1125:"...my first two subjects were William Carlos Williams, the poet and physician and probably, you could say, the precursor of--of modern poetry in America today. And the second subject was Man Ray, who was the photographer and painter who was also a great American figure. And I viewed Man Ray as a quintessential modernist figure. And what I did was if--William Carlos Williams, I was talking about a genre and the history of a genre. And then I decided the most important thing after that would be to try to define a period as a whole, the modern period as a whole, so Man Ray to me was the metaphor for the modernist period in art."
1130:"And then I thought, 'Well, I've dealt with two highly creative individuals, and I've explored their imaginations.' But I wanted to make the point that creativity and imagination are not the sole province of the artist, the--the humanist thinker. I wanted to show that invention, which was actually defined as an art in Edison's time--it was actually called the art of invention. I wanted to show that the inventive process, the creative process, they all stem from the--the--the deepest core of the imagination in--in a human being, and I wanted to connect all those creative processes in the context of an American vision."
225:
1135:"And if you look at the time frame for these three books--William Carlos Williams, Man Ray, Thomas Edison--they all begin sort of in the last vestiges of the industrial era and the romantic era in culture and they pass through the cataclysm of the wars and they end up sort of on the threshold of--of our day. And so I do think they all connect, even though on first blush it is--it's hard to see the connection, but I think there is a connection."
965:(1936) on the students. Vale invited Baldwin to sit in on the sessions, and he realized that -- after a lifetime devoted to writing books about wide-ranging aspects of American culture, industry, and innovation -- he had fortuitously landed upon the unexplored terrain that would consume his scholarly and creative energies for the coming decade and more, until his retirement from Montclair State University as
140:
1152:
32:
73:
772:, bringing authors to Native American reservations; the Summer Writing Camp, for talented NYC public high school students; and the Settlement House Program, in alliance with United Neighborhood Houses – ensured that the love of books and reading was promulgated to diverse, national constituencies.
708:, charged with rebuilding and rebranding the nearly-insolvent institution. Over the ensuing fourteen years at the helm, Baldwin, with a professional staff of five, governed by a generous and dedicated cadre of publishing executives, authors and philanthropic private citizens,
617:, was on the cusp of an urgently-needed five-year $ 350 million capital campaign when Baldwin was hired as a proposal writer for the Development Office. His first assignment was to research and generate the rationale for corporate underwriting of the conversion of
1080:
in lower
Manhattan, Baldwin’s story evolved exponentially, to embrace a large, fiercely lived life, beset by conflict, competition, and loneliness—filled with fire and inspiration, drive, passion, dedication, and sacrifice in work and in dance creation.
625:
to take over the Office of
Foundation Giving; and, soon thereafter, was named Manager of The Annual Fund for The Campaign for the Library, with a goal to raise $ 10 million per year in operating support. In 1986, the Baldwins, with their two children,
978:(1894-1991) was the legendary American dancer and choreographer who upended dance, propelling the art form into the modern age, and whose profound and pioneering influence is still being felt today. Time magazine called her
847:
hired
Baldwin as the Distinguished Visiting Professor in the Department of History. After teaching modern intellectual and American cultural history for the 2006-7 academic year, Baldwin was recruited by the Dean of the
621:, from index file cards to computerization. After a few months at an electric typewriter in a cubicle overlooking Bryant Park in the labyrinthine stacks, Baldwin was tapped by VP for Development and Public Affairs
322:. He is the 2024-2026 External Mentor for the National Park Service Mellon Humanities Postdoctoral Fellowship Program at the Thomas Edison National Historic Park in West Orange, New Jersey; and at work on a novel.
482:
Newly-minted scholars of
Baldwin’s generation faced a prohibitive higher-education job market. Of necessity, during the early- through-mid 1970s, Baldwin diversified. After the stint at Art Park – while his wife,
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1009:, who encouraged him to embark upon writing the first biography of the artist in three decades. This was not to be an “authorized” telling, however. Baldwin’s intention from the outset was
333:- a fourth-generation New Yorker – was born on June 21, 1947. The eldest of four sons of David S. Baldwin, MD (1921-2013), and Halee (Morris) Baldwin (1923-2017), he grew up on the
917:
717:
696:, the members of the Library management team went their separate ways. In the spring of 1989, after being interviewed by the executive committee of the board of the nascent
440:
The
Manuscripts and Letters of William Carlos Williams in the Poetry Collection, Lockwood Memorial Library, State University of New York at Buffalo: A Descriptive Catalogue
757:
861:
467:,” were featured in the American Poetry Review while he was still in graduate school. His first administrative position, Associate Director of Community Programs at
586:(Scholastic, 1981), a teaching manual derived from his creative writing pedagogy for grades 4-12. In 1984, Atheneum published (with a cover graced by a design of
1006:
909:
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596:, derived from his first-hand scholarly engagement with the doctor-poet (1883-1963) who was born, lived and died in Rutherford, N.J. The Preface was by
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is a poet, critic, cultural historian, biographer, arts executive, and emeritus professor (as of July 1, 2020) in the
College of the Arts at
1026:
500:
442:. In addition to annotating Williams’s twenty thousand manuscripts – correspondence, poetry, fiction, nonfiction, drama, and the epic poem,
471:, came soon thereafter. These art-and-work initiatives in literature and not-for-profit established the through-line for Baldwin’s career.
