289:
50:
147:
820:
657:
577:
347:
231:, 100). In the period following German unification in 1871, naturalism rejected Romantic literature as a misleading, idealistic distortion of reality. Naturalism in turn came to be regarded as incapable of filling the "void" of modern existence. Critics such as
247:
under the banner of "neo-romanticism", demanding a cultural reorientation responding to "the soul's longing for a meaning and content in life" that might replace the fragmentations of modern knowledge with a holistic world view
471:
In
British art history, the term "neo-romanticism" is applied to a loosely affiliated school of landscape painting that emerged around 1930 and continued until the early 1950s. It was first labeled in March 1942 by the critic
266:
movement in the late 1970s and early 1980s. Along with other phrases such as "new tonality", this term has been criticised for lack of precision because of the diversity among these composers, whose leading member is
188:
who describes his music as "a late flowering of romanticism in a positivist age". He regards it as synonymous with "the age of Wagner", from about 1850 until 1890—the start of the era of
1052:, neo-romanticism began in the early 20th century and floureshed during the 1930s–1940s, that sought inspiration from French or English romantic poetry. Most famous its part is the
515:). This movement was motivated in part as a response to the threat of invasion during World War II. Artists particularly associated with the initiation of this movement included
227:
Neo-romanticism as well as
Romanticism is considered in opposition to naturalism—indeed, so far as music is concerned, naturalism is regarded as alien and even hostile (
1312:
506:
1553:
1395:
1374:
1357:
1334:
1268:
328:
133:
306:
67:
1146:
Beginning in the mid-1930s and continuing through World War II, a
Japanese neo-romantic literary movement was led by the writer
114:
1527:
310:
71:
86:
1369:, edited by Nicholas Saul, 257–80. Cambridge Companions to Literature. Cambridge and New York: Cambridge University Press.
260:"Neo-romanticism" was proposed as an alternative label for the group of German composers identified with the short-lived
1583:
93:
1608:
952:
1548:. London: Constable & Company Limited. Paperback reprint, London and New York: Tauris Parke Paperbacks, 2001.
428:
169:
is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as
100:
204:, 98–99, 102, 105). It has been applied to writers, painters, and composers who rejected, abandoned, or opposed
1598:
1049:
1086:, Fawsi Maluf, Farhat, and al-Qarawi. The neo-romantic current also involved poets in every Arabian country:
453:
299:
82:
60:
1603:
1236:
1115:
1091:
443:
418:
38:
1010:
1003:
871:
413:
779:
536:
1613:
1382:
Torrance, Richard. 2010. "The People's
Library: The Spirit of Prose Literature Versus Fascism". In
1194:
1147:
1111:
1087:
1020:
957:
714:
710:
520:
639:
516:
424:
1549:
1391:
1370:
1353:
1330:
1308:
1264:
1221:
1184:
1131:
1103:
1095:
1025:
962:
905:
629:
532:
497:
189:
107:
999:
552:
473:
433:
240:
209:
1343:
1216:
1179:
917:
888:
791:
767:
750:
623:
556:
438:
193:
170:
1520:
Civilisation and its
Discontents: English Neo-Romanticism and the Transformation of Anti-
929:
493:
1499:
1174:
1099:
1037:
989:
738:
726:
540:
262:
205:
181:
1537:
This
Enchanted Isle: The Neo-Romantic Vision from William Blake to the New Visionaries
1592:
1320:
1211:
1199:
1083:
1079:
1071:
974:
548:
528:
489:
485:
481:
448:
398:
268:
236:
197:
185:
1387:
1365:
Kohlenbach, Margarete. 2009. "Transformations of German
Romanticism 1830–2000". In
1246:
1241:
1163:
1107:
1067:
947:
941:
876:
845:
682:
602:
544:
459:
408:
372:
232:
31:
1347:
1324:
1189:
1075:
979:
893:
803:
755:
634:
524:
403:
288:
244:
213:
174:
150:
49:
1390:, 56–79. Asia-Pacific: Culture, Politics, and Society. Duke University Press.
