144:
474:, completed a few months earlier. More simply, it may have sprung from the challenge of composing without the desired instrumentation. The solo parts for two of the vocal quartet are virtuosic: the bass line was perhaps written for the accomplished Christian Specht, and the soprano line, even more demanding, could have been written for Barbara Pilhofer or Therese Gassmann. The piece was premiered 23 September 1798 at the
55:
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for the
Princess's name day. Haydn, therefore, was left with a "dark" orchestra composed of strings, trumpets, timpani, and organ. Later editors and arrangers added what they perceived to be missing woodwind parts, but the original scoring has again become the accepted choice for modern performances.
445:(Mass for troubled times). What Haydn did not know when he wrote the mass, but what he and his audience heard (perhaps on September 15, the day of the very first performance), was that on 1 August, Napoleon had been dealt a stunning defeat in the
418:. They highlight the soloists and chorus while allowing the orchestra to play a prominent role. Owing to the political and financial instability of this period in European history, Haydn's patron
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had won four major battles with
Austria in less than a year. The previous year, in early 1797, his armies had crossed the Alps and threatened Vienna itself. In May 1798, Napoleon invaded
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The summer of 1798 was therefore a terrifying time for
Austria, and when Haydn finished this mass, his own title, in the catalogue of his works, was
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406:, has written that this mass "is arguably Haydn's greatest single composition". Written in 1798, it is one of the six late masses by Haydn for the
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Haydn's original title may also have come from illness and exhaustion at this time, which followed his supervision of the first performances of
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390:. It is one of the six masses written near the end of his life that are seen as a culmination of Haydn's composition of
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of the 1780s. The late sacred works of Haydn are regarded as masterworks, influenced by the experience of his
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Though Haydn's reputation was at its peak in 1798, when he wrote this mass, his world was in turmoil.
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composed after taking a short hiatus, during which elaborate church music was inhibited by the
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Haydn: Missa in angustiis (Nelson Mass); Vivaldi, Gloria in D; Handel: Zadok the Priest
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506:. Performances require between 45 and 60 minutes. The choir sings in all movements.
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South
African Journal of Musicology/Suid-Afrikaanse tydskrif vir musiekwetenskap
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dismissed the
Feldharmonie, or wind band octet, shortly before Haydn wrote the
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457:. The title became indelible when, in 1800, Lord Nelson himself visited the
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453:. Because of this coincidence, the mass gradually acquired the nickname
881:
McCaldin, Denis (1995). "Haydn's 'Nelson' Mass: Its decline and rise."
121:
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and Feder, Georg. "§ Sacred vocal music" in "Haydn, Joseph."
142:
535:, D major, common time (soli soprano, alto, tenor, bass )
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Missa
Cellensis in honorem Beatissimae Virginis Mariae
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478:(now cathedral), a last minute venue change from the
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372:(Mass for troubled times), commonly known as the
438:to destroy Britain's trade routes to the East.
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334:Agnus Dei: Agnus Dei, qui tollis peccata mundi
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549:, B-flat major, 3/4 (soli soprano, baritone)
752:Choir and the English Concert conducted by
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934:International Music Score Library Project
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949:UC Davis Symphony & Chorus: Haydn:
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461:, accompanied by his British mistress,
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930:Mass in D minor, Hob. XXII/11 (Haydn)
607:, D major, common time (soprano solo)
7:
741:; recording re-released in 2000 by
667:, Allegro, D major, 3/4 (soli SATB)
502:. It consists of the following six
1032:Missa brevis Sancti Joannis de Deo
697:, D major, common time (soli SATB)
563:, D major, common time (soli SATB)
353:Problems playing these files? See
14:
1093:
1048:Missa Sancti Bernardi von Offida
756:, recording released in 1990 by
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298:Benedictus: Benedictus qui venit
284:
266:
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208:Gloria: Quoniam tu solus sanctus
194:
190:Gloria: Qui tollis peccata mundi
176:
158:
62:, for whom the mass is nicknamed
316:Benedictus: Hosanna in excelsis
172:Gloria: Gloria in excelsis Deo
1:
911:Schenbeck, Lawrence. (1985) "
521:, D minor, 3/4 (soprano solo)
943:Choral Public Domain Library
844:Nelson – A Personal History
683:, G major, 3/4 (soli SATB)
653:, D minor, 2/4 (soli SATB)
91:23 September 1798
1142:
939:Free scores of Nelson Mass
737:(organ), conducted by Sir
593:, G major, 3/4 (soli SATB)
402:Haydn's chief biographer,
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873:(CD notes). conducted by
715:London Symphony Orchestra
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449:by British forces led by
386:by the Austrian composer
226:Credo: Credo in unum Deum
52:
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16:1798 Mass by Joseph Haydn
554:Quoniam tu solus sanctus
244:Credo: Et incarnatus est
1012:Missa Brevis in F major
919:, 25, no. 9: 19, 25–30.