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522:
521:, a periodical of contemporary poetry that he edited and published for eight years; its “spirit of place” inaugural issue was devoted to “
224:
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900:-- he shifted to training graduate and undergraduate students in the craft of assisting on department production teams; while, on the
570:; founded Neil Baldwin Associates, a nonprofit consultancy; took administrative and development positions with Poets & Writers and
725:
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507:– drug rehabilitation centers, prisons, senior citizen centers, hospitals, and settlement houses – supported by funding from the
446:- housed at Buffalo since the 1950s -- the volume includes Baldwin’s itemization of the Williams holdings at the Yale University
986:, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her
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for deaccession; keeping several writing projects moving in his journal; and serving as Critic-in-Residence for
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and established a permanent endowment to ensure the future stewardship of the institution and its mission. The
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83:
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816:(2005), that enabled him to move on from the National Book Foundation, and write full time for two years.
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foregrounding imaginative projects by students and faculty across the entire
University, and presenting an
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approached
Baldwin about bearing witness to rehearsals, technique and choreography classes; the result was
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Immersed in his writing (as well as fundraising) lives, Baldwin forged ahead with a new biography of
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1045:. And of Graham inspiring the next generation of dancers, choreographers, and teachers, among them:
1427:
764:. Literacy and educational outreach programs enlisting National Book Award Finalists and Winners -
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1383:
998:, performance as art. Her work continued to astonish and inspire for more than sixty years as she
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He received a fellowship to teach undergraduate composition and literature while pursuing the
1362:
The
American Revelation: Ten Ideals That Shaped Our Country From the Puritans to the Cold War
813:
The
American Revelation: Ten Ideals that Shaped Our Country from the Puritans to the Cold War
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in Riverdale, N.Y., where he wrote theatre, book and jazz reviews for the student newspaper,
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1029:). Baldwin writes of the company’s effulgence during the hothouse artistic explosion of
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By 1989, the Campaign successfully completed, Baldwin had produced a second biography,
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651:(Clarkson Potter), with the cooperation of the painter-photographer’s widow in Paris,
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787:(Public Affairs, 1999), a richly-illustrated study in anthropological mythology; and
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422:. His doctoral dissertation, compiled with the blessing and personal stewardship of
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550:, where Neil Baldwin continued his multifaceted enterprises and Roberta joined the
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Baldwin's blog as Director of Creative Research Center, Montclair State University
803:(Washington House, Inc., 2010), was inspired by the conspiracy-driven Ford saga.
532:
406:, with a minor in French literature, from 1969-1973. Baldwin’s mentors were poets
351:; and was co-captain of the varsity cross-country, winter and spring track teams.
761:
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1017:. Here, the reader meets and come to know Graham, from her nineteenth-century
893:
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1002:. At the heart of Graham’s work: movement that could express inner feeling.