1135:
706:
17:
1521:
834:
703:
671:
591:
488:, but were also influenced by French cubist and post-cubist artists such as
361:
216:
146:
1307:, edited by Hugh Brigstocke. Oxford and New York: Oxford University Press.
1453:
The
Geographies of Englishness: Landscape and the National Past, 1880-1940
1226:
830:
667:
587:
357:
158:
1568:
Brajendranath Seal. 1903. "The Neo-Romantic
Movement in Literature". In
1231:
313: in this section. Unsourced material may be challenged and removed.
180:
It has been used with reference to late-19th-century composers such as
74: in this article. Unsourced material may be challenged and removed.
1263:, 34 volumes, edited by Jane Turner. New York: Grove's Dictionaries.
1063:
1054:
154:
1546:
The Spirit of the Place: Nine Neo-Romantic
Artists and Their Times
1489:
Paradise Lost: The Neo-Romantic Imagination in Britain, 1935–1955
1346:; Reyfman, Irina; Sandler, Stephanie (2018). "Neo-Romanticism."
219:
at various points in time from about 1840 down to the present.
1294:
Hentschel, Frank. 2006. "Wie neu war die 'Neue Einfachheit'?"
1276:
Clarke, Michael, and Deborah Clarke. 2001. "Neo-Romanticism".
813:
650:
570:
340:
282:
43:
1480:
Fantastic Illustration and Design in Great Britain, 1850–1930
480:. These painters looked back to 19th-century artists such as
1014:
993:
983:
173:, that exist after and incorporate elements from the era of
161:
one of the points of reference for Neo-Romantic architecture
1323:(1977). "The Romantic Current in Modern Arabic Poetry." In
1471:
Poets in the Landscape: The Romantic Spirit in British Art
841:
678:
598:
368:
505:
harvnb error: no target: CITEREFClark_and_Clarke2001 (
1462:
The Ruralists (An Art & Design Profile, No. 23)
717:has contributed greatly to neo-romantic thinking.
1502:: Ideas of Landscape in British Poetry Since 1945
1352:. Oxford: Oxford University Press. pp. 599–605.
501:
1584:EBNR: An Encyclopedia of British Neoromanticism
1280:. Oxford and New York: Oxford University Press.
1511:British Romantic Art and The Second World War
1367:The Cambridge Companion to German Romanticism
8:
1329:. Vol. 2. pp. 361–474. Leiden: E. J. Brill.
1326:Trends and Movements in Modern Arabic Poetry
1303:Hopkins, Justine. 2001. "Neo-Romanticism".
1259:Button, Virginia. 1996. "Neo-Romanticism".
192:, whose leading early representatives were
1278:The Concise Oxford Dictionary of Art Terms
249:
1451:Corbett, Holt, and Russell (eds.). 2002.
1285:Dahlhaus, Carl. 1979. "Neo-Romanticism".
329:Learn how and when to remove this message
272:
134:Learn how and when to remove this message
1151:
637:, in particular her popular debut novel
228:
223:Late 19th century and early 20th century
201:
145:
1134:neo-romanticism was represented by the
1119:
512:
1417:The Origins of the English Imagination
560:
37:For the term as applied to music, see
27:Movements from the era of Romanticism
7:
1524:in Twentieth-Century Western Culture
311:adding citations to reliable sources
72:adding citations to reliable sources
1305:The Oxford Companion to Western Art
25:
1478:Johnson and Landow (Eds). 1980.
1066:-language poets in the Americas
818:
655:
575:
535:. A younger generation included
345:
287:
48:
1384:The Culture of Japanese Fascism
1349:A History of Russian Literature
1002:, in particular his 1932 novel
298:needs additional citations for
59:needs additional citations for
833:format but may read better as
670:format but may read better as
590:format but may read better as
360:format but may read better as
243:came to oppose naturalism and
1:
1426:The Ruralists: A Celebration
1289:3, no. 2 (November): 97–105.
1482:. Cambridge: The MIT Press.
1460:Martin, Christopher. 1992.