809:McCaldin (1995), p. 26.
623:, D major, common time
1116:Masses by Joseph Haydn
1053:Missa in tempore belli
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451:Admiral Horatio Nelson
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859:Landon, H. C. Robbins
146:
1027:Missa Sancti Nicolai
840:Hibbert, Christopher
827:McCaldin (1995). 26.
818:Hibbert 1994, p. 216
713:Choir and a reduced
704:Selected discography
404:H. C. Robbins Landon
262:Credo: Et resurrexit
899:Oxford Music Online
885:(SAMUS), 15: 25–32.
762:Deutsche Grammophon
750:The English Concert
576:Allegro con spirito
412:Josephinian reforms
1058:Missa in Angustiis
951:Missa in angustiis
915:by Joseph Haydn."
913:Missa in angustiis
894:Grove Music Online
863:Missa in angustiis
476:town parish church
447:Battle of the Nile
443:Missa in angustiis
424:Missa in angustiis
367:Missa in angustiis
148:
126:choir and soloists
27:Missa in angustiis
1121:1798 compositions
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800:Webster and Feder
758:Archiv Produktion
745:Legends CD 458623
584:Et incarnatus est
416:London symphonies
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1044:Esterházy masses
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955:Lord Nelson Mass
932:: Scores at the
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877:. London: Decca.
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518:Allegro moderato
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459:Palais Esterházy
455:Lord Nelson Mass
408:Esterhazy family
392:liturgical music
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875:David Willcocks
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846:. Basic Books.
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945:(ChoralWiki)
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743:London/Decca
733:(baritone),
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471:The Creation
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388:Joseph Haydn
384:Mass setting
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131:Instrumental
47:Joseph Haydn
35:
24:
18:
867:Nelson Mass
764:) CD 423097
723:Helen Watts
721:(soprano),
420:Nikolaus II
375:Nelson Mass
60:Lord Nelson
36:Nelson Mass
1110:Categories
861:(2000) . "
769:References
731:Tom Krause
650:Allegretto
644:Benedictus
540:Qui tollis
496:Latin Mass
484:Eisenstadt
480:Bergkirche
398:Background
355:media help
102:Eisenstadt
95:1798-09-23
729:(tenor),
674:Agnus Dei
504:movements
490:Movements
134:orchestra
110:Movements
87:Performed
68:Catalogue
842:(1994).
432:Napoleon
79:Language
941:in the
834:Sources
664:Allegro
634:Allegro
614:Sanctus
560:Allegro
532:Allegro
498:of the
280:Sanctus
93: (
74:XXII/11
1086:Portal
993:Masses
850:
748:1986:
709:1962:
694:Vivace
680:Adagio
620:Adagio
604:Vivace
526:Gloria
774:Notes
717:with
590:Largo
570:Credo
512:Kyrie
436:Egypt
154:Kyrie
118:Vocal
82:Latin
869:)".
848:ISBN
380:Hob.
362:The
123:SATB
72:Hob.
995:by
482:in
45:by
1112::
1046::
897:.
793:^
691:,
677:,
661:,
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617:,
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557:,
543:,
529:,
515:,
486:.
394:.
99::
1088::
985:e
978:t
971:v
957:)
953:(
901:.
865:(
854:.
760:(
378:(
357:.
113:6
97:)
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