879:, the first such course on a college campus. After serving as dramaturg for
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side, he created and taught critical and observational writing seminars for
1069:
961:, arrived at the Montclair State University campus to set Graham’s classic
627:
487:, pursued her métier as an arts and entertainment critic for the Rochester
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exotic ballets, and in 1926, at age thirty-two, founding her own company (
592:
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within the vibrant literary, visual arts, and music sweeping through the
810:, Baldwin received an advance from St. Martin’s Press for his next book,
781:(Hyperion, 1995), bringing the man into prominence, beyond his persona;
464:
455:
William Carlos Williams and Valery Larbaud: Toward a Dynamic Convergence
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of the iconic auto maker. Baldwin’s fact-based international thriller,
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372:, England, writing his final term paper - “Order, Rhythm, and Cycle in
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after fall and spring concerts. As a core faculty member of the BA/MA
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When Vartan Gregorian departed the NYPL to take up the presidency of
554:
as Lifestyle Editor. He taught literature as an adjunct professor at
1087:
was published by Alfred A. Knopf on October 25, 2022, to widespread
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972:
One of the most important artistic forces of the twentieth century,
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external links, and converting useful links where appropriate into
1562:"Booknotes Interview with Baldwin - Edison: Inventing the Century"
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Baldwin describes a common thread in some of his work as follows:
1007:
Janet Eilber, artistic director of The Martha Graham Dance Company
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was created, honoring, among others, for lifetime achievement --
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keenly desiring a collegial environment, Baldwin sent a copy of
574:; published two more volumes of poetry with Salt-Works Press -
330:
990:—powerful, dynamic, jagged, edgy, forthright—combined with her
663:, with a script by Baldwin based upon his book and narrated by
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Association for the Study of African American Life and History
1228:(Baldwin used this book in writing the screenplay for the PBS
1146:
1068:– as well as intimate interviews, on tape and in person, with
133:
66:
25:
897:
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Jerome Robbins Dance Division of the New York Public Library
991:
438:
by Creeley, was published in 1978 by G.K.Hall and Company -
319:
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To All Gentleness: William Carlos Williams, the Doctor Poet
1038:
839:, dean of the College of Humanities and Social Sciences at
478:
Mid-Career – melding the literary and not-for-profit worlds
896:– both shows featuring set design by Baldwin’s colleague,
1295:
Legends of the Plumed Serpent: Biography of a Mexican God
928:
in the Honors Program; and, in 2010, founded the virtual
784:
Legends of the Plumed Serpent: Biography of a Mexican God
465:
Translations from the French Poetry of Rainer Maria Rilke
368:, an early influence. He spent junior year abroad at the
505:
creative writing workshops in “non-traditional” settings
1163:
91:
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The National Book Foundation – creating an institution
760:
in 1999, at a black-tie ceremonial banquet hosted by
499:-- Baldwin was Western New York Coordinator for the
1328:
Henry Ford and the Jews: The Mass Production of Hate
1100:
danceaturging for the Sokolow/Theatre Dance Ensemble
1005:
Seized by this mammoth idea, Baldwin broached it to
790:
Henry Ford and the Jews: The Mass Production of Hate
730:
Distinguished Contribution to American Letters Award
638:; soon thereafter, Roberta launched her career as a
605:, under the visionary leadership of philanthropist
295:
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806:In 2002, driven to take action in the wake of the
590:) Baldwin’s biography of William Carlos Williams,
86:may not follow Knowledge's policies or guidelines
1056:Enriched by archival visual and audio riches of
758:50th anniversary National Book Awards Gold Medal
655:; and his niece, in Princeton, the photographer
916:, Baldwin continued to teach Theatre History,
291:American history, art, literature, and culture
8:
1027:the longest-running dance company in America
358:, N.Y., from 1965-1969, studying with Prof.
1096:travelling and speaking about Martha Graham
501:New York State Poets in the Schools Program
60:Learn how and when to remove these messages
1181:
1104:arranging his poetic and literary archives
1076:, and hours of eyewitness sojourns in the
448:Beinecke Rare Book and Manuscripts Library
387:” - under the aegis and tutelage of Prof.
223:
212:
163:. Please do not remove this message until
1031:New York City’s midcentury cultural scene
201:Learn how and when to remove this message
183:Learn how and when to remove this message
122:Learn how and when to remove this message
1084:Martha Graham – When Dance Became Modern
354:Baldwin began as a history major at the
159:Relevant discussion may be found on the
1539:
1511:Martha Graham: When Dance Became Modern
795:excavating the anti-Semitic pathologies
282:State University of New York at Buffalo
1039:Balanchine’s School of American Ballet
949:The visceral epiphany of Martha Graham
525:.” Baldwin’s first volume of poetry,
523:Poets of Western New York and Ontario
377:Portrait of the Artist as a Young Man
7:
670:Man Ray – Prophet of the Avant-Garde
572:Teachers & Writers Collaborative
546:, the Baldwins departed Buffalo for
1236:Man Ray: Prophet of the Avant-Garde
957:, senior artistic associate of the
1632:Montclair State University faculty
1019:Allegheny, Pennsylvania, childhood
940:annual interdisciplinary Symposium
868:. Following upon this theme, the
659:. A 1997 documentary, directed by
531:, was published in letterpress by
463:; and his first published poems, “
453:Baldwin’s first published essay, “
14:
1617:American male non-fiction writers
1000:choreographed more than 180 works
922:“The Entrepreneurial Imagination”
858:Department of Theatre & Dance
619:Room 315, The Public Catalog Room
252:writer/author, emeritus professor
41:This article has multiple issues.
1158:This literature-related list is
1150:
967:Professor Emeritus in July, 2020
539:(Dennis, Massachusetts, 1974).
138:
71:
30:
1078:Company’s vast rehearsal studio
1015:American scene between the Wars
874:another curricular invention --
718:Young People’s Literature Award
509:National Endowment for the Arts
49:or discuss these issues on the
21:Neil Baldwin (Keele University)
1622:University of Rochester alumni
1021:, to becoming the star of the
992:distinctive system of training
936:capacious, multipaged web site
469:Lewiston (N.Y.) State Art Park
1:
1379:The Massachusetts Bay Company
1315:Legends of the Plumed Serpent
1259:Edison: Inventing the Century
710:raised more than $ 25 million
700:, sponsor of the prestigious
400:PhD in Modern American Poetry
16:American writer and professor
1627:University at Buffalo alumni
1564:. C-SPAN. February 21, 1995.