1630:
1161:
429:Arts & Crafts Movement
36:
29:
1444:The British Neo-Romantics
1442:Cannon-Brookes, P. 1983.
1433:Michael Bracewell. 1997.
1062:" school) that includes
1050:Modern Arabic literature
30:Not to be confused with
1570:New Essays in Criticism
1535:Woodcock, Peter. 2000.
953:Stanisław Przybyszewski
842:converting this section
679:converting this section
599:converting this section
454:Neo-gothic architecture
369:converting this section
1544:Yorke, Malcolm. 1988.
1469:Martin, Simon. 2008.
1424:Arnold, Graham. 2003.
1415:Ackroyd, Peter. 2002.
1237:Neoromanticism (music)
1116:Al-Tijani Yusuf Bashir
1112:Abu al-Qasim al-Shabbi
1092:Abbas Mahmoud al-Aqqad
444:Robert Louis Stevenson
419:Ralph Vaughan Williams
162:
39:Neoromanticism (music)
1496:Picot, Edward. 1997.
1487:Mellor, David. 1987.
1321:Jayyusi, Salma Khadra
1206:Modern manifestations
1011:Konstantin Paustovsky
872:Uladzimir Karatkevich
502:Clark and Clarke 2001
414:Gerard Manley Hopkins
149:
1518:Trentmann, F. 1994.
307:improve this article
68:improve this article
1195:Robert Baden-Powell
1088:Abdel Rahman Shokry
1021:Sergei Rachmaninoff
715:Friedrich Nietzsche
711:Arthur Schopenhauer
1609:Literary movements
1509:Sillars, S. 1991.
1287:19th-Century Music
1158:In popular culture
844:, if appropriate.
681:, if appropriate.
640:The Secret History
601:, if appropriate.
425:Aesthetic movement
371:, if appropriate.
163:
1313:978-0-19-866203-7
1298:78, no. 1:111–31.
1296:Acta Musicologica
1261:Dictionary of Art
1222:Regionalism (art)
1185:Utopian socialism
1132:Indian literature
1104:Elias Abu Shabaki
1096:Ibrahim al-Mazini
1026:Pavel Tchelitchew
963:Karol Szymanowski
906:Alexander Kazbegi
863:
862:
700:
699:
630:Thomas Mayne Reid
620:
619:
533:Graham Sutherland
531:, and especially
498:Pavel Tchelitchew
390:
389:
339:
338:
331:
256:Late 20th century
144:
143:
136:
118:
83:"Neo-romanticism"
16:(Redirected from
1621:
1572:
1557:
1540:
1531:
1528:Birkbeck College
1514:
1505:
1492:
1483:
1474:
1465:
1456:
1447:
1438:
1429:
1420:
1399:
1378:
1361:
1344:Lipovetsky, Mark
1338:
1316:
1299:
1290:
1281:
1272:
1114:in Tunisia, and
1015:Kahn et al. 2018
1000:Vladimir Nabokov
994:Kahn et al. 2018
984:Kahn et al. 2018
958:Tadeusz Miciński
858:
855:
849:
840:You can help by
822:
821:
814:
695:
692:
686:
677:You can help by
659:
658:
651:
615:
612:
606:
597:You can help by
579:
578:
571:
553:Robert Colquhoun
510:
474:Raymond Mortimer
434:Symbolism (arts)
385:
382:
376:
367:You can help by
349:
348:
341:
334:
327:
323:
320:
314:
291:
283:
263:Neue Einfachheit
241:Eugen Diederichs
184:particularly by
171:social movements
139:
132:
128:
125:
119:
117:
76:
52:
44:
21:
1629:
1628:
1624:
1623:
1622:
1620:
1619:
1618:
1599:Neo-romanticism
1589:
1588:
1580:
1567:
1543:
1534:
1517:
1508:
1495:
1486:
1477:
1468:
1459:
1450:
1441:
1435:England Is Mine
1432:
1423:
1414:
1406:
1404:Further reading
1381:
1364:
1341:
1319:
1302:
1293:
1284:
1275:
1258:
1255:
1217:Goth subculture
1208:
1180:Guild socialism
1171:
1166:
1160:
1144:
1128:
1046:
982:(early works) (
918:Odysseus Elytis
889:Johannes Semper
859:
853:
850:
839:
823:
819:
812:
792:Rafael Sabatini
768:Sigurdur Nordal
751:Richard Strauss
696:
690:
687:
676:
660:
656:
649:
624:Justine Kurland
616:
610:
607:
596:
580:
576:
569:
557:Robert MacBryde
504:
469:
462:in photography.
