Gopi
Senthi Kumari
Vairamuthu
Vairamuthu
Kasi Viswanathan
Poo Ramu
Poo
Mime Gopi
Senthikumari
Kasi Viswanathan
Tirunelveli
Vasudevanallur
Puliangudi

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