980:“the Dancer of the Century.”
613:, and Chairman of the Board
335:Upper West Side of Manhattan
1313:Presentation by Baldwin on
1094:Currently, Neil Baldwin is
959:Martha Graham Dance Company
924:in the School of Business;
720:was created, adding to the
706:founding executive director
704:, Baldwin was hired as the
603:The New York Public Library
598:William Eric Williams, M.D.
584:The Poetry Writing Handbook
426:, founder and publisher of
414:; and Francophone scholars
165:conditions to do so are met
1648:
1415:Pierre Eugene du Simitiere
1387:interview with Baldwin on
1382:
1368:
1365:
1360:
1280:interview with Baldwin on
918:Play Script Interpretation
841:Montclair State University
320:Montclair State University
18:
300:
229:Photograph by Mike Peters
222:
1352:The Dearborn Independent
1225:Man Ray: American Artist
1197:Interviews and articles
931:Creative Research Center
908:, who hosted innovative
906:MFA and BFA dance majors
892:adapted and directed by
856:, who placed him in the
793:(Public Affairs, 2001),
716:was reinstated; and the
698:National Book Foundation
675:WNET-13 American Masters
648:Man Ray: American Artist
580:On the Trail of Messages
528:The bared and bended arm
513:Poets & Writers, Inc
490:Democrat & Chronicle
370:University of Manchester
326:Early life and education
19:Not to be confused with
1389:The American Revelation
1216:William Carlos Williams
1058:Martha Graham Resources
1011:to contextualize Graham
953:In the winter of 2008,
926:“Great Books and Ideas”
914:Theatre Studies Program
886:, and a new version of
833:The American Revelation
677:, and nominated for an
515:. In 1974, he launched
356:University of Rochester
277:University of Rochester
1137:
1132:
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1070:vintage Graham dancers
1037:, in 1936, fresh from
994:, were the epitome of
1346:The International Jew
1133:
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963:“Steps in the Street”
636:Montclair, New Jersey
634:, age five, moved to
1457:Progress and Poverty
1164:adding missing items
1074:stars of the present
988:pioneering movements
702:National Book Awards
607:Brooke Russell Astor
560:CUNY Graduate Center
518:The Niagara Magazine
428:New Directions, Inc.
92:improve this article
1428:Ralph Waldo Emerson
1066:Library of Congress
850:College of the Arts
823:The academy beckons
766:National Book Month
460:American Literature
430:, co-authored with
152:of this article is
104:footnote references
1441:John L. O'Sullivan
1370:St. Martin's Press
1317:, December 9, 1998
1162:; you can help by
1117:Themes in writings
1108:The Blended Campus
996:American modernism
829:national book tour
582:; and brought out
568:Fordham University
393:Critical Quarterly
343:Horace Mann School
1531:
1530:
1504:The Marshall Plan
1489:Carter G. Woodson
1180:
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800:The 25th Protocol
665:Stockard Channing
640:real estate agent
630:, age seven, and
593:To All Gentleness
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1047:Merce Cunningham
837:Mary A. Papazian
742:David McCullough
738:Gwendolyn Brooks
694:Brown University
611:Vartan Gregorian
548:Brooklyn Heights
544:Blizzard of 1977
537:Salt-Works Press
493:and the Buffalo
432:Steven L. Meyers
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1385:After Words
1051:Paul Taylor
955:Denise Vale
910:“talkbacks”
902:danceaturgy
876:Danceaturgy
746:Philip Roth
265:Nationality
1606:Categories
1534:References
1469:Hull House
1341:Henry Ford
1160:incomplete
898:Erhard Rom
864:Dramaturgy
845:Susan Cole
726:Nonfiction
679:Emmy Award
661:Mel Stuart
588:Harry Ford
542:After the
420:John Simon
412:John Logan
348:The Record
249:Occupation
173:April 2023
150:neutrality
112:April 2023
46:improve it
1278:Booknotes
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984:technique
752:, -- and
161:talk page
96:excessive
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628:Nicholas
444:Paterson
268:American
257:Language
243:New York
154:disputed
1250:Man Ray
889:Homburg
883:Arcadia
722:Fiction
632:Allegra
576:Seasons
436:Preface
389:C.B.Cox
381:Ulysses
337:, near
296:Website
288:Subject
260:English
90:Please
82:use of
1597:C-SPAN
1395:C-SPAN
1321:C-SPAN
1288:C-SPAN
1282:Edison
1064:, the
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566:, and
511:, and
383:, and
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1185:Title
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