439:Rudyard Kipling
395:
386:
380:
377:
366:
350:
346:
335:
324:
318:
315:
304:
292:
281:
258:
250:Kohlenbach 2009
225:
194:Richard Strauss
167:neo-romanticism
140:
129:
123:
120:
77:
75:
65:
53:
42:
35:
28:
23:
22:
15:
12:
11:
5:
1627:
1625:
1617:
1616:
1611:
1606:
1601:
1591:
1590:
1587:
1586:
1579:
1578:External links
1576:
1575:
1574:
1559:
1558:
1541:
1532:
1515:
1506:
1498:Outcasts from
1493:
1484:
1475:
1466:
1457:
1448:
1439:
1430:
1421:
1405:
1402:
1401:
1400:
1379:
1362:
1342:Kahn, Andrew;
1339:
1317:
1300:
1291:
1282:
1273:
1254:
1251:
1250:
1249:
1244:
1239:
1234:
1229:
1224:
1219:
1214:
1207:
1204:
1203:
1202:
1197:
1192:
1187:
1182:
1177:
1175:Romantic music
1170:
1167:
1162:Main article:
1159:
1156:
1143:
1140:
1127:
1124:
1100:Omar Abu Risha
1045:
1042:
1041:
1040:
1038:Dragotin Kette
1034:
1033:
1029:
1028:
1023:
1018:
1008:
997:
990:Alexander Grin
987:
977:
971:
970:
966:
965:
960:
955:
950:
945:
938:
937:
933:
932:
926:
925:
921:
920:
914:
913:
909:
908:
902:
901:
897:
896:
891:
885:
884:
880:
879:
874:
868:
867:
861:
860:
826:
824:
817:
811:
810:Eastern Europe
808:
807:
806:
800:
799:
795:
794:
788:
787:
783:
782:
776:
775:
771:
770:
764:
763:
759:
758:
753:
747:
746:
742:
741:
739:Edmond Rostand
735:
734:
730:
729:
727:Anton Bruckner
723:
722:
698:
697:
663:
661:
654:
648:
647:Western Europe
645:
644:
643:
632:
627:
626:'s photography
618:
617:
583:
581:
574:
568:
565:
541:Michael Ayrton
468:
465:
464:
463:
458:Some modes of
456:
451:
446:
441:
436:
431:
421:
416:
411:
406:
401:
394:
391:
388:
387:
353:
351:
344:
337:
336:
295:
293:
286:
280:
277:
273:Hentschel 2006
257:
254:
224:
221:
182:Richard Wagner
142:
141:
56:
54:
47:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1626:
1615:
1612:
1610:
1607:
1605:
1604:Art movements
1602:
1600:
1597:
1596:
1594:
1585:
1582:
1581:
1577:
1571:
1566:
1565:
1564:
1563:
1555:
1554:1-86064-604-2
1551:
1547:
1542:
1538:
1533:
1529:
1525:
1523:
1516:
1512:
1507:
1503:
1501:
1494:
1490:
1485:
1481:
1476:
1472:
1467:
1463:
1458:
1454:
1449:
1445:
1440:
1436:
1431:
1427:
1422:
1418:
1413:
1412:
1411:
1410:
1403:
1397:
1396:9780822390701
1393:
1389:
1385:
1380:
1376:
1375:9780521848916
1372:
1368:
1363:
1359:
1358:9780199663941
1355:
1351:
1350:
1345:
1340:
1336:
1335:90-04-04920-7
1332:
1328:
1327:
1322:
1318:
1314:
1310:
1306:
1301:
1297:
1292:
1288:
1283:
1279:
1274:
1270:
1269:9781884446009
1266:
1262:
1257:
1256:
1252:
1248:
1245:
1243:
1240:
1238:
1235:
1233:
1230:
1228:
1225:
1223:
1220:
1218:
1215:
1213:
1210:
1209:
1205:
1201:
1200:Metamodernism
1198:
1196:
1193:
1191:
1188:
1186:
1183:
1181:
1178:
1176:
1173:
1172:
1168:
1165:
1157:
1155:
1153:
1152:Torrance 2010
1149:
1148:Yasuda Yojūrō
1141:
1139:
1137:
1133:
1125:
1123:
1121:
1117:
1113:
1109:
1105:
1101:
1097:
1093:
1089:
1085:
1084:Elia Abu Madi
1081:
1080:Mikhail Naimy
1077:
1073:
1072:Kahlil Gibran
1069:
1065:
1061:
1057:
1056:
1051:
1043:
1039:
1036:
1035:
1031:
1030:
1027:
1024:
1022:
1019:
1016:
1012:
1009:
1007:
1006:
1001:
998:
995:
991:
988:
985:
981:
978:
976:
975:Eugene Berman
973:
972:
968:
967:
964:
961:
959:
956:
954:
951:
949:
946:
943:
940:
939:
935:
934:
931:
928:
927:
923:
922:
919:
916:
915:
911:
910:
907:
904:
903:
899:
898:
895:
892:
890:
887:
886:
882:
881:
878:
875:
873:
870:
869:
865:
864:
857:
848:is available.
847:
843:
837:
836:
832:
827:This section
825:
816:
815:
809:
805:
802:
801:
797:
796:
793:
790:
789:
785:
784:
781:
778:
777:
773:
772:
769:
766:
765:
761:
760:
757:
754:
752:
749:
748:
744:
743:
740:
737:
736:
732:
731:
728:
725:
724:
720:
719:
718:
716:
712:
708:
705:
694:
685:is available.
684:
680:
674:
673:
669:
664:This section
662:
653:
652:
646:
642:
641:
636:
633:
631:
628:
625:
622:
621:
614:
605:is available.
604:
600:
594:
593:
589:
584:This section
582:
573:
572:
567:United States
566:
564:
562:
558:
554:
550:
549:Keith Vaughan
546:
542:
538:
534:
530:
529:Ivon Hitchens
526:
522:
518:
514:
508:
503:
499:
495:
491:
490:Pablo Picasso
487:
486:Samuel Palmer
483:
482:William Blake
479:
478:New Statesman
475:
466:
461:
457:
455:
452:
450:
449:A. E. Housman
447:
445:
442:
440:
437:
435:
432:
430:
426:
422:
420:
417:
415:
412:
410:
407:
405:
402:
400:
399:Lewis Carroll
397:
396:
392:
384:
375:is available.
374:
370:
364:
363:
359:
354:This section
352:
343:
342:
333:
330:
322:
312:
308:
302:
301:
296:This section
294:
290:
285:
284:
278:
276:
274:
270:
269:Wolfgang Rihm
265:
264:
255:
253:
251:
246:
242:
238:
237:Heinrich Mann
234:
230:
229:Dahlhaus 1979
222:
220:
218:
215:
211:
207:
203:
202:Dahlhaus 1979
199:
198:Gustav Mahler
195:
191:
187:
186:Carl Dahlhaus
183:
178:
176:
172:
168:
160:
156:
152:
148:
138:
135:
127:
116:
113:
109:
106:
102:
99:
95:
92:
88:
85: –
84:
80:
79:Find sources:
73:
69:
63:
62:
57:This article
55:
51:
46:
45:
40:
33:
19:
18:Neo-Romantics
1569:
1561:
1560:
1545:
1536:
1519:
1510:
1497:
1488:
1479:
1470:
1461:
1452:
1443:
1434:
1425:
1416:
1408:
1407:
1388:Alan Tansman
1386:, edited by
1383:
1366:
1348:
1325:
1304:
1295:
1286:
1277:
1260:
1247:New Romantic
1242:Neotribalism
1164:New Romantic
1145:
1129:
1120:Jayyusi 1977
1110:in Lebanon,
1108:Salah Labaki
1068:Ameen Rihani
1059:
1053:
1047:
1004:
948:Antoni Lange
942:Young Poland
877:Yanka Kupala
851:
846:Editing help
828:
701:
688:
683:Editing help
665:
638:
608:
603:Editing help
585:
545:John Craxton
513:Hopkins 2001
494:André Masson
477:
470:
460:pictorialism
409:Edward Elgar
378:
373:Editing help
355:
325:
316:
305:Please help
300:verification
297:
261:
259:
233:Hermann Bahr
226:
179:
166:
164:
130:
121:
111:
104:
97:
90:
78:
66:Please help
61:verification
58:
32:New Romantic
1212:Fantasy art
1190:Wandervogel
1122:, 361–474)
1076:Nasib Arida
1048:Within the
980:Maxim Gorky
894:Marie Under
804:Knut Hamsun
756:Wandervogel
635:Donna Tartt
561:Button 1996
537:John Minton
525:Henry Moore
404:John Ruskin
245:materialism
214:avant-garde
175:Romanticism
151:Pena Palace
1614:Modern art
1593:Categories
1526:. London:
1253:References
1138:movement.
1136:Chhayavaad
1118:in Sudan.(
1102:in Syria,
1098:in Egypt,
1044:Arab world
1017:, 599–605)
996:, 599–605)
986:, 599–605)
866:Belarusian
780:W.B. Yeats
707:philosophy
521:John Piper
210:naturalism
94:newspapers
1522:Modernism
1032:Slovenian
930:MĂłr JĂłkai
924:Hungarian
704:aesthetic
517:Paul Nash
467:1930–1955
393:1880–1910
217:modernism
190:modernism
165:The term
1409:British:
1227:Neopagan
1169:See also
944:Movement
900:Georgian
883:Estonian
854:May 2013
691:May 2013
611:May 2013
427:and the
381:May 2013
319:May 2013
275:, 111).
252:, 261).
159:Portugal
124:May 2013
1232:Neofolk
1154:, 66).
1130:In the
969:Russian
774:Ireland
762:Iceland
745:Germany
721:Austria
476:in the
279:Britain
206:realism
108:scholar
1562:Indian
1552:
1394:
1373:
1356:
1333:
1311:
1267:
1064:Arabic
1060:émigré
1055:Mahjar
936:Polish
912:Greece
829:is in
798:Norway
733:France
666:is in
586:is in
555:, and
496:, and
356:is in
239:, and
155:Sintra
110:
103:
96:
89:
81:
1142:Japan
1126:India
1005:Glory
835:prose
786:Italy
672:prose
592:prose
362:prose
212:, or
115:JSTOR
101:books
1550:ISBN
1500:Eden
1392:ISBN
1371:ISBN
1354:ISBN
1331:ISBN
1309:ISBN
1265:ISBN
1106:and
1094:and
831:list
713:and
702:The
668:list
588:list
507:help
484:and
423:The
358:list
196:and
87:news
709:of
563:).
309:by
153:in
70:by
1595::
1090:,
1082:,
1078:,
1074:,
1070:,
1058:("
551:,
547:,
543:,
539:,
527:,
523:,
519:,
511:;
492:,
235:,
208:,
177:.
157:,
1573:.
1556:.
1539:.
1530:.
1513:.
1504:.
1491:.
1473:.
1464:.
1455:.
1446:.
1437:.
1428:.
1419:.
1398:.
1377:.
1360:.
1337:.
1315:.
1271:.
1150:(
1013:(
992:(
856:)
852:(
838:.
693:)
689:(
675:.
613:)
609:(
595:.
559:(
509:)
500:(
383:)
379:(
365:.
332:)
326:(
321:)
317:(
303:.
271:(
248:(
200:(
137:)
131:(
126:)
122:(
112:·
105:·
98:·
91:·
64:.
41